Mario Del Monaco |

Mario Del Monaco

Zuwa bikin cika shekaru 20 da rasuwa

Dalibin L. Melai-Palazzini da A. Melocchi. Ya fara halarta a karon a 1939 a matsayin Turridu (Mascagni's Rural Honor, Pesaro), a cewar wasu kafofin - a cikin 1940 a cikin wannan bangare a Teatro Communale, Calli, ko ma a 1941 a matsayin Pinkerton (Puccini's Madama Butterfly, Milan). A 1943, ya yi a kan mataki na La Scala Theatre, Milan a matsayin Rudolph (Puccini's La Boheme). Daga 1946 ya rera a Covent Garden, London, a cikin 1957-1959 ya yi a Metropolitan Opera, New York (sassan De Grieux a cikin Puccini's Manon Lescaut; José, Manrico, Cavaradossi, Andre Chenier). A 1959 ya ziyarci Tarayyar Soviet, inda ya yi nasara a matsayin Canio (Pagliacci na Leoncavallo; madugu - V. Nebolsin, Nedda - L. Maslennikova, Silvio - E. Belov) da Jose (Carmen ta Bizet; madugu - A. Melik -Pashaev). , a cikin rawar take - I. Arkhipova, Escamillo - P. Lisitsian). A 1966 ya yi wani ɓangare na Sigmund (Wagner's Valkyrie, Stuttgart). A shekara ta 1974 ya yi rawar Luigi (Puccini's Cloak, Torre del Lago) a cikin wani wasan kwaikwayo a kan bikin cika shekaru hamsin da mutuwar mawaki, da kuma a cikin wasanni da dama na Pagliacci a Vienna. A cikin 1975, bayan da ya ba da wasan kwaikwayo 11 a cikin kwanaki 20 (gidajen wasan kwaikwayo na San Carlo, Naples da Massimo, Palermo), ya kammala aiki mai ban sha'awa wanda ya ɗauki fiye da shekaru 30. Ya mutu jim kaɗan bayan wani hatsarin mota a shekara ta 1982. Marubucin tarihin “rayuwata da nasarorina.”

Mario Del Monaco yana ɗaya daga cikin manyan mawaƙa kuma fitattun mawaƙa na ƙarni na XNUMX. Babban mashahurin masanin fasahar bel canto na tsakiyar ƙarni, ya yi amfani da hanyar maƙogwaro da aka saukar da shi da ya koya daga Melocchi wajen rera waƙa, wanda ya ba shi ikon samar da sauti mai ƙarfi da haske. Cikakkar dacewa ga rawar jarumtaka a ƙarshen Verdi da operas na zahiri, na musamman a cikin wadatar katako da kuzari, muryar Del Monaco ta kasance kamar an ƙirƙira ta don gidan wasan kwaikwayo, kodayake a lokaci guda bai yi kyau a cikin rikodi ba. Del Monaco an yi la'akari da shi a matsayin mai mulki na ƙarshe, wanda muryarsa ta ɗaukaka bel canto a cikin karni da ya gabata kuma yana daidai da manyan mashahuran karni na XNUMX. Kadan za su iya kwatanta shi da shi dangane da ƙarfin sauti da jimiri, kuma babu wanda, ciki har da fitaccen mawaƙin Italiyanci na rabin na biyu na karni na XNUMX, Francesco Tamagno, wanda aka fi kwatanta muryar Del Monaco tare da tsawa mafi yawa, ba zai iya kula da shi ba. irin wannan tsarki da sabo na tsawon lokaci irin wannan. sauti.

