Leonid Kogan |

Leonid Kogan

An san fasahar Kogan, ana yabawa kuma ana ƙaunarta a kusan duk ƙasashen duniya - a Turai da Asiya, a Amurka da Kanada, Kudancin Amurka da Ostiraliya.

Kogan ƙwararren gwani ne, mai ban mamaki. Ta dabi'a da mutumtakar fasaha, shi kishiyar Oistrakh ne. Tare sun kasance, kamar yadda suke, madaidaicin sanduna na makarantar violin na Soviet, suna kwatanta "tsawon" a cikin salon da kayan ado. Tare da haɓakar guguwa, jin daɗi mai ban tausayi, ƙarfafa rikice-rikice, ƙwaƙƙwaran bambance-bambance, wasan Kogan yana da ban mamaki a cikin yanayin zamaninmu. Wannan mawaƙin ya yi zamani sosai, yana rayuwa tare da tashe-tashen hankula na yau, yana bayyana abubuwan da suka faru da damuwa na duniya da ke kewaye da shi. Mai wasan kwaikwayo na kusa, baƙo ga santsi, Kogan yana da alama yana ƙoƙari don samun rikice-rikice, yana ƙin yarda da sulhu. A cikin sauye-sauye na wasan, a cikin lafazin tart, a cikin wasan kwaikwayo mai ban sha'awa na innation, yana da alaƙa da Heifetz.

Reviews sau da yawa ce cewa Kogan ne daidai m zuwa haske images na Mozart, da jaruntaka da kuma m pathos na Beethoven, da m haske na Khachaturian. Amma in faɗi haka, ba tare da shading fasalin wasan kwaikwayon ba, yana nufin kada a ga ɗaiɗaicin mai zane. Dangane da Kogan, wannan ba shi da karbuwa musamman. Kogan mai fasaha ne na mafi kyawun ɗabi'a. A cikin wasansa, tare da ma'anar salon kiɗan da yake yi, wani abu na musamman nasa, "Kogan's", ko da yaushe yana jan hankali, rubutun hannunsa yana da ƙarfi, mai azama, yana ba da sauƙi ga kowane jumla, yanayin karin waƙoƙi.

Bugawa shine kidan cikin wasan Kogan, wanda ke aiki azaman babban kayan aiki mai ban mamaki a gare shi. Kora, cike da rayuwa, tashin hankali "jijiya" da "tonal", rhythm na Kogan da gaske yana gina sigar, yana ba shi cikakkiyar fasaha, yana ba da iko da nufin haɓaka kiɗan. Rhythm shine rai, rayuwar aikin. Rhythm kanta duka magana ce ta kiɗa da wani abu da muke biyan bukatun jama'a ta hanyar daɗaɗɗa, wanda muke tasiri ta. Dukansu halayen ra'ayin da hoton - duk abin da aka aiwatar ta hanyar kari, "Kogan da kansa yayi magana game da kari.

A cikin kowane bita game da wasan Kogan, yanke hukunci, ɗabi'a, ɗabi'a da wasan kwaikwayo na fasahar sa koyaushe suna fitowa daga farko. "Ayyukan Kogan labari ne mai tada hankali, dagewa, labari mai sha'awa, magana mai gudana cikin tsauri da sha'awa." "Ayyukan Kogan ya buge da ƙarfin ciki, zafi mai zafi kuma a lokaci guda tare da laushi da nau'i-nau'i iri-iri," waɗannan su ne halaye na yau da kullum.

Kogan sabon abu ne ga falsafa da tunani, gama gari tsakanin yawancin masu wasan kwaikwayo na zamani. Yana neman bayyanawa a cikin kiɗa musamman tasirinsa mai ban mamaki da motsin rai da kuma ta hanyar su don kusanci ma'anar falsafar ciki. Yadda bayyananne a cikin wannan ma'anar kalmomin nasa game da Bach: "Akwai ƙarin zafi da ɗan adam a cikinsa," in ji Kogan, fiye da yadda masana a wasu lokuta suke tunani, suna tunanin Bach a matsayin "babban masanin falsafa na ƙarni na XNUMX." Ba zan so in rasa damar da zan iya isar da waƙarsa a zuciya ba, kamar yadda ya cancanta.

