Henryk Szeryng (Henryk Szeryng) |

Henryk Szeryn

Dan wasan violin na Poland wanda ya rayu kuma yayi aiki a Mexico daga tsakiyar 1940s.

Schering ya yi karatun piano tun yana yaro, amma ba da daɗewa ba ya ɗauki violin. Bisa shawarar shahararren dan wasan violin Bronislaw Huberman, a 1928 ya tafi Berlin, inda ya yi karatu tare da Carl Flesch, kuma a cikin 1933 Schering ya yi babban rawar solo na farko: a Warsaw, ya yi wasan kwaikwayo na Beethoven's Violin Concerto tare da ƙungiyar makaɗa da Bruno Walter ya yi. . A cikin wannan shekarar, ya koma Paris, inda ya inganta basirarsa (a cewar Schering da kansa, George Enescu da Jacques Thibaut sun yi tasiri sosai a kansa), kuma ya dauki darussan sirri a cikin abun da ke ciki daga Nadia Boulanger na tsawon shekaru shida.

A farkon yakin duniya na biyu, Schering, wanda ya ƙware a cikin harsuna bakwai, ya sami damar samun matsayi a matsayin mai fassara a cikin gwamnatin "London" ta Poland kuma, tare da goyon bayan Wladyslaw Sikorsky, ya taimaka wa daruruwan 'yan gudun hijirar Poland. Mexico. Kudade daga wasannin kide-kide da yawa (fiye da 300) da ya buga a lokacin yakin Turai, Asiya, Afirka, Amurka, Schering da aka cire don taimakawa kawancen Anti-Hitler. Bayan daya daga cikin kide-kide a Mexico a 1943, an ba Schering mukamin shugaban sashen kidan kidan a Jami'ar Mexico City. A karshen yakin Schering ya dauki sabon aikinsa.

Bayan karbar dan kasa na Mexico, tsawon shekaru goma, Schering ya tsunduma kusan koyarwa. Sai kawai a cikin 1956, bisa shawarar Arthur Rubinstein, wasan farko na dan wasan violin a New York bayan dogon hutu ya faru, wanda ya mayar da shi zuwa shaharar duniya. A cikin shekaru talatin masu zuwa, har zuwa mutuwarsa, Schering ya haɗu da koyarwa tare da aikin kide-kide. Ya mutu a lokacin da yake yawon shakatawa a Kassel kuma an binne shi a birnin Mexico.

Shering ya mallaki kyawawan halaye da kyawun aiki, kyakkyawar ma'anar salo. Repertoire nasa ya ƙunshi nau'ikan violin na gargajiya da kuma ayyukan mawaƙa na zamani, gami da mawakan Mexico, waɗanda ya haɓaka ƙa'idodin su. Schering shi ne dan wasan farko na wasan kwaikwayo da Bruno Maderna da Krzysztof Pendeecki suka sadaukar masa, a cikin 1971 ya fara yin wasan kwaikwayo na Niccolo Paganini na Violin Concerto na Uku, wanda makinsa ya ɓace shekaru da yawa kuma an gano shi a cikin 1960s kawai.

Schering's discography ne sosai m kuma ya hada da anthology na violin music by Mozart da Beethoven, kazalika da concertos na Bach, Mendelssohn, Brahms, Khachaturian, Schoenberg, Bartok, Berg, da yawa jam'i ayyuka, da dai sauransu. A 1974 da kuma 1975, Schering samu. Kyautar Grammy don wasan kwaikwayo na piano trios na Schubert da Brahms tare da Arthur Rubinstein da Pierre Fournier.

Henryk Schering yana daya daga cikin masu yin wasan kwaikwayon da suka dauki shi daya daga cikin muhimman nauyin da ya rataya a wuyansu na inganta sababbin kiɗa daga kasashe daban-daban da kuma abubuwan da ke faruwa. A cikin tattaunawa tare da dan jaridar Parisian Pierre Vidal, ya yarda cewa, a cikin aiwatar da wannan aikin da aka yi na son rai, yana jin babban nauyin zamantakewa da ɗan adam. Bayan haka, sau da yawa ya juya zuwa ayyukan "matsananciyar hagu", "avant-garde", haka ma, na gaba ɗaya ba a sani ba ko kuma sanannun marubuta, kuma makomarsu, a zahiri, ya dogara da shi.

