Vladimir Arkadyevich Kandelaki |
mawaƙa

Vladimir Arkadyevich Kandelaki |

Vladimir Kandelaki

Ranar haifuwa
29.03.1908
Ranar mutuwa
11.03.1994
Zama
mawaƙa, ɗan wasan kwaikwayo
Nau'in murya
bass-baritone
Kasa
USSR

A 1928, bayan kammala karatu daga Tbilisi Conservatory Kandelaki ci gaba da karatu a Moscow Central College of Theater Arts (yanzu RATI-GITIS). A matsayin dalibi na shekara ta biyu, mai zane na gaba ya zo don sauraron shugaban gidan wasan kwaikwayo na Musical Vladimir Nemirovich-Danchenko kuma ya zama dalibin da ya fi so.

"Ya kamata dan wasan kwaikwayo na gaske ya iya yin wasa da Shakespeare da vaudeville," in ji Stanislavsky da Nemirovich-Danchenko. Vladimir Kandelaki misali ne mai kyau na irin wannan fasaha na duniya. Ya halitta da dama na matsayin daban-daban matsayi - daga operetta comedians zuwa ga ban tsoro m adadi na tsohon mutum Boris Timofeevich a Shostakovich Katerina Izmailova, mataki a 1934 da Nemirovich-Danchenko.

Kandelaki ya yi wasan kwaikwayo na gargajiya kamar sassan Don Alfonso a cikin Mozart's "Hakanan Kowa Yayi" kuma shine farkon wanda ya fara yin manyan ayyuka a cikin shahararrun wasan kwaikwayo na Soviet composers: Storozhev ("Cikin Storm" na Khrennikov), Magar ( "Virineya" Slonimsky), Sako ("Keto dan Kote" Dolidze), Sultanbek ("Arshin mal alan" Gadzhibekov).

A lokacin Babban Yaƙin Kishin Ƙasa, Kandelaki ya yi wasa a matsayin ɓangare na brigades na gaba na gidan wasan kwaikwayo na Musical. Tare da ƙungiyar masu fasaha, ya shaida gaisuwar nasara ta farko a kan Eagle ɗin da aka 'yanta. A shekarar 1943, Kandelaki ya fara bayar da umarni, inda ya zama daya daga cikin manyan daraktocin kade-kade na kasar. Ayyukansa na farko shine Pericola a Paliashvili Academic Opera da Ballet Theatre a Tbilisi.

Farkon wasan kwaikwayo na wasan kwaikwayo na Dolidze "Keto da Kote", wanda Kandelaki ya shirya a gidan wasan kwaikwayo na Musical a 1950, ya zama wani lamari a cikin rayuwar wasan kwaikwayo na Moscow. Daga 1954 zuwa 1964 ya kasance babban darektan Moscow Operat Theater. Wannan shine babban ranar wasan kwaikwayo. Kandelaki hadin gwiwa tare da Dunayevsky da Milyutin, gudanar ya jawo hankalin masters na Soviet music zuwa operetta - Shostakovich, Kabalevsky, Khrennikov, ya zama na farko darektan na operettas Moscow, Cheryomushki, Spring Sings, Dari Aljannu da Daya Girl. Ya yi fice a fagen wasan kwaikwayo na Moscow Operetta a matsayin Cesare a cikin Kiss na Chanita da Farfesa Kupriyanov a cikin wasan kwaikwayo na Spring Sings. Kuma a cikin ƙasarsa Musical Theater mai suna Stanislavsky da Nemirovich-Danchenko, ya superbly shirya operettas Pericola, The Beautiful Elena, Dona Zhuanita, Gypsy Baron, Maroƙi Student.

Kandelaki ya taka rawar gani a cikin gidan wasan kwaikwayo na Alma-Ata, Tashkent, Dnepropetrovsk, Petrozavodsk, Khabarovsk, Kharkov, Krasnodar, Saransk. Ya kuma yi aiki cikin nasara a matakin. A cikin 1933, wani matashi mai zane tare da ƙungiyar abokansa a cikin gidan wasan kwaikwayo na Musical ya shirya taron murya - jazz murya, ko "Jazz-goal".

Vladimir Kandelaki ya yi aiki a cikin fina-finai da yawa. Daga cikin fina-finan tare da sa hannu akwai "Generation na nasara", inda ya buga Bolshevik Niko, "A Guy daga Our City" (tanki Vano Guliashvili), "Swallow" (ma'aikacin karkashin kasa Yakimidi). A cikin fim din "26 Baku Commissars" ya taka leda daya daga cikin tsakiyar matsayin - farin jami'in Alania.

A zamanin da Kandelaki ta keɓancewa na wasan kwaikwayo, babu wani ra'ayi na “pop star” a rayuwar yau da kullum. Ya kasance sanannen mai fasaha ne kawai.

Yaroslav Sedov

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