Eccentricity na kiɗa

Ƙaunar kiɗan abu ne mai ƙarfi, mai haske da ban sha'awa mai ban sha'awa na fasaha. An fahimci shi azaman wasan kwaikwayo na kiɗa akan abubuwa daban-daban waɗanda ake amfani da su azaman kayan kida. Waɗannan na iya zama kwanon frying, saws, buckets, allunan wanki, na'urar buga rubutu, kwalabe da ƙari - kusan duk abin da ke yin sauti ya dace.

Idan an kunna aikin akan kayan kida na yau da kullun, amma abin mamaki ana amfani da dabarun wasan kwaikwayo na asali, to "girmanta" na eccentricity na kiɗan ita ma ta bayyana kanta a nan.

Ta sami furucinta a cikin tarin jama'a, a cikin wasan circus da pop, kuma tana da kwarin gwiwa a cikin fasahar kiɗan zamani. Akwai misalan ra'ayoyinsu a cikin mawakan gargajiya masu daraja.

Tarihi

Fitowar farko na haɓakawa a matsayin na'urar bayyana kida mai yiwuwa al'adun gargajiya ne suka haɓaka su - a cikin wasannin jama'a, a cikin buffonery da adalci. Ƙaunar kiɗan kiɗa ta bunƙasa a farkon karni na 20, wanda ya bayyana a cikin dukan bambancinsa, amma an riga an samo abubuwan da ke cikin kiɗa na karni na 18. Don haka, J. Haydn, wanda yake son ba da abubuwan ban mamaki na kiɗa ga jama'a, ya haɗa da ma'aunin "Symphony na Yara" na wannan nau'in, kayan wasan yara masu ban sha'awa na yara - whistles, ƙaho, rattles, ƙaho na yara, kuma suna sauti da gangan. "ba daidai ba".

J. Haydn “Symphony na Yara”

"Nocturne on Drainpipe Flute"

Kiɗan eccentric na zamani yana da abubuwa daban-daban waɗanda suka zama kayan kida. Daga cikin su akwai gilashin gilashi masu kyau ("gilashin garaya", wanda aka sani tun karni na 17). Hakanan ana yin hadaddun ayyukan gargajiya akan wannan kayan kida na ban mamaki.

Wasan kan tabarau. AP Borodin. Mawaƙa na bayi daga opera "Prince Igor".

(Tarin "Crystal Harmony")

An zaɓi gilashin a hankali don ƙirƙirar ma'auni, ana rarraba su ta hanyar octaves, sa'an nan kuma a hankali tasoshin suna cika da ruwa, cimma nasarar da ake bukata (yawan zubar da ruwa, ƙarar sauti). Suna taɓa irin wannan crystallophone tare da tsoma yatsu a cikin ruwa, kuma tare da haske, motsi motsi motsin tabarau.

Mawaƙi mai daraja na Rasha S. Smetanin ya mallaki ƙwarewa sosai wajen buga kayan gargajiya na Rasha. Ƙaunar kiɗan ta kasance wani ɓangare na sha'awar wannan mawaƙi mai ban mamaki. Ta hanyar amfani da zato na yau da kullun, Smetanin da ƙware ya yi gyare-gyare na tsohuwar soyayya da waƙoƙin gargajiya na Rasha.

Tsohon soyayya "Na sadu da ku..."

 Sergei Smetanin, ya sha…

Ga mawaƙin Ba’amurke L. Andersen, waƙar ƙaƙƙarfan kaɗe-kaɗe ta zama batun barkwanci na kiɗan, kuma ta kasance babban nasara a gare shi. Andersen ya hada "Piece for a Typewriter and Orchestra." Sakamakon wani nau'i ne na ƙwararrun kiɗa: sautin maɓalli da kararrawa na injin karusar sun dace da sautin ƙungiyar makaɗa.

L. Andersen. Solo akan na'urar buga rubutu

Barna na kiɗa ba abu ne mai sauƙi ba

An bambanta ƙaƙƙarfan kiɗan ta hanyar cewa mai yin wasan yana amfani da dabarun kiɗan ya haɗa babban wasan kida da yawan magudin ban dariya tare da kayan aiki. Ba zai iya yin ba tare da pantomime ba. A lokaci guda, ana buƙatar mawaƙin da ke amfani da pantomime sosai don ya mallaki motsin robobi da ƙwarewar wasan kwaikwayo na ban mamaki.

Pachelbel Canon in D

Bayan gaskiya

Tare da taka tsantsan, wasu ƙirƙira na zamani wakilan avant-gardeism za a iya classified a matsayin ainihin nau'in na m eccentricity, amma eccentric, wato, mai wuce yarda na asali, share data kasance stereotypes na hasashe, image na avant-garde music ne mai wuya ga. tada shakku.

Sunayen wasan kwaikwayon na mashahurin mawakin Rasha kuma mai gwadawa GV Dorokhov, ya nuna cewa wannan kida ce mai ban mamaki. Alal misali, yana da aikin da, ban da muryar mace, ana amfani da kayan kida - dumama radiators, kwandon shara, zanen ƙarfe, siren mota, har ma da dogo.

GV Dorokhov. "Manifesto don Styrofoams guda uku tare da baka"

Mutum na iya yin mamaki game da adadin violin da suka lalace a lokacin aikin wannan marubucin (watakila ba za a buga su da baka ba, amma tare da zato), ko kuma mutum yana iya yin tunani game da sabon tsarin fasaha na kiɗa. Magoya bayan avant-gardeism na kida sun lura cewa Dorokhov ya yi ƙoƙari ta kowace hanya don shawo kan ka'idodin gargajiya na rubuce-rubucen, yayin da masu shakka suka kira kiɗansa mai lalata. Muhawarar tana nan a bude.