Kogan yana da mafi kyawun tunanin fasaha, wanda aka haife shi daga kwarewar kiɗa kai tsaye: “Duk lokacin da ya gano a cikin aikin har yanzu da alama ba a san kyan gani ba kuma yana gaskata shi ga masu sauraro. Saboda haka, da alama Kogan ba ya yin kiɗa, amma, kamar yadda yake, ya sake haifar da shi.

Patheticism, yanayi, zafi, sha'awar sha'awa, tunanin soyayya ba ya hana fasahar Kogan zama mai sauƙi da tsauri. Wasansa ba shi da riya, ɗabi'a, musamman ma hankali, yana da ƙarfin hali a cikin cikakkiyar ma'anar kalmar. Kogan ƙwararren mai fasaha ne na lafiyar hankali mai ban mamaki, kyakkyawan hangen nesa na rayuwa, wanda aka sani a cikin wasan kwaikwayonsa na kiɗan da ya fi ban tausayi.

Yawancin lokaci, masu nazarin tarihin rayuwar Kogan sun bambanta lokuta guda biyu na haɓakar haɓakarsa: na farko tare da mayar da hankali ga wallafe-wallafen virtuoso (Paganini, Ernst, Venyavsky, Vietanne) da na biyu tare da sake mayar da hankali kan wallafe-wallafen gargajiya da na zamani. , yayin da yake kiyaye layin aiki na virtuoso.

Kogan shine virtuoso na tsari mafi girma. Wasan wasan kwaikwayo na farko na Paganini (a cikin bugun marubucin tare da E. Sore ba a cika yin wasa mafi wahala cadenza ba), 24 capricci ɗinsa ya buga a maraice ɗaya, ya ba da shaida ga ƙwararriyar cewa kaɗan ne kawai ke samun fassarar violin a duniya. A lokacin girma, in ji Kogan, ayyukan Paganini sun rinjayi ni sosai. "Sun kasance kayan aiki wajen daidaita hannun hagu zuwa allon fret, wajen fahimtar dabarun yatsa da ba 'al'ada' ba. Ina wasa da yatsana na musamman, wanda ya bambanta da wanda aka yarda da shi gabaɗaya. Kuma ina yin wannan ne bisa la’akari da yuwuwar violin da zance, kodayake galibi ba duk abin da ke nan ba a yarda da shi ta fuskar hanya. ”

Amma ba a da ko a halin yanzu Kogan ya kasance mai sha'awar "tsabta" na kirki. "Mai hazaka mai kyau, wanda ya ƙware sosai tun yana ƙuruciyarsa da ƙuruciyarsa, Kogan ya girma kuma ya girma cikin jituwa. Ya fahimci gaskiyar hikimar cewa mafi yawan fasaha mai ban tsoro da manufa na babban fasaha ba daidai ba ne, kuma cewa na farko dole ne ya tafi "a cikin sabis" zuwa na biyu. A cikin wasan kwaikwayonsa, kiɗan Paganini ya sami wasan kwaikwayo wanda ba a taɓa jin ba. Kogan daidai yana jin "bangaren" na aikin kirkire-kirkire na Italiyanci mai ban sha'awa - fantasy soyayya; bambance-bambancen karin waƙoƙi, cike da ko dai da addu'a da baƙin ciki, ko kuma tare da hanyoyin magana; haɓaka halayen halayen, fasali na dramaturgy tare da climaxes kai iyakar damuwa na tunani. Kogan da kuma cikin halin kirki sun tafi "zurfin" kiɗa, sabili da haka farkon lokaci na biyu ya zo a matsayin ci gaba na dabi'a na farko. Hanyar ci gaban fasaha na violinist an ƙaddara shi da yawa a baya.