Ƙayyadaddun saitunan murya (amfani da manyan bugun jini, pianissimo mara kyau, ƙaddamar da mutuncin intonational don wasa mai tasiri) ya ba wa mawaƙa da ƙunci sosai, mafi yawan wasan kwaikwayo na ban mamaki, wato operas 36, wanda, duk da haka, ya kai matsayi mafi girma. (sassan Ernani, Hagenbach (“Valli” na Catalani), Loris (“Fedora” na Giordano), Manrico, Samson (“Samson da Delilah” na Saint-Saens)), da kuma sassan Pollione (“Norma” ta Bellini), Alvaro ("Force of Destiny" na Verdi), Faust ("Mephistopheles" na Boito), Cavaradossi (Puccini's Tosca), Andre Chenier (Opera Giordano na wannan sunan), Jose, Canio da Otello (a cikin Verdi's opera) ya zama mafi kyau a cikin repertore, kuma wasan kwaikwayon su shine mafi kyawun shafi a duniyar fasahar opera. Don haka, a cikin mafi kyawun aikinsa, Othello, Del Monaco ya rufe dukkan magabata, kuma da alama duniya ba ta ga kyakkyawan aiki ba a cikin karni na 1955. Domin wannan rawa, wanda immortalized sunan singer, a cikin 22 ya aka bayar da lambar yabo na Golden Arena Prize, bayar da mafi fice nasarori a opera art. Domin shekaru 1950 (na halarta a karon - 1972, Buenos Aires; wasan karshe - 427, Brussels) Del Monaco ya rera wannan bangare mafi wuya na wasan kwaikwayo na tenor sau XNUMX, yana kafa rikodin ban sha'awa.

Har ila yau, yana da mahimmanci a lura cewa, mawaƙin a kusan dukkanin sassan wakokinsa, ya sami gagarumin haɗin gwiwa na waƙar rairayi da kuma yin wasan kwaikwayo na zuciya, wanda ya tilastawa, a cewar yawancin masu kallo, da gaske don nuna juyayi ga bala'in halayensa. An sha azaba da azabar rai mai rauni, kadaici Canio, cikin soyayya da matar Jose mai wasa da tunaninsa, da mutuƙar mutuƙar yarda da mutuwar Chenier, a ƙarshe ya ƙaddamar da wani shiri mai ban tsoro, butulci, amintaccen jarumi Moor - Del Monaco ya sami damar bayyana duka gamut na ji a matsayin mawaƙa da kuma a matsayin babban mai fasaha.

Del Monaco ya kasance mai girma a matsayin mutum. Shi ne wanda a ƙarshen 30s ya yanke shawarar duba ɗaya daga cikin tsoffin abokansa, wanda zai ba da kansa ga opera. Sunanta Renata Tebaldi kuma tauraruwar wannan babbar mawaƙa ce aka ƙaddara ta haskaka wani bangare saboda abokiyar aikinta, wanda a wancan lokacin ya fara sana'ar kaɗaici, ya yi hasashen kyakkyawar makoma a gare ta. Ya kasance tare da Tebaldi cewa Del Monaco ya fi son yin wasa a cikin ƙaunataccensa Othello, watakila yana gani a cikinta mutumin da yake kusa da kansa a cikin hali: opera mai ƙauna marar iyaka, yana zaune a ciki, yana iya yin duk wani sadaukarwa a gare shi, kuma a lokaci guda yana da babban matsayi. yanayi da babban zuciya . Tare da Tebaldi, ya fi sauƙi: dukansu sun san cewa ba su da daidai kuma cewa kursiyin opera na duniya gaba ɗaya na su ne (aƙalla a cikin iyakokin tarihin su). Del Monaco ya rera waka, ba shakka, tare da wata sarauniya, Maria Callas. Tare da dukan soyayyata ga Tebaldi, ba zan iya lura da cewa Norma (1956, La Scala, Milan) ko André Chenier, wanda Del Monaco ya yi tare da Callas, ƙwararru ne. Abin baƙin cikin shine, Del Monaco da Tebaldi, waɗanda suka dace da juna a matsayin masu fasaha, ban da bambance-bambancen da suka dace, an kuma iyakance su ta hanyar fasahar muryar su: Renata, ƙoƙari na tsarkakewa na duniya, wani lokacin m nuances, an nutsar da shi ta hanyar raira waƙa mai ƙarfi. Mario, wanda ya so ya bayyana cikakken abin da ke faruwa a cikin ran jaruminsa. Ko da yake, wanene ya sani, yana yiwuwa wannan ita ce mafi kyawun fassarar, domin da wuya Verdi ko Puccini ya rubuta kawai don mu ji wani nassi ko piano da wani soprano ya yi, lokacin da mutumin da ya yi fushi ya bukaci bayani daga ƙaunataccensa ko wani tsohon jarumi ya furta soyayya da wata budurwa.

