Yankin |

Zone (daga zonn Girkanci - bel) - yana nuna dangantakar tsakanin abubuwan kiɗa. sauti azaman al'amura na zahiri (yawanci, ƙarfi, haɗin sauti, tsawon lokaci) da muses. halaye (fiti, ƙara, timbre, duration) a matsayin tunani a cikin tunanin ɗan adam na waɗannan jiki. kaddarorin sauti. Mujiya ta gabatar da manufar. Acoustician music N. A. Garbuzov. Kwararre. bincike ya gano, musamman, cewa kowane mataki na muses. sikelin (c, cis, d, da sauransu) tare da jiki. gefen bai dace da mita ɗaya ba, kamar a cikin ɗaya ko wani tsarin da aka bayyana ta lissafin lissafi (misali, daidaitaccen yanayi), amma adadin mitoci masu tazara; lokacin da mitoci suka canza a cikin waɗannan iyakoki, ingancin sauti kamar wani matakin ba ya canzawa: misali, sautin a1 na iya samun ba kawai 440 Hz (OST 7710), amma kuma 439, 438, 437, 436, 435, haka nan. kamar 441, 442, 443, 444, 445 Hz, ba tare da juya zuwa ko dai gis1 ko b1 ba. Irin waɗannan kewayon mitar ana kiran su yankuna masu tsayin sauti. A cikin gwaje-gwajen Garbuzov, mutanen da ke da ingantattun igiyoyi masu kyau ko kayan kida na musamman. na'urorin don ba da sauti tare da hanyoyi. sauyin mita; Faɗin yankin a cikin matsananciyar rajista wani lokaci ya wuce cent 200 (watau sautin duka!). Mawakan ƙwararrun mawaƙa masu kyawawan halaye. Ji ya saita ƙayyadaddun tazara tare da jujjuyawar har zuwa cents 60-70. An lura da irin wannan sakamako a cikin nazarin bayyanar da cikakkiyar ji ko dangi (watau, lokacin da ake kimanta bambance-bambancen bambance-bambancen cikin ƙasa na matakan mutum ɗaya na ma'auni ko bambance-bambancen ma'auni a cikin tazara). Ba za a iya gano yankin tare da ƙimar kofa ba (misali, tare da tsayin tsayin tsayin wariya daidai da cent 5-6); a cikin filin wasa, mawaƙa na iya bambanta, a cewar Garbuzov, har zuwa 10 intonations. tabarau. Ƙaddamar da yanayin yanki na sauraron sauti yana buɗe sabbin dama don nazarin fasaha. fassarar kiɗa. aiki. A cikin ayyukan Garbuzov, da kuma dalibansa da mabiyansa (A. V. Rabinovich, E. A. Maltseva, S. G. Korsunsky, O. E. Sakhaltuyeva, Yu. N. Rago, E. V. Nazaykinsky), ma'anar ado na ma'anar "yanki". Maƙasudin fasaha na mawaƙa da tsarin fassarar mai yin wasan kwaikwayo yana rinjayar zaɓin ɗaya ko wani innation daga yankin. Z., don haka, yana nuna iyawar manyan damar bayyanawa da ke akwai ga mai yin. Ma'anar Z. Har ila yau, Garbuzov ya ƙaddamar da shi zuwa fahimtar ɗan lokaci da rhythm, mai ƙarfi (ƙara) da jin sauti (duba kunnen kiɗa). Ma'anar yanayin yanki na kiɗa. Ji yana da tasiri mai girma akan ci gaban ilimin koyarwa. da ra'ayi na ka'idar mawaƙa-masu wasan kwaikwayo kuma yana nunawa a yawancin. litattafan karatu, iznin littafai, makarantu da aka buga a cikin USSR da kasashen waje. Sabbin ra'ayoyi na ka'idar da aka ba da izinin gudanar da adadin nazarin tsarin muses. kisa da ba da yawa. da halaye. kimanta pl. abubuwan mamaki na "microworld" na kiɗa.

References: Rabinovich AV, Hanyar Oscillographic na nazarin waƙa, M., 1932; Korsunsky SG, Yankuna na tsaka-tsaki lokacin wasa da su akan kayan kida tare da innation na kyauta, Physiological Journal of the USSR, 1946, v. 32, No 6; Garbuzov HA, Yanayin yanki na sauraron sauti, M.-L., 1948; nasa, Yanayin Yanki na lokaci da kari, M., 1950; nasa, Intrazonal intonation saurare da hanyoyin ci gabanta, M.-L., 1951; nasa, Yanayin yanki na ji mai ƙarfi, M., 1955; nasa, Yankin yanayi na sauraron timbre, M., 1956; Sakhaltueva OE, A kan wasu alamu na innation dangane da tsari, kuzari da kuma jituwa, a cikin: Abubuwan da suka shafi Sashen Ka'idar Kiɗa na Moscow State Conservatory. PI Tchaikovsky, vol. 1, Moscow, 1960; Rags Yu. N., Waƙar waƙa dangane da wasu abubuwanta, ibid.; Rags Yu. N. da Nazaikinsky EV, Musical-theoretical bincike da ci gaban ka'idar ji, a cikin tarin: "Laboratory of Musical Acoustics" (a kan bikin 100th na MoLGK mai suna bayan PI Tchaikovsky), M., 1966.

Yu. N. Rags