Eliso Konstantinovna Virsaladze |

Eliso Virsaladze

Eliso Konstantinovna Virsaladze ita ce jikanyar Anastasia Davidovna Virsaladze, fitaccen ɗan wasan Georgian kuma malamin piano a baya. (A cikin aji na Anastasia Davidovna, Lev Vlasenko, Dmitry Bashkirov da sauran mashahuran mawaƙa sun fara tafiya.) Eliso ya ciyar da ƙuruciyarsa da ƙuruciyarsa a cikin dangin kakarsa. Ta ɗauki darussan piano na farko daga gare ta, ta halarci ajin ta a Makarantar Kiɗa ta Tsakiya ta Tbilisi, kuma ta sauke karatu a ɗakin karatunta. Virsaladze ya ce: “A farko, kakata ta yi aiki tare da ni kai tsaye lokaci zuwa lokaci. – Tana da dalibai da yawa kuma samun lokaci ko da jikarta ba abu ne mai sauki ba. Kuma al'amuran aiki tare da ni, dole ne mutum yayi tunani, da farko ba su da ma'ana sosai. Sai halina ya canza. A bayyane yake, darussanmu sun tafi da kakarta…”

Daga lokaci zuwa lokaci Heinrich Gustavovich Neuhaus ya zo Tbilisi. Ya kasance abokantaka da Anastasia Davidovna, ya shawarce ta mafi kyawun dabbobi. Genrikh Gustavovich ya saurari, fiye da sau ɗaya, ga matashi Eliso, yana taimaka mata da shawarwari da maganganu masu mahimmanci, yana ƙarfafa ta. Daga baya, a farkon sittin, ta kasance a cikin ajin Neuhaus a Moscow Conservatory. Amma wannan zai faru ba da daɗewa ba kafin mutuwar wani mawaƙi mai ban mamaki.

Virsaladze Sr., ta ce waɗanda suka san ta a hankali, suna da wani abu kamar saiti na ƙa'idodi masu mahimmanci a cikin koyarwa - dokokin da aka haɓaka ta shekaru da yawa na lura, tunani, da gogewa. Babu wani abu da ya fi muni fiye da neman nasara cikin sauri tare da novice mai wasan kwaikwayo, ta yi imani. Babu wani abu da ya fi muni fiye da koyo na tilastawa: wanda ya yi ƙoƙari ya cire matashin shuka daga ƙasa yana fuskantar haɗarin tumɓuke shi - kuma kawai… An yi abubuwa da yawa don faɗaɗa hangen nesa ta ruhaniya - tun lokacin ƙuruciya an gabatar da ita ga littattafai da harsunan waje. Har ila yau, ci gabansa a cikin wasan kwaikwayo na piano ya kasance wanda ba a saba ba - ƙetare tarin gargajiya na fasaha na motsa jiki na wajibi don gymnastics na yatsa, da dai sauransu. Anastasia Davidovna ya gamsu cewa yana yiwuwa a yi amfani da fasaha na pianistic ta amfani da kayan fasaha kawai don wannan. "A cikin aikina tare da jikata Eliso Virsaladze," ta taɓa rubutawa, "Na yanke shawarar ba zan yi amfani da etudes ba kwata-kwata, sai dai etudes da Chopin da Liszt suka yi, amma na zaɓi abin da ya dace (na fasaha.) Mr. C.) repertoire ... kuma ya biya kulawa ta musamman ga ayyukan Mozart, yana ba da damar iyakar goge sana'ar"(Fitowa na.- Mr. C.) (Virsaladze A. Piano Pedagogy a Jojiya da kuma al'adun Makarantar Esipova // Fitattun Pianists-Malamai akan Piano Art. - M.; L., 1966. P. 166.). Eliso ta ce a lokacin da take makaranta ta yi ayyuka da yawa da Mozart ta yi; Kidan Haydn da Beethoven ba su da wani wuri a cikin manhajojin sa. A nan gaba, za mu yi magana game da fasaha nata, game da "goge" mai ban sha'awa na wannan fasaha; a yanzu, mun lura cewa a ƙarƙashinsa akwai tushe mai zurfi na wasan kwaikwayo na gargajiya.

Kuma wani abu kuma shine halayyar samuwar Virsaladze a matsayin mai fasaha - farkon samun 'yancin kai. "Na fi son yin komai da kaina - ko daidai ne ko kuskure, amma da kaina… Wataƙila, wannan yana cikin halina.

