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Ƙwararren ra'ayi mai nuna alaƙar fasaha tare da mutane, yanayin kerawa na fasaha ta rayuwa, gwagwarmaya, ra'ayoyi, ji da buri na mutane. talakawa, magana a cikin fasaha na ilimin halin dan Adam, bukatu da manufa. N. shine mafi mahimmancin ka'ida na hakikar gurguzu. VI Lenin ne ya tsara ainihin sa: “Aikin na mutane ne. Dole ne ya sami tushensa mai zurfi a cikin zurfin ɗimbin talakawan aiki. Dole ne wadannan talakawa su fahimce shi kuma a so su. Dole ne ya haɗa ji, tunani da nufin waɗannan talakawa, ya ɗaga su. Ya kamata ya tada masu fasaha a cikin su kuma ya haɓaka su "(Zetkin K., Memories of Lenin, 1959, shafi na 11). Waɗannan tanade-tanade, waɗanda ke ƙayyade manufofin gurguzu. jam'iyyu a fagen fasaha, koma ga kowane irin fasaha. kerawa, ciki har da choreography.
A cikin ballet, N. yana bayyana ta hanyoyi da yawa: a cikin gaskiya da yanayin ci gaba na akida, a cikin halittar choreographic. hotunan mutane da mutane. jarumai, dangane da hotunan ballet na waƙar jama'a. kerawa, nar amfani da yawa. rawa ko a cikin wadatar da raye-rayen gargajiya tare da abubuwan jama'a, cikin samun dama da nat. asali na choreographic ayyukan.
Kodayake ballet ya tashi kuma ya ci gaba na dogon lokaci a cikin tsarin kotu-aristocratic. gidan wasan kwaikwayo, ya ci gaba da tuntuɓar Nar. Asalin raye-raye, musamman ma ya ƙara tsananta a lokacin da ake jin daɗin fasahar ballet. A cikin tarihin ballet, N. aka bayyana a cikin embodiment na ra'ayoyi na duniya muhimmancin (nasara mai kyau a kan mugunta, ƙarfin hali da aminci ga aiki a cikin gwaji, da m mutuwar soyayya a cikin m yanayin rayuwa, mafarkin mai kyau da kuma). cikakke duniya, da dai sauransu), a cikin aiwatar da hotuna na ban mamaki, jama'a -poetic. fantasies, a cikin halittar mataki. zabin nar. rawa, da sauransu.
A cikin owls A cikin ballet, mahimmancin N. ya karu; tun daga farko ana sha'awar shigar da masu neman sauyi. tunani da tunani na mutane. rayuwa. Bayan juyin juya halin gurguzu na Oktoba mai girma, ballet, kamar kowane nau'i na fasaha, ya zama samuwa ga mutane. Wani sabon hali na dimokuradiyya ya zo gidan wasan kwaikwayo na ballet. mai kallo. Da yake amsa buƙatunsa da buƙatunsa, alkalumman mawaƙa sun nemi gano ainihin Nar. abun ciki na al'ada al'adun gargajiya, ƙirƙirar sababbin wasanni, nuna Nar. rayuwa. An bayyana N. a cikin nasarar roko na owls. ballet zuwa jigon zamani (The Red Poppy, ballet na LA Lashchilin da VD Tikhomirov, 1927; Petrov's Shore of Hope, ballet na ID Belsky, 1959; Goryanka na Kazhlaev, ballet na OM Vinogradov, 1967; Eshpay's Angara, dan wasan rawa Yu. (The Flames of Paris, ballet by VI Vainonen, 1976; The Fountain of Bakhchisarai, ballet na RV Zakharov, 1932; Laurencia, 1934, La Gorda, 1939, ballet ta VM Chabukiani, "Ivan the Terrible" zuwa kiɗa ta SS Prokofiev, ballet Grigorovich, 1949, da dai sauransu), a cikin ci gaban fasahar rawa na Nar. da haɓaka nau'ikan nau'ikan haɗin gwiwa tare da farfesa art da aiwatar da shi a cikin raye-raye na gargajiya (musamman a cikin wasan kwaikwayo na Vainonen, Chabukiani, Grigorovich, da sauransu. ).
Choreographic kayayyakin, halin N., bayyana ruhu da ruhin mutanen da suka haife su, dauke da siffofin nat. peculiarities na rayuwarsa. Saboda haka, suna da fahimta kuma suna iya samun dama ga mafi yawan masu sauraro, sun sami nasarar fahimtarsa da ƙauna. Ɗaya daga cikin fasalulluka na fasaha na N. shine samun damar sa ga ɗimbin ma'aikata masu yawa. Ya bambanta da fasaha na bourgeois, wanda aka tsara don wasu zaɓaɓɓu, owls. Ballet yana magana ne ga dukan mutane, suna bayyana burinsu da abubuwan da suke so, suna shiga cikin samuwar duniyar ruhaniya da halin kirki da kyawawan dabi'u. manufa.
Ballet. Encyclopedia, SE, 1981