Kogan aka haife kan Nuwamba 14, 1924 a Dnepropetrovsk. Ya fara koyon wasan violin tun yana ɗan shekara bakwai a makarantar kiɗan ƙasar. Malaminsa na farko shine F. Yampolsky, wanda ya yi karatu tare da shi tsawon shekaru uku. A 1934 Kogan aka kawo Moscow. A nan an yarda da shi a cikin ƙungiyar yara na musamman na Moscow Conservatory, a cikin aji na Farfesa A. Yampolsky. A shekara ta 1935, wannan rukuni ya kafa babban jigon sabuwar makarantar kiɗa na yara ta tsakiya na Moscow State Conservatory.

Hazakar Kogan nan take ta ja hankali. Yampolsky ya ware shi daga dukan almajiransa. Farfesan ya kasance mai tsananin sha'awar Kogan har ya zaunar da shi a gidansa. Sadarwar yau da kullun tare da malamin ya ba da yawa ga mai zane na gaba. Ya sami damar yin amfani da shawararsa kowace rana, ba kawai a cikin aji ba, har ma a lokacin aikin gida. Kogan cikin bincike ya kalli hanyoyin Yampolsky a cikin aikinsa tare da ɗalibai, wanda daga baya ya sami tasiri mai amfani a cikin aikin koyarwa na kansa. Yampolsky, daya daga cikin fitattun malamai na Soviet, ya ci gaba a Kogan ba kawai fasaha mai ban sha'awa da kyawawan dabi'un da ke ba da al'ajabi na zamani ba, har ma da jama'a na yau da kullum, amma har ma ya ɗora manyan ka'idojin aiki a cikinsa. Babban abu shi ne, malami ya tsara halayen ɗalibin daidai, ko dai ya kame yunƙurinsa na son rai, ko kuma ya ƙarfafa aikinsa. Tuni a cikin shekarun karatu a Kogan, dabi'ar babban salon kide kide kide kide kide kide kide kide kide kide kide kide kide, monumentality, ban mamaki-karfi da niyya, m sito na wasan ya bayyana.

Sun fara magana game da Kogan a cikin da'irori na kiɗa ba da daɗewa ba - a zahiri bayan wasan kwaikwayo na farko a bikin ɗaliban makarantun kiɗa na yara a 1937. Yampolsky ya yi amfani da kowace dama don ba da kide kide da wake-wake da ya fi so, kuma a cikin 1940 Kogan ya buga wasan kwaikwayo na Brahms. karo na farko tare da ƙungiyar makaɗa. A lokacin da ya shiga Moscow Conservatory (1943), Kogan ya kasance sananne a cikin da'irori na kiɗa.

A 1944 ya zama soloist na Moscow Philharmonic kuma ya yi concert yawon shakatawa a cikin kasar. Har yanzu yakin bai kare ba, amma ya riga ya kan hanyarsa ta zuwa birnin Leningrad, wadda aka kwato daga katangar. Yana yin wasan kwaikwayo a Kyiv, Kharkov, Odessa, Lvov, Chernivtsi, Baku, Tbilisi, Yerevan, Riga, Tallinn, Voronezh, biranen Siberiya da Gabas Mai Nisa, har zuwa Ulaanbaatar. Nagartarsa ​​da fasaha mai ban mamaki yana ba masu sauraro mamaki, da sha'awa, da jan hankali a ko'ina.

A cikin kaka na 1947, Kogan ya shiga cikin I World Festival of Democratic Youth a Prague, ya lashe (tare da Y. Sitkovetsky da I. Bezrodny) lambar yabo ta farko; a cikin bazara na 1948 ya sauke karatu daga Conservatory, kuma a 1949 ya shiga digiri na biyu makaranta.

Nazarin karatun digiri ya bayyana wani fasali a cikin Kogan - sha'awar yin nazarin kiɗan da aka yi. Ba wai kawai yana wasa ba, amma ya rubuta takardar shaidar aikin Henryk Wieniawski kuma yana ɗaukar wannan aikin da mahimmanci.

A cikin shekarar farko ta karatun digirinsa, Kogan ya ba wa masu sauraronsa mamaki tare da wasan kwaikwayo na 24 Paganini Capricci a maraice ɗaya. Abubuwan sha'awar mai zane a cikin wannan lokacin sun mayar da hankali kan wallafe-wallafen virtuoso da kuma masanan fasaha na virtuoso.

