George Sebastian |

George Sebastian

Shugaban Faransa na asalin Hungarian. Yawancin masoya kiɗa na tsofaffi suna tunawa da Georg Sebastian da kyau daga wasan kwaikwayonsa a cikin USSR a cikin shekaru talatin. Shekaru shida (1931-1937) ya yi aiki a kasarmu, ya gudanar da kungiyar kade-kade ta gidan rediyon All-Union, ya ba da kide-kide da yawa, ya shirya wasan opera a cikin wasan kwaikwayo. Muscovites suna tunawa da Fidelio, Don Giovanni, The Magic Flute, Sace daga Seraglio, Aure na Figaro a karkashin jagorancinsa. Khrennikov da farko Suite "Romeo da Juliet" na S. Prokofiev.

A wancan lokacin, Sebastian ya burge da sha'awar da ake watsawa ga mawaƙa, ƙwaƙƙwaran ƙwaƙƙwaran ƙarfi, ƙyale fassarorinsa, da ƙwazo. Waɗannan su ne shekarun da aka ƙirƙira salon fasahar mawaƙin, ko da yake ya riga ya sami lokaci mai yawa na aiki mai zaman kansa a bayansa.

An haifi Sebastian a Budapest kuma ya sauke karatu daga Kwalejin Kiɗa a nan a 1921 a matsayin mawaki da pianist; mashawartansa sune B. Bartok, 3. Kodai, L. Weiner. Duk da haka, abin da aka tsara bai zama sana’ar mawaƙin ba, ya burge shi da gudanar da shi; ya tafi Munich, inda ya dauki darasi daga Bruno Walter, wanda ya kira "babban malaminsa", kuma ya zama mataimakinsa a gidan wasan opera. Sa'an nan Sebastian ya ziyarci New York, ya yi aiki a Metropolitan Opera a matsayin mataimakin madugu, kuma ya dawo Turai, ya tsaya a gidan wasan kwaikwayo - na farko a Hamburg (1924-1925), sannan a Leipzig (1925-1927) kuma, a karshe, a cikin Berlin (1927-1931). Daga nan shugaban ya tafi Soviet Rasha, inda ya yi aiki na tsawon shekaru shida ...

A ƙarshen shekaru talatin, tafiye-tafiye da yawa sun riga sun kawo suna ga Sebastian. A nan gaba, da artist yi aiki na dogon lokaci a Amurka, kuma a 1940-1945 ya jagoranci kungiyar kade-kade ta Symphony Pennsylvania. A 1946 ya koma Turai ya zauna a Paris, ya zama daya daga cikin manyan madugu na Grand Opera da Opera Comic. Sebastian har yanzu yana yawon shakatawa da yawa, yana yin wasanni a kusan dukkanin cibiyoyin kiɗa na nahiyar. A cikin shekarun baya-bayan nan, ya sami suna a matsayin ƙwararren mai fassara na ayyukan Romantic, da wasan opera na Faransa da kiɗan kade-kade. Wani muhimmin wuri a cikin ayyukansa yana shagaltar da ayyukan ayyukan kiɗa na Rasha, duka na symphonic da operatic. A birnin Paris, a karkashin jagorancinsa, an shirya Eugene Onegin, Sarauniyar Spades da sauran wasan kwaikwayo na Rasha. A lokaci guda, kewayon repertory na madugu yana da faɗi sosai kuma ya ƙunshi babban adadin manyan ayyukan ban dariya, galibi na mawaƙa na ƙarni na XNUMX.

A farkon sittin, Sebastian ta yawon shakatawa sake kawo shi zuwa Tarayyar Soviet. Jagoran ya yi nasara sosai a Moscow da sauran biranen. Sanin harshen Rashanci ya taimaka masa a cikin aikinsa tare da ƙungiyar makaɗa. "Mun gane tsohon Sebastian," mai sukar ya rubuta, "mai hazaka, cikin soyayya da kiɗa, ƙwazo, yanayin yanayi, lokacin da za a manta da kai, kuma tare da wannan (wani ɓangare saboda wannan dalili) - rashin daidaituwa da jin tsoro." Masu dubawa sun lura cewa fasahar Sebastian, ba tare da rasa sabo ba, ya zama mai zurfi kuma ya zama cikakke a tsawon shekaru, kuma wannan ya ba shi damar lashe sababbin masu sha'awar a kasarmu.

L. Grigoriev, J. Platek, 1969