Del Monaco kuma ya yi abubuwa da yawa don fasahar wasan kwaikwayo na Soviet. Bayan yawon shakatawa a shekarar 1959, ya ba Rasha wasan kwaikwayo wani m kima, musamman, lura da mafi girma gwaninta na Pavel Lisitsian a cikin rawar Escamillo da kuma ban mamaki addashin basira Irina Arkhipova a cikin rawar Carmen. Wannan na baya-bayan nan shi ne ingiza gayyatar Arkhipova don yin wasan kwaikwayo a gidan wasan kwaikwayo na Neapolitan San Carlo a 1961 a cikin irin wannan rawar da kuma yawon shakatawa na farko na Soviet a gidan wasan kwaikwayo na La Scala. Daga baya, da yawa matasa mawaƙa, ciki har da Vladimir Atlantov, Muslim Magomaev, Anatoly Solovyanenko, Tamara Milashkina, Maria Bieshu, Tamara Sinyavskaya, tafi a kan wani horo a cikin sanannen gidan wasan kwaikwayo da kuma dawo daga can a matsayin fitattun jawabai na bel canto makaranta.

Haƙiƙa, ƙwaƙƙwaran ƙarfi da matuƙar ban mamaki na babban teno ya ƙare, kamar yadda aka riga aka ambata, a cikin 1975. Akwai bayanai da yawa game da wannan. Wataƙila, muryar mawaƙa ta gaji daga shekaru talatin da shida na yawan wuce gona da iri (Del Monaco da kansa a cikin abubuwan tunawa ya ce yana da igiyoyin bass kuma har yanzu yana ɗaukar aikinsa na tenor a matsayin abin al'ajabi; kuma hanyar saukar da makogwaro da gaske yana ƙara tashin hankali akan igiyoyin murya), kodayake jaridu a jajibirin cika shekaru sittin na mawaƙin sun lura cewa har yanzu muryarsa na iya karya gilashin crystal a nesa na mita 10. Mai yiyuwa ne mawaƙin da kansa ya ɗan gaji da wani repertoire mai ɗaci. Haka kuma, bayan 1975 Mario Del Monaco ya koyar da horar da ƙwararrun ɗalibai, gami da sanannen baritone Mauro Augustini. Mario Del Monaco ya mutu a shekara ta 1982 a birnin Mestre kusa da Venice, bai taba samun cikakkiyar lafiya daga hatsarin mota ba. Ya ba da wasiyya don ya binne kansa cikin suturar Othello, wataƙila yana son ya bayyana a gaban Ubangiji a cikin siffar wani wanda, kamar shi, ya yi rayuwarsa, yana cikin ikon ji na har abada.

Tun kafin mawaƙin ya bar mataki, an kusan gane gagarumin mahimmancin basirar Mario Del Monaco a cikin tarihin wasan kwaikwayo na duniya. Don haka, yayin yawon shakatawa a Mexico, an kira shi "mafi kyawun wasan kwaikwayo na masu rai", kuma Budapest ya daukaka shi zuwa matsayi mafi girma a duniya. Ya yi wasa a kusan dukkanin manyan gidajen wasan kwaikwayo na duniya, tun daga gidan wasan kwaikwayo na Colon a Buenos Aires har zuwa wasan kwaikwayo na Tokyo.

