Jacques Thibaud |

Jacques Thibaud

A ranar 1 ga Satumba, 1953, duniyar kiɗa ta girgiza da labarin cewa a kan hanyar zuwa Japan, Jacques Thibault, ɗaya daga cikin fitattun 'yan wasan violin na ƙarni na XNUMX, sanannen shugaban makarantar violin na Faransa, ya mutu a sakamakon hatsarin jirgin sama a kusa da Dutsen Semet kusa da Barcelona.

Thibaut Bafaranshe ne na gaske, kuma idan mutum zai iya tunanin mafi kyawun magana na fasahar violin na Faransa, to, an haɗa shi daidai a cikinsa, wasansa, bayyanar fasaha, ɗakin ajiya na musamman na halayen fasaha. Jean-Pierre Dorian ya rubuta a cikin wani littafi game da Thibaut: “Kreisler ya taɓa gaya mani cewa Thibault shine mafi girman violin a duniya. Babu shakka, shi ne babban dan wasan violin a Faransa, kuma lokacin da yake wasa, sai ka ga kamar ka ji wani bangare na Faransa da kanta yana rera waka.

"Thibaut ba mai fasaha ne kawai da aka yi wahayi ba. Shi mutum ne mai gaskiya a fili, mai rai, wayo, kyakkyawa - Bafaranshe na gaske. Ayyukansa, cike da aminci na gaskiya, kyakkyawan fata a cikin mafi kyawun ma'anar kalmar, an haife shi a ƙarƙashin yatsun wani mawaƙa wanda ya sami farin ciki na ƙirƙirar halitta a cikin sadarwar kai tsaye tare da masu sauraro. - Wannan shine yadda David Oistrakh ya mayar da martani ga mutuwar Thibault.

Duk wanda ya ji ayyukan violin na Saint-Saens, Lalo, Franck da Thibault ya yi ba zai taɓa mantawa da wannan ba. Tare da alheri mai ban sha'awa ya buga wasan karshe na wasan kwaikwayo na Lalo na Mutanen Espanya; tare da filastik mai ban mamaki, ya kori cikar kowace magana, ya isar da waƙoƙin maye na Saint-Saens; kyau kwarai da gaske, mutuntaka ta ruhaniya ta bayyana a gaban mai sauraron Franck's Sonata.

"Ba a takura masa fassarar litattafan gargajiya ba ta tsarin busasshiyar ilimi, kuma wasan kwaikwayo na kiɗan Faransa ba shi da iyaka. Ya bayyana a cikin sabuwar hanya irin wannan ayyuka kamar Concerto na Uku, Rondo Capriccioso da Havanaise na Saint-Saens, Lalo's Spanish Symphony, Chausson's Poem, Fauré da Franck's sonatas, da dai sauransu Fassarar waɗannan ayyukan sun zama abin koyi ga al'ummomi masu zuwa na violinists.

An haifi Thibault a ranar 27 ga Satumba, 1881 a Bordeaux. Mahaifinsa, ƙwararren ɗan wasan violin, ya yi aiki a ƙungiyar makaɗa ta opera. Amma tun kafin haihuwar Jacques, aikin mahaifinsa ya ƙare saboda atrophy na yatsa na huɗu na hannun hagu. Babu wani abu da za a yi sai don nazarin ilimin koyarwa, kuma ba kawai violin ba, har ma da piano. Abin mamaki, ya ƙware duka fannonin kida da fasaha cikin nasara sosai. A kowane hali, an yaba masa sosai a cikin birni. Jacques bai tuna da mahaifiyarsa ba, tun lokacin da ta mutu yana ɗan shekara ɗaya da rabi.