Mataki na gaba a rayuwar Kogan shi ne gasar Sarauniya Elizabeth a Brussels, wadda aka yi a watan Mayun 1951. Jaridun duniya sun yi magana game da Kogan da Vayman, waɗanda suka sami kyaututtuka na farko da na biyu, da kuma waɗanda aka ba su da lambobin zinare. Bayan nasara mai ban mamaki na 'yan wasan violin na Soviet a 1937 a Brussels, wanda ya zabi Oistrakh zuwa matsayi na 'yan wasan violin na farko a duniya, wannan shine watakila mafi kyawun nasara na "makamin violin" na Soviet.

A cikin Maris 1955 Kogan ya tafi Paris. Ayyukansa ana ɗaukarsa a matsayin babban taron a cikin rayuwar kiɗa na babban birnin Faransa. "Yanzu akwai 'yan zane-zane a duk faɗin duniya waɗanda za su iya kwatanta da Kogan dangane da cikakkiyar fasaha na fasaha da kuma wadatar palette na sauti," in ji mai sukar jaridar "Nouvelle Litterer". A cikin Paris, Kogan ya sayi violin na ban mamaki Guarneri del Gesu (1726), wanda yake takawa tun daga lokacin.

Kogan ya ba da kide-kide guda biyu a cikin zauren Chaillot. Sun sami halartar fiye da mutane 5000 - membobin jami'an diflomasiyya, 'yan majalisa da, ba shakka, baƙi na gari. Charles Bruck ne ya jagoranta. Concertos na Mozart (G manyan), Brahms da Paganini an yi su. Tare da wasan kwaikwayo na Paganini Concerto, Kogan ya girgiza masu sauraro a zahiri. Ya buga shi gabaɗaya, tare da duk abubuwan da ke tsoratar da violin da yawa. Jaridar Le Figaro ta rubuta: “Ta wurin rufe idanunku, za ku ji cewa wani mai sihiri yana yi a gabanku.” Jaridar ta lura cewa "ƙwarewar ƙwarewa, tsabtar sauti, wadatar katako musamman sun faranta wa masu sauraro farin ciki yayin wasan kwaikwayo na Brahms Concerto."

Mu kula da shirin: Mozart's Uku Concerto, Brahms' Concerto da Paganini's Concerto. Wannan shi ne mafi yawan lokuta da Kogan ke yi daga baya (har zuwa yau) zagaye na ayyuka. Sakamakon haka, "mataki na biyu" - lokacin balagagge na aikin Kogan - ya fara a tsakiyar 50s. Tuni ba kawai Paganini ba, har ma Mozart, Brahms ya zama "dawakai". Tun daga wannan lokacin, wasan kwaikwayo na kade-kade guda uku a maraice ɗaya ya zama ruwan dare gama gari a cikin wasan kwaikwayonsa. Abin da sauran mai wasan kwaikwayo ke tafiya don keɓancewa, ga Kogan al'ada. Yana son hawan keke - sonatas shida ta Bach, kide-kide uku! Bugu da ƙari, kide kide da wake-wake da aka haɗa a cikin shirin na maraice ɗaya, a matsayin mai mulkin, suna da bambanci sosai a cikin salon. An kwatanta Mozart da Brahms da Paganini. Daga cikin haɗe-haɗe mafi haɗari, Kogan koyaushe yana fitowa mai nasara, yana jin daɗin masu sauraro tare da dabarar salon salo, fasahar canjin fasaha.

A cikin farkon rabin 50s, Kogan ya shagaltu da fadada ayyukansa, kuma ƙarshen wannan tsari shine babban sake zagayowar "Ci gaban Concerto Violin", wanda aka ba shi a cikin 1956/57 kakar. Zagayen ya kunshi maraice shida, inda aka gudanar da kide-kide 18. Kafin Kogan, Oistrakh ya yi irin wannan zagayowar a cikin 1946-1947.

Kasancewa ta yanayin gwanintarsa ​​mai zane na babban shirin kide-kide, Kogan ya fara mai da hankali sosai ga nau'ikan ɗakin. Sun samar da 'yan wasa uku tare da Emil Gilels da Mstislav Rostropovich, suna yin budaddiyar dakin maraice.

