Alexander Brailovsky |

Alexander Brailowsky

A farkon karni na 20, Sergei Rachmaninov ya ziyarci Kyiv Conservatory. A daya daga cikin azuzuwan, an gabatar da shi da wani yaro dan shekara 11. “Kuna da hannun ƙwararren ƙwararren ƙwararren pianist. Ku zo ku yi wani abu,” Rachmaninov ya ba da shawara, kuma lokacin da yaron ya gama wasa, sai ya ce: “Na tabbata cewa za ku zama ƙwararren ƙwararren pian.” Wannan yaro Alexander Brailovsky, kuma ya baratar da hasashen.

... Uban, wanda ya mallaki wani karamin kantin sayar da kiɗa a Podil, wanda ya ba yaron farko darussan piano, ba da daɗewa ba ya ji cewa ɗansa yana da hazaka mai ban mamaki, kuma a cikin 1911 ya kai shi Vienna, zuwa sanannen Leshetitsky. Matashin ya yi nazari da shi na tsawon shekaru uku, kuma sa’ad da yaƙin duniya ya barke, iyalin suka ƙaura zuwa tsaka mai wuya a Switzerland. Sabon malamin shi ne Ferruccio Busoni, wanda ya kammala "polishing" na basirarsa.

Brailovsky ya fara wasansa na farko a birnin Paris kuma ya yi farin ciki da nagartarsa ​​wanda a zahiri ya yi ruwan kwangiloli daga kowane bangare. Ɗaya daga cikin gayyata ita ce, duk da haka, ba a saba ba: ta fito ne daga wani mai sha'awar kiɗa da kuma mai son violin, Sarauniya Elizabeth ta Belgium, wanda sau da yawa yakan buga waƙa tun lokacin. Ya ɗauki ƴan shekaru kaɗan kafin mai zane ya sami shahara a duniya. Bayan cibiyoyin al'adu na Turai, New York ta yaba masa, kuma kadan daga baya ya zama dan wasan pian na farko na Turai don "gano" Kudancin Amirka - babu wanda ya taka leda a gabansa. Da zarar a Buenos Aires kadai, ya ba da kide-kide 17 a cikin watanni biyu! A yawancin lardunan Argentina da Brazil, an ƙaddamar da jiragen kasa na musamman don ɗaukar waɗanda suke son sauraron Brailovsky zuwa wurin shagali da dawowa.

Nasarar Brailovsky an hade, da farko, tare da sunayen Chopin da Liszt. Ƙaunar su Leshetitsky ne ya sa shi a cikinsa, kuma ya gudanar da shi cikin dukan rayuwarsa. A cikin 1923, mai zane ya yi ritaya kusan shekara guda a ƙauyen Annecy na Faransa. don shirya sake zagayowar shirye-shirye shida da aka sadaukar don aikin Chopin. Ya haɗa da ayyuka 169 da ya yi a birnin Paris, kuma saboda wannan an ba wa wasan kide-kide tare da piano na Pleyel, wanda F. Liszt ne na ƙarshe da ya taɓa. Daga baya Brailovsky ya maimaita irin wannan hawan keke fiye da sau ɗaya a wasu garuruwa. "Kidan Chopin na cikin jininsa," in ji The New York Times bayan fara wasansa na farko a Amurka. Bayan 'yan shekaru, ya sadaukar da gagarumin zagayowar kide-kide a Paris da London ga aikin Liszt. Kuma kuma, ɗaya daga cikin jaridun London ya kira shi "Sheet of Our Time."