A farkon aikinsa, bayan da ya kafa kansa burin neman hanyarsa a cikin fasaha, kuma bai zama ɗaya daga cikin abubuwan da suka faru na babban Beniamino Gigli ba, wanda ya mamaye tashar opera, Mario Del Monaco ya cika kowane hoton hotonsa. tare da sababbin launuka, ya sami tsarin kansa ga kowane ɓangaren da aka raira waƙa kuma ya kasance a cikin ƙwaƙwalwar masu kallo da magoya bayan fashewa, murkushewa, wahala, ƙonawa a cikin harshen wuta na ƙauna - Babban Artist.

Hotunan mawaƙin yana da yawa sosai, amma a cikin wannan nau'in, Ina so in lura da rakodin ɗakin studio na sassan (yawancin su Decca ne ya rubuta su): – Loris a cikin Giordano's Fedora (1969, Monte Carlo; ƙungiyar mawaƙa da ƙungiyar mawaƙa ta Monte Carlo). Opera, madugu - Lamberto Gardelli (Gardelli); a cikin rawar take - Magda Oliveiro, De Sirier - Tito Gobbi); - Hagenbach a cikin "Valli" na Catalani (1969, Monte-Carlo; Monte-Carlo Opera Orchestra, shugaba Fausto Cleva (Cleva); a cikin rawar take - Renata Tebaldi, Stromminger - Justino Diaz, Gellner - Piero Cappuccili); - Alvaro a cikin "Force of Destiny" na Verdi (1955, Rome; ƙungiyar mawaƙa da mawaƙa na Kwalejin Santa Cecilia, jagoran - Francesco Molinari-Pradelli (Molinari-Pradelli); Leonora - Renata Tebaldi, Don Carlos - Ettore Bastianini; - Canio a cikin Pagliacci na Leoncavallo (1959, Roma; ƙungiyar mawaƙa da mawaƙa na Kwalejin Santa Cecilia, jagora - Francesco Molinari-Pradelli; Nedda - Gabriella Tucci, Tonio - Cornell MacNeil, Silvio - Renato Capecchi); – Othello (1954; makada da mawaka na Academy of Santa Cecilia, shugaba – Alberto Erede (Erede); Desdemona – Renata Tebaldi, Iago – Aldo Protti).

Rikodin watsa shirye-shirye mai ban sha'awa na wasan kwaikwayon "Pagliacci" daga gidan wasan kwaikwayo na Bolshoi (a lokacin balaguron da aka ambata). Har ila yau, akwai rikodi na operas "rayuwa" tare da halartar Mario Del Monaco, daga cikinsu akwai Pagliacci (1961; Radio Japan Orchestra, shugaba - Giuseppe Morelli; Nedda - Gabriella Tucci, Tonio - Aldo Protti, Silvio - Attilo D). 'Orazzi).

Albert Galeev, 2002

I. Ryabova ya rubuta: “Daya daga cikin fitattun mawaƙa na zamani, yana da iya magana da ba safai ba. “Muryar sa, tare da kewayo mai yawa, ƙarfi na ban mamaki da wadata, tare da ƙananan ƙarancin sauti da manyan bayanai masu kyalli, na musamman ne a cikin timbre. Kyawawan fasaha, dabarar salon salo da fasahar kwaikwayi sun baiwa mai zane damar yin sassa daban-daban na repertoire na opera. Musamman kusa da Del Monaco sune abubuwan ban mamaki da ban mamaki a cikin wasan kwaikwayo na Verdi, Puccini, Mascagni, Leoncavallo, Giordano. Babbar nasarar da mai zanen ya samu ita ce rawar Otello a cikin wasan opera na Verdi, wanda aka yi shi da jajircewa da kuma zurfin gaskiyar tunani.