Amma domin da gaske rungumar duniyar kiɗan zamani, Dole ne ta don yin karatu; kana buƙatar samun ilimi mai zurfi, ilimin kiɗa mai mahimmanci, kuma mafi mahimmanci - "hankalin sabon", ikon fahimtar gwaje-gwajen "hadari" mafi yawan mawaƙa na zamani, yanke matsakaicin matsakaici, kawai an rufe shi da sababbin sababbin abubuwa, da ganowa. gaske m, hazaka. Duk da haka, wannan bai isa ba: "Don zama mai ba da shawara ga rubutun, dole ne mutum ya so shi." A bayyane yake daga wasan Schering cewa ba wai kawai yana ji da fahimtar sabon kiɗa ba, amma kuma yana son zamani na kiɗa da gaske, tare da duk shakku da bincike, raguwa da nasarori.

Repertoire na violin dangane da sabon kiɗan ya zama gama gari da gaske. Anan akwai Rhapsody na Concert na Baturen Ingila Peter Racine-Frikker, wanda aka rubuta a cikin dodecaphonic (“ko da yake ba mai tsananin ƙarfi bane”); da Benjamin Lee Concert na Amurka; da Lissafi ta Roman Haubenstock-Ramati na Isra'ila, wanda aka yi bisa ga tsarin serial; da Bafaranshe Jean Martinon, wanda ya sadaukar da Concerto na Violin na Biyu don Schering; da Camargo Guarnieri na Brazil, wanda ya rubuta Concerto na Biyu don Violin da Orchestra musamman don Schering; da Mexicans Sylvester Revueltas da Carlos Chavets da sauransu. Kasancewa ɗan ƙasar Mexico, Schering yana yin abubuwa da yawa don yaɗa ayyukan mawaƙa na Mexico. Shi ne wanda ya fara yi a birnin Paris wasan violin na Manuel Ponce, wanda ke Mexico (a cewar Schering) kamar yadda Sibelius yake na Finland. Domin ya fahimci yanayin kirkire-kirkire na Mexico da gaske, ya yi nazarin tarihin kasar, ba wai na Mexico kadai ba, har ma da al'ummar Latin Amurka baki daya.

Hukunce-hukuncen da ya yi game da fasahar kiɗan waɗancan mutane suna da ban sha'awa sosai. A cikin tattaunawa da Vidal, ya ambaci hadaddun haɗakarwa a cikin tarihin Mexico na tsoffin waƙoƙi da waƙoƙi, tun daga baya, watakila, zuwa fasahar Maya da Aztec, tare da ƙwararrun asalin Mutanen Espanya; Har ila yau, yana jin labarin tarihin Brazil, yana godiya sosai game da rashin amincewarsa a cikin aikin Camargo Guarnieri. Na karshen, ya ce shi "masanin tarihi ne mai babban birnin F… kamar yadda ya gamsu kamar Vila Lobos, wani nau'in Darius Milho na Brazil."

Kuma wannan shi ne ɗaya daga cikin bangarorin ɓangarorin fasaha da na kida da yawa na Schering. Ba wai kawai "duniya" ba ne a cikin ɗaukar nauyin abubuwan da suka faru na yau da kullum, amma ba kasa da kasa ba a cikin ɗaukar hoto na zamani. Wanene ba ya tuna fassararsa na sonatas na Bach da maki don solo violin, wanda ya bugi masu sauraro tare da firikwensin murya mai jagoranci, ƙayyadaddun yanayin yanayi na yanayi? Kuma tare da Bach, Mendelssohn mai kyau da Schumann, wanda wasan violin na Schering ya farfado a zahiri.