Kuma hakika, na yi sa'a da samun malamai: Ban taɓa sanin menene mulkin kama-karya ba." Suna cewa mafi kyawun malami a fasaha shine wanda ya yi ƙoƙari ya kasance a ƙarshe ba dole ba dalibi. (VI Nemirovich-Danchenko ya taɓa barin wata magana mai ban mamaki: "Kambi na ƙoƙarin ƙirƙirar darakta," in ji shi, "ya zama abin ban mamaki ga ɗan wasan kwaikwayo, wanda ya yi duk aikin da ya dace a baya.") Dukansu Anastasia Davidovna da Neuhaus ta haka ne suka fahimci babban burinsu da aikinsu.

Da yake 'yar aji goma, Virsaladze ta ba da kide-kide na solo na farko a rayuwarta. Shirin ya ƙunshi sonata biyu na Mozart, da yawa intermezzos na Brahms, Schumann's Novelette na takwas da Rachmaninov's Polka. Nan gaba kadan, fitowar ta ta kara yawaita. A cikin 1957, dan wasan pian mai shekaru 15 ya zama mai nasara a bikin Matasa na Republican; a shekarar 1959 ta samu lambar yabo ta difloma a bikin matasa da dalibai na duniya a Vienna. Bayan 'yan shekaru, ta lashe lambar yabo ta uku a gasar Tchaikovsky (1962) - kyautar da aka samu a gasar mafi wahala, inda abokan hamayyarta sune John Ogdon, Susin Starr, Alexei Nasedkin, Jean-Bernard Pommier ... Asusun Virsaladze – a Zwickau, a Gasar Schumann ta Duniya (1966). Marubucin "Carnival" zai kasance a nan gaba a cikin wadanda ake girmamawa sosai da kuma nasarar da ta yi; akwai wani tsari da babu shakka a cikinta ta lashe lambar zinare a gasar…

A 1966-1968, Virsaladze ya yi karatu a matsayin dalibi na digiri na biyu a Moscow Conservatory karkashin Ya. I. Zak. Tana da mafi kyawun tunanin wannan lokacin: “Duk wanda ya yi nazari tare da shi ya ji daɗin Yakov Izrailevich. Bugu da ƙari, ina da dangantaka ta musamman tare da farfesa - wani lokacin ya zama kamar a gare ni cewa ina da 'yancin yin magana game da wani nau'i na kusanci na ciki da shi a matsayin mai zane. Wannan yana da mahimmanci - "daidaituwa" na malami da ɗalibi ..." Ba da daɗewa ba Virsaladze kanta za ta fara koyarwa, za ta sami ɗalibanta na farko - halaye daban-daban, halaye. Kuma idan aka tambaye ta: “Shin tana son ilimin koyarwa?”, Yawancin lokaci tana amsawa: “Ee, idan na ji dangantakar kirkire-kirkire da wadda nake koyarwa,” tana nuni a matsayin kwatanci ga karatunta da Ya. I. Zak.

… Wasu ƴan shekaru sun shuɗe. Ganawa tare da jama'a ya zama abu mafi mahimmanci a rayuwar Virsaladze. Kwararru da masu sukar kiɗa sun fara kallonsa sosai. A cikin ɗaya daga cikin sake dubawa na ƙasashen waje game da wasan kwaikwayo nata, sun rubuta: “Ga waɗanda suka fara ganin siriri, kyakkyawar siffar wannan matar a bayan piano, yana da wuya a yi tunanin cewa abubuwa da yawa za su bayyana a cikin wasanta… daga farkon bayanin da ta dauka." Abin lura daidai ne. Idan ka yi kokarin samun wani abu mafi halayyar bayyanar Virsaladze, dole ne ka fara da ta yi nufin.