An haifi Mario Del Monaco a birnin Florence a ranar 27 ga Yuli, 1915. Daga baya ya tuna: “Mahaifina da mahaifiyata sun koya mini son kiɗa tun ina yaro, na soma waƙa tun ina ɗan shekara bakwai ko takwas. Mahaifina bai iya karatun waƙa ba, amma ya ƙware sosai a fasahar murya. Ya yi mafarki cewa daya daga cikin 'ya'yansa zai zama shahararren mawaki. Kuma har ma ya sanya wa 'ya'yansa sunayen jaruman opera: ni - Mario (don girmamawa ga jarumi na "Tosca"), da ƙanena - Marcello (don girmama Marcel daga "La Boheme"). Da farko, zabin uban ya fada kan Marcello; yasan cewa dan uwansa ya gaji muryar mahaifiyarsa. Mahaifina ya taɓa gaya masa a gabana: “Za ka rera Andre Chenier, za ka sami kyakkyawar jaket da takalmi masu tsayi.” A gaskiya ina kishin yayana sosai a lokacin.

Yaron yana ɗan shekara goma lokacin da iyalin suka ƙaura zuwa Pesaro. Ɗaya daga cikin malaman mawaƙa na gida, da ya sadu da Mario, ya yi magana sosai game da iyawar muryarsa. Yabo ya kara sha'awa, kuma Mario ya fara nazarin sassan opera da himma.

Tuni yana da shekaru goma sha uku, ya fara yin wasan kwaikwayo a bude wani gidan wasan kwaikwayo a Mondolfo, wani karamin gari mai makwabtaka. Game da fitowar Mario na farko a cikin rawar da ya taka a wasan opera ɗaya na Massenet Narcisse, wani mai suka ya rubuta a wata jarida a ƙasar: “Idan yaron ya ceci muryarsa, da akwai dalili na gaskata cewa zai zama fitaccen mawaƙi.”

A cikin shekaru goma sha shida, Del Monaco ya riga ya san yawancin operatic aria. Duk da haka, kawai yana da shekaru goma sha tara, Mario ya fara karatu sosai - a Pesar Conservatory, tare da Maestro Melocchi.

"Lokacin da muka hadu, Melokki yana da shekaru hamsin da hudu. Kullum akwai mawaka a gidansa, kuma a cikinsu akwai mashahuran da suka fito daga sassan duniya don neman shawara. Na tuna doguwar tafiya tare ta tsakiyar titunan Pesaro; maestro ya zagaya da dalibai. Ya kasance mai kyauta. Bai ɗauki kuɗi don karatunsa na sirri ba, kawai lokaci-lokaci yana yarda a yi masa kofi. Lokacin da ɗaya daga cikin ɗalibansa ya sami damar ɗaukar sauti mai kyau cikin tsafta da aminci, baƙin ciki ya ɓace daga idanun maestro na ɗan lokaci. "Nan! Ya fad'a. "Yana da ainihin kofi b-lebur!"

Mafi kyawun abubuwan tunawa da rayuwata a Pesaro sune na Maestro Melocchi. "

Nasarar farko da saurayin ya samu ita ce shiga gasar matasa mawaka a Roma. Gasar dai ta samu halartar mawaka 180 daga sassan kasar Italiya. Yin arias daga Giordano's "André Chénier", Cilea's "Arlesienne" da Nemorino ta shahararriyar soyayya "Kyawawan idanunta" daga L'elisir d'amore, Del Monaco yana cikin biyar masu nasara. Mawallafin mai neman zane ya sami tallafin karatu wanda ya ba shi damar yin karatu a makarantar da ke Rome Opera House.

Koyaya, waɗannan karatun ba su amfana Del Monaco ba. Bugu da kari, dabarar da sabon malaminsa ya yi amfani da shi ya sa muryarsa ta fara dusashewa, ta rasa zagayen sautinta. Bayan watanni shida, lokacin da ya koma Maestro Melocchi, ya sake samun muryarsa.

Ba da daɗewa ba Del Monaco aka sanya shi cikin soja. "Amma na yi sa'a," mawaƙin ya tuna. – Na yi sa’a, an umurci rukunin mu da wani Kanal – babban masoyin waka. Ya gaya mani: "Del Monaco, tabbas za ku raira waƙa." Kuma ya ba ni izinin zuwa birni, inda na yi hayan tsohon piano don yin darasi na. Babban kwamandan ba wai kawai ya ba wa ƙwararren soja damar yin waƙa ba, har ma ya ba shi damar yin wasa. Don haka, a cikin 1940, a cikin ƙaramin garin Calli kusa da Pesaro, Mario ya fara rera ɓangaren Turiddu a cikin Girmama Rural na P. Mascagni.