Ko a cikin concerto na Brahms: Schering ba shi da titanic, ƙwaƙƙwaran yanayin Yasha Heifetz, ko damuwa ta ruhaniya da wasan kwaikwayo na Yehudi Menuhin, amma akwai wani abu daga duka na farko da na biyu. A cikin Brahms, ya mamaye tsakiyar Menuhin da Heifetz, yana mai da hankali daidai gwargwado na gargajiya da ka'idodin soyayya waɗanda ke da haɗin kai sosai a cikin wannan kyakkyawar halittar fasahar violin ta duniya.

Yana jin kansa a cikin bayyanar Schering da asalinsa na Yaren mutanen Poland. Yana bayyana kansa a cikin ƙauna ta musamman ga fasahar Yaren mutanen Poland. Yana matukar yabawa kuma yana jin kidan Karol Szymanowski a hankali. Concerto na biyu wanda ake buga shi akai-akai. A ra'ayinsa, Concerto na biyu yana cikin mafi kyawun ayyukan wannan al'ada na Poland - irin su "King Roger", Stabat mater, Symphony Concerto na Piano da Orchestra, wanda aka sadaukar don Arthur Rubinstein.

Wasan Shering yana jan hankali tare da wadatar launuka da cikakkiyar kayan aiki. Shi kamar mai zane ne kuma a lokaci guda kuma mai sassaƙa, yana tufatar da kowane aikin da aka yi a cikin kyakkyawan tsari mara kyau da jituwa. A lokaci guda, a cikin aikinsa, "hoton", kamar yadda muke gani, har ma da ɗan rinjaye a kan "mai bayyanawa". Amma sana'ar tana da girma wanda koyaushe yana ba da mafi girman ni'ima. Yawancin waɗannan halayen kuma masu nazarin Soviet sun lura da su bayan wasan kwaikwayo na Schering a cikin USSR.

Ya fara zuwa kasarmu ne a shekarar 1961 kuma nan da nan ya samu jin dadin jama’a. "Mai fasaha na babban aji," shine yadda jaridar Moscow ta kimanta shi. "Asirin fara'arsa ya ta'allaka ne ... a cikin mutum, ainihin siffofi na bayyanarsa: a cikin girman kai da sauƙi, ƙarfi da gaskiya, a cikin haɗuwa da sha'awar soyayya da ƙarfin hali. Schering yana da ɗanɗano mara kyau. palette na katako yana da yawa da launuka, amma yana amfani da su (da kuma babban ƙarfin fasaharsa) ba tare da nuna kyama ba - cikin ladabi, tsauri, tattalin arziki.

Bugu da ƙari, mai bita ya ware Bach daga duk abin da dan wasan violin ya buga. Ee, haƙiƙa, Schering yana jin kiɗan Bach sosai. "Ayyukansa na Bach's Partita a cikin ƙananan yara don solo violin (wanda ya ƙare da sanannen Chaconne) ya numfasa da sauri. Kowace jumla tana cike da raɗaɗi mai ratsawa kuma a lokaci guda an haɗa su cikin kwararar ci gaban waƙa - ci gaba da bugun jini, yana gudana cikin yardar kaina. Siffar guda ɗaya ta kasance abin ban mamaki don kyakkyawan sassauci da cikar sa, amma dukan zagayowar daga wasa zuwa wasa, kamar yadda ake ce, ta girma daga hatsi ɗaya zuwa cikin jituwa, gamayya gabaɗaya. Mai hazaka ne kawai zai iya buga Bach haka. " Da yake la'akari da iyawar da ba a saba gani ba kuma mai raɗaɗi na launi na ƙasa a cikin Manuel Ponce's "Short Sonata", a cikin "Gypsy" na Ravel, wasan kwaikwayo na Sarasate, mai bitar ya yi tambaya: "Shin ba sadarwa ba ne tare da rayuwar kiɗan jama'ar Mexico, wanda ke da shi. shayar da abubuwa masu yawa na al'adun Mutanen Espanya, Shering yana da juiciness, daidaituwa da sauƙi na magana da abin da wasan kwaikwayo na Ravel da Sarasate, wanda aka buga a kowane mataki na duniya, ya zo rayuwa a ƙarƙashin baka?