Ƙungiyarsa ta dindindin tare da Elizaveta Gilels, ɗan wasan violin mai haske, wanda ya lashe gasar Brussels na farko, wanda ya zama matarsa ​​a cikin 50s, yana da kyau. Sonatas na Y. Levitin, M. Weinberg da sauransu an rubuta su musamman don tarin su. A halin yanzu, wannan rukunin dangi ya sami wadata ta wani memba - ɗansa Pavel, wanda ya bi sawun iyayensa, ya zama ɗan wasan violin. Dukan iyalin suna ba da kide-kiden hadin gwiwa. A cikin Maris 1966, wasan kwaikwayo na farko na Concerto na violins guda uku da mawaƙin Italiyanci Franco Mannino ya faru a Moscow; Marubucin ya tashi musamman daga Italiya zuwa wasan farko. Nasarar ta cika. Leonid Kogan yana da dogon lokaci mai ƙarfi da haɗin gwiwa tare da ƙungiyar mawaƙa ta Moscow Chamber karkashin jagorancin Rudolf Barshai. Tare da wannan ƙungiyar makaɗa, wasan kwaikwayo na Kogan na Bach da Vivaldi concertos sun sami cikakkiyar haɗin kai, sautin fasaha sosai.

A 1956 Kudancin Amirka ya saurari Kogan. Ya tashi zuwa can a tsakiyar watan Afrilu tare da dan wasan pian A. Mytnik. Suna da hanya - Argentina, Uruguay, Chile, kuma a kan hanyar dawowa - ɗan gajeren tasha a Paris. Yawon shakatawa ne da ba za a manta da shi ba. Kogan ya yi wasa a Buenos Aires a tsohuwar Cordoba ta Kudancin Amurka, ya yi ayyukan Brahms, Bach's Chaconne, raye-rayen Brazilian Millau, da wasan Cueca na mawakin Argentine Aguirre. A Uruguay, ya gabatar da masu sauraro zuwa ga Khachaturian Concerto, wanda aka buga a karon farko a nahiyar Kudancin Amurka. A Chile, ya sadu da mawallafin mawaƙa Pablo Neruda, kuma a cikin gidan cin abinci na otal inda shi da Mytnik suka zauna, ya ji wasan kwaikwayo mai ban mamaki na shahararren mawaki Allan. Bayan ya gane masu fasaha na Soviet, Allan ya yi musu kashi na farko na Beethoven's Moonlight Sonata, guda na Granados da Albeniz. Ya ziyarci Lolita Torres. A kan hanyar dawowa, a Paris, ya halarci bikin tunawa da Marguerite Long. A wurin wakokinsa a cikin masu sauraro akwai Arthur Rubinstein, ɗan wasan kwaikwayo Charles Fournier, violinist da mai sukar kiɗa Helene Jourdan-Morrange da sauransu.

A lokacin 1957/58 ya zagaya Arewacin Amurka. A karon farko a Amurka. A Hall Carnegie ya yi Brahms Concerto, wanda Pierre Monte ya jagoranta. Howard Taubman ya rubuta a cikin The New York Times cewa "Ya kasance cikin damuwa a fili, kamar yadda duk wani mai zane da ke yin wasan farko a New York yakamata ya kasance." – Amma da zaran bugun baka na farko a kan zaren ya buge, sai ya bayyana ga kowa da kowa – muna da babban malami a gabanmu. Kyakkyawar fasaha ta Kogan ba ta san wahala ba. A cikin matsayi mafi girma da wahala, sautinsa ya kasance a sarari kuma yana biyayya ga duk wani niyyar kiɗan mai zane. Tunaninsa game da Concerto yana da faɗi da siriri. An buga kashi na farko da haske da zurfi, na biyu ya rera waka da furuci da ba za a manta da shi ba, na uku ya share cikin rawar murna.

