Kiɗa da Magana: Magana da Sauti

Tasiri kan kiɗa na kimiyyar magana - rhetoric, shine halayyar zamanin Baroque (ƙarni na XVI - XVIII). A cikin waɗannan lokuta, har ma da koyarwar lafazin kiɗa ya tashi, yana gabatar da kiɗa a matsayin kwatanci kai tsaye ga fasahar balaga.

Maganganun kida

Ayyuka guda uku da aka bayyana ta hanyar magana a baya a zamanin da - don shawo kan, don jin dadi, don farantawa - an tashe su a cikin fasahar Baroque kuma sun zama babban ƙarfin tsara tsarin fasaha. Kamar yadda ga mai magana na gargajiya abu mafi mahimmanci shi ne samar da wani motsin rai na masu sauraro game da jawabinsa, don haka ga mawaƙin zamanin Baroque babban abin da ya fi dacewa shi ne cimma iyakar tasiri a kan ji na masu sauraro.

A cikin kiɗan Baroque, mawaƙin solo da mawaƙin kide-kide suna ɗaukar matsayin mai magana akan mataki. Maganganun kida suna ƙoƙarin yin koyi da mahawara, tattaunawa, da tattaunawa. An fahimci wani kide-kide na kayan aiki, alal misali, a matsayin wani nau'in gasa tsakanin mawaƙin solo da ƙungiyar makaɗa, da manufar bayyana wa masu sauraro iyawar bangarorin biyu.

A cikin karni na 17 Vocalists da violinists sun fara taka muhimmiyar rawa a kan mataki, wanda repertoire aka halin da irin wannan nau'i na sonata da kuma babban concerto (concerto grosso, dangane da canji na sauti na dukan makada da kuma wani rukuni na kungiyar. soloists).

Figures na kiɗa da rhetorical

Rhetoric yana da jujjuyawar juyi mai salo wanda ke sanya bayanin magana musamman bayyanawa, yana ƙaruwa da tasirin sa na alama da na tunani. A cikin ayyukan kiɗa na zamanin Baroque, akwai wasu nau'ikan sauti (nau'ikan kida da rhetorical), waɗanda aka yi niyya don bayyana ji da ra'ayoyi daban-daban. Yawancinsu sun karɓi sunayen Latin na ƙayyadaddun maganganun su. Ƙididdiga sun ba da gudummawa ga bayyana tasirin abubuwan ƙirƙira na kiɗa kuma sun ba da ayyukan kayan aiki da na murya tare da abun ciki na ma'ana da ma'ana.

Alal misali, ya haifar da jin dadi na tambaya, kuma, a hade, sun bayyana baƙin ciki, baƙin ciki. zai iya kwatanta jin mamaki, shakku, zama kwaikwayo na magana ta lokaci-lokaci.

Na'urorin magana a cikin ayyukan IS Bach

Ayyukan gwanin JS Bach suna da alaƙa sosai tare da maganganun kiɗa. Sanin wannan kimiyya yana da mahimmanci ga mawaƙin coci. Ma’aikaci a cikin bautar Lutheran ya taka muhimmiyar rawa a matsayin “mai wa’azin kiɗa.”

A cikin alamar addini na Babban Mass, JS Bach's rhetorical Figures na zuriya, hawan hawan, da da'irar suna da mahimmanci.

• mawallafin ya yi amfani da shi lokacin da yake ɗaukaka Allah da kuma kwatanta sama.
• alamar hawan Yesu zuwa sama, tashin matattu, kuma suna da alaƙa da mutuwa da baƙin ciki.
• a cikin waƙa, a matsayin mai mulkin, an yi amfani da su don bayyana bakin ciki da wahala. An haifar da baƙin ciki ta hanyar chromaticism na jigon fugue a cikin ƙananan F (JS Bach "Clavier Mai Kyau" Volume I).
• Yunƙurin ( adadi - kirari) a cikin jigon fugue a C kaifi manyan (Bach "HTK" Volume I) yana ba da farin ciki mai daɗi.

A farkon karni na 19. A hankali tasirin magana kan kiɗa yana ɓacewa, yana ba da hanya ga kyawawan kiɗan kiɗa.