Gitar rhythm: fasali na kayan aiki, amfani, bambanci daga solo da guitar bass

Gitar rhythm kayan kida ce da aka ƙera don kunna sassan kari a cikin abubuwan ƙira. Yawancin lokaci sassan rhythm suna yin sauti a kan bangon kayan aikin solo. Kayan aiki kamar amps da fedals na tasiri sun bambanta tsakanin solo da mawaƙin kiɗan kiɗan. Idan akwai mawaƙa fiye da ɗaya a cikin ƙungiyar, za su iya canza matsayi.

Sigar lantarki ta guitar kidan ya zama sananne sosai. Ana amfani da Acoustics a cikin kiɗan jama'a da bluegrass.

Yaya ya bambanta da guitar guitar da bass guitar

Guitar ƙwanƙwasa tana kama da gitar lantarki ta yau da kullun ko na sauti. Bambancin kawai daga solo guitar shine yanayin aikace-aikacen. Gitar rhythm ita ce ke da alhakin ƙirƙirar tsarin rhythmic na abun da ke ciki, yayin da guitar solo ke jagorantar babban waƙar. Idan ƙungiyar ta ƙunshi mawallafin guitar guda ɗaya, to yana iya canza sassan biyu akan kayan aiki ɗaya. Mawakan rhythm yawanci basa amfani da flangers don gujewa katse gitar gubar.

Bambanci tare da guitar bass ya fi mahimmanci. Zane na bass guitar yana da tsayin wuyansa, haɓaka tazarar damuwa, amfani da kirtani huɗu masu kauri da ƙaramin kunnawa. Mawallafin rhythm yana buga rubutu da yawa a lokaci guda, bassist yana buga bayanin kula guda ɗaya. Bassist yana wasa cikin jituwa tare da mai ganga kuma yana jaddada sauye-sauyen ma'aikatan guitar. Bass yana rufe ƙananan kewayon sauti fiye da guitar lantarki a cikin kowane kunnawa.

Amfani

Yawancin waƙoƙin rock da blues ana kunna su cikin lokaci 4/4. Sa hannun lokacin yana da 2 masu ƙarfi da rauni. A cikin rock da roll, guitar rhythm tana jaddada ƙwaƙƙwaran ƙasa.

A cikin kiɗan dutse, hanyar da aka saba don gina ci gaban ƙwaƙƙwaran ita ce kunna manya da ƙananan triads. Kowane triad ya ƙunshi tushe, na uku, da na biyar bayanin kula na wani ma'auni. Misali, babban triad C ya haɗa da bayanin kula C, E da G. Wasu lokuta ana iya shigar da lambobi masu rubutu 4, ƙara ɗaya zuwa uku.

Ci gaba mai ɗabi'a uku shine yanayin ƙawance na al'ada a farkon kiɗan pop da rock. An buga waƙoƙin I, IV da V na filin blues a cikin wannan jeri.

A cikin kiɗan ƙarfe mai nauyi, mawakan kaɗe-kaɗe yawanci suna buga waƙoƙin ƙarfi. Madadin suna - quints. Ƙwayoyin wuta sun ƙunshi tushen bayanin kula da na biyar mafi girma, ko tare da octave mai kwafin tushen. Siffar quinchords shine sauti mai tsabta da tsauri. Yawancin lokaci ana yin sauti tare da murdiya ko tasirin abin da ya wuce kima.

Samar da tasirin lantarki yana ba da damar guitarists rhythm su maye gurbin na'urar synthesizer. Ana amfani da takalmi mai tasiri don canza sauti. Bayan amfani da tasirin, sautin guitar na iya canzawa fiye da ganewa. Wannan hanyar zuwa sashin rhythm ya zama ruwan dare a cikin kiɗan pop na zamani.

A cikin kiɗan jazz, banjo na farko ya taka rawar kayan aiki. A cikin 1930s guitar ta karɓe. Babban fa'idar da masu kidan rhythm ke da su akan ƴan wasan banjo shine ikon kiyaye tsayayyen ɗigon kari akan ci gaba mai rikitarwa. Mawakan jazz na farko kamar Freddie Green sun yi ƙoƙari su ƙara yin amfani da halayen kayan aikin ta hanyar bugun jiki cikin raha.

A cikin nau'in jazz-manush na Turai, rhythm guitar yana maye gurbin kayan kida. Don yin wannan, masu guitar suna amfani da fasaha na wasan "la pompe". Hannun dama yana bugun zaren da sauri sama da ƙasa, kuma yana yin ƙarin raguwa, yana haifar da sashin ruɗi.

Gitar rhythm tana taka muhimmiyar rawa a cikin reggae. Ita ce ta jaddada fifikon nau'i na musamman akan bugun 2 da 4 na ma'aunin.