Margarita Alekseevna Fedorova |

Margarita Fedorova

A cikin 1972, an yi bikin cika shekaru 100 na haihuwar Scriabin. Daga cikin al'amuran fasaha da yawa da aka sadaukar da wannan kwanan wata, hankalin masu sha'awar kiɗa sun jawo hankalin su ta hanyar zagayowar maraice na Scriabin a cikin Ƙananan Hall na Moscow Conservatory. A cikin shida m shirye-shirye Margarita Fedorova yi duk (!) qagaggun na ban mamaki Rasha mawaki. Ayyukan da ba kasafai suke fitowa a cikin repertoire na kide-kide ba kuma an yi su a nan - sama da lakabi 200 gabaɗaya! Game da wannan sake zagayowar, IF Belza ya rubuta a cikin jaridar Pravda cewa: “Ƙwaƙwalwar tunani mai ban mamaki, fasaha mara kyau, cikakkiyar ɓullo da fasaha da fasaha na fasaha ya taimaka mata ta fahimta da kuma isar da ɗaukaka, wadatar zuci na aikin Scriabin, kuma haka ma. lokaci da rikitarwa na bincike da asali, don haka bambanta shi a cikin tarihin fasahar kiɗa. Ayyukan Margarita Fedorova ya ba da shaida ba kawai ga babban zane-zane ba, har ma da zurfin tunani, wanda ya ba da izinin pianist don bayyana ƙwarewar mawaƙa mai haske ... ". Margarita Fedorova ya nuna duk halayen da shahararrun masanan kida na Soviet suka lura a cikin sauran hawan keke.

Har ila yau, mai zane yana mai da hankali sosai ga aikin Bach: repertore nata ya haɗa da dukan mawaƙa na clavier concertos, kuma tana yin ayyukansa a kan mawaƙa. Fedorova ta ce: “Na soma sha’awar kaɗa kaɗe-kaɗe da daɗewa, sa’ad da na halarci gasar Bach da kuma biki a Leipzig. Ya zama kamar mai ban sha'awa kuma ƙarin sautin yanayi na manyan ayyuka a cikin asali. Na fara nazarin sabon kayan aiki da kaina, kuma tun da na ƙware, sai na kunna waƙar JS Bach a kan kaɗe-kaɗe. Tuni farkon maraice na actress a cikin wannan sabon matsayi ya haifar da amsa mai kyau. Don haka, A. Maykapar ta lura da sikelin wasanta, tsabtar shirin aiwatarwa, bayyanannen zanen layukan murya. Beethoven ba ta da ƙarancin wakilci a cikin shirye-shiryenta - duk sonatas da duk kide kide na piano! Kuma a lokaci guda, ta jawo hankalin masu sauraro da wuya su yi ayyukan Beethoven, alal misali, Bambance-bambancen Goma akan jigon duet "La stessa, la stessissima" daga opera Salieri "Falstaff". Sha'awar gina jigogi na shirye-shirye ("Piano Fantasies", "Bambance-bambancen"), don nuna aikin mawaƙa na gargajiya ("Schubert", "Chopin", "Prokofiev", "Liszt", "Schumann"). kuma marubutan Soviet gabaɗaya ɗaya ne daga cikin keɓantattun siffofi na bayyanar fasaha na Fedorova. Saboda haka, sake zagayowar na uku concerts "Rasha da Soviet Piano Sonata", wanda ya hada da manyan ayyukan P. Tchaikovsky, A. Scriabin, N. Medtner, N. Myaskovsky, S. Prokofiev, Academy of Sciences, ya zama sananne taron. Alexandrov, D. Shostakovich, A. Khachaturian, D. Kabalevsky, G. Galynin, N. Peiko, A. Laputin, E. Golubev, A. Babadzhanyan, A. Nemtin, K. Volkov.

Sha'awa a cikin kerawa na kiɗan Soviet ya kasance halayen pianist koyaushe. Zuwa sunayen da aka ambata ana iya ƙara irin waɗannan sunayen mawaƙan Soviet kamar G. Sviridov, O. Taktakishvili, Ya. Ivanov, da sauransu sukan bayyana a cikin shirye-shiryenta.

Koyaya, aikin Scriabin yana kusa da ɗan wasan pian. Ta zama mai sha'awar kiɗansa ko da a lokacin da ta kasance dalibi a Moscow Conservatory a cikin aji na GG Neuhaus (ta sauke karatu a 1951 kuma ta yi karatu tare da shi a makarantar digiri har zuwa 1955). Duk da haka, a matakai daban-daban na ta m hanya Fedorova, kamar yadda ya kasance, ya canza ta da hankali ga wani ko wani kayan aiki Sphere. Dangane da haka, nasarorin da ya samu gasa su ma suna nuni da hakan. A gasar Bach a Leipzig (1950, lambar yabo ta biyu), ta nuna kyakkyawar fahimtar salon salon magana. Kuma a shekara daga baya ta zama laureate na Smetana Competition a Prague (na biyu kyauta) da kuma tun sa'an nan wani gagarumin rabo a cikin concert shirye-shirye na da music na Slavic composers. Bugu da ƙari, da yawa ayyukan Chopin, repertoire na pianist ya hada da guda Smetana, Oginsky, F. Lessel, K. Shimanovsky, M. Shimanovskaya, ta kullum taka ayyukan da Rasha composers, da farko Tchaikovsky da Rachmaninoff. Ba abin mamaki ba ne LM Zhivov ya lura a cikin ɗaya daga cikin sharhin da ya yi cewa "haɗaɗɗen da ke da alaƙa da al'adun adabin piano na Rasha ne suka sami mafi ɗorewa, motsin rai a fassarar Fedorova."

Grigoriev L., Platek Ya., 1990