Amma ainihin farkon aikin waƙar mawaƙin ya samo asali ne tun a shekara ta 1943, lokacin da ya fara haskawa a dandalin wasan kwaikwayo na La Scala na Milan a G. Puccini's La Boheme. Ba da daɗewa ba bayan haka, ya rera sashen André Chénier. W. Giordano, wanda ya halarci wasan kwaikwayon, ya ba wa mawaƙin tare da hotonsa tare da rubutu: “Zuwa ga masoyina Chenier.”

Bayan yakin, Del Monaco ya zama sananne sosai. Tare da babban nasara, ya yi a matsayin Radames daga Verdi's Aida a Verona Arena Festival. A cikin kaka na 1946, Del Monaco rangadin kasashen waje a karon farko a matsayin wani ɓangare na tawagar na Neapolitan wasan kwaikwayo "San Carlo". Mario yana rera waƙa a kan mataki na Lambun Covent na London a Tosca, La Boheme, Puccini's Madama Butterfly, Mascagni's Rustic Honor da R. Leoncavallo's Pagliacci.

“… Shekara ta gaba, 1947, ta kasance shekara mafi girma a gare ni. Na yi sau 107, na yi waƙa sau ɗaya a cikin kwanaki 50 sau 22, kuma na yi tafiya daga Arewacin Turai zuwa Kudancin Amirka. Bayan shekaru na wahala da bala'i, duk ya zama kamar fantasy. Sannan na sami kwangila mai ban mamaki don yawon shakatawa a Brazil tare da kuɗi mai ban mamaki na waɗannan lokutan - lire dubu ɗari huɗu da saba'in don wasan kwaikwayo…

A 1947 na yi wasa a wasu ƙasashe ma. A cikin birnin Charleroi na Belgium, na rera waƙa ga masu hakar ma’adinai na Italiya. A Stockholm na yi Tosca da La bohème tare da halartar Tito Gobbi da Mafalda Favero…

Gidan wasan kwaikwayo sun riga sun kalubalanci ni. Amma har yanzu ban yi wasa da Toscanini ba tukuna. Dawowa daga Geneva, inda na rera waƙa a cikin Masquerade Ball, na haɗu da maestro Votto a Biffy Scala cafe, kuma ya ce ya yi niyyar ba da shawarar tsayawa takara zuwa Toscanini don halartar wani wasan kwaikwayo da aka sadaukar don buɗe sabon gidan wasan kwaikwayo na La Scala. “…

Na fara fitowa a mataki na gidan wasan kwaikwayo na La Scala a cikin Janairu 1949. An yi "Manon Lescaut" a karkashin jagorancin Votto. Bayan ƴan watanni, Maestro De Sabata ya gayyace ni in rera waƙa a wasan opera André Chénier don tunawa da Giordano. Renata Tebaldi ya yi tare da ni, wanda ya zama tauraruwar La Scala bayan shiga tare da Toscanini a cikin wani wasan kwaikwayo a sake buɗe gidan wasan kwaikwayo ... "

Shekarar 1950 ta kawo mawaƙin ɗaya daga cikin manyan nasarorin kirkire-kirkire a cikin tarihin rayuwarsa na fasaha a gidan wasan kwaikwayo na Colon a Buenos Aires. Mawaƙin ya yi wasan farko a matsayin Otello a cikin opera na Verdi mai suna iri ɗaya kuma ya burge masu sauraro ba kawai tare da ƙwaƙƙwaran ƙira ba, har ma da yanke shawara mai ban mamaki. hoto. Bita na masu suka sun yi ijma'i: "Ayyukan Othello da Mario Del Monaco ya yi zai kasance a rubuce cikin haruffan zinariya a cikin tarihin gidan wasan kwaikwayo na Colon."