Jacques shi ne ɗa na bakwai a cikin iyali kuma ƙarami. Ɗaya daga cikin 'yan uwansa ya mutu yana da shekaru 2, ɗayan a 6. Wadanda suka tsira sun bambanta da babban kida. Alphonse Thibaut, ƙwararren ɗan wasan pian, ya sami lambar yabo ta farko daga ƙungiyar Conservatory na Paris yana ɗan shekara 12. Shekaru da yawa ya kasance fitaccen ɗan wasan kiɗa a Argentina, inda ya isa jim kaɗan bayan kammala karatunsa. Joseph Thibaut, dan wasan pian, ya zama farfesa a gidan rani a Bordeaux; ya yi karatu tare da Louis Diemer a Paris, Cortot ya sami bayanai masu ban mamaki daga gare shi. Brotheran’uwa na uku, Francis, ɗan ɗabi’a ne kuma daga baya ya yi aiki a matsayin darekta na ɗabi’a a Oran. Hippolyte, ɗan wasan violin, ɗalibin Massard, wanda da rashin alheri ya mutu da wuri daga cin abinci, yana da hazaka na musamman.

Abin ban mamaki, mahaifin Jacques da farko (lokacin yana ɗan shekara 5) ya fara koyar da piano, kuma Yusufu mai violin. Amma ba da daɗewa ba matsayin ya canza. Bayan mutuwar Hippolyte, Jacques ya nemi izinin mahaifinsa don canzawa zuwa violin, wanda ya ja hankalinsa fiye da piano.

Iyali sukan kunna kiɗa. Jacques ya tuna da maraice na huɗu, inda ’yan’uwa suka yi sassan dukan kayan kida. Da zarar, jim kadan kafin mutuwar Hippolyte, sun buga Schubert's b-moll trio, babban abin da ya faru a nan gaba na rukunin Thibaut-Cortot-Casals. Littafin memoirs "Un violon parle" yana nuna ƙaunar ɗan Jacques don kiɗan Mozart, an kuma maimaita cewa "dokinsa", wanda ya tayar da sha'awar masu sauraro akai-akai, shine Romance (F) na Beethoven Duk wannan yana nuni da halayen fasaha na Thibaut. Halin jituwa na ɗan wasan violin a zahiri ya burge Mozart tare da tsabta, gyaran salo, da laushin waƙoƙin fasahar sa.

Thibaut ya kasance duk rayuwarsa nesa da duk wani abu mai ban sha'awa a fasaha; m motsin rai, zazzagewar magana da tashin hankali sun ɓata masa rai. Ayyukansa koyaushe ya kasance a bayyane, ɗan adam da ruhi. Don haka sha'awar Schubert, daga baya zuwa Frank, kuma daga gadon Beethoven - zuwa ga mafi kyawun ayyukansa - romances don violin, wanda yanayin ɗabi'a ya mamaye, yayin da "jarumin" Beethoven ya fi wahala. Idan muka ci gaba da haɓaka ma'anar hoton fasaha na Thibault, dole ne mu yarda cewa shi ba masanin falsafa ba ne a cikin kiɗa, bai sha'awar ayyukan Bach ba, tashin hankali mai ban mamaki na fasahar Brahms ya kasance baƙo gare shi. Amma a cikin Schubert, Mozart, Symphony na Lalo na Mutanen Espanya da Franck's Sonata, an bayyana wadatar ruhaniya mai ban al'ajabi da ingantacciyar hankali na wannan mawallafin da ba za a iya kwatanta shi da cikakkiyar cikakkiya ba. An fara ƙaddara yanayin yanayinsa tun yana ƙarami, wanda, ba shakka, yanayin fasahar da ke mulki a gidan mahaifinsa ya taka muhimmiyar rawa.