Kusan duk abin da Virsaladze-mai fassara ya ɗauka, an kawo ta ta rayuwa (yabo, wanda yawanci ana magana ne kawai ga mafi kyawun mafi kyawun). Lalle ne, m shirye-shirye - mafi ƙarfin hali, tsoro, ban sha'awa - mutane da yawa za su iya ƙirƙirar; Ana gane su ne kawai ta hanyar waɗanda ke da tabbataccen matakin horarwa sosai. Lokacin da viraka, tare da daidaitaccen daidaitaccen abu, ba tare da wani abu mai wuya ba, wannan nuna ikon mallaka na Piano, da kuma hancin kai ba kawai hali. Lokacin da ya ƙare a cikin wani nau'i na kiɗa, to, kololuwar sa yana a ɗaya kuma kawai mahimmancin mahimmanci - wannan kuma ba kawai sanin ka'idodin tsari ba ne, amma har ma wani abu na tunani mai mahimmanci da mahimmanci. Nufin mawaƙin da ke yin waƙa a bainar jama'a yana cikin tsabta da rashin kuskuren wasansa, a cikin tabbatacciyar taƙama, cikin kwanciyar hankali na ɗan lokaci. Yana cikin nasara a kan jin tsoro, ɓarna na yanayi - a cikin, kamar yadda GG Neuhaus ya ce, don "kada a zubar a kan hanya daga bayan al'amuran zuwa mataki ba digon jin daɗi mai daraja tare da ayyukan ..." (Neigauz GG Passion, hankali, fasaha // Mai suna Tchaikovsky: Game da Gasar Tchaikovsky ta Duniya ta 2 na Mawaka. – M., 1966. P. 133.). Wataƙila, babu wani ɗan wasan kwaikwayo wanda ba zai saba da jinkiri ba, shakku - kuma Virsaladze ba banda ba. Sai kawai a cikin wanda kuka ga waɗannan shakku, kuna zato game da su; bata taba samu ba.

So kuma a cikin mafi yawan tunanin sautin fasahar fasaha. A halinta bayanin aiki. Anan, alal misali, Ravel's Sonatina aiki ne da ke bayyana lokaci zuwa lokaci a cikin shirye-shiryenta. Yakan faru ne cewa sauran ƴan wasan pian suna yin iya ƙoƙarinsu don lulluɓe wannan kiɗan (irin wannan al'ada ce!) tare da hazo na raɗaɗi, hankali; a cikin Virsaladze, akasin haka, babu ma alamar shakatawa na melancholic a nan. Ko, ka ce, Schubert ta impromptu - C ƙananan, G-flat manyan (duka Op. 90), A-flat manyan (Op. 142). Shin da gaske ne da wuya a gabatar da su ga ƴan jam'iyyar piano a cikin maras kyau, cikin ladabi? Virsaladze a cikin Schubert's impromptu, kamar yadda yake a cikin Ravel, yana da yanke hukunci da tsayin daka, sautin tabbataccen kalaman kiɗa, girman daraja da tsananin canza launi. Hankalinta ya fi kamewa, ƙara ƙarfi, yanayin ɗabi'a, zafi, sha'awar kiɗan da ta bayyana ga mai sauraro. "Hakika, babban fasaha," in ji VV Sofronitsky a lokaci guda, "kamar haka: ja-zafi, tafasa, da kuma saman makamai bakwai" (Memories na Sofronitsky. - M., 1970. S. 288.). Wasan Virsaladze shine fasaha yanzu: Kalaman Sofronitsky na iya zama nau'in almara ga yawancin fassarorinta.

Kuma wata alama mai ban sha'awa na pianist: tana son daidaito, daidaito kuma ba ta son abin da zai iya karya su. Fassarar ta na Schumann's C manyan Fantasy, wanda yanzu an gane shi a matsayin ɗaya daga cikin mafi kyawun lambobi a cikin repertoire nata, na nuni ne. Aiki, kamar yadda ka sani, yana daya daga cikin mafi wuya: yana da wuyar gaske don "gina" shi, a ƙarƙashin hannun mawaƙa da yawa, kuma ba tare da kwarewa ba, wani lokaci yakan rabu cikin sassa daban-daban, rarrabuwa, sassan. Amma ba a wasan kwaikwayo na Virsaladze ba. Fantasy a cikin watsawa shine kyakkyawan haɗin kai na gaba ɗaya, kusan cikakkiyar ma'auni, "daidai" duk abubuwan da ke tattare da tsarin sauti mai rikitarwa. Wannan shi ne saboda Virsaladze haifaffen mashawarcin gine-ginen kiɗa ne. (Ba abin mamaki ba ne ta jaddada kusancinta da Ya. I. Zak.) Saboda haka, muna maimaitawa, cewa ta san yadda ake siminti da tsara kayan aiki ta hanyar yunƙurin son rai.

