Misha Dichter |

Misha Poet

A kowane gasa na Tchaikovsky na kasa da kasa na yau da kullun, masu zane-zane sun bayyana waɗanda suka sami damar samun tagomashi na musamman tare da jama'ar Moscow. A cikin 1966, ɗaya daga cikin waɗannan masu fasaha shine Ba'amurke Misha Dichter. Tausayi na masu sauraro tare da shi daga farkon bayyanar a kan mataki, watakila ma a gaba: daga cikin littafin gasar, masu sauraro sun koyi wasu cikakkun bayanai game da taƙaitaccen tarihin Dichter, wanda ya tunatar da su farkon hanyar da Muscovites suka fi so. , Van Cliburn.

… A cikin Fabrairun 1963, matashin Misha Dichter ya ba da kide-kide na farko a zauren Jami'ar California a Los Angeles. Los Angeles Times ta rubuta cewa "Wannan ba kawai ɗan wasan pian mai kyau ba ne, amma ƙwararren mawaƙi ne mai hazaka mai ban mamaki," in ji jaridar Los Angeles Times, ta ƙara da hankali, duk da haka, cewa "Game da matasa masu wasan kwaikwayo, bai kamata mu ci gaba da kanmu ba." Sannu a hankali Dichter ya shahara - ya ba da kide-kide a Amurka, ya ci gaba da karatu a Los Angeles tare da Farfesa A. Tzerko, kuma ya karanci abun da ke ciki a karkashin jagorancin L. Stein. Tun 1964, Dichter ya kasance dalibi a Makarantar Juilliard, inda Rosina Levina, malamin Cliburn, ya zama malaminsa. Wannan yanayin ya kasance mafi mahimmanci…

Matashin mai zane ya rayu har zuwa tsammanin Muscovites. Ya burge masu sauraro da hazakarsa, fasaha, da kyawun halin kirki. Masu sauraro sun yaba sosai da karatunsa na Schubert's Sonata a cikin A major da kuma yadda ya yi na Stravinsky's Petrushka, kuma sun nuna juyayin rashin nasararsa a cikin wasan kwaikwayo na Beethoven's Fifth Concerto, wanda aka buga ko ta yaya, "a cikin murya mai ƙarfi." Dichter ya cancanci lashe lambar yabo ta biyu. "Babban hazakarsa, mai mahimmanci da kuma wahayi, yana jawo hankalin masu sauraro," in ji shugaban juri E. Gilels. "Yana da kyakkyawar ikhlasi na fasaha, M. Dichter yana jin aikin da ake yi." Duk da haka, a fili yake cewa basirarsa har yanzu tana cikin ƙuruciya.

Bayan nasarar da aka samu a Moscow Dichter bai yi gaggawar yin amfani da nasarorin da ya samu ba. Ya kammala karatunsa tare da R. Levina kuma a hankali ya fara ƙara ƙarfin ayyukan wasan kwaikwayo. A tsakiyar shekarun 70s, ya riga ya zagaya ko'ina cikin duniya, yana da ƙarfi a kan matakan kide-kide a matsayin babban mai fasaha. A kai a kai - a 1969, 1971 da kuma 1974 - ya zo da Tarayyar Soviet, kamar dai tare da al'ada laureate "rahotanni", kuma, da daraja na pianist, dole ne a ce, ya ko da yaushe ya nuna m m girma. Ya kamata, duk da haka, a lura cewa bayan lokaci, wasan kwaikwayon Dichter ya fara haifar da ƙarancin sha'awar gaba ɗaya fiye da baya. Wannan shi ne saboda halin kansa da kuma jagorancin juyin halittarsa, wanda, a fili, bai ƙare ba tukuna. Wasan pianist ya zama mafi kamala, ƙwarewarsa ya fi ƙarfin gwiwa, fassararsa ya fi cika cikin tunani da kisa; kyawun sauti da wakoki masu girgiza ya ragu. Amma a cikin shekaru da yawa, ƙuruciyar ƙuruciya, wani lokacin kusan ba da kai ba, ya ba da hanyar yin lissafi daidai, farkon ma'ana. Ga wasu, saboda haka, Dichter na yau ba ya kusa da na baya. Amma duk da haka, halin da ake ciki a cikin mai zane yana taimaka masa numfashi a cikin tunaninsa da gine-gine, kuma a sakamakon haka, yawan adadin magoya bayansa ba kawai ya ragu ba, amma kuma yana girma. Har ila yau, ɗimbin waƙoƙin Dichter sun ja hankalin su, wanda ya ƙunshi galibin ayyukan marubutan “gargajiya” - daga Haydn da Mozart har zuwa zamanin soyayya na ƙarni na XNUMX zuwa Rachmaninoff da Debussy, Stravinsky da Gershwin. Ya rubuta litattafai da yawa - ayyukan Beethoven, Schumann, Liszt.

Hoton Dichter na yau ana kwatanta shi da waɗannan kalmomi masu sukar G. Tsypin: “Bayyana fasahar baƙonmu a matsayin wani abu mai ban mamaki a cikin pianism na waje na yau, da farko muna ba da girmamawa ga Dichter mawaƙin, nasa, ba tare da ƙari ba, ba kasafai ba. baiwar halitta. Aikin fassarar pianist a wasu lokuta yakan kai waɗancan kololuwa na fasaha da lallashi na tunani waɗanda ke ƙarƙashin iyawa mafi girma kawai. Bari mu ƙara da cewa fa'idodin waka masu tamani na mai zane - lokutan mafi girman kida da yin gaskiya - a matsayin mai mulki, faɗuwa kan kyakkyawan tunani, mai da hankali a ruhaniya, ɓangarori masu zurfi na falsafa da gutsuttsura. Dangane da ɗakin ajiyar kayan fasaha, Dichter mawaƙi ne; na ciki daidaitacce, daidai da kuma ci gaba a cikin kowane motsin zuciyarmu, ba ya karkata zuwa ga sakamako na musamman na wasan kwaikwayon, maganganun tsiraici, rikice-rikice na tunanin tashin hankali. Fitilar wahayinsa na ƙirƙira yakan ƙone tare da nutsuwa, aunawa ko da - watakila ba ya makantar da masu sauraro, amma ba duhu ba - haske. Wannan shi ne yadda dan wasan pianist ya bayyana a kan matakin gasa, wannan shine yadda yake, a gaba ɗaya, har ma a yau - tare da duk abubuwan da suka taɓa shi bayan 1966.

An tabbatar da ingancin wannan siffa ta ra'ayoyin masu suka game da kide-kiden kide-kide a Turai a karshen 70s, da sabbin bayanansa. Komai abin da ya taka - Beethoven's "Pathetique" da "Light Light", Brahms' concertos, Schubert's "Wanderer" fantasy, Liszt's Sonata a cikin B qananan - masu sauraro koyaushe suna ganin mawaƙi mai hankali da haziƙanci na haziƙanci maimakon tsarin tunani na bayyane - Misha Dichter, wanda muka sani daga tarurruka da yawa, sanannen mai fasaha ne wanda bayyanarsa ta canza kadan bayan lokaci.

Grigoriev L., Platek Ya., 1990