A lokacin da yake da shekaru 11, Thibault ya fara bayyanar da jama'a. Nasarar ta kasance irin wannan cewa mahaifinsa ya dauke shi daga Bordeaux zuwa Angers, inda, bayan wasan kwaikwayo na matashin violin, duk masu son kiɗa sun yi magana game da shi. Komawa zuwa Bordeaux, mahaifinsa ya sanya Jacques zuwa ɗaya daga cikin makada na birnin. A daidai wannan lokacin, Eugene Ysaye ya isa nan. Bayan ya saurari yaron, sai sabo da asali na basirar sa ya birge shi. "Ya kamata a koya masa," Izai ya gaya wa mahaifinsa. Kuma dan Belgium ya yi wa Jacques irin wannan ra'ayi har ya fara roƙon mahaifinsa ya aika shi Brussels, inda Ysaye ya koyar a ɗakin karatu. Duk da haka, mahaifin ya ƙi, kamar yadda ya riga ya tattauna game da dansa tare da Martin Marsik, farfesa a Conservatory na Paris. Amma duk da haka, kamar yadda Thibault da kansa ya nuna daga baya, Izai ya taka rawar gani sosai a tsarin fasaharsa kuma ya karbe abubuwa masu mahimmanci daga gare shi. Tun da ya riga ya zama babban mai fasaha, Thibault ya ci gaba da tuntuɓar Izaya, sau da yawa yakan ziyarci villansa a Belgium kuma ya kasance abokin tarayya a cikin ƙungiyoyi tare da Kreisler da Casals.

A 1893, lokacin da Jacques yana da shekaru 13, an aika shi zuwa Paris. A tashar, mahaifinsa da 'yan'uwansa suka gan shi, kuma a cikin jirgin, wata mace mai tausayi ta kula da shi, ta damu cewa yaron yana tafiya shi kadai. A cikin Paris, Thibault yana jiran ɗan'uwan mahaifinsa, ma'aikacin masana'anta wanda ya kera jiragen ruwa na soja. Gidan Uncle a Faubourg Saint-Denis, ayyukansa na yau da kullun da yanayin aikin rashin jin daɗi sun zalunta Jacques. Bayan ya yi hijira daga kawun nasa, ya yi hayan ɗan ƙaramin ɗaki a hawa na biyar a Rue Ramey, a Montmartre.

Washegari da isowarsa Paris, ya tafi gidan ajiyar kayan tarihi zuwa Marsik kuma aka karbe shi cikin ajinsa. Lokacin da Marsik ya tambayi wanda daga cikin mawaƙa Jacques ya fi so, matashin mawaƙin ya amsa ba tare da jinkiri ba - Mozart.

Thibaut yayi karatu a ajin Marsik na tsawon shekaru 3. Ya kasance ƙwararren malami wanda ya horar da Carl Flesch, George Enescu, Valerio Franchetti da sauran ƴan wasan violin na ban mamaki. Thibaut ya bi malamin da girmamawa.

A lokacin da yake karatu a conservatory, ya rayu ba sosai. Uban ba zai iya aika isassun kuɗi ba - iyalin suna da yawa, kuma abin da aka samu ya kasance mai sauƙi. Dole ne Jacques ya sami ƙarin kuɗi ta hanyar yin wasa a cikin ƙananan ƙungiyar makaɗa: a cikin cafe Rouge a cikin Quarter Latin, ƙungiyar makaɗa na gidan wasan kwaikwayo iri-iri. Daga baya, ya yarda cewa bai yi nadama ba a wannan makaranta mai tsanani na kuruciyarsa da kuma wasan kwaikwayo 180 tare da Orchestra iri-iri, inda ya taka leda a wasan bidiyo na violin na biyu. Bai yi nadama ba a rayuwa a cikin soron Rue Ramey, inda ya zauna tare da 'yan mazan jiya biyu, Jacques Capdeville da ɗan'uwansa Felix. Wani lokaci Charles Mancier yana tare da su, kuma suna yin kaɗe-kaɗe da maraice.

Thibaut ya kammala karatun digiri a cikin 1896, ya lashe lambar yabo ta farko da lambar zinare. Ayyukansa a cikin da'irar mawaƙa na Parisan sannan an ƙarfafa shi tare da wasan kwaikwayo na solo a cikin kide-kide a Chatelet, kuma a cikin 1898 tare da ƙungiyar makaɗa na Edouard Colonne. Daga yanzu, shi ne wanda aka fi so na Paris, kuma wasan kwaikwayo na Gidan wasan kwaikwayo iri-iri ya kasance a baya. Enescu ya bar mana mafi kyawun layi game da ra'ayin da wasan Thibault ya haifar a wannan lokacin tsakanin masu sauraro.