“Ban taɓa sauraren ɗan wasan violin ba wanda ya yi kadan don burge masu sauraro da kuma isar da kiɗan da suke kunnawa. Yana da halayensa ne kawai, mai ban sha'awa mai ban sha'awa, ingantaccen yanayin kiɗa, "in ji Alfred Frankenstein. Ba'amurke sun lura da ƙanƙantar mai zane, jin daɗin wasansa da mutuntaka, rashin wani abu mai ban tsoro, ƴancin fasaha mai ban mamaki da cikar jimla. Nasarar ta cika.

Yana da mahimmanci cewa masu sukar Amurkawa sun ja hankali ga dimokraɗiyya mai zane, sauƙinsa, kunyarsa, da kuma a cikin wasan - ga rashin wani abu na ado. Kuma wannan shi ne Kogan da gangan. A cikin maganganunsa, an ba da sarari da yawa ga dangantakar da ke tsakanin mai zane da jama'a, ya yi imanin cewa yayin da yake sauraron bukatun fasaha kamar yadda zai yiwu, dole ne a lokaci guda ya dauki mutum zuwa fagen kiɗa mai mahimmanci, ta hanyar. ikon aiwatar da hukunci. Halinsa, tare da so, yana taimakawa wajen cimma irin wannan sakamako.

Sa’ad da, bayan Amurka ta Amirka, ya yi wasa a Japan (1958), sun rubuta game da shi: “A cikin wasan kwaikwayon Kogan, waƙar Beethoven na samaniya, Brahms ya zama na duniya, mai rai, mai zahiri.” A maimakon sha biyar sha biyar, ya ba da sha bakwai. An yi la'akari da zuwansa a matsayin babban taron lokacin kiɗa.

A shekara ta 1960, an bude bikin baje kolin kimiyya, fasaha da al'adun Soviet a Havana, babban birnin Cuba. Kogan da matarsa ​​Lisa Gilels da mawaki A. Khachaturian sun zo ziyarci Cubans, wanda daga ayyukansu aka tsara shirin na gala concert. Cuban masu zafin rai sun kusa farfasa zauren da murna. Daga Havana, masu fasaha sun tafi Bogota, babban birnin Colombia. A sakamakon ziyarar tasu, an shirya al'ummar Columbia-USSR a can. Sa'an nan kuma suka bi Venezuela da kuma kan hanyar komawa ƙasarsu - Paris.

Daga cikin tafiye-tafiye na gaba na Kogan, tafiye-tafiye zuwa New Zealand ya fito fili, inda ya ba da kide-kide tare da Lisa Gilels na tsawon watanni biyu da ziyarar Amurka ta biyu a 1965.

New Zealand ta rubuta: “Babu shakka Leonid Kogan shi ne ɗan violin mafi girma da ya taɓa ziyartar ƙasarmu.” An daidaita shi da Menuhin, Oistrakh. Ayyukan haɗin gwiwa na Kogan tare da Gilels kuma suna haifar da ni'ima.

Wani lamari mai ban dariya ya faru a New Zealand, wanda jaridar Sun ta bayyana cikin raha. Kungiyar kwallon kafa ta zauna a otal daya tare da Kogan. Da yake shirye-shiryen wasan kwaikwayo, Kogan ya yi aiki a duk maraice. Da misalin karfe 23 na rana, daya daga cikin ’yan wasan da ke shirin kwanciya barci, cikin fushi ya ce wa mai karbar baki: “Ka gaya wa dan wasan violin da ke zaune a karshen titin ya daina wasa.”

“Yallabai,” dan dako ya amsa a fusace, “haka kake maganar daya daga cikin manyan ’yan wasan violin na duniya!”

Ba tare da cimma aiwatar da bukatarsu daga dan dako ba, 'yan wasan sun tafi Kogan. Mataimakin kyaftin din tawagar bai san cewa Kogan ba ya jin Turanci kuma ya yi masa magana a cikin "sharuɗɗan Australiya zalla" masu zuwa:

– Kai, ɗan’uwa, ba za ka daina wasa da balalaika? Zo, a karshe, kunsa mu barci.

Ba tare da fahimtar komai ba kuma ya yarda cewa yana hulɗa da wani mai son kiɗan da ya nemi ya yi masa wani abu na musamman, Kogan "ya amsa bukatar da aka yi masa na" zagaye "ta fara yin kyakyawan cadenza, sa'an nan kuma wani yanki na Mozart. Kungiyar kwallon kafa ta ja da baya cikin rudani.”