Wasannin kide-kide na Schering a cikin USSR a cikin 1961 sun kasance babban nasara. A ranar 17 ga Nuwamba, a lokacin da a Moscow a cikin Babban Hall na Conservatory tare da Jihar Symphony Orchestra na Tarayyar Soviet ya buga wasanni uku a cikin shirin daya - M. Poncet, S. Prokofiev (No. 2) da P. Tchaikovsky, mai sukar ya rubuta. : “Wannan nasara ce ta ƙwaƙƙwaran kirki da ba za a iya misalta shi ba kuma mai yin zane-zane… Yana wasa cikin sauƙi, cikin sauƙi, kamar wasa da wasa yana shawo kan duk matsalolin fasaha. Kuma tare da duk wannan - cikakkiyar tsarkin innation… A cikin mafi girman rajista, a cikin mafi rikitarwa nassi, a cikin jituwa da bayanin kula biyu da aka buga cikin sauri, innation ɗin ya kasance mai haske kuma mara lahani kuma babu tsaka tsaki, “matattu wurare. "A cikin wasan kwaikwayonsa, komai yana jin daɗi, a bayyane, yanayin zafin ɗan violin ya ci nasara tare da ikon cewa duk wanda ke ƙarƙashin tasirin wasansa ya yi biyayya… na zamaninmu.

Ziyarar na biyu na Schering a Tarayyar Soviet ya faru a cikin kaka na 1965. Babban sautin sake dubawa bai canza ba. Dan wasan violin ya sake saduwa da babban sha'awa. A cikin wani labari mai mahimmanci da aka buga a cikin fitowar Satumba na Mujallar Musical Life, mai bita A. Volkov ya kwatanta Schering da Heifetz, yana lura da daidaitattun daidaito da daidaito na fasaha da ƙarancin kyawun sauti, "dumi kuma mai tsanani (Schering ya fi son matsananciyar baka). ko da a cikin mezzo piano). Mai sukar ya yi nazari da tunani game da wasan kwaikwayon Schering na sonatas na violin da wasan kwaikwayo na Beethoven, yana mai imani cewa ya fita daga fassarar da aka saba na waɗannan abubuwan. "Don amfani da sanannun magana na Romain Rolland, za mu iya cewa an kiyaye tashar Beethovenian granite a Schering, kuma rafi mai ƙarfi yana gudana cikin sauri a cikin wannan tashar, amma ba mai zafi ba ne. Akwai makamashi, so, inganci - babu wani sha'awar wuta.

Hukunce-hukuncen irin wannan suna da sauƙin ƙalubalanci, saboda koyaushe suna iya ƙunsar abubuwa na tsinkaye na zahiri, amma a wannan yanayin mai bita yana da gaskiya. Rabawa hakika mai aiwatar da tsari ne mai kuzari, mai kuzari. Juiciness, "mai girma" launuka, m virtuosity an haɗe a cikin shi tare da wani tsanani na jimla, rayarwa yafi ta "tsarin aiki", kuma ba tunani.

Amma har yanzu, Schering na iya zama mai zafi, ban mamaki, soyayya, mai sha'awar, wanda Brahms ya bayyana a fili a cikin kiɗan sa. Saboda haka, yanayin fassararsa na Beethoven an ƙaddara shi ta hanyar cikakkiyar buri na ado. Ya jaddada a cikin Beethoven ka'idar jarumtaka da "classic" manufa, daukaka, "abun ciki".

Ya fi kusanci da jarumtar ɗan ƙasar Beethoven da namiji fiye da ɓangaren ɗabi'a da waƙar da, in ji Menuhin ya jaddada a cikin kiɗan Beethoven. Duk da salon "adon", Schering baƙon abu ne ga iri-iri masu ban mamaki. Har ila yau ina so in shiga Volkov lokacin da ya rubuta cewa "domin duk amincin fasaha na Schering", "haske", halin kirki ba shine kashinsa ba. Schering ba ya nufin kauce wa virtuoso repertoire, amma virtuoso music da gaske ba nasa karfi. Bach, Beethoven, Brahms - wannan shine tushen repertoire.

