Oleg Dragomirovich Boshniakovich (Oleg Bochniakovitch) |

Oleg Bochniakovitch

"Asali na fasaha na Oleg Boshnyakovich ya zama mafi ban sha'awa a tsawon shekaru, kuma yana ba da horo ga matasa masu kida. The pithiness na fassarori, zurfin shiga cikin lyrical Sphere na music na daban-daban styles, da kyau na sauti na jinkirin, "daskararre" ƙungiyoyi, da alheri da kuma subtlety na pedalization, da improvisation da asali na m magana - wadannan siffofin Salon wasan piano yana jan hankalin ƙwararru ba kawai ba, har ma da ɗimbin masoyan kiɗan. Jama'a suna godiya ga mai wasan pian saboda sahihanci da sadaukarwar hidimarsa ga kiɗa." Ta haka ya ƙare da sake dubawa na Chopin maraice na artist, bayar da shi a 1986.

… A karshen 1958, wani sabon dakin taro na philharmonic ya bayyana a Moscow - Concert Hall na Gnessin Institute. Kuma yana da halayyar cewa Oleg Boshnyakovich yana daya daga cikin na farko da ya yi magana a nan: bayan duk, tun 1953 yana koyarwa a Gnessin Institute (tun 1979, mataimakin farfesa), kuma baicin, irin wannan suna fadin-sized dakuna ne mafi dacewa. don ɗakin ajiyar ɗakin ɗakin wannan gwanin gwanin. Duk da haka, wannan maraice, zuwa wani matsayi, ana iya la'akari da farkon ayyukan kide-kide na mawaƙa. A halin yanzu, wani babba lokaci ya wuce bayan samun digiri: a 1949, shi, dalibi na KN Igumnov, sauke karatu daga Moscow Conservatory, da kuma 1953 ya kammala postgraduate course a Gnessin Institute karkashin jagorancin GG Neuhaus. "Oleg Boshnyakovich," V. Delson ya rubuta a baya a cikin 1963, "mai pianist ne a cikin dukan kayan shafa da ruhinsa sosai kusa da al'adun Igumnov (duk da sanannun tasirin makarantar G. Neuhaus). Yana cikin waɗancan masu fasaha ne waɗanda a koyaushe mutum ke son faɗi tare da mutuntawa musamman: mawaƙin gaske. Rashin lafiya, duk da haka, ya mayar da ranar fara wasanta na fasaha. Duk da haka, Boshnyakovich na farko bude maraice bai tafi ba a sani ba, kuma tun 1962 ya akai-akai ba solo kide a Moscow.

Boshnyakovich yana ɗaya daga cikin 'yan wasan kide-kide na zamani waɗanda suka yi hanyarsu zuwa babban mataki ba tare da ɗaukar shingen gasa ba. Wannan yana da nasa dabaru. A cikin sharuddan repertoire, pianist ya karkata zuwa ga lyrical Sphere (shafukan waka na Mozart, Schubert, Schumann, Liszt, Chopin, Tchaikovsky sune tushen shirye-shiryensa); ba ya sha'awar kyawawan dabi'u, tashin hankali mara iyaka.

Don haka, menene har yanzu yana jan hankalin masu sauraro zuwa Boshnyakovich? "A fili, da farko," G. Tsypin ya amsa a cikin Musical Life, "cewa ba ya ba da kide-kide kamar yadda yake kunna kiɗa a kan mataki. Ƙaddara ta fasaha ita ce zance a zahiri marar fa'ida, zance na basira tare da mai sauraro; zancen yana da ɗan kunya da gaskiya a lokaci guda. A zamaninmu… yin kaddarorin irin wannan ba su da yawa; sun fi alaƙa da fasahar fassarar da ta gabata fiye da na yanzu, suna tadawa a cikin ƙwaƙwalwar ajiyar irin waɗannan masu fasaha kamar, in ji malamin Boshnyakovich, KN Igumnov. Akwai masu son kiɗa waɗanda waɗannan kaddarorin, wannan salon salon, har yanzu sun fi dacewa da komai. Saboda haka haduwar mutane zuwa clavirabends Boshniakovich. Ee, irin waɗannan fasalulluka kamar sauƙi da gaskiyar magana, ɗanɗano na ɗanɗano, maganganun improvisational, sun ƙirƙira, idan ba fa'ida ta musamman ba, amma mai ƙarfi da'irar masana fasahar Oleg Boshnyakovich.

Grigoriev L., Platek Ya., 1990