Daga baya Del Monaco ya tuna: “A duk inda na yi wasa, a ko’ina suna rubuta game da ni a matsayina na mawaƙa, amma ba wanda ya ce ni ɗan wasa ne. Na dade ina gwagwarmayar neman wannan taken. Kuma idan na cancanci shi don aikin sashin Othello, a fili, har yanzu na sami wani abu.

Bayan haka, Del Monaco ya tafi Amurka. Wasan da mawaƙin ya yi a cikin "Aida" a kan mataki na gidan wasan kwaikwayo na San Francisco ya kasance babban nasara. Del Monaco ya sami sabon nasara a ranar 27 ga Nuwamba, 1950, yana yin Des Grieux a Manon Lescaut a Metropolitan. Daya daga cikin masu bitar Amurkawa ya rubuta cewa: “Mai fasaha ba kawai yana da kyakkyawar murya ba, har ma yana da bayyanar da wani mataki na bayyana, siriri, matashiya, wanda ba kowane shahararren dan wasa ba ne zai yi alfahari da shi. Babban rijistar muryarsa gaba ɗaya ya ƙarfafa masu sauraro, waɗanda nan da nan suka gane Del Monaco a matsayin mawaƙi na mafi girman aji. Ya kai matsayi na gaske a wasan karshe, inda wasan kwaikwayonsa ya kama zauren da mugun nufi.

"A cikin 50s da 60s, mawaƙin yakan zagaya birane daban-daban a Turai da Amirka," in ji I. Ryabova. - Tsawon shekaru da yawa ya kasance a lokaci guda farkon fitattun wuraren wasan opera guda biyu - Milan's La Scala da New York's Metropolitan Opera, yana yawan halartar wasannin motsa jiki waɗanda ke buɗe sabbin yanayi. Bisa ga al'ada, irin waɗannan wasanni suna da sha'awa na musamman ga jama'a. Del Monaco ya rera waƙa a cikin wasanni da yawa waɗanda suka zama abin tunawa ga masu sauraron New York. Abokan aikinsa sune taurari na fasahar murya na duniya: Maria Callas, Giulietta Simionato. Kuma tare da mawaƙa mai ban mamaki Renata Tebaldi Del Monaco yana da dangantaka ta musamman - wasan kwaikwayo na haɗin gwiwa na fitattun masu fasaha biyu sun zama wani abu a cikin rayuwar kiɗa na birnin. Masu dubawa sun kira su "Duet na zinariya na opera na Italiyanci".

Zuwan Mario Del Monaco a Moscow a lokacin rani na 1959 ya tayar da sha'awa sosai a tsakanin masu sha'awar fasahar murya. Kuma tsammanin Muscovites sun kasance cikakke. A kan mataki na Bolshoi Theater, Del Monaco ya yi sassan Jose a Carmen da Canio a Pagliacci tare da daidaitattun daidaito.

Nasarar mai zane a wancan zamanin ita ce babban nasara. Wannan shi ne kima da aka ba wa wasan kwaikwayon na baƙon Italiyanci ta shahararren mawaki EK Katulskaya. "Kwarewar iyawar murya na Del Monaco an haɗa su cikin fasahar sa tare da fasaha mai ban mamaki. Komai ƙarfin da mawaƙin ya cim ma, muryarsa ba ta taɓa yin hasarar sautinta na azurfa, laushi da kyawun kututturewa, mai shigar da furuci. Kamar yadda kyawun muryar mezzo ɗinsa yake da haske, cikin sauƙi yana shiga cikin ɗakin piano. Ƙwararren numfashi, wanda ke ba wa mawaƙan goyon baya mai ban mamaki na sauti, aikin kowane sauti da kalma - waɗannan su ne tushen ikon Del Monaco, wannan shine abin da ya ba shi damar shawo kan matsalolin murya da yardar kaina; kamar ba shi da wahalhalun tessitura. Lokacin da kuka saurari Del Monaco, da alama albarkatun fasahar muryarsa ba su da iyaka.