Mawaƙin pian yana kunna kiɗa iri-iri, gami da (a cikin da yawa!) waɗanda mawaƙan soyayya suka ƙirƙira. An riga an tattauna matsayin Schumann a cikin ayyukanta na mataki; Virsaladze kuma fitaccen mai fassarar Chopin ne - mazurkas, etudes, waltzes, nocturnes, ballads, B small sonata, duka kide kide na piano. Ingantattun ayyukanta sune abubuwan da Liszt ta yi - Etudes Concert Uku, Rhapsody na Sipaniya; ta sami nasara da yawa, da gaske mai ban sha'awa a Brahms - Sonata na Farko, Bambance-bambance akan Jigon Handel, Concerto na Piano Na Biyu. Duk da haka, tare da duk nasarorin da mai zane ya samu a cikin wannan repertoire, dangane da halayenta, abubuwan da ake so, da kuma yanayin wasan kwaikwayon ta, ta kasance cikin masu fasaha ba kamar soyayya ba. na gargajiya tsari.

Dokar jituwa tana mulki ba tare da girgiza ba a cikin fasaharta. A kusan kowane fassarar, ana samun ma'auni mai laushi na hankali da ji. Duk abin da ba zato ba tsammani, wanda ba a iya sarrafa shi ba an cire shi gaba ɗaya kuma a bayyane, daidai gwargwado, a hankali "an yi" ana noma shi - har zuwa mafi ƙanƙanta da cikakkun bayanai. (IS Turgenev ya taɓa yin magana mai ban sha'awa: "Talent shine daki-daki," in ji shi.) Waɗannan su ne sanannun kuma sanannun alamun "classic" a cikin wasan kwaikwayo na kiɗa, kuma Virsaladze yana da su. Ashe ba alama ba ce: ta yi magana da yawa na marubuta, wakilai na zamani da yanayi daban-daban; amma duk da haka, ƙoƙarin ware sunan da ya fi soyuwa a gare ta, zai zama dole a sanya sunan sunan farko na Mozart. Matakanta na farko a cikin kiɗa sun haɗa da wannan mawaƙin - ƙuruciyarta na pianistic da ƙuruciyarta; nasa ayyukan har yau suna tsakiyar jerin ayyukan da mai zane ya yi.

Mai matuƙar mutunta litattafan gargajiya (ba Mozart kaɗai ba), Virsaladze kuma da yardar rai yana yin abubuwan da Bach (Italiyanci da D qananan wasan kwaikwayo), Haydn (sonatas, Concerto manyan) da Beethoven suka yi. Ƙwararriyar Beethovenian ta haɗa da Appassionata da wasu sonatas ta babban mawallafin Jamus, duk wasan kwaikwayo na piano, sauye-sauye, kiɗa na ɗakin gida (tare da Natalia Gutman da sauran mawaƙa). A cikin waɗannan shirye-shiryen, Virsaladze ya san kusan babu gazawa.

Duk da haka, dole ne mu biya haraji ga artist, ta kullum da wuya kasa kasa. Tana da babban tabo na aminci a wasan, na tunani da na sana'a. Da zarar ta ce ta kawo wani aiki a mataki ne kawai idan ta san cewa ba za ta iya koyonsa musamman ba - kuma za ta ci gaba da yin nasara, ko ta yaya zai kasance.

Saboda haka, wasanta ba shi da ma'ana ga dama. Ko da yake ita, ba shakka, tana da kwanakin farin ciki da rashin jin daɗi. Wani lokaci, ka ce, ba ta cikin yanayi ba, to, za ka iya ganin yadda bangaren gina jiki na aikinta ya bayyana, kawai tsarin sauti mai kyau, zane mai ma'ana, rashin kuskuren fasaha na wasan ya fara lura. A wasu lokuta, ikon Virsaladze a kan abin da yake yi ya zama mai tsauri sosai, “ragujewa” - a wasu hanyoyi wannan yana lalata gogewa da gogewa kai tsaye. Yana faruwa cewa mutum yana so ya ji a cikin ta yana wasa da kaifi, konawa, magana mai huda - lokacin da ya yi sauti, misali, coda na Chopin's C-sharp small scherzo ko wasu daga cikin etudensa - Na sha biyu ("Revolutionary"), Ashirin da biyu (octave), Ashirin da Uku ko Ashirin da Hudu.