Sha'awar Kogan ga kiɗan Soviet yana da mahimmanci. Ya kullum taka concertos Shostakovich da Khachaturian. T. Khrennikov, M. Weinberg, wasan kwaikwayo na "Rhapsody" na A. Khachaturian, Sonata na A. Nikolaev, "Aria" na G. Galynin ya sadaukar da kide-kiden su a gare shi.

Kogan ya yi wasa tare da manyan mawakan duniya - madugu Pierre Monte, Charles Munsch, Charles Bruck, pianists Emil Gilels, Arthur Rubinstein, da sauransu. "Ina matukar son yin wasa da Arthur Rubinstein," in ji Kogan. “Yana kawo farin ciki sosai kowane lokaci. A New York, na yi sa'a don buga biyu na Brahms' sonatas da Beethoven's Takwas Sonata tare da shi a Sabuwar Shekara ta Hauwa'u. An burge ni da ma'anar haduwar wannan mawakin, da ikonsa na kutsawa ainihin manufar marubucin…”

Kogan kuma ya nuna kansa a matsayin malami mai basira, farfesa a Moscow Conservatory. Wadannan sun girma a cikin ajin Kogan: dan wasan violin na Japan Ekko Sato, wanda ya lashe lambar yabo ta gasar Tchaikovsky ta kasa da kasa ta III a Moscow a 1966; Yugoslavia violinists A. Stajic, V. Shkerlak da sauransu. Kamar ajin Oistrakh, ajin Kogan ya ja hankalin ɗalibai daga ƙasashe daban-daban.

Mutane Artist na Tarayyar Soviet Kogan a shekarar 1965 aka bayar da babban lakabi na Laureate na Lenin Prize.

Ina so in gama makala game da wannan mawaƙin-mawaƙi mai ban mamaki da kalmomin D. Shostakovich: “Kuna jin godiya mai zurfi a gare shi don jin daɗin da kuka samu lokacin da kuka shiga cikin ban mamaki, duniyar kiɗa mai haske tare da violinist. ”

L. Rabin, 1967

A cikin 1960s-1970s, Kogan ya sami dukkan lakabi da kyaututtuka. An ba shi lakabin Farfesa da Mawaƙin Jama'a na RSFSR da USSR, da lambar yabo ta Lenin. A shekarar 1969, da mawaki aka nada shugaban sashen violin na Moscow Conservatory. Ana yin fina-finai da yawa game da violinist.

A karshe shekaru biyu na rayuwar Leonid Borisovich Kogan kasance musamman m wasanni. Ya yi korafin cewa bai samu lokacin hutawa ba.

A cikin 1982, an fara fara aikin Kogan na ƙarshe, The Four Seasons by A. Vivaldi. A wannan shekarar, maestro ya jagoranci juri na violinists a VII International PI Tchaikovsky. Yana shiga cikin yin fim na Paganini. An zabi Kogan Masanin Ilimin Daraja na Kwalejin Kwalejin Italiya "Santa Cecilia". Yana yawon shakatawa a Czechoslovakia, Italiya, Yugoslavia, Girka, Faransa.

A ranar 11-15 ga Disamba, an gudanar da kide-kide na karshe na dan wasan violin a Vienna, inda ya yi wasan kwaikwayo na Beethoven. A ranar 17 ga Disamba, Leonid Borisovich Kogan ya mutu ba zato ba tsammani a kan hanyar daga Moscow zuwa kide kide a Yaroslavl.

Jagoran ya bar dalibai da yawa - masu nasara na duk-Union da gasa na kasa da kasa, shahararrun masu wasan kwaikwayo da malamai: V. Zhuk, N. Yashvili, S. Kravchenko, A. Korsakov, E. Tatevosyan, I. Medvedev, I. Kaler da sauransu. 'Yan wasan violin na waje sun yi karatu tare da Kogan: E. Sato, M. Fujikawa, I. Flory, A. Shestakova.