Izinin |

Resolution - raguwar ƙarfin lantarki yayin sauyawa daga dissonance zuwa consonance, daga jituwa. rashin zaman lafiya na aiki (D, S) zuwa kwanciyar hankali (T), daga sautin maras kyau zuwa maɗaukaki ɗaya, da kuma irin wannan canjin da kansa. Maganganun yanayi na tashin hankali da sakin tashin hankali shine ilimin lissafi da kuma tunanin tunani a matsayin taimako wanda ke ba da gamsuwa, kuma yana hade da sauyawa zuwa mafi dadi, zuwa jin dadi. Saboda haka kyawawan darajar R. da kuma dacewa da kyau. ayyuka na sautuka-haɓaka da sautuna-R. (An kuma kiyaye su da saƙa iri-iri). Ci gaba da motsi-kamar motsi na tashin hankali da R. yayi kama da numfashin kwayoyin halitta, systole da diastole. R. an ƙaddara. fasahohin murya (misali, motsin sautin gabatarwa zuwa sama zuwa tonic na farko, sautin mara sauti cikin madaidaicin madaidaicin). Muhimmanci na musamman a nan nasa ne ga motsi daƙiƙa guda (babba da ƙarami), saboda. yana "goge alamar" sautin da ya gabata daidai. Duk da haka, a karkashin yanayi na ci gaba na jituwa R. da kuma wadanda ba na biyu tunani zai yiwu (PI Tchaikovsky, "Francesca da Rimini", na karshe sanduna). Dangantaka da R., amma ba kama da shi ba, mai launi. kawar da tashin hankali-mafi rinjaye (Des7> - Des) a cikin F. Chopin's nocturne b-moll op. 9 No 3. R. yana ba da shawarar ra'ayin yarda da kuma tsammanin sa. Ya fi kama da kidan tsarin manyan-kanana (samuwarta ta fara ne a tsakiyar karni na 15, rinjayenta ya kasance a cikin karni na 17-19; yawancinsa ya tsira zuwa karni na 20). Aure-karni. monody R. a matsayin lokacin tsarawa baƙo ne (a ka'ida, ana guje wa tasirin tashin hankali da fitarwa a cikinsa, ba tare da R. ba zai iya samuwa). A cikin polyphony, nau'in R. an daidaita shi azaman dabara don ƙaddamar da dissonance zuwa consonance. Su polarization, musamman polarization na aikin kwanciyar hankali da rashin zaman lafiya, ya haifar da yanayi don tasiri na R. da kuma fahimtarsa ​​(har ma F. Couperin da ake kira tsarin R. kalmar "se sauver", a zahiri - don samun ceto).

Daidaitawar nau'ikan "tashin hankali" - "ƙuduri" za a iya ƙaddamar da shi zuwa gine-ginen ma'auni mafi girma (misali, zuwa tsakiyar maras tabbas ko ci gaba da maimaita "warkewa" tashin hankali); a cikin wannan yanayin, tasirin R. yana samun ma'ana mafi girma, yana rinjayar siffa. A cikin zamanin romanticism (da kuma a cikin karni na 20th), sabon nau'i na rhythm ya ɓullo da (musamman, R. da bai cika ba, da kuma R., dangane da wani gefen haɗin kai; misali, a cikin Chopin's mazurka a C-dur). op.24 A'a 2 da ke bayyana ma'anar warwarewa ana aiwatar da su ta hanyar kwatanta duka ukun uku: T, D da S, yayin da nau'ikan su - T da D, T da S - ba su ƙayyade shi ba). A cikin kiɗa na karni na 20 sabon ya bayyana kansa, musamman, a cikin cin zarafi na polarity na dissonance da consonance, maimakon abin da aka kafa Multi-mataki gradation na dissonance (ka'idar, a A. Schoenberg, P. Hindemith; A karshen, "harmonisches Gefälle" - "taimako masu jituwa"). Godiya ga hadaddun (dissonant) tonics, ya zama mai yiwuwa a warware rashin daidaituwa mai ƙarfi zuwa mafi ƙarancin ƙarfi da maye gurbin rarrabuwar kawuna tare da sauyi mai matakai da yawa daga mafi ƙarfi dissonance zuwa mafi ƙarfi consonance, da kuma gubar, alal misali, sautin tonic. prima cikin babban na bakwai (saɓani da gravitation na gargajiya, duba - SS Prokofiev, Fleeting, No 14, sanduna 24-25), a ciki warware tonic. Consonance (Prokofiev, Sarcasms, No 3, sanduna na ƙarshe).

References: Rohwer J., Das “Ablösungsprinzip” in der abendländischen Musik…, “Zeitschrift für Musiktheorie”, 1976, H. 1. Duba kuma lit. ƙarƙashin labarin Harmony, Dissonance, Mai rinjaye, Lad, Mai Mulki.

Yu. N. Kholopov