Georges Cziffra |

Georges Cziffa

Masu sukar kiɗan sun kasance suna kiran wannan mai zanen "mai tsattsauran ra'ayi na gaskiya", "fedal virtuoso", "piano acrobat" da makamantansu. A cikin wata kalma, sau da yawa yakan karanta ko ya ji waɗannan zarge-zargen na rashin ɗanɗano da rashin ma'ana "nagartar nagarta" wanda sau ɗaya ya yi ruwan sama a kan manyan abokan aiki da ake girmamawa sosai. Wadanda ke jayayya da halaccin irin wannan kima na gefe daya sukan kwatanta Tsiffra da Vladimir Horowitz, wanda a mafi yawan rayuwarsa shi ma ya kasance abin zargi saboda wadannan zunubai. "Me yasa abin da aka gafartawa a baya, kuma yanzu an gafartawa Horowitz gaba daya, ana lissafta shi zuwa Ziffre?" daya daga cikinsu ya fada a fusace.

• Kiɗa na Piano a cikin kantin sayar da kan layi OZON.ru

Tabbas, Ziffra ba Horowitz ba ne, yana ƙasa da babban abokin aikinsa duka ta fuskar ma'auni na hazaka da halin titanic. Duk da haka, a yau ya girma zuwa wani gagarumin girma a kan m sararin samaniya, kuma, a fili, ba kwatsam cewa da wasa ba ko da yaushe nuna kawai sanyi waje haske.

Ciffra da gaske ne mai kishin piano “pyrotechnics”, wanda ba zato ba tsammani ya mallaki kowane irin salon magana. Amma yanzu, a cikin rabin na biyu na ƙarni namu, wa zai iya yin mamaki da gaske kuma waɗannan halaye su burge su na dogon lokaci?! Kuma shi, ba kamar mutane da yawa ba, yana iya ba da mamaki da burge masu sauraro. Idan da cewa a cikin kyawawan dabi'unsa na gaske, akwai fara'a na kamala, da karfi na murkushe matsi. "A cikin piano nasa, da alama, ba guduma ba ne, amma duwatsu, suna bugun igiyoyi," in ji mai suka K. Schumann, kuma ya kara da cewa. "Ana jin ƙarar kuge, kamar an ɓoye wani ɗakin sujada na daji a ƙarƙashin murfin."

Dabi'un Ciffra sun fi fitowa fili a cikin fassararsa na Liszt. Wannan, duk da haka, yana da dabi'a - ya girma kuma ya yi karatu a Hungary, a cikin yanayi na al'adun Liszt, a karkashin jagorancin E. Donany, wanda ya yi karatu tare da shi tun yana da shekaru 8. Tuni yana da shekaru 16. Tsiffra ya ba da kide-kide na wake-wake na farko, amma ya sami suna sosai a shekarar 1956, bayan wasanni a Vienna da Paris. Tun daga wannan lokacin yana zaune a Faransa, daga Gyorgy ya koma Georges, tasirin fasahar Faransanci ya shafi wasansa, amma kiɗan Liszt, kamar yadda suke faɗa, yana cikin jininsa. Wannan waƙar tana da haɗari, mai tsananin motsin rai, wani lokaci mai juyayi, mai saurin murkushewa da tashi. Haka ya zo a tafsirinsa. Saboda haka, nasarorin Ziffra sun fi kyau - polonaises na soyayya, etudes, rhapsodies na Hungary, mephisto-waltzes, fassarar opera.

Mai zane ba shi da nasara tare da manyan zane na Beethoven, Schumann, Chopin. Gaskiya ne, a nan, kuma, wasansa yana bambanta ta hanyar amincewa mai ban sha'awa, amma tare da wannan - rashin daidaituwa na rhythmic, ba zato ba tsammani kuma ba ko da yaushe barata ingantawa, sau da yawa wasu nau'i na tsari, detachment, har ma da sakaci. Amma akwai wasu wuraren da Ciffra ke kawo farin ciki ga masu sauraro. Waɗannan su ne Mozart da Beethoven miniatures, wanda ya yi shi da alheri mai kishi da dabara; wannan waƙar farko ce - Lully, Rameau, Scarlatti, Philipp Emanuel Bach, Hummel; a ƙarshe, waɗannan ayyuka ne da ke kusa da al'adar Liszt na kiɗan piano - kamar "Islamey" na Balakirev, sau biyu ya rubuta shi a kan faranti a cikin asali kuma a cikin rubutunsa.

A zahiri, a cikin ƙoƙarin nemo masa nau'ikan ayyuka na halitta, Tsiffra ya yi nisa da wuce gona da iri. Ya mallaki ɗimbin gyare-gyare, kwafi da fassarorin da aka yi a cikin "tsohuwar salo mai kyau". Akwai guntun opera na Rossini, da polka "Trick Truck" na I. Strauss, da "Flight of the Bumblebee" na Rimsky-Korsakov, da Rhapsody na Hungarian na biyar na Brahms, da "Saber Dance" na Khachaturian, da dai sauransu. . A cikin jere guda akwai wasan kwaikwayo na Ciffra - "Fantasy Roman" da "Memories na Johann Strauss". Kuma, ba shakka, Ciffra, kamar kowane babban artist, ya mallaki mai yawa a cikin zinariya asusun na ayyuka na piano da makada - ya taka rare concertos by Chopin, Grieg, Rachmaninov, Liszt, Grieg, Tchaikovsky, Franck's Symphonic Bambance-bambancen da kuma Gershwin's Rhapsody a. Blue…

“Duk wanda ya ji Tsiffra sau ɗaya kawai ya kasance cikin asara; amma duk wanda ya yawaita saurarensa da kyar ba zai iya lura da cewa wasansa - da kuma irin wakokinsa na musamman - suna daga cikin abubuwan ban mamaki da ake iya ji a yau. Yawancin masu son kiɗa za su iya shiga waɗannan kalmomi na mai sukar P. Kosei. Ga mai zane ba shi da ƙarancin masu sha'awar (ko da yake bai damu da shahara ba), kodayake galibi a Faransa. A waje da shi, Tsiffra ba a san shi ba, kuma galibi daga rubuce-rubuce: ya riga ya sami fiye da 40 records zuwa darajarsa. Yana yawon zagayawa ba kasafai ba, bai taba zuwa Amurka ba, duk da gayyatar da aka yi masa.

Yana ba da kuzari sosai ga koyarwa, kuma matasa daga ƙasashe da yawa suna zuwa karatu tare da shi. A ’yan shekarun da suka gabata, ya bude makarantarsa ​​a birnin Versailles, inda shahararrun malamai ke koyar da matasa ’yan wasan kida na sana’o’i daban-daban, kuma sau daya a shekara ana gudanar da gasar piano mai dauke da sunansa. Kwanan nan, mawakin ya sayi wani tsohon gini mai rugujewa na wani cocin Gothic mai tazarar kilomita 180 daga birnin Paris, a garin Senlis, ya kuma kashe dukkan kudadensa wajen maido da shi. Yana so ya haifar da cibiyar kiɗa a nan - F. Liszt Auditorium, inda za a gudanar da kide-kide, nune-nunen, darussa, kuma makarantar kiɗa na dindindin za ta yi aiki. Mai zane yana kula da kusanci da Hungary, yana yin wasan kwaikwayo akai-akai a Budapest, kuma yana aiki tare da matasa masu pian na Hungary.

L. Grigoriev, J. Platek, 1990