Miriam Gauci (Miriam Gauci) |

Miriam Gauci

Wani wuri a farkon 90s, yayin da a cikin Paris, a rana ta ƙarshe kafin in tafi, na yi yawo kamar yadda aka yi taɗi ta cikin babban kantin sayar da kiɗa mai hawa huɗu. Sashen rikodin ya kasance mai ban mamaki kawai. Bayan da na yi nasarar kashe kusan duka kuɗin, kwatsam sai na ji ana tattaunawa cikin Jamusanci tsakanin baƙo ɗaya da mai siyarwa. Shi, a fili, bai fahimce shi da kyau ba, amma duk da haka, a ƙarshe, ya haura zuwa ɗaya daga cikin ɗakunan da operas, ba zato ba tsammani ya ciro cikin hasken Allah wani rubutun "biyu" ba tare da akwati ba. "Manon Lescaut" - Na gudanar da karanta take. Sa'an nan kuma mai sayarwa ya fara nuna wa mai siye tare da alamun cewa rikodin yana da kyau (irin wannan yanayin fuska baya buƙatar fassarar). Cikin shakku ya kalli fayafai, bai dauka ba. Ganin cewa farashin ya dace sosai, kuma ina da ɗan kuɗi kaɗan, sai na yanke shawarar siyan saiti, kodayake sunayen ƴan wasan ba su gaya mani komai ba. Ina son wannan opera ta Puccini, har sai lokacin na yi la'akari da rikodin rikodi na Sinopoli tare da Freni da Domingo. Sigar ta kasance sabo gaba ɗaya - 1992 - wannan ƙara sha'awar.

Komawa Moscow, a ranar farko na yanke shawarar sauraron rikodin. Lokaci ya yi gajere, dole ne in koma ga gwajin tsohuwar doka da aka gwada kuma nan da nan na gabatar da ɗayan wuraren da aka fi so na opera a cikin wasan kwaikwayo na 2: Tu amore? Tu? Sei tu (Duet Manon da Des Grieux), Ah! Manon? Mi tradisce (Des Grieux) da guntu mai ban sha'awa mai ban mamaki Lescaut wanda ke biye da wannan labarin! Tu?… Qui!… tare da bayyanar kwatsam na Lescaut, ƙoƙarin faɗakar da masoya game da kusancin Geronte tare da masu gadi. Lokacin da na fara sauraro, sai kawai na yi nisa. Ban taba jin wasan kwaikwayo mai ban mamaki irin wannan ba. Tashi da sha'awar mawakan soloists, parlando da rubato na ƙungiyar makaɗa, karkashin jagorancin ɗan ƙasar Iran Alexander Rabari, sun kasance abin ban mamaki kawai… Wanene waɗannan Gauci-Manon da Kaludov-De Grieux?

