Dmitry Konstantinovich Alekseev |

Dmitri Alexeev

Bari mu fara da taƙaitaccen balaguron balaguro da aka bayar a cikin wata muƙala game da Alekseev: “… A cikin kwanakin ɗalibinsa, Dmitry ya faru “batsa” ya lashe gasar haɓaka jazz. Gabaɗaya, sa'an nan an ɗauke shi da mahimmanci kawai a matsayin ɗan wasan pian jazz. Daga baya, a farkon shekarun Conservatory, ya fara wasa da kiɗa na karni na XNUMX sau da yawa, Prokofiev - sun fara cewa Alekseev ya fi nasara a cikin tarihin zamani. Waɗanda ba su ji mawaƙin ba tun lokacin, dole ne su yi mamaki sosai. Lallai, a yau mutane da yawa sun gane a cikinsa, da farko, ɗan Chopinist, ko, mafi fa'ida, mai fassarar kiɗan soyayya. Duk wannan shaida ce ba ta canje-canjen salo ba akan hanyarsa ta yin aiki, amma na tarawa da girma: "Ina so in shiga kowane salo kamar yadda zan iya."

A kan fosta na wannan ɗan wasan pian ɗin za ku iya ganin sunayen marubuta daban-daban. Duk da haka, ko da abin da yake wasa, kowane aiki yana samun launi mai ma'ana a ƙarƙashin hannunsa. A cewar madaidaicin jawabin ɗaya daga cikin masu sukar, a cikin fassarar Alekseev kusan koyaushe ana samun "gyara ga ƙarni na 1976." Duk da haka, yana da sha'awar kunna kiɗan mawaƙa na zamani, inda ba a buƙatar irin wannan "gyara" ba. Wataƙila, S. Prokofiev yana jawo hankalin musamman a wannan yanki. A baya a cikin XNUMX, malaminsa DA Bashkirov ya jawo hankali ga ainihin hanyar mai wasan kwaikwayo don fassara wasu abubuwan da aka tsara: "Lokacin da ya yi wasa da cikakkiyar damarsa, an bayyana fassarorinsa da manufar fasaha. Sau da yawa waɗannan niyya ba su zo daidai da abin da muka saba ba. Hakanan yana da kwarin gwiwa sosai.”

Wasan yanayi na Alekseev, saboda duk haske da iyawarsa, bai daɗe ba daga sabani na dogon lokaci. Da yake kimanta aikinsa a gasar Tchaikovsky a 1974 (kyauta ta biyar), EV Malinin ya nuna cewa: "Wannan shi ne mai kyau pianist, wanda game da "ƙarfin" na wasan kwaikwayon, da kaifin bayanai, fasaha filigree, duk wannan shi ne a kan nasa. mafi girman matakin, kuma yana da ban sha'awa a saurare shi, amma wani lokacin wadatar yanayin aikinsa yana gajiyawa kawai. Ba ya ba mai sauraro damar ya “numfasa”, kamar dai ya “duba”… Mutum na iya fatan ƙwararren ɗan wasan pian ya “yantar da kansa” kaɗan daga niyyarsa kuma ya “numfasa” cikin walwala. Paradoxical kamar yadda ake iya gani, ina tsammanin daidai waɗannan “numfashin” ne za su taimaka wajen sa wasansa ya zama mai fa'ida da fa'ida.

A lokacin da ya yi a Tchaikovsky Competition Alekseev ya riga ya sauke karatu daga Moscow Conservatory a cikin ajin DA Bashkirov (1970) da kuma ya kammala wani mataimaki-internship course (1970-1973). Bugu da ƙari, ya riga ya kasance mai nasara sau biyu: kyauta ta biyu a gasar Paris mai suna Marguerite Long (1969) da kuma mafi girma a Bucharest (1970). A bisa dabi'a, a babban birnin kasar Romania, matashin dan wasan piano na Soviet shima ya samu kyauta ta musamman don mafi kyawun aikin da mawakin Romanian na zamani R. Georgescu ya yi. A ƙarshe, a cikin 1975, hanyar gasa ta Alekseev ta sami nasara mai gamsarwa a Leeds.

Tun daga wannan lokacin, mai wasan piano ya fara gudanar da wani shiri na kade-kade a kasarmu, kuma ya yi nasara a kasashen waje. Repertoire nasa, wanda ya dogara ne akan ayyukan romantics na karnin da ya gabata, ciki har da Sonata in B qananan da etudes na Liszt, da nau'i-nau'i daban-daban na Chopin, ya kuma fadada sosai. "Symphonic Etudes" da "Carnival" na Schumann, da kuma na gargajiya na Rasha. "Abin da, da farko, captivates a cikin wasan kwaikwayon na Dmitry Alekseev? – M. Serebrovsky ya rubuta a shafukan mujallar Life Life. – Soyayyar fasaha na gaske da kuma iya jan hankalin mai sauraro da wasansa. A lokaci guda kuma, wasan nasa yana da alamun ƙwararrun ƙwararrun ƙwallon ƙafa. Alekseev yana zubar da kyawawan albarkatun fasaharsa… An bayyana gwanintar Alekseev a cikin ayyukan shirin soyayya. "

Lallai tunanin kiran wasansa da hankali ba ya taso.

Amma "tare da duk 'yancin haihuwar sauti, in ji G. Sherikhova a cikin rubutun da aka ambata, a nan elasticity da ma'auni suna da kyau - ma'auni na tsauri, lafazi da ma'auni na timbre, ma'auni na taɓa maɓalli, an tabbatar da shi ta hanyar ilimin da ba a sani ba. dandana. Koyaya, wannan “ƙididdigewa” mai hankali ko rashin hankali ya shiga zurfi… Wannan ma'aunin “ba a ganuwa” kuma saboda filastik na musamman na pianism. Duk wani layi, echo na rubutu, dukan masana'anta na kiɗan filastik ne. Abin da ya sa sauye-sauye daga jiha zuwa jiha, crescendo da diminuendo, hanzari da raguwar lokaci suna da gamsarwa. A cikin wasan Alekseev ba za mu sami jin dadi ba, hutu na soyayya, ladabi mai ladabi. Pianism ɗinsa gaskiya ne mara rikitarwa. Ba a rufe ji da mai yin a cikin "frame" wanda ya faranta masa rai. Yana ganin hoton daga ciki, yana nuna mana zurfin kyawunsa. Abin da ya sa a cikin fassarar Alekseevsky na Chopin babu alamar salon salon, Prokofiev's shida ba ya murƙushe sararin samaniya tare da jituwa, kuma Brahms' intermezzo yana ɓoye irin wannan baƙin cikin da ba a faɗi ba ... "

A cikin 'yan shekarun nan, Dmitry Alekseev yana zaune a London, yana koyarwa a Royal College of Music, yayi a Turai, Amurka, Japan, Australia, Hong Kong, Afirka ta Kudu; yana aiki tare da mafi kyawun ƙungiyar makaɗa a duniya - Chicago Symphony, London, