Panteleimon Markovich Nortsov (Panteleimon Nortsov) |

Panteleimon Nortsov

"A wasan karshe na Sarauniyar Spades a gidan wasan kwaikwayo na gwaji, ɗan ƙaramin ɗan wasan kwaikwayo Nortsov ya yi kamar Yeletsky, wanda ya yi alƙawarin haɓaka cikin babban matakin ƙarfi. Yana da kyakykyawan murya, babban kida, kyakkyawan bayyanar da kuma ikon tsayawa kan mataki… “”… A cikin matashin mai fasaha, yana da daɗi a haɗa babban hazaka tare da babban rabo na girman kai da kamewa. Ana iya ganin cewa yana neman madaidaicin yanayin hotunan mataki kuma a lokaci guda baya jin daɗin watsa shirye-shiryen waje… ”Waɗannan su ne martanin manema labarai game da wasan kwaikwayo na farko na Panteleimon Markovich Nortsov. Ƙarfafa, kyakkyawan baritone na babban kewayon, sauti mai ban sha'awa a cikin duk rajista, ƙamus na bayyanawa da ƙwararren fasaha na fasaha da sauri ya inganta Panteleimon Markovich zuwa matsayi na mafi kyawun mawaƙa na Bolshoi Theater.

An haife shi a cikin 1900 a ƙauyen Paskovschina, lardin Poltava, a cikin dangin talakawa matalauta. Lokacin da yaron yana da shekaru tara, ya isa Kyiv, inda aka yarda da shi a cikin mawaƙa Kalishevsky. Don haka sai ya fara cin gashin kansa da kansa kuma ya taimaki dangin da suka rage a kauyen. Ƙungiyar mawaƙa ta Kaliszewski ta yi a ƙauyuka ne kawai a ranakun Asabar da Lahadi, don haka matashin yana da lokaci mai yawa, wanda ya yi amfani da shi don shirya jarrabawar sakandare.

A 1917 ya sauke karatu daga Fifth Night Kyiv Gymnasium. Sa'an nan saurayin ya koma ƙauyensa, inda ya sha yin wasan kwaikwayo na mawaƙa a matsayin jagora, yana rera waƙoƙin jama'a na Ukrainian tare da jin dadi. Yana da m cewa a cikin samartaka Nortsov yi imani da cewa yana da wani tenor, da kuma kawai bayan da farko masu zaman kansu darussa tare da farfesa a Kyiv Conservatory Tsvetkov ya tabbata cewa ya kamata ya rera baritone sassa. Bayan aiki a karkashin jagorancin gogaggen malami na kusan shekaru uku, Panteleimon Markovich aka yarda a cikin aji a Conservatory.

Ba da daɗewa ba bayan haka, an gayyace shi zuwa ƙungiyar Kyiv Opera House kuma an umurce shi da ya rera waƙa irin su Valentine in Faust, Sharpless a Cio-Cio-San, Frederic a Lakma. 1925 - wani muhimmin kwanan wata a kan m hanya na Panteleimon Markovich. A wannan shekara ya sauke karatu daga Kyiv Conservatory kuma ya sadu da Konstantin Sergeevich Stanislavsky a karon farko.

Gudanar da ɗakin ajiyar ya nuna shahararren mashawarcin mataki, wanda ya zo Kyiv tare da gidan wasan kwaikwayo wanda ke dauke da sunansa, wasu nau'o'in opera da daliban da suka kammala digiri suka yi. Daga cikinsu akwai P. Nortsov. Konstantin Sergeevich ya ja hankalinsa zuwa gare shi kuma ya gayyace shi zuwa Moscow don shiga gidan wasan kwaikwayo. Samun kansa a Moscow, Panteleimon Markovich yanke shawarar shiga cikin sauraron muryoyin da aka sanar a wancan lokacin da Bolshoi Theater, kuma aka sa hannu a cikin tawagar. A lokaci guda, ya fara karatu a opera studio na gidan wasan kwaikwayo a karkashin jagorancin darektan A. Petrovsky, wanda ya yi yawa don siffar m image na matasa singer, koya masa yin aiki a kan samar da wani mataki mai zurfi. hoto.

A farkon kakar, a kan mataki na Bolshoi Theater Panteleimon Markovich rera waka kawai daya karamin sashi a Sadko da kuma shirya Yeletsky a cikin Sarauniya na spades. Ya ci gaba da karatu a gidan wasan kwaikwayo na opera a gidan wasan kwaikwayo, inda madugu ya kasance fitaccen mawaƙin V. Suk, wanda ya ba da lokaci mai yawa da kuma kula da aiki tare da matashin mawaki. Mashahurin jagoran ya yi tasiri sosai a kan ci gaban basirar Nortsov. A 1926-1927, Panteleimon Markovich ya yi aiki a Kharkov da kuma Kiev opera gidajen wasan kwaikwayo riga a matsayin manyan soloist, yin da yawa muhimman ayyuka. A Kyiv, da matasa artist raira waƙa Onegin a karon farko a cikin wani wasan kwaikwayon da abokin tarayya a cikin rawar Lensky Leonid Vitalevich Sobinov. Nortsov ya damu sosai, amma babban mawaƙa na Rasha ya bi shi sosai da abokantaka, kuma daga baya ya yi magana da murya mai kyau.

Tun 1927/28 kakar Panteleimon Markovich aka ci gaba da rera waka a kan mataki na Bolshoi Theater a Moscow. A nan ya rera sama da 35 sassa na opera, ciki har da Onegin, Mazepa, Yeletsky, Mizgir a The Snow Maiden, Vedenets Guest a Sadko, Mercutio a Romeo da Juliet, Germont a La Traviata, Escamillo a cikin "Carmen, Frederic a Lakma, Figaro a cikin Barber na Seville. P. Nortsov ya san yadda za a ƙirƙira gaskiya, hotuna masu zurfi waɗanda ke samun amsa mai daɗi a cikin zukatan masu sauraro. Tare da fasaha mai girma yana zana wasan kwaikwayo mai nauyi na Onegin, yana sanya zurfin bayyana ra'ayi a cikin hoton Mazepa. Mawaƙin ya yi fice a fitaccen Mizgir a cikin The Snow Maiden da kuma ɗimbin hotuna masu haske a cikin wasan operas na repertoire na Yammacin Turai. Anan, cike da mutunci, Germont a La Traviata, da Figaro mai fara'a a cikin Barber na Seville, da yanayin Escamillo a Carmen. Nortsov yana da nasarar nasarar matakinsa ga haɗuwa mai farin ciki mai ban sha'awa, fadi da murya mai kyauta tare da taushi da kuma gaskiyar aikinsa, wanda ko da yaushe yana tsaye a babban tsayin fasaha.

Daga malamansa, ya ɗauki babban al'adun kiɗa na wasan kwaikwayo, wanda aka bambanta ta hanyar fassarar fassarar kowane ɓangaren da aka yi, zurfin shiga cikin ma'anar kiɗa da ban mamaki na hoton da aka halicce. Haskensa, silvery baritone yana bambanta da sauti na asali, wanda ke ba ka damar gane muryar Nortsov nan da nan. Pianissimo na mawaƙin yana jin daɗin zuciya da bayyanawa sosai, sabili da haka yana da nasara musamman a cikin aria waɗanda ke buƙatar filigree, kammala aikin buɗe ido. Kullum yana daidaita daidaito tsakanin sauti da kalma. An yi la'akari da karimcinsa a hankali kuma yana da tsananin rowa. Duk waɗannan halaye suna ba mai fasaha damar ƙirƙirar hotunan mataki mai zurfi.

Yana daya daga cikin mafi kyawun Onegins na wasan opera na Rasha. Mawaƙi mai hankali kuma mai hankali yana ba Onegin nasa fasali na sanyi da kamewa aristocracy, kamar dai yana ɗaure jin daɗin gwarzo har ma a lokacin manyan abubuwan ruhaniya. An tuna da shi na dogon lokaci a cikin aikinsa na arioso "Kaito, babu shakka" a cikin aikin na uku na opera. Kuma a lokaci guda, tare da babban hali, ya rera ma'auratan Escamillo a Carmen, cike da sha'awa da kudancin rana. Amma a nan ma, mai zane ya kasance mai gaskiya ga kansa, yana yin ba tare da arha sakamako ba, wanda sauran mawaƙa ke yin zunubi; A cikin wadannan ayoyin, wakarsu ta kan koma kuka, tare da numfasawa. Nortsov an san shi sosai a matsayin fitaccen mawaƙin ɗakin gida - mai fassara da tunani mai zurfi na ayyukan gargajiya na Rasha da Yammacin Turai. Repertoire ya hada da waƙoƙi da soyayya ta Rimsky-Korsakov, Borodin, Tchaikovsky, Schumann, Schubert, Liszt.

Tare da girmamawa, mawaƙin ya wakilci fasahar Soviet da nisa fiye da iyakokin ƙasarmu. A shekarar 1934, ya halarci wani rangadi da ya kai kasar Turkiyya, kuma bayan yakin kishin kasa, ya taka rawar gani sosai a kasashen dimokuradiyyar jama'a (Bulgaria da Albaniya). Nortsov ya ce: “Albaniya masu son ’yanci suna da ƙauna marar iyaka ga Tarayyar Soviet. – A duk garuruwa da ƙauyuka da muka ziyarta, mutane sun fito sun tarye mu da tutoci da manyan furanni. Wasannin kide-kiden mu sun hadu cikin farin ciki. Mutanen da ba su shiga zauren wakokin ba sun tsaya cikin cunkoson jama’a a kan tituna kusa da lasifika. A wasu biranen, dole ne mu yi wasan kwaikwayo a buda-baki da kuma daga baranda domin ba da dama ga ɗimbin ƴan kallo su saurari kide-kiden mu.

Mai zane ya ba da hankali sosai ga aikin zamantakewa. An zabe shi zuwa Tarayyar Soviet na Ma'aikata na Ma'aikata, ya kasance mai halarta na yau da kullum a cikin kide kide kide kide da wake-wake na sojojin Soviet. Gwamnatin Tarayyar Soviet ta yaba da kyawawan abubuwan kirkire-kirkire na Panteleimon Markovich Nortsov. An ba shi lakabin Mawaƙin Jama'a na RSFSR. An ba shi Orders of Lenin da Red Banner of Labor, da kuma lambobin yabo. Laureate na Stalin Prize na farko digiri (1942).

Misali: Nortsov PM - "Eugene Onegin". Artist N. Sokolov