Sun ce fitaccen ɗan wasan Rasha VA Serov ya ɗauki zanen ya yi nasara ne kawai lokacin da ya sami wani nau'in, kamar yadda ya ce, "kuskuren sihiri". A cikin "Memoirs" na VE Meyerhold, mutum zai iya karanta: "Da farko, an ɗauki lokaci mai tsawo ana zana hoto mai kyau kawai… sannan ba zato ba tsammani Serov ya zo a guje, ya wanke komai kuma ya zana sabon hoto akan wannan zane tare da kuskuren sihiri iri ɗaya. cewa yayi magana akai. Yana da sha'awar cewa don ƙirƙirar irin wannan hoton, dole ne ya fara zana madaidaicin hoton. Virsaladze yana da ayyuka masu yawa na mataki, wanda za ta iya yin la'akari da "nasara" - mai haske, asali, wahayi. Amma duk da haka, don faɗin gaskiya, a'a, a'a, i, kuma a cikin fassararta akwai waɗanda suka yi kama da "daidaitaccen hoto".

A tsakiyar da kuma a karshen tatamanin, Virsaladze repertoire da aka cika da wani adadin sabon ayyuka. Brahms' Sonata na biyu, wasu daga cikin farkon sonata na Beethoven, sun bayyana a cikin shirye-shiryenta a karon farko. Dukan zagayowar "Mozart's Piano Concertos" suna sauti (wanda aka yi a baya kawai a kan mataki). Tare da sauran mawaƙa Eliso Konstantinovna dauki bangare a cikin wasan kwaikwayo na A. Schnittke's Quintet, M. Mansuryan's Trio, O. Taktakishvili ta Cello Sonata, da kuma wasu sauran jam'iyyun. A ƙarshe, babban abin da ya faru a cikin tarihin rayuwarta na ƙirƙira shine aikin Liszt's B qananan sonata a cikin lokacin 1986/87 - yana da faɗin magana kuma babu shakka ya cancanci hakan…

Yawon shakatawa na piano yana ƙara zama akai-akai kuma yana da ƙarfi. Ayyukan da ta yi a Amurka (1988) sun sami nasara mai ban mamaki, ta buɗe sabbin shagunan "wuri" don kanta duka a cikin USSR da sauran ƙasashe.

Eliso Konstantinovna ya ce: "Da alama ba a yi wani abu kaɗan ba a cikin 'yan shekarun nan." “A lokaci guda kuma, ba a bar ni da wani irin rarrabuwar kawuna ba. A gefe ɗaya, na ba da yau ga piano, watakila ma fiye da lokaci da ƙoƙari fiye da da. A gefe guda, koyaushe ina jin cewa wannan bai isa ba… ”Masana ilimin halayyar ɗan adam suna da irin wannan nau'in - m, rashin gamsuwa da bukata. Da zarar mutum ya himmatu ga aikinsa, to gwargwadon yadda yake saka hannun jari a cikinsa aiki da ruhinsa, haka nan sai kara karfi, sai kara tsananta sha'awar yinsa; na biyu yana ƙaruwa daidai da na farko. Haka yake ga kowane mai fasaha na gaskiya. Virsaladze ba banda.

Ta, a matsayin mai zane, yana da kyakkyawan jarida: masu sukar, duka Soviet da na kasashen waje, ba su gajiya da sha'awar aikinta. Mawakan mawaƙa suna bi da Virsaladze da gaskiya, suna godiya da halayenta na gaske da gaskiya ga fasaha, kin amincewa da komai kankantarta, banza, kuma, ba shakka, suna ba da ladabi ga ƙwararrun ƙwararrunta koyaushe. Duk da haka, muna maimaitawa, wani nau'i na rashin jin daɗi yana ji a kanta - ba tare da la'akari da halayen nasara ba.

"Ina ganin rashin gamsuwa da abin da aka yi wani abu ne na dabi'a ga mai yin wasan kwaikwayo. Ta yaya kuma? Bari mu ce, "ga kaina" ("a cikin kaina"), koyaushe ina jin kiɗa yana haske da ban sha'awa fiye da yadda yake fitowa a madannai. Ga alama haka a gare ni, aƙalla… Kuma koyaushe kuna shan wahala daga wannan. ”

