Rudolf Kempe (Rudolf Kempe) |

Rudolf Kempe

Babu wani abu mai ban sha'awa ko ba tsammani a cikin aikin kirkirar Rudolf Kempe. Sannu a hankali, daga shekara zuwa shekara, yana samun sabbin mukamai, yana da shekaru hamsin ya koma cikin manyan masu jagoranci na Turai. Nasarar fasaha da ya samu ta dogara ne akan ingantaccen ilimin ƙungiyar makaɗa, kuma wannan ba abin mamaki ba ne, domin jagoran da kansa, kamar yadda suka ce, “ya ​​girma cikin ƙungiyar makaɗa.” Tuni tun yana karami, ya halarci darussa a makarantar makada da ke Saxon State Chapel a cikin mahaifarsa Dresden, inda malamansa suka kasance shahararrun mawakan birnin - madugu K. Strigler, pianist W. Bachmann da oboist I. König. Oboe ya zama kayan aikin da aka fi so na mai gudanarwa na gaba, wanda ya riga ya kasance yana da shekaru goma sha takwas a kan na'urar wasan bidiyo na farko a cikin ƙungiyar mawaƙa ta Dortmund Opera, sannan kuma a cikin sanannen ƙungiyar makaɗa ta Gewandhaus (1929-1933).

Amma komai girman son obo, matashin mawakin ya yi burin kara. Ya shiga Dresden Opera a matsayin mataimakin madugu kuma ya fara halarta a can a 1936, yana gudanar da Lortzing's The Poacher. Sannan ya biyo bayan shekaru na aiki a Chemnitz (1942-1947), inda Kempe ya tafi daga mawaƙa zuwa babban jagoran gidan wasan kwaikwayo, sannan a Weimar, inda darektan kiɗa na National Theater (1948) ya gayyace shi, kuma a ƙarshe, a ɗaya. daga cikin tsofaffin gidajen wasan kwaikwayo a Jamus - Dresden Opera (1949-1951). Komawa garinsu da aiki a wurin ya zama muhimmin lokaci a cikin aikin mawaƙin. Matashin mawaƙin ya zama wanda ya cancanci kulawar nesa, wanda a baya akwai Schuh, Bush, Boehm…

Daga wannan lokacin ya fara shaharar duniya na Kempe. A shekara ta 1950, ya yi rangadi a Vienna a karon farko, kuma a shekara ta gaba ya zama shugaban Bavarian National Opera a Munich, ya maye gurbin G. Solti a wannan matsayi. Amma mafi yawan Kempe ya kasance mai sha'awar yawon shakatawa. Shi ne jagoran Jamus na farko da ya zo Amurka bayan yakin: Kempe ya gudanar da Arabella da Tannhäuser a can; ya taka rawar gani a gidan wasan kwaikwayo na Landan "Covent Garden" "Ring of the Nibelung"; A Salzburg an gayyace shi zuwa mataki na Pfitzner's Palestrina. Sai nasara ta biyo bayan nasara. Kempe yawon shakatawa a Edinburgh Festivals, akai-akai yi a West Berlin Philharmonic, a Italiyanci Radio. A cikin 1560, ya fara halarta a Bayreuth, ya gudanar da "Ring of the Nibelungen" kuma daga baya ya yi fiye da sau ɗaya a cikin "birnin Wagner". Jagoran ya kuma jagoranci kungiyar kade-kade ta London Royal Philharmonic da Zurich Orchestras. Shi ma baya yanke hulda da Dresden Chapel.

Yanzu kusan babu wata ƙasa a Yammacin Turai, Arewa da Kudancin Amurka, inda Rudolf Kempe ba zai yi aiki ba. Sunansa sananne ne ga rikodin masoya.

“Kempe ya nuna mana abin da halin kirki yake nufi,” in ji wani ɗan ƙasar Jamus. "Tare da horo na ƙarfe, yana aiki ta hanyar maki bayan maki don samun cikakkiyar ƙwarewar kayan fasaha, wanda ke ba shi damar sassaƙa nau'i cikin sauƙi da yardar kaina ba tare da ketare iyakokin alhakin fasaha ba. Tabbas, wannan bai kasance mai sauƙi ba, yayin da yake nazarin wasan opera bayan wasan opera, yanki bayan guda, ba kawai daga mahangar jagora ba, har ma daga mahangar abubuwan ruhaniya. Kuma haka ya faru da cewa zai iya kiran "nasa" sosai fadi repertoire. Yana yin Bach tare da cikakkiyar masaniyar al'adun da ya koya a Leipzig. Amma kuma yana gudanar da ayyukan Richard Strauss cikin farin ciki da sadaukarwa, kamar yadda zai iya yi a Dresden, inda yake da ƙwararrun mawaƙa na Strauss na Staatskapelle. Amma ya kuma gudanar da ayyukan Tchaikovsky, ko, a ce, na zamani mawallafa, tare da babbar sha'awa da kuma tsanani da aka canjawa wuri zuwa gare shi a London daga irin wannan horo Orchestra kamar Royal Philharmonic. Dogon dogo, siriri siriri yana jin daɗin daidaitaccen kusan motsin hannunsa; Ba wai kawai basirar motsin zuciyarsa ne ke da ban mamaki ba, amma da farko, yadda ya cika waɗannan hanyoyin fasaha tare da abun ciki don cimma sakamakon fasaha. A bayyane yake cewa tausayinsa da farko ya juya zuwa kiɗa na karni na XNUMX - a nan zai iya cika wannan ƙarfin mai ban sha'awa wanda ya sa fassararsa ta kasance mai mahimmanci.

L. Grigoriev, J. Platek, 1969