Shekarar haihuwar Miriam Gauci ba ta da sauƙi a kafa. Babban ƙamus na mawaƙa mai juzu'i shida (Kutsch-Riemens) ya nuna shekara ta 1963, bisa ga wasu kafofin ya kasance 1958 (bambanci mai girma!). Koyaya, tare da mawaƙa, ko kuma tare da mawaƙa, irin waɗannan dabaru suna faruwa. Da alama dai baiwar Wakar Gauchi ta gada ne daga wajen innarta, wadda ta kasance gwarzuwar mawakiyar opera. Miriam tayi karatu a Milan (ciki har da shekaru biyu tare da D. Simionato). Ta shiga kuma ta zama mai lashe gasar Aureliano Pertile da Toti dal Monte. A ranar farko, kafofin daban-daban kuma sun saba wa juna. A cewar sabon bayani, a cikin 1984 ta yi wasan kwaikwayo a Bologna a cikin opera na Poulenc The Human Voice. A cewar La Scala Archive, a 1985, ta rera a nan a yanzu manta (amma sau da yawa shahara) opera Orpheus ta 17th karni Italiyanci mawaki Luigi Rossi (a cikin ɗan littafin Manon Lescaut, wannan wasan da aka alama a matsayin halarta a karon). Akwai ƙarin haske a cikin aikin mawaƙa na gaba. Tuni a cikin 1987, ta sami babban nasara a Los Angeles, inda ta rera waka a cikin "La Boheme" tare da Domingo. Hazakar mawakiyar ta bayyana kanta a fili a sassan Puccini. Mimi, Cio-Cio-san, Manon, Liu sune mafi kyawun matsayinta. Daga baya, ta kuma nuna kanta a cikin Verdi repertoire (Violetta, Elizabeth a Don Carlos, Amelia a Simone Boccanegra, Desdemona). Tun 1992, Gauci ya kasance akai-akai (kusan kowace shekara) a Vienna Staatsoper (sassan Marguerite da Helena a cikin Mephistopheles, Cio-Cio-san, Nedda, Elisabeth, da dai sauransu), koyaushe kula da sabbin baiwa. Sosai na son mawaki a Jamus. Ta kasance mai yawan baƙo a Bavarian Opera da, musamman, Opera na Hamburg. A Hamburg ne daga karshe na sami damar jin ta kai tsaye. Wannan ya faru a cikin 1997 a cikin wasan kwaikwayo "Turandot" wanda Giancarlo del Monaco ya jagoranta. Abun da ke ciki ya kasance mai ban sha'awa. Gaskiya ne, da ƙarfafa kankare Gena Dimitrova, wanda ya kasance a karshen ta aiki, da alama a gare ni a cikin take rawa riga kadan ... (yadda za a sa shi delicately) gaji. Amma Dennis O'Neill (Calaf) yana cikin kyakkyawan tsari. Game da Gauchi (Liu), mawaƙin ya bayyana cikin ɗaukaka. An haɗa laƙabi mai laushi a cikin wasan kwaikwayon tare da adadin da ake buƙata na magana, kyakkyawar mayar da hankali ga muryar tare da cikar cikawa (saboda sau da yawa yakan faru cewa irin wannan kayan aiki mai rauni kamar yadda muryar ta “faɗi” ko dai cikin sautin “lebur” mara girgiza, ko cikin tsananin rawar jiki).

Gauchi yanzu yana cikin fure. New York da Vienna, Zurich da Paris, San Francisco da Hamburg - irin wannan shine "geography" na wasan kwaikwayo. Ina so in ambaci daya daga cikin wasannin da ta yi a Bastille Opera a shekarar 1994. Wani masoyina mai son wasan opera ya ba ni labarin wannan wasan kwaikwayon na “Madama Butterfly” wanda ya halarci wani wasan kwaikwayo inda ya burge shi matuka da rawar da ya taka. Miriam Gauci - Giacomo Aragal.

Tare da wannan kyakkyawan tenor, Gauci ya yi rikodin La bohème da Tosca. Af, ba zai yiwu ba a ce wasu kalmomi game da aikin mawaƙa a fagen rikodi. Shekaru 10 da suka wuce ta sami madugun "ta" - A. Rabari. Kusan dukkanin manyan wasan kwaikwayo na Puccini an rubuta su tare da shi (Manon Lescaut, La bohème, Tosca, Madama Butterfly, Gianni Schicchi, Sister Angelica), Pagliacci na Leoncavallo, da kuma yawan ayyukan Verdi ("Don Carlos", "Simon" Boccanegra", "Othello"). Gaskiya ne, mai gudanarwa, wanda ya fi dacewa da "jijiya" na salon Puccini, ya yi nasara kadan a cikin tarihin Verdi. Ana nuna wannan, da rashin alheri, a cikin jigon aikin gabaɗaya.

Fasahar Gauci tana adana mafi kyawun al'adun gargajiya na muryoyin opera. Ba shi da banza, haske na "tinsel" don haka yana da kyau.

E. Tsodokov, 2001