“Ya yi karatu a gabana,” in ji Enescu, “tare da Marsik. Ina da shekara goma sha biyar na fara ji; Gaskiya ya dauke numfashina. Na kasance a gefena da ni'ima. Ya kasance sabo ne, sabon abu!. Paris wadda ta ci nasara ta kira shi Yarima mai ban sha'awa kuma ta burge shi, kamar mace mai ƙauna. Thibault shi ne na farko daga cikin 'yan wasan violin don bayyana wa jama'a sabon sautin gaba ɗaya - sakamakon cikakkiyar haɗin kai na hannu da igiya mai shimfiɗa. Wasan sa yana da ban mamaki mai taushi da sha'awa. Idan aka kwatanta da shi, Sarasate cikakke ne mai sanyi. A cewar Viardot, wannan injin dare ne, yayin da Thibaut, musamman a cikin ruhi, ya kasance mai rai da dare.

A farkon karni na 1901, Thibault ya tafi Brussels, inda ya yi wasan kwaikwayo na ban dariya; Izai gudanar. Anan suka fara babban abota, wanda ya dade har mutuwar babban dan wasan violin na Belgium. Daga Brussels, Thibaut ya tafi Berlin, inda ya sadu da Joachim, kuma a ranar 29 ga Disamba ya zo Rasha a karon farko don shiga wani wasan kwaikwayo da aka sadaukar don kiɗa na Faransanci. Yana yin wasan pianist L. Würmser da madugu A. Bruno. Wasan da aka yi a watan Disamba na shekara ta 1902 a St. Petersburg, ya yi nasara sosai. Ba tare da ƙarancin nasara ba, Thibaut yana ba da kide-kide a farkon XNUMX a Moscow. Ya dakin maraice tare da cellist A. Brandukov da pianist Mazurina, wanda shirin ya hada da Tchaikovsky Trio, farin ciki N. Kashkin: , kuma na biyu, ta m da kuma m musicality na aikinsa. Matashin mai zane ya guje wa kowane tasiri na virtuoso na musamman, amma ya san yadda ake ɗaukar duk abin da zai yiwu daga abun da ke ciki. Alal misali, ba mu ji daga kowa ba Rondo Capriccioso ya taka leda da irin wannan alheri da haske, ko da yake a lokaci guda ya kasance maras kyau dangane da tsananin halin wasan kwaikwayon.

A cikin 1903, Thibault ya fara tafiya zuwa Amurka kuma yakan ba da kide-kide a Ingila a wannan lokacin. Da farko, ya buga violin ta Carlo Bergonzi, daga baya a kan ban mamaki Stradivarius, wanda ya kasance na fitaccen dan wasan violin na Faransa na farkon karni na XNUMX P. Baio.

Lokacin da A. Siloti ya gayyace Thibaut a cikin Janairu 1906 zuwa St. Petersburg don kide kide da wake-wake, an bayyana shi a matsayin ƙwararren ƙwararren ɗan wasan violin mai ban mamaki wanda ya nuna cikakkiyar dabara da ban sha'awa na baka. A wannan ziyarar, Thibault ya mamaye jama'ar Rasha gaba daya.

Thibaut ya kasance a Rasha kafin yakin duniya na farko sau biyu - a watan Oktoba 1911 da kuma a cikin 1912/13 kakar. A cikin kide-kide na 1911 ya yi Mozart's Concerto a E flat major, Lalo's Spanish Symphony, Beethoven's da Saint-Saens sonatas. Thibault ya ba da maraice na sonata tare da Siloti.

