Yin aiki akan fasaha na wasan piano - don sauri

Dabarar wasan Piano wani tsari ne na fasaha, iyawa da dabaru tare da taimakon abin da ake samun sautin fasaha mai ma'ana. Kwarewar Virtuoso na kayan aiki ba wai kawai ƙwarewar fasaha ce ta wani yanki ba, har ma da bin sifofin salo, halayensa, da ɗan lokaci.

Fasahar Piano gabaɗayan tsarin fasaha ce, manyan abubuwan wannan tsarin sune: manyan kayan aiki (ƙwaƙwalwa, arpeggios, octaves, bayanin kula biyu); kananan kayan aiki (hanyoyi masu ma'auni, daban-daban melismas da maimaitawa); fasahar polyphonic (ikon kunna muryoyi da yawa tare); fasahar artculatory (daidai kisa na bugun jini); dabarar feda (sana'ar amfani da fedals).

Yin aiki a kan fasaha na yin kiɗa, ban da gudun gargajiya, jimiri da ƙarfi, yana nuna tsabta da bayyanawa. Ya ƙunshi matakai masu zuwa:

Haɓakawa na iyawar jiki na yatsunsu. Babban aikin fara pianists shine kwance hannayensu. Ya kamata goge goge ya motsa cikin sauƙi kuma ba tare da tashin hankali ba. Yana da wuya a aiwatar da daidaitaccen matsayi na hannun yayin rataye, don haka ana yin darussan farko akan jirgin sama.

Motsa jiki don haɓaka fasaha da saurin wasa

Ba ƙaramin mahimmanci ba!

Tuntuɓar allon madannai. A cikin matakan farko na yin aiki akan fasahar piano, yana da mahimmanci don haɓaka ma'anar tallafi. Don yin wannan, an saukar da wuyan hannu a ƙasa da matakin maɓallan kuma ana samar da sautuna ta amfani da nauyin hannaye, maimakon ƙarfin yatsunsu.

Inertia Mataki na gaba shine yin wasa tare da layi ɗaya - ma'auni da sassa masu sauƙi. Yana da mahimmanci a tuna cewa saurin saurin wasan, ƙarancin nauyi yana kan hannun ku.

Aiki tare. Ikon yin wasa cikin jituwa tare da duka hannu yana farawa da koyo trills. Sa'an nan kuma kuna buƙatar daidaita aikin yatsu biyu marasa kusa, ta amfani da kashi uku da karya octaves. A mataki na ƙarshe, za ku iya matsawa zuwa arpeggiato - wasan ci gaba da cikakken murya tare da canji na hannu.

Maƙallan ƙira. Akwai hanyoyi guda biyu don cire igiyoyi. Na farko shine "daga maɓallai" - lokacin da aka fara sanya yatsunsu a kan bayanan da ake so, sa'an nan kuma an buga guntu tare da ɗan gajeren lokaci mai karfi. Na biyu - "a kan maɓallan" - an yi nassi daga sama, ba tare da fara sanya yatsunsu ba. Wannan zaɓin ya fi rikitarwa a fasaha, amma shine wanda ke ba yanki haske da sauti mai sauri.

Yatsa. An zaɓi tsari na musayar yatsu a matakin farko na koyon yanki. Wannan zai taimaka a cikin ƙarin aiki a kan fasaha, iya magana da bayyana wasan. Dole ne a yi la'akari da umarnin mawallafi da na edita da aka bayar a cikin adabin kiɗa, amma yana da mahimmanci don zaɓar yatsanku, wanda zai dace da aiki kuma zai ba ku damar isar da cikakkiyar ma'anar fasaha na aikin. Masu farawa yakamata su bi dokoki masu sauƙi:

• Don kowane motsa jiki ko nassi, dole ne a rubuta yatsa.
• Kayan da ke kan yatsunsu ya kamata ya zama daidai. A cikin jerin sauri, dole ne a kula don kiyaye maimaitawa kaɗan gwargwadon yiwuwa.
• Ladabi. Matasan pianists ana gwada su don maye gurbin yatsu masu rauni, zobe da ƙananan yatsu, tare da yatsan tsakiya mai ƙarfi. Wajibi ne a ba da hankali sosai ga horar da ci gaban jituwa na duka hannun.

Dynamics da articulation. Kuna buƙatar koyon yanki nan da nan a ƙayyadadden taki, la'akari da alamun magana. Bai kamata a sami kidan "horo" ba.

Bayan ya ƙware dabarun buga piano, ɗan wasan pian yana samun ƙwarewar kunna kiɗan ta dabi'a kuma cikin sauƙi: ayyuka suna samun cikawa da bayyanawa, kuma gajiya ta ɓace.