Salon wasan Shering yana da ban sha'awa sosai. Gaskiya ne, a cikin wani bita an rubuta: “Salon wasan kwaikwayo na mai zane ya bambanta da farko ta rashin tasirin waje. Ya san da yawa "asiri" da "mu'ujiza" na fasaha na violin, amma bai nuna su ba ..." Duk wannan gaskiya ne, kuma a lokaci guda, Schering yana da plastique na waje da yawa. Matsayinsa, motsin hannu (musamman madaidaicin) yana ba da jin daɗi mai kyau da "don idanu" - suna da kyau sosai.

Bayanan tarihin rayuwa game da Schering bai dace ba. Kamus na Riemann ya ce an haife shi a ranar 22 ga Satumba, 1918 a Warsaw, cewa shi dalibi ne na W. Hess, K. Flesch, J. Thibaut da N. Boulanger. Kusan haka M. Sabinina ya maimaita: “An haife ni a shekara ta 1918 a Warsaw; yayi karatu tare da shahararren dan wasan violin na kasar Hungary da kuma shahararren Thibault a birnin Paris.

A ƙarshe, ana samun irin wannan bayanan a cikin mujallar Amurka "Kiɗa da Mawaƙa" na Fabrairu 1963: an haife shi a Warsaw, ya yi nazarin piano tare da mahaifiyarsa tun yana ɗan shekara biyar, amma bayan 'yan shekaru ya canza zuwa violin. Lokacin da yake da shekaru 10, Bronislav Huberman ya ji shi kuma ya shawarce shi ya aika shi zuwa Berlin zuwa K. Flesch. Wannan bayanin daidai ne, tun da Flesch da kansa ya ba da rahoton cewa a cikin 1928 Schering ya ɗauki darasi daga gare shi. Yana da shekaru goma sha biyar (a cikin 1933) Shering ya riga ya shirya don yin jawabi ga jama'a. Tare da nasara, ya ba da kide kide da wake-wake a Paris, Vienna, Bucharest, Warsaw, amma iyayensa da hikima yanke shawarar cewa bai riga ya shirya sosai kuma ya kamata ya koma azuzuwan. A lokacin yakin, ba shi da wata alaka, kuma an tilasta masa yin hidima ga sojojin kawance, yana magana a fagen daga sama da sau 300. Bayan yakin, ya zaɓi Mexico a matsayin mazauninsa.

A cikin wata hira da dan jaridar Paris Nicole Hirsch Schering ya ba da rahoton wasu bayanai daban-daban. A cewarsa, ba a haife shi a Warsaw ba, amma a Zhelyazova Wola. Iyayensa sun kasance a cikin da'irar masu arziki na bourgeoisie masana'antu - sun mallaki kamfanin yadi. Yakin da aka yi a lokacin da za a haife shi, ya tilasta wa mahaifiyar violin na gaba ta bar birnin, kuma saboda wannan dalili kadan Henryk ya zama dan kasar Chopin mai girma. Yarinta ya wuce cikin farin ciki, a cikin dangi na kusa, wanda kuma ya kasance mai sha'awar kiɗa. Uwa ta kasance ƙwararren ƙwararren ƙwararrun pian. Da yake yaro ne mai juyayi da ɗaukaka, nan take ya natsu da zarar mahaifiyarsa ta zauna a piano. Mahaifiyarsa ta fara kunna wannan kayan aikin da zarar shekarunsa suka ba shi damar isa maɓalli. Duk da haka, piano bai burge shi ba kuma yaron ya nemi ya saya violin. Burinsa ya biya. A kan violin, ya fara samun ci gaba cikin sauri har malamin ya shawarci mahaifinsa ya horar da shi a matsayin ƙwararren mawaki. Kamar yadda aka saba, mahaifina ya ƙi. Ga iyaye, darussan kiɗa sun zama kamar fun, hutu daga kasuwancin "ainihin", sabili da haka mahaifin ya nace cewa ɗansa ya ci gaba da karatunsa na gaba ɗaya.