Brailovsky koyaushe yana tare da babban nasara cikin sauri. A kasashe daban-daban an gana da shi tare da jinjina ma sa, an ba shi umarni da kyautuka, da kyautuka da kambun girmamawa. Amma ƙwararru, masu suka sun kasance galibi suna shakka game da wasansa. Wannan ya lura da A. Chesins, wanda ya rubuta a cikin littafinsa "Magana na Pianists": "Alexander Brailovsky yana jin daɗin suna daban-daban a tsakanin masu sana'a da kuma tsakanin jama'a. Girman da abun ciki na yawon shakatawa da kwangila tare da kamfanonin rikodin, sadaukarwar jama'a a gare shi ya sa Brailovsky ya zama abin asiri a cikin sana'arsa. Ba shakka mutum ne mai ban mamaki, tun da yake a ko da yaushe yakan sa abokan aikin sa su sha'awar mutum… a gabanmu akwai mutum mai son aikinsa kuma yana sa jama'a su so shi, kowace shekara. Watakila wannan ba mawaƙin piano ba ne kuma ba mawaƙin mawaƙa ba ne, amma shi pianist ne ga masu sauraro. Kuma yana da kyau a yi tunani.”

A shekara ta 1961, lokacin da mai zane-zane mai launin toka ya ziyarci Tarayyar Soviet a karon farko, Muscovites da Leningraders sun iya tabbatar da ingancin waɗannan kalmomi kuma suna ƙoƙari su warware "tatsuniyar Brailovsky". Mawaƙin ya bayyana a gabanmu a cikin kyakkyawan tsari na ƙwararru kuma a cikin wasan kwaikwayo na rawa: ya buga Bach's Chaconne – Busoni, Scarlatti's sonatas, Mendelssohn's Songs Without Words. Prokofiev ta uku sonata. Sonata na Liszt a cikin ƙananan B kuma, ba shakka, yawancin ayyukan Chopin, kuma tare da ƙungiyar makaɗa - kide kide da wake-wake na Mozart (A babba), Chopin (E qananan) da Rachmaninov (C qananan). Kuma wani abu mai ban mamaki ya faru: watakila a karon farko a cikin Tarayyar Soviet, jama'a da masu sukar sun amince da kimantawar Brailovsky, yayin da jama'a suka nuna babban dandano da ƙwarewa, kuma zargi ya nuna rashin tausayi. Masu sauraro sun kawo samfurori masu mahimmanci, waɗanda suka koyi ganowa a cikin ayyukan fasaha da fassarar su, da farko, tunani, ra'ayi, ba zai iya yarda da madaidaiciyar ra'ayi na Brailovsky ba, sha'awar tasirin waje, wanda ya dubi tsohon. -gare mu. Dukkan "plus" da "minuses" na wannan salon an bayyana su daidai a cikin bita na G. Kogan: "A gefe guda, fasaha mai haske (ban da octaves), kalma mai ladabi mai ladabi, jin dadi, rhythmic" sha'awar. ”, sauƙi mai ban sha’awa, raye-raye, aikin kuzari, ikon “gabatar” har ma da abin da, a zahiri, “ba ya fitowa” ta hanyar da za ta tada farin cikin jama'a; a daya hannun, a wajen m, salon fassarar, dubious 'yanci, a sosai m m dandano.

Abin da ya gabata ba ya nufin cewa Brailovsky bai yi nasara ba a ƙasarmu ko kaɗan. Masu sauraro sun yaba da babban fasaha na ƙwararrun mai zane, "ƙarfin" wasansa, haskakawa da fara'a a wasu lokuta, da kuma gaskiyar sa. Duk wannan ya sa taron da Brailovsky ya zama abin tunawa a rayuwar mu ta kiɗa. Kuma ga mai zanen kansa, ya kasance ainihin "waƙar swan". Ba da daɗewa ba ya kusa daina yin wasan kwaikwayo a gaban jama'a da rikodin rikodin. Rikodinsa na ƙarshe - Chopin's First Concerto da Liszt's "Dance of Death" - wanda aka yi a farkon 60s, sun tabbatar da cewa ɗan wasan pian bai rasa halayensa na asali ba har zuwa ƙarshen aikinsa na ƙwararru.

Grigoriev L., Platek Ya.