A cikin Jaridar Musical ta Rasha sun rubuta game da shi: “Thibault ƙwararren ƙwararren ƙwararren ƙwararru ne, babban jirgin sama. Haskakawa, iko, lyricism - waɗannan su ne manyan fasalulluka na wasansa: "Prelude et Allegro" na Punyani, "Rondo" na Saint-Saens, wanda aka buga, ko kuma an yi waƙa, tare da sauƙi mai sauƙi, alheri. Thibaut ya fi dan wasan soloist ajin farko fiye da mai wasan kwaikwayo, kodayake Beethoven sonata da ya buga tare da Siloti ya tafi babu aibi.

Maganar ƙarshe tana da ban mamaki, saboda kasancewar shahararren shahararrun uku, wanda ya kafa shi a 1905 tare da Cortot da Casals, suna da alaƙa da sunan Thibaut. Casals ya tuna da wannan uku shekaru da yawa bayan haka tare da dumi dumi. A wata tattaunawa da ya yi da Corredor, ya ce kungiyar ta fara aiki ne shekaru kadan kafin yakin 1914 kuma mambobinta sun kasance da haɗin kai ta hanyar abokantaka. “Daga wannan abotar ne aka haifi ‘yan uwanmu uku. Yawancin tafiye-tafiye zuwa Turai! Nawa ne farin ciki da muka samu daga abota da kiɗa!” Kuma kara: "Mun yi Schubert's B-flat uku mafi sau da yawa. Bugu da kari, 'yan wasa uku na Haydn, Beethoven, Mendelssohn, Schumann da Ravel sun bayyana a cikin repertoire namu."

Kafin yakin duniya na farko, an shirya wani tafiya Thibault zuwa Rasha. An shirya kide-kide don Nuwamba 1914. Fashewar yaki ya hana aiwatar da niyyar Thibault.

A lokacin yakin duniya na farko, an sanya Thibaut cikin soja. Ya yi yaƙi a Marne kusa da Verdun, ya ji rauni a hannu kuma ya kusan rasa damar yin wasa. Duk da haka, rabo ya zama mai kyau - ya ceci ba kawai rayuwarsa ba, har ma da sana'arsa. A cikin 1916, Thibaut ya koma baya kuma nan da nan ya shiga cikin manyan "Matinees na kasa". A shekara ta 1916, Henri Casadesus, a cikin wasiƙar da ya aika wa Siloti, ya jera sunayen Capet, Cortot, Evitte, Thibaut da Riesler kuma ya rubuta: “Muna sa ido ga nan gaba da bangaskiya da kuma so, har ma a lokacin yaƙinmu, mu ba da gudummawa ga haɓaka. aikinmu."

Ƙarshen yaƙin ya zo daidai da shekarun balagagge. Shi sanannen hukuma ne, shugaban fasahar violin na Faransa. A cikin 1920, tare da ɗan wasan pian Marguerite Long, ya kafa Ecole Normal de Musique, babbar makarantar kiɗa a Paris.

Shekarar 1935 ta sami babban farin ciki ga Thibault - ɗalibarsa Ginette Neve ta sami lambar yabo ta farko a Gasar Duniya ta Henryk Wieniawski a Warsaw, inda ta doke abokan hamayya kamar David Oistrakh da Boris Goldstein.

A cikin Afrilu 1936, Thibaut ya isa Tarayyar Soviet tare da Cortot. Mafi yawan mawaƙa sun amsa ayyukansa - G. Neuhaus, L. Zeitlin da sauransu. G. Neuhaus ya rubuta: “Thibaut yana buga violin zuwa kamala. Ba za a iya jifa ko da zargi kan fasahar violin nasa ba. Thibault shine "mai dadi-sauti" a cikin mafi kyawun ma'anar kalmar, bai taba fada cikin jin dadi da dadi ba. Sonatas na Gabriel Fauré da Kaisar Franck, wanda ya yi tare da Cortot, sun kasance daga wannan ra'ayi, musamman ban sha'awa. Thibaut yana da kyau, violin yana rera waƙa; Thibault mai son soyayya ne, sautin violin nasa yana da taushi da ban mamaki, yanayinsa na gaske ne, na gaske, mai kamuwa da cuta; Sahihin ayyukan Thibaut, kyawun yanayinsa na musamman, yana jan mai sauraro har abada…”

