Jan Krenz |

Jan Krenz

Matakan farko na Jan Krenz a fagen kade-kade ba su da sauƙi: a cikin shekarun mulkin fasikanci, ya halarci wani ɗakin ajiyar sirri da 'yan kishin Poland suka shirya a Warsaw. Kuma da artist ta gudanar halarta a karon ya faru nan da nan bayan yakin - a cikin 1946. A lokacin, ya riga ya zama dalibi a Higher School of Music a Lodz, inda ya yi karatu a lokaci daya a uku fannoni - piano (tare da 3. Drzewiecki). abun da ke ciki (tare da K. Sikorsky) da kuma gudanarwa (tare da 3. Gorzhinsky da K. Wilkomirsky). Har wa yau, Krenz yana aiki sosai a matsayin mawaƙi, amma fasaharsa ta sa ya shahara sosai.

A cikin 1948, an nada matashin mawaƙin na biyu shugabar ƙungiyar makaɗa ta Philharmonic a Poznań; A lokaci guda kuma ya yi aiki a gidan wasan opera, inda farkon aikin sa mai zaman kansa shine wasan opera na Mozart The Abduction from Seraglio. Tun daga 1950, Krenz ya kasance mataimaki na kusa na G. Fitelberg, wanda ya jagoranci Orchestra na Rediyo na Poland. Bayan mutuwar Fitelberg, wanda ya ga Krenz a matsayin magajinsa, mai shekaru ashirin da bakwai artist ya zama m darektan da kuma babban shugaba na wannan rukuni, daya daga cikin mafi kyau a kasar.

Tun daga nan, Krenz ya fara aiki na kide-kide. Tare da ƙungiyar makaɗa, jagoran ya ziyarci Yugoslavia, Belgium, Netherlands, Jamus, Ingila, Italiya, Gabas ta Tsakiya da Nisa, Tarayyar Soviet, kuma sun zagaya kai tsaye a yawancin sauran ƙasashen Turai. Krenz ya sami suna a matsayin kyakkyawan fassarar aikin mawaƙa na Poland, ciki har da na zamaninsa. Wannan yana samun sauƙi ta hanyar fasaha na musamman na fasaha da fahimtar salo. Wani mai suka ɗan Bulgeriya B. Abrashev ya rubuta: “Jan Krenz ɗaya ne daga cikin masu fasaha da suka ƙware da kansu da kuma fasaharsu zuwa ga kamala. Tare da alheri na musamman, basirar nazari da al'adu, yana shiga cikin masana'antar aikin kuma ya bayyana abubuwan ciki da waje. Ƙarfinsa na yin nazari, haɓakar ma'anarsa da cikakkiyar ma'anarsa, ma'anar ƙwaƙƙwaransa - ko da yaushe bambanta kuma bayyananne, da hankali da kuma aiwatar da shi akai-akai - duk wannan yana ƙayyade tunani mai mahimmanci ba tare da yawan "ji" ba. Tattalin arziki da kamewa, tare da ɓoyayyiya, mai zurfi na ciki, kuma ba a zahiri ba mai ban sha'awa ba, cikin gwanintar yawan sauti na ƙungiyar makaɗa, al'ada da iko - Jan Krenz ba tare da lahani ba yana jagorantar ƙungiyar makaɗa tare da tabbaci, daidai kuma bayyananne.

L. Grigoriev, J. Platek, 1969