Da kyau, yana tallafawa, yana ƙarfafawa, yana ba da sabon ƙarfin sadarwa tare da fitattun mashawartan pianism na zamaninmu. Sadarwa shine kawai ƙirƙira - kide-kide, rakodi, kaset na bidiyo. Ba wai ta dauki misali daga wurin wani a cikin ayyukanta ba; wannan tambayar da kanta - don ɗaukar misali - dangane da ita ba ta dace sosai ba. Kawai hulɗa da fasahar manyan masu fasaha yawanci yana ba ta farin ciki mai zurfi, yana ba ta abinci na ruhaniya, kamar yadda ta ce. Virsaladze yayi magana cikin girmamawa ga K. Arrau; ta yi sha'awar ta musamman da faifan kide-kiden da dan wasan pian dan kasar Chile ya yi don bikin cikarsa shekaru 80 da haihuwa, wanda ya kunshi, da dai sauransu, na Beethoven's Aurora. Yawancin sha'awar Eliso Konstantinovna a cikin aikin Annie Fischer. Tana son, a cikin mahallin kiɗa kawai, wasan A. Brendle. Tabbas, ba zai yiwu ba a ambaci sunan V. Horowitz - yawon shakatawa na Moscow a 1986 yana da haske da karfi a rayuwarta.

… Da zarar wani ɗan piano ya ce: “Idan na daɗe ina kunna piano, na kusa sanin wannan kayan aikin, daɗaɗa damar da ba za ta ƙarewa ba a gabana. Nawa ne kuma ya kamata a yi a nan… ”Tana ci gaba koyaushe - wannan shine babban abu; da yawa daga cikin waɗanda suka taɓa yin daidai da ita, a yau sun riga sun koma baya… Kamar yadda a cikin mai zane-zane, akwai gwagwarmayar kamala ta yau da kullun, ta yau da kullun. Domin ta san cewa a cikin sana'arta, a cikin fasahar yin waka a kan fage, ba kamar sauran sana'o'in kirkire-kirkire ba, ba za a iya samar da dabi'u na har abada ba. A cikin wannan fasaha, a cikin ainihin kalmomin Stefan Zweig, "daga yin aiki zuwa aiki, daga sa'a zuwa sa'a, dole ne a sake samun nasara akai-akai. (Zweig S. Zaɓaɓɓen ayyuka a cikin juzu'i biyu. - M., 1956. T. 2. S. 579.).

G. Tsipin, 1990

"Na yaba da ra'ayinta da kuma fitattun wakokinta. Wannan ƴar fasaha ce mai girma, ƙila ita ce ƙwaƙƙwarar ƴan wasan piano a yanzu… Ita mawaƙiya ce mai gaskiya, kuma a lokaci guda tana da girman kai. (Svyatoslav Richter)

An haifi Eliso Virsaladze a Tbilisi. Ta yi nazarin fasahar wasan piano tare da kakarta Anastasia Virsaladze (Lev Vlasenko da Dmitry Bashkirov suma sun fara a cikin ajin ta), ƙwararren ƙwararren ƙwararren ƙwallo ne kuma malami, dattijon makarantar piano na Georgian, ɗalibin Anna Esipova (mashawarcin Sergey Prokofiev). ). Ta halarci ajin ta a Makarantar Kiɗa ta Musamman na Paliashvili (1950-1960), kuma a ƙarƙashin jagorancinta ta sauke karatu daga Tbilisi Conservatory (1960-1966). A 1966-1968 ta yi karatu a postgraduate course na Moscow Conservatory, inda ta malami Yakov Zak. "Ina son yin komai da kaina - daidai ko kuskure, amma da kaina… Wataƙila, wannan yana cikin halina," in ji mai wasan pian. "Kuma ba shakka, na yi sa'a tare da malamai: Ban taba sanin menene mulkin kama-karya ba." Ta yi wakokinta na farko solo a matsayin daliba a aji 10; shirin ya hada da sonata biyu na Mozart, intermezzo ta Brahms, Schumann's Novelette na takwas, Polka Rachmaninov. "A cikin aikina tare da jikata," in ji Anastasia Virsaladze, "Na yanke shawarar cewa ba zan yi amfani da etudes ba kwata-kwata, sai dai ga etudun Chopin da Liszt, amma na zaɓi waƙar da ta dace… kuma na ba da kulawa ta musamman ga abubuwan da Mozart ya yi, waɗanda ke ba da damar yin amfani da su. ni in goge iyawara gaba daya."