Neuhaus ba tare da wani sharadi ba ya sanya Thibaut a cikin masu son soyayya, ba tare da bayyana takamaiman abin da yake ji ba. Idan wannan yana nufin asalin salon aikinsa, wanda aka haskaka ta hanyar ikhlasi, ladabi, to mutum zai iya yarda da irin wannan hukunci. Ƙaunar Thibault kawai ba "Listovian" ba ne, har ma fiye da haka ba "Pagannian", amma "Frankish", yana fitowa daga ruhi da daukakar Cesar Franck. Soyayyarsa ta hanyoyi da dama ta yi daidai da soyayyar Izaya, sai dai ta fi tsafta da hankali.

A lokacin zamansa a Moscow a 1936, Thibaut ya zama mai sha'awar makarantar Soviet violin. Ya kira babban birninmu "Birnin 'yan wasan violin" kuma ya nuna jin dadinsa ga wasan da matasa Boris Goldstein, Marina Kozolupova, Galina Barinova da sauransu suka yi. "Rayuwar aikin", kuma wanda ya bambanta da gaskiyar mu na yammacin Turai", kuma wannan yana da halayyar Thibaut, wanda "rai na aikin" ya kasance babban abu a cikin fasaha.

Hankalin masu sukar Soviet ya jawo hankalin salon wasan violin na Faransa, fasahar violin. I. Yampolsky ya rubuta su a cikin labarinsa. Ya rubuta cewa lokacin da Thibaut ya taka leda, an siffanta shi da: motsin jikin da ke hade da abubuwan da ke tattare da motsin rai, ƙwanƙwasa mai ƙarfi da lebur na violin, babban gwiwar hannu a cikin saitin hannun dama da kuma riƙe da baka tare da yatsunsu wanda yake da wuyar gaske. suna da tafin hannu sosai akan sanda. Thiebaud ya yi wasa tare da ƙananan baka na baka, daki-daki mai yawa, sau da yawa ana amfani dashi a hannun jari; Na yi amfani da matsayi na farko da bude kirtani da yawa.

Thibaut ya fahimci yakin duniya na biyu a matsayin abin ba'a ga bil'adama da kuma barazana ga wayewa. Fascist tare da dabbanci ya kasance baki ne ga Thibaut, magaji kuma mai kula da al'adun mafi kyawun al'adun kiɗa na Turai - al'adun Faransanci. Marguerite Long ya tuna cewa a farkon yakin, ita da Thibaut, dan wasan kwaikwayo Pierre Fournier da kuma mai kula da kade-kade na Grand Opera Orchestra Maurice Villot suna shirya fauré's piano quartet don wasan kwaikwayo, wani abun da aka rubuta a 1886 kuma ba a yi ba. Ya kamata a yi rikodi na quartet akan rikodin gramophone. An shirya yin rikodin a ranar 10 ga Yuni, 1940, amma da safe Jamusawa sun shiga Holland.

"An girgiza, mun shiga ɗakin studio," Long ya tuna. - Na ji sha'awar da ta kama Thibault: ɗansa Roger ya yi yaƙi a kan gaba. A lokacin yaƙin, farin cikinmu ya kai ga gaɓoɓinsa. Da alama a gare ni cewa rikodin ya nuna wannan daidai kuma a hankali. Washegari, Roger Thibault ya mutu jarumtaka.

A lokacin yakin, Thibaut, tare da Marguerite Long, sun kasance a cikin Paris da aka mamaye, kuma a cikin 1943 sun shirya gasar Piano da Violin na Faransa. Gasar da ta zama al'ada bayan yakin daga baya aka sanya musu suna.