Amma gaskiyar al'amarin ita ce, fasaha na fasaha na mawaƙin yana ƙarƙashin ayyukan fasaha a cikin ayyukansa.

Mario Del Monaco ƙwararren mai fasaha ne na gaske kuma mai girma: yanayin yanayinsa mai haske yana gogewa da dandano da fasaha; an yi la'akari da mafi ƙanƙanta cikakkun bayanai na muryar muryarsa da wasan kwaikwayon matakinsa a hankali. Kuma abin da nake so musamman in jaddada shi ne cewa shi mawaki ne mai ban mamaki. Kowanne daga cikin jimlolinsa yana bambanta da tsananin nau'in kiɗan. Mai zane ba ya sadaukar da kiɗa zuwa tasirin waje, ƙazafi na motsin rai, wanda wani lokacin har ma da shahararrun mawaƙa suna yin zunubi… Fasahar Mario Del Monaco, ilimi a cikin mafi kyawun ma'anar kalmar, yana ba mu ainihin ra'ayi na tushen tushe na gargajiya makarantar muryar Italiyanci.

Aikin opera na Del Monaco ya ci gaba da haskakawa. Amma a shekarar 1963, dole ne ya dakatar da wasan kwaikwayonsa bayan da ya yi hatsarin mota. Da yake da ƙarfin hali ya jimre da cutar, mawaƙin ya sake faranta wa masu sauraro rai bayan shekara guda.

A shekara ta 1966, mawaƙin ya gane tsohon mafarki, a Stuttgart Opera House Del Monaco ya yi wani ɓangare na Sigmund a cikin R. Wagner ta "Valkyrie" a Jamus. Wata nasara ce gare shi. Ɗan mawaƙin Wieland Wagner ya gayyaci Del Monaco don halartar wasan kwaikwayo na Bayreuth Festival.

A cikin Maris 1975, singer ya bar mataki. A cikin rabuwa, ya ba da wasanni da yawa a Palermo da Naples. Ranar 16 ga Oktoba, 1982, Mario Del Monaco ya mutu.

Irina Arkhipova, wanda ya yi tare da babban Italiyanci fiye da sau ɗaya, ya ce:

“A lokacin rani na 1983, gidan wasan kwaikwayo na Bolshoi ya zagaya Yugoslavia. Birnin Novi Sad, yana tabbatar da sunansa, ya ba mu zafi, furanni ... Har yanzu ban tuna wanda ya lalata wannan yanayi na nasara, farin ciki, rana a nan take ba, wanda ya kawo labarin: "Mario Del Monaco ya mutu. .” Ya zama mai zafi a cikin raina, yana da wuya a yi imani cewa akwai, a Italiya, babu wani Del Monaco. Kuma bayan haka, sun san cewa ya dade yana fama da rashin lafiya, a karshe gaisuwa daga gare shi ya zo da wani m sharhi na mu talabijin Olga Dobrokhotov. Ta kara da cewa: "Ka sani, yana dariya da baƙin ciki:" A ƙasa, na riga na tsaya da ƙafa ɗaya, har ma wannan yana zamewa akan bawon ayaba. Kuma shi ke nan…

An ci gaba da yawon shakatawa, kuma daga Italiya, a matsayin makoki na makoki zuwa hutu na gida, cikakkun bayanai game da ban kwana ga Mario Del Monaco ya zo. Wannan shi ne aikin wasan opera na ƙarshe na rayuwarsa: ya yi wasiyya da a binne shi a cikin suturar jarumin da ya fi so - Othello, ba da nisa da Villa Lanchenigo ba. Shahararrun mawaka, ’yan uwa na Del Monaco ne suka dauki akwatin gawar har zuwa makabartar. Amma waɗannan labarai masu ban tausayi kuma sun bushe ... Kuma ƙwaƙwalwar ajiyar nan da nan, kamar dai tsoron fara sabon al'amura, abubuwan da suka faru, sun fara komawa gare ni, daya bayan daya, zane-zanen da ke hade da Mario Del Monaco.