Dmitry Borisovich Kablevsky |

Dmitry Kablevsky

Akwai mutanen da tasirinsu kan rayuwar al'umma ya wuce ayyukansu na sana'a. Irin wannan shi ne D. Kabalevsky - classic na Soviet music, babban jama'a mutum, fitaccen malami da malami. Don yin la'akari da zurfin sararin mawaƙa da ma'auni na basirar Kablevsky, ya isa ya ambaci irin waɗannan ayyukan nasa kamar operas "The Taras Family" da "Cola Breugnon"; Symphony na biyu (abin da aka fi so na babban jagoran A. Toscanini); sonatas da 24 preludes na piano (an haɗa a cikin repertoire na manyan pianists na zamaninmu); Requiem akan ayoyin R. Rozhdestvensky (wanda aka yi a wuraren shagali a ƙasashe da yawa na duniya); Shahararrun wasan kwaikwayo na "matasa" concertos (Violin, Cello, Piano na uku); cantata "Waƙar Safiya, bazara da Aminci"; "Don Quixote Serenade"; waƙoƙin "Ƙasarmu", "Shekarun Makaranta"…

Hasashen kida na mawaƙin nan gaba ya bayyana kanta a makara. A lokacin da yake da shekaru 8, an koyar da Mitya ya buga piano, amma nan da nan ya yi tawaye ga atisayen motsa jiki da aka tilasta masa yin wasa, kuma an sake shi daga azuzuwan… har zuwa shekaru 14! Kuma kawai sai, wanda zai iya cewa, a kan guguwar sabuwar rayuwa - Oktoba ya zama gaskiya! - ya sami karuwa na soyayya ga kiɗa da kuma wani m fashewa na m makamashi: a cikin shekaru 6 matasa Kablevsky iya gama music makaranta, koleji da kuma shiga Moscow Conservatory a lokaci daya zuwa 2 ikon tunani - abun da ke ciki da kuma piano.

Kabalevsky ya hada da kusan dukkanin nau'ikan kiɗa, ya rubuta 4 symphonies, 5 operas, operetta, instrumental concertos, quartets, cantatas, vocal cycles based on the poems by V. Shakespeare, O. Tumanyan, S. Marshak, E. Dolmatovsky, music. don shirye-shiryen wasan kwaikwayo da fina-finai, yawancin piano da waƙoƙi. Kablevsky ya sadaukar da shafuka masu yawa na rubuce-rubucensa ga taken matasa. Hotunan ƙuruciya da ƙuruciya sun shiga cikin manyan abubuwan da ya rubuta, sau da yawa suna zama babban "halayen" na kiɗansa, ba tare da ambaton waƙoƙi da piano da aka rubuta musamman don yara ba, wanda mawaƙi ya fara yin riga a cikin shekarun farko na ayyukansa na kirkire-kirkire. . A lokaci guda, tattaunawar farko game da kiɗa tare da yara sun dawo, wanda daga baya ya sami amsa mai zurfi na jama'a. Bayan fara tattaunawa a sansanin majagaba na Artek tun kafin yakin, Kabalevsky a cikin 'yan shekarun nan ya gudanar da su a makarantun Moscow. An nada su a rediyo, an fitar da su a rubuce, kuma Gidan Talabijin na tsakiya ya ba da su ga kowa da kowa. Daga baya an shigar da su a cikin littattafan "Game da whales uku kuma game da ƙari", "Yadda za a gaya wa yara game da kiɗa", "Takwarorinsu".

Shekaru da yawa, Kabalevsky ya yi magana a cikin buga da kuma a bainar jama'a game da rashin sanin darajar ilimi na samari na matasa, da kuma sha'awar inganta kwarewar masu sha'awar ilimin fasaha. Ya jagoranci aikin a kan ilimin da yara na yau da kullun a cikin ƙungiyar masu rubutun USSR da kuma makarantar kimiyya ta ilimin kimiyyar USSR; a matsayin mataimakin koli na Tarayyar Soviet na USSR ya yi magana game da waɗannan batutuwa a zaman. Babban iko na Kabalevsky a fagen ilimin kide-kide na matasa ya sami karbuwa ga al'ummar kasashen waje da kide-kide da kide-kide, an zabe shi mataimakin shugaban kungiyar International Society for Musical Education (ISME), sannan ya zama shugaban kasa mai daraja.

Kabalevsky yayi la'akari da ma'anar kida da ilimin kide-kide na ilimin kide-kide da ya kirkiro da kuma shirin kiɗa na makarantar gabaɗaya wanda ya dogara da shi, babban burin wanda shine ya burge yara da kiɗa, don kawo wannan kyakkyawan fasaha kusa da su, cike da ƙima. yiwuwa ga wadatar ruhaniyar mutum. Don gwada tsarinsa, a 1973 ya fara aiki a matsayin malamin kiɗa a makarantar sakandare ta Moscow ta 209. Gwajin na tsawon shekaru bakwai, wanda ya gudanar a lokaci guda tare da gungun malamai masu ra'ayi iri daya da suke aiki a garuruwa daban-daban na kasar, ya tabbatar da hakan. Makarantun RSFSR yanzu suna aiki bisa ga shirin Kablevsky, suna amfani da su ta hanyar kirkire-kirkire a cikin jamhuriyar Tarayyar, kuma malamai na kasashen waje suna sha'awar hakan.

O. Balzac ya ce: "Bai isa ka zama mutum kawai ba, dole ne ka zama tsari." Idan marubucin m "Human Comedy" ya tuna da haɗin kai na mutum m burinsu, su karkashin wani zurfin ra'ayi, da embodiment na wannan ra'ayin tare da dukan sojojin na wani iko hankali, to babu shakka Kabalevsky nasa ne da irin wannan " tsarin mutane”. Duk rayuwarsa - kiɗa, magana da aiki ya tabbatar da gaskiya: kyakkyawa yana tada mai kyau - ya shuka wannan mai kyau kuma ya girma a cikin rayukan mutane.

G. Pozhidaev