Duk da haka, gasar ta farko da aka gudanar a birnin Paris a shekara ta uku ta mamayar Jamus, ta kasance abin jaruntaka da gaske, kuma tana da kima ga Faransawa. A shekara ta 1943, lokacin da ake ganin cewa sojojin Faransa sun gurgunce, wasu mawaƙan Faransawa biyu sun yanke shawarar nuna cewa ran wanda ya ji rauni a Faransa ba shi da ƙarfi. Duk da matsalolin, da alama ba za a iya jurewa ba, makamai kawai tare da bangaskiya, Marguerite Long da Jacques Thibault sun kafa gasar kasa.

Kuma matsalolin sun kasance masu ban tsoro. Yin la'akari da labarin Long, wanda aka watsa a cikin littafin S. Khentova, ya zama dole don dakatar da tsaro na Nazis, yana gabatar da gasar a matsayin wani aiki na al'adu marar lahani; ya zama dole don samun kuɗin, wanda a ƙarshe ya samar da kamfanin rikodin Pate-Macconi, wanda ya dauki nauyin ayyukan kungiya, da kuma tallafin wani ɓangare na kyaututtuka. A watan Yunin 1943, a ƙarshe an gudanar da gasar. Wadanda suka ci nasara sun hada da dan wasan pian Samson Francois da dan wasan violin Michel Auclair.

Gasar ta gaba ta gudana bayan yakin, a cikin 1946. Gwamnatin Faransa ta shiga cikin kungiyarta. Gasar ta zama babban al'amari na kasa da kasa. Daruruwan 'yan wasan violin na duniya ne suka halarci gasa biyar, wadanda suka gudana tun daga lokacin da aka kafa su har zuwa rasuwar Thibaut.

A cikin 1949, Thibaut ya kadu da mutuwar ƙaunataccen ɗalibarsa Ginette Neve, wanda ya mutu a hadarin jirgin sama. A gasar ta gaba, an ba da kyauta da sunan ta. Gabaɗaya, kyaututtukan da aka keɓance sun zama ɗaya daga cikin al'adun gasa na Paris - Kyautar Maurice Ravel Memorial Prize, Kyautar Yehudi Menuhin (1951).

A cikin lokacin yakin basasa, ayyukan makarantar kiɗa, wanda Marguerite Long da Jacques Thibault suka kafa, ya karu. Dalilan da suka kai su ga kafa wannan cibiya sun nuna rashin gamsuwa da yadda ake gudanar da ilimin waka a Paris Conservatoire.

A cikin 40s, Makarantar tana da azuzuwan biyu - ajin piano, wanda Long ke jagoranta, da ajin violin, na Jacques Thibault. Daliban su ne suka taimaka musu. Ka'idodin Makarantar - tsauraran horo a cikin aiki, cikakken bincike game da wasan mutum, rashin tsari a cikin repertoire don haɓaka ɗabi'un ɗalibai kyauta, amma mafi mahimmanci - damar yin karatu tare da irin waɗannan fitattun masu fasaha ya jawo hankalin mutane da yawa. dalibai zuwa Makaranta. An gabatar da ɗaliban Makarantar, baya ga ayyukan gargajiya, ga dukkan manyan abubuwan da suka shafi adabin kiɗan zamani. A cikin aji na Thibaut, an koyi ayyukan Honegger, Orik, Milhaud, Prokofiev, Shostakovich, Kabalevsky da sauransu.

Mummunan mutuwa ya katse ayyukan koyarwa na Thibaut da ke ƙara tashi. Ya rasu cike da kakkautawa kuma har yanzu nesa da gajiyar kuzari. Gasar da ya assasa da Makarantar ta kasance abin tunawa a gare shi. Amma ga waɗanda suka san shi da kansa, har yanzu zai ci gaba da kasancewa mutum mai babban wasiƙa, mai fara'a mai sauƙi, mai tausayi, mai kirki, mara gaskiya da haƙiƙa a cikin hukumce-hukumcensa game da sauran masu fasaha, tsarkakakku cikin kyawawan manufofinsa na fasaha.

L. Rabin