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Reprise na Faransanci, daga reprendre - don sabuntawa

1) Maimaita wani batu ko rukuni na batutuwa bayan matakin ci gabansa (su) ko gabatar da sabon jigo. abu. Ƙaƙwalwar ƙira ɗaya ta haifar da tsarin ABA mai kashi 3 (inda B shine haɓaka kayan farko ko sabon abu) kuma ya samar da tushen tsarin na nau'i mai sauƙi (2- da 3-party), kazalika da hadaddun 3-part kuma sonata siffofin. Maimaita reply ABABA ko ABASA ya zama tushe na nau'i biyu da uku-uku, da kuma nau'ikan rondo, rondo-sonata.

Babban rawar R. a cikin kiɗa. an ƙaddara fom ta hanyar ganowa. ka'idoji masu mahimmanci: R., ƙirƙirar ƙima, yana yin aikin gine-ginen gine-gine, ƙaddamar da tsari; R., maido da jigon farko. abu, yana jaddada matsayinsa a matsayin babba, dangane da abin da kayan na tsakiya (B) ke karɓar darajar na biyu.

R. ba lallai bane ya maimaita sashin farko daidai. Canje-canjensa na rubutu yana haifar da sauye-sauye daban-daban (PI Tchaikovsky, Nocturne cis-moll don piano, op. 19 No 4). Sake haifuwa na farkon sashe tare da karuwa a cikin bayyanawa yana haifar da samuwar dynamized (ko tsauri) kari (SV Rachmaninov, Prelude cis-moll don piano).

R. na iya sake fitar da kayan farko a cikin wani maɓalli daban - wannan shine yadda sautin sautin R. ya taso (NK Medtner, tatsuniya a f qananan piano op. 26 No 3). Hakanan akwai tonal R. ba tare da maimaita jigon farko ba. abu (F. Mendelssohn, "Wakoki ba tare da Kalmomi ba" don piano, No 6). A cikin nau'i na sonata, ƙaƙƙarfan ƙaƙƙarfan ƙaranci ya yadu (F. Schubert, kashi na 1 na piano quintet A-dur).

Ƙarya R. shine lokacin haifuwa na jigon farko a maɓalli mara mahimmanci a ƙarshen cf. wani ɓangare na tsari, bayan haka asalin R. ya fara. Mirror R. yana sake fitar da abubuwan da aka gabatar a baya, wanda ya ƙunshi jigogi biyu ko fiye, a cikin juzu'i (F. Schubert, waƙar "Shelter", makirci AB C BA).

2) A baya can, ana kiran R. wani ɓangare na nau'i, wanda alamun maimaitawa guda biyu ke iyakance - || : : ||. Sunan ya ɓace.

References: duba ƙarƙashin labarin sigar kiɗan.

VP Bobrovsky