Antonio Pappano |

Antonio Pappano

Italian American. Dan rashin hankali. Kuma tare da suna na ƙarshe mai ban dariya: Pappano. Amma fasaharsa ta ci Vienna Opera. Babu shakka sunan bai taimaka masa ba. Yana kama da caricature na mai cin taliya na Italiya. Ba ya da kyau ko da ana magana da shi cikin Ingilishi. Ga wadanda suke neman gaskiyar abubuwa a cikin sunaye, yana iya zama kama da sunan buffoon daga Flute Magic, wato Papageno.

Duk da sunansa mai ban dariya, Antonio (Anthony) Pappano, mai shekaru arba'in da uku, an haife shi a Landan zuwa dangin ƙaura daga Campania (babban birni shine Naples), yana ɗaya daga cikin fitattun masu jagoranci na ƙarni na ƙarshe. Don tabbatar da wannan tare da cikakkiyar amincewa, launuka masu laushi, ƙananan rhythmic nuances na kirtani, wanda ya shirya sanannen aria "Recondita armonia", wanda Roberto Alagna ya rera a cikin fim-opera Tosca wanda Benoit Jacot ya jagoranta, zai isa. Babu wani shugaba tun zamanin Herbert von Karajan da ya iya ɗaukar ra'ayoyin Impressionism “a la Debussy” a cikin wannan shafi na kiɗan mara mutuwa. Ya isa ya ji gabatarwar wannan aria domin kowane mai son kiɗan Puccini zai iya cewa: "Ga babban madugu!".

Sau da yawa ana faɗi game da ƙaura na Italiya waɗanda suka sami farin ciki a ƙasashen waje cewa dukiyarsu ba ta da tsammanin ba zato ba tsammani. Antonio ba ya cikin su. Yana da shekaru masu wahala a bayansa. Mahaifinsa ne ya ba shi jagoranci, wanda kuma shi ne malaminsa na farko, ƙwararren malamin waƙa a Connecticut. A {asar Amirka, Antonio ya yi karatun piano, abun da ke ciki da kuma gudanar da makada tare da Norma Verrilli, Gustav Mayer da Arnold Franchetti, daya daga cikin daliban Richard Strauss na karshe. Koyarwar sa - ɗaya daga cikin mafi daraja - a cikin gidajen wasan kwaikwayo na New York, Chicago, Barcelona da Frankfurt. Shi ne mataimakin Daniel Barenboim a Bayreuth.

Damar tabbatar da kansa ya gabatar da kansa a cikin Maris 1993 a Vienna Opera: Christoph von Dohnany, fitaccen jagoran Turai, a ƙarshe ya ƙi gudanar da Siegfried. A wannan lokacin, akwai wani matashi kuma Ba'amurke ɗan Italiyanci mai ban sha'awa a kusa. Lokacin da zaɓaɓɓu kuma ƙwararrun waƙar jama'a suka gan shi yana shiga cikin ramin ƙungiyar makaɗa, ba za su iya taimakawa ba suna murmushi: dunƙule, gashi mai kauri mai duhu yana faɗowa a goshinsa tare da motsi kwatsam. Kuma eh, suna! Antonio ya ɗauki ƴan matakai, ya hau kan mumbari, ya buɗe maki… Kallon maganadisu ya faɗo a kan mataki, da kalaman kuzari, ƙayatacciyar ishara, sha'awa mai yaduwa ya yi tasiri mai ban mamaki ga mawaƙa: sun rera waƙa fiye da kowane lokaci. A karshen wasan kwaikwayon, masu sauraro, masu sukar, da kuma, wanda da wuya ya faru, mawaƙa na ƙungiyar mawaƙa sun ba shi tsayin daka. Tun daga wannan lokacin, Antonio Pappano ya riga ya mamaye manyan mukamai. Da farko a matsayin darektan kiɗa a Oslo Opera House, sannan a La Monnaie a Brussels. A cikin kakar 2002/03 za mu gan shi a kula da Lambun Covent na London.

Kowa ya san shi a matsayin madugun opera. A gaskiya ma, yana son sauran nau'o'in kiɗa: symphonies, ballets, jam'iyyun ɗakin. Yana jin daɗin yin wasan pianist a cikin gungu tare da masu yin Ƙarya. Kuma yana sha'awar kiɗa na kowane lokaci: daga Mozart zuwa Britten da Schoenberg. Amma da aka tambaye shi menene dangantakarsa da kiɗan Italiyanci, sai ya amsa: “Ina son melodrama kamar wasan opera na Jamus, Verdi kamar Wagner. Amma, dole ne in yarda, lokacin da na fassara Puccini, wani abu a cikina akan matakin hankali yana rawar jiki.

Mujallar Riccardo Lenzi L'Espresso, Mayu 2, 2002 Fassara daga Italiyanci

Domin samun ƙarin haske game da salon fasaha da halayen Pappano, mun gabatar da ƙaramin guntu daga labarin Nina Alovert, wanda aka buga a jaridar Amurka Russkiy Bazaar. An sadaukar da shi don samar da Eugene Onegin a Metropolitan Opera a 1997. A. Pappano ne ya gudanar da wasan kwaikwayon. A farkon wasan kwaikwayo ne. Mawaƙa na Rasha V. Chernov (Onegin), G. Gorchakova (Tatiana), M. Tarasova (Olga), V. Ognovenko (Gremin), I. Arkhipova (Nanny) sun shiga cikin samarwa. N. Alovert yayi magana da Chernov:

"Na rasa yanayin Rasha," in ji Chernov, "watakila masu gudanarwa ba su ji waƙar Pushkin da kiɗa ba (R. Carsen ya jagoranci wasan kwaikwayo - ed.). Na gamu da shugaba Pappano a sake gwadawa na ƙarshe da Tatiana. Jagoran yana daga sandar sa kamar yana gudanar da wasan kide-kide na makada na kade-kade. Na ce masa: “Dakata, kana bukatar ka dakata a nan, a nan kowace kalma tana sauti dabam dabam, kamar yadda hawaye ke zubowa: “Amma farin ciki… da… Kuma jagoran ya amsa: "Amma wannan yana da ban sha'awa!" Galya Gorchakova ya zo kuma, ba tare da magana da ni ba, ya gaya masa irin wannan abu. Mun gane, amma madugu bai yi ba. Wannan fahimtar bai isa ba."

Wannan jigon kuma yana nuni ne da yadda ba a iya fahimtar wasannin opera na Rasha a wasu lokuta a Yamma.

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