Laureate na VII World Festival na Matasa da Dalibai a Vienna (1959, 2nd kyauta, lambar azurfa), da All-Union Competition of Performing Musicians a Moscow (1961, 3rd kyauta), II International Tchaikovsky Competition a Moscow (1962, 3rd). kyauta, lambar tagulla), Gasar kasa da kasa ta IV mai suna bayan Schumann a Zwickau (1966, lambar yabo ta 1, lambar zinare), Kyautar Schumann (1976). "Eliso Virsaladze ya bar abin mamaki," in ji Yakov Flier game da wasan da ta yi a gasar Tchaikovsky. – Wasanta abin mamaki suna jituwa, ana jin waƙar gaske a ciki. Mawaƙin pian ɗin ya fahimci salon ɓangarorin da take yi, yana ba da abubuwan da ke cikin su tare da yanci mai girma, amincewa, sauƙi, ɗanɗanon fasaha na gaske. "

Tun 1959 - soloist na Tbilisi, tun 1977 - Moscow Philharmonic. Tun 1967 yana koyarwa a Moscow Conservatory, na farko a matsayin mataimaki ga Lev Oborin (har zuwa 1970), sannan Yakov Zak (1970-1971). Tun 1971 yake koyarwa ajinsa, tun 1977 ya zama mataimakin farfesa, tun 1993 ya zama farfesa. Farfesa a Makarantar Kiɗa da Wasan kwaikwayo a Munich (1995-2011). Tun 2010 - farfesa a Makarantar Kiɗa ta Fiesole (Scuola di Musica di Fiesole) a Italiya. Yana ba da azuzuwan masters a ƙasashe da yawa na duniya. Daga cikin dalibanta akwai wadanda suka lashe gasar kasa da kasa Boris Berezovsky, Ekaterina Voskresenskaya, Yakov Katsnelson, Alexei Volodin, Dmitry Kaprin, Marina Kolomiytseva, Alexander Osminin, Stanislav Khegay, Mamikon Nakhapetov, Tatyana Chernichka, Dinara Clinton, Sergei Voronov, Richterina E, da sauransu.

Tun 1975, Virsaladze ya kasance memba na juri na gasa da yawa na kasa da kasa, daga cikinsu akwai Tchaikovsky, Sarauniya Elizabeth (Brussels), Busoni (Bolzano), Geza Anda (Zurich), Viana da Mota (Lisbon), Rubinstein (Tel Aviv), Schumann. (Zwickau), Richter (Moscow) da sauransu. A gasar XII Tchaikovsky (2002), Virsaladze ya ƙi sanya hannu kan yarjejeniyar juri, rashin yarda da ra'ayi mafi rinjaye.

Yana yin tare da manyan makada na duniya a Turai, Amurka, Japan; Ya yi aiki tare da masu gudanarwa kamar Rudolf Barshai, Lev Marquis, Kirill Kondrashin, Gennady Rozhdestvensky, Evgeny Svetlanov, Yuri Temirkanov, Riccardo Muti, Kurt Sanderling, Dmitry Kitaenko, Wolfgang Sawallisch, Kurt Masur, Alexander Rudin da sauransu. Ta yi a cikin ensembles tare da Svyatoslav Richter, Oleg Kagan, Eduard Brunner, Viktor Tretyakov, Borodin Quartet da sauran fitattun mawakan. Haɗin haɗin gwiwar fasaha mai tsayi da kusa da Virsaladze tare da Natalia Gutman; Duet ɗin su ɗaya ne daga cikin rukunin rukunin gidan da suka daɗe na Moscow Philharmonic.

Aikin Virsaladze ya sami godiya sosai daga Alexander Goldenweiser, Heinrich Neuhaus, Yakov Zak, Maria Grinberg, Svyatoslav Richter. Bisa gayyatar da Richter ya yi masa, dan wasan pian ya halarci bukukuwan kide-kide na kasa da kasa a Touraine da Maraice na Disamba. Virsaladze shi ne dan takarar dindindin na bikin a Kreuth (tun 1990) da kuma bikin kasa da kasa na Moscow "Sadaka ga Oleg Kagan" (tun 2000). Ta kafa Telavi International Chamber Music Festival (wanda ake gudanarwa kowace shekara a cikin 1984-1988, wanda aka ci gaba a cikin 2010). A watan Satumba na 2015, a karkashin jagorancin zane-zane, an gudanar da bikin kiɗa na jam'iyyar "Eliso Virsaladze Presents" a Kurgan.