Duk da haka, ci gaban da aka samu ya kasance mai mahimmanci wanda Henryk yana da shekaru 13 ya yi wasan kwaikwayo a bainar jama'a tare da Brahms Concerto, kuma shahararren ɗan wasan Romania Georgescu ne ya jagoranci ƙungiyar. Sakamakon hazakar yaron, maestro ya dage cewa a sake maimaita wasan kwaikwayo a Bucharest kuma ya gabatar da matashin mai zane a kotu.

Babban nasarar da Henryk ya samu ya tilasta wa iyayensa canza hali game da aikinsa na fasaha. An yanke shawarar cewa Henryk zai tafi Paris don inganta wasan violin. Schering yayi karatu a Paris a 1936-1937 kuma yana tunawa da wannan lokacin tare da jin daɗi na musamman. Ya zauna a can tare da mahaifiyarsa; yayi karatu tare da Nadia Boulanger. Anan kuma akwai sabani tare da bayanan Kamus na Riemann. Bai taba zama dalibin Jean Thibault ba, kuma Gabriel Bouillon ya zama malaminsa na violin, wanda Jacques Thibault ya aika masa. Da farko, mahaifiyarsa ta yi ƙoƙari ta sanya shi ga shugaban makarantar violin na Faransa mai daraja, amma Thibaut ya ki yarda a karkashin cewa yana guje wa ba da darasi. Dangane da Gabriel Bouillon, Schering ya ci gaba da jin girmamawa har tsawon rayuwarsa. A cikin shekarar farko da ya zauna a cikin aji a Conservatory, inda Schering ya ci jarrabawa da yawo launuka, da matasa violinist ya bi duk na gargajiya violin na Faransa. "Na jiƙa da kiɗan Faransanci har kashi!" A karshen shekarar, ya sami lambar yabo ta farko a gasar wasannin gargajiya na gargajiya.

Yakin duniya na biyu ya barke. Ta sami Henryk tare da mahaifiyarsa a Paris. Mahaifiyar ta tafi Isère, inda ta kasance har zuwa lokacin da aka sami 'yanci, yayin da ɗan ya ba da kansa ga sojojin Poland, wanda aka kafa a Faransa. A cikin siffar soja, ya ba da kide-kide na farko. Bayan yaƙin yaƙin na 1940, a madadin Shugaban ƙasar Poland Sikorski, an amince da Schering a matsayin mawaƙin “maɗaukaki” ga sojojin ƙasar Poland: “Na ji daɗi ƙwarai da gaske kuma na ji kunya,” in ji Schering. “Ni ne mafi ƙanƙanta kuma mafi ƙware a cikin masu fasahar da suka yi balaguro a gidajen wasan kwaikwayo na yaƙi. Abokan aikina sune Menuhin, Rubinshtein. A lokaci guda, ban taɓa samun jin daɗin cikakkiyar gamsuwa na fasaha kamar a wancan zamanin ba: mun isar da farin ciki mai tsabta kuma mun buɗe rayuka da zukata ga kiɗan da aka rufe a baya. A lokacin ne na fahimci irin rawar da waƙar za ta iya takawa a rayuwar mutum da kuma irin ƙarfin da take da shi ga waɗanda suka iya gane ta.”

Amma baƙin ciki kuma ya zo: mahaifin da ya kasance a Poland, tare da dangin dangi na kusa, Nazis sun kashe shi da wulakanci. Labarin mutuwar mahaifinsa ya girgiza Henryk. Bai samo wa kansa wuri ba; Babu abin da ya ƙara haɗa shi da ƙasarsa. Ya bar Turai ya nufi Amurka. Amma akwai kaddara ba murmushi a gare shi - akwai mawaƙa da yawa a cikin ƙasar. An yi sa'a, an gayyace shi zuwa wani wasan kwaikwayo a Mexico, inda ba zato ba tsammani ya sami tayin riba don shirya ajin violin a Jami'ar Mexico kuma ta haka ya kafa harsashin makarantar 'yan violin na Mexico. Daga yanzu, Schering ya zama ɗan ƙasar Mexico.