Domin da dama shekaru, ta dalibai dauki bangare a cikin philharmonic kide kide na tikitin kakar "Maraice tare da Eliso Virsaladze" a BZK. Daga cikin shirye-shiryen monograph na shekaru goma da suka gabata waɗanda ɗalibai da ɗaliban da suka kammala karatun digiri suka buga a cikin ajinsu akwai ayyukan da Mozart ta yi a cikin kwafin 2 pianos (2006), duk Beethoven sonatas (zagayowar 4 concertos, 2007/2008), duk etudes (2010) da Liszt's Hungarian rhapsodies (2011), Prokofiev's piano sonatas (2012), da dai sauransu Tun 2009, Virsaladze da dalibai na aji suna shiga cikin biyan kuɗi dakin kide kide da aka gudanar a Moscow Conservatory (aikin da furofesoshi Natalia Gutman, Irinadze da kuma Eliso Virsala. Kandinsky).

"Ta hanyar koyarwa, ina samun abubuwa da yawa, kuma akwai son kai kawai a cikin wannan. An fara da gaskiyar cewa masu wasan pian suna da ƙaƙƙarfan repertoire. Kuma wani lokacin nakan umurci dalibi ya koyi wani yanki da zan so in yi wasa da kaina, amma ba ni da lokacin yin hakan. Don haka sai ya zamana cewa zan yi nazarinsa. Me kuma? Kuna girma wani abu. Godiya ga sa hannun ku, abin da ke cikin ɗalibin ku ya fito - wannan yana da daɗi sosai. Kuma wannan ba kawai ci gaban kiɗa ba ne, har ma da ci gaban ɗan adam.

An yi rikodin rikodi na farko na Virsaladze a kamfanin Melodiya - ayyukan Schumann, Chopin, Liszt, yawan kide-kiden piano na Mozart. CD dinta yana kunshe da alamar BMG a cikin jerin Makarantun Piano na Rasha. Live Classics ne suka fitar da mafi yawan adadin nata na solo da na faifai, ciki har da ayyukan Mozart, Schubert, Brahms, Prokofiev, Shostakovich, da duk Beethoven cello sonatas da aka rubuta a cikin gungu tare da Natalia Gutman: wannan har yanzu yana ɗaya daga cikin duet's. shirye-shiryen rawani , akai-akai a duk faɗin duniya (ciki har da bara - a cikin mafi kyawun dakunan Prague, Rome da Berlin). Kamar Gutman, Virsaladze yana wakilta a cikin duniya ta Hukumar Gudanar da Artist Augstein.

Repertoire na Virsaladze ya haɗa da ayyukan mawaƙa na Yammacin Turai na ƙarni na XNUMX-XNUMXth. (Bach, Mozart, Haydn, Beethoven, Schubert, Schumann, Liszt, Chopin, Brahms), ayyukan Tchaikovsky, Scriabin, Rachmaninov, Ravel, Prokofiev da Shostakovich. Virsaladze yana da hankali game da kiɗan zamani; Duk da haka, ta shiga cikin wasan kwaikwayo na Schnittke's Piano Quintet, Mansuryan's Piano Trio, Taktakishvili's Cello Sonata, da kuma wasu ayyukan da mawaƙa na zamaninmu suka yi. Ta ce: “A rayuwa, hakan yakan faru nakan buga waƙar wasu mawaƙa fiye da wasu. – A cikin 'yan shekarun nan, shagali na da rayuwar koyarwa sun kasance cikin shagaltuwa ta yadda ba za ku iya mai da hankali kan mawaki ɗaya na dogon lokaci ba. Ina wasa da sha'awar kusan dukkanin marubutan na XNUMX da farkon rabin karni na XNUMX. Ina tsammanin mawakan da suka yi waƙar a wancan lokacin sun ƙare da yuwuwar piano a matsayin kayan kida. Bugu da kari, dukkansu sun kasance ’yan wasan da ba su da kwarewa ta hanyarsu.

Mawaƙin ɗan adam na Georgian SSR (1971). Jama'ar Artist na USSR (1989). Laureate na Jiha Prize na Jojiya SSR mai suna bayan Shota Rustaveli (1983), Jihar Prize na Rasha Federation (2000). Cavalier na Order of Merit for the Fatherland, IV digiri (2007).

"Shin zai yiwu a yi fatan mafi kyawun Schumann bayan Schumann da Virsaladze ya buga a yau? Ba na jin na taba jin irin wannan Schumann tun daga Neuhaus. Klavierabend na yau wahayi ne na gaske – Virsaladze ya fara wasa har ma da kyau… Fasaharta cikakke ce kuma mai ban mamaki. Ta kafa ma'auni ga masu pians." (Svyatoslav Richter)