Da farko, aikin koyarwa yana shafe shi gaba ɗaya. Yana aiki tare da ɗalibai sa'o'i 12 a rana. Me kuma ya rage masa? Akwai 'yan wasan kide-kide, ba a sa ran kwangiloli masu riba, tunda gaba daya ba a san shi ba. Yanayin yaƙi ya hana shi samun farin jini, kuma manyan abubuwan burgewa ba su da alaƙa da ɗan wasan violin da ba a san shi ba.

Artur Rubinstein ya yi farin ciki a cikin makomarsa. Da sanin zuwan babban ɗan wasan pian a Mexico City, Schering ya je otal ɗinsa ya tambaye shi ya saurare shi. Buge da cikar wasan violinist, Rubinstein bai bar shi ba. Ya mai da shi abokin aikinsa a cikin gungun jama'a, yana yin wasa tare da shi a cikin maraice na sonata, suna kunna kiɗa na sa'o'i a gida. Rubinstein a zahiri yana "buɗe" Schering ga duniya. Ya haɗu da matashin mai zane tare da ɗan wasan kwaikwayo na Amurka, ta hanyarsa ne kamfanonin gramophone suka kulla yarjejeniya ta farko da Schering; ya ba da shawarar Schering ga shahararren dan wasan Faransa Maurice Dandelo, wanda ke taimaka wa matashin mai zane don tsara muhimman kide-kide a Turai. Schering yana buɗe buƙatun ga kide-kide a duk faɗin duniya.

Gaskiya ne, wannan bai faru nan da nan ba, kuma Schering yana da alaƙa da Jami'ar Mexico na ɗan lokaci. Sai kawai bayan Thibault ya gayyace shi don ya ɗauki matsayin memba na dindindin na juri a gasar duniya mai suna Jacques Thibault da Marguerite Long, Schering ya bar wannan matsayi. Duk da haka, ba sosai ba, domin ba zai yarda ya rabu da jami'a gaba daya da kuma violin class halitta a cikinta ga wani abu a duniya. Makonni da yawa a shekara, tabbas yana gudanar da zaman shawarwari tare da ɗalibai a can. Shering yana aikin koyarwa da son rai. Baya ga Jami'ar Mexico, yana koyarwa a darussan bazara na Kwalejin a Nice wanda Anabel Massis da Fernand Ubradus suka kafa. Waɗanda suka sami damar yin karatu ko tuntuɓar Schering koyaushe suna magana game da koyarwarsa tare da girmamawa sosai. A cikin bayaninsa, mutum na iya jin babban ilimi, kyakkyawan ilimin adabin violin.

Ayyukan shagali na Schering yana da matuƙar ƙarfi. Baya ga wasan kwaikwayo na jama'a, yakan yi wasa a rediyo da kuma rikodin bayanai. Babban kyautar don mafi kyawun rikodi ("Grand Prix du Disc") an ba shi sau biyu a Paris (1955 da 1957).

Rabawa yana da ilimi sosai; yana ƙware a cikin harsuna bakwai (Jamus, Faransanci, Ingilishi, Italiyanci, Sifen, Yaren mutanen Poland, Rashanci), yana da kyau sosai, yana son adabi, waƙa da musamman tarihi. Tare da duk fasaha na fasaha, ya musanta buƙatar tsawon lokaci: ba fiye da sa'o'i hudu a rana ba. "Bayan haka, yana da gajiya!"

Shering baya aure. Iyalinsa sun ƙunshi mahaifiyarsa da ɗan'uwansa, waɗanda yake yin makonni da yawa a kowace shekara a Isère ko Nice. Ysere mai natsuwa ya burge shi musamman: “Bayan yawo na, na yaba da kwanciyar hankali a filayen Faransa.”

Babban abin sha'awar sa shine kida. Ita ce gare shi - dukan teku - mara iyaka kuma har abada abin sha'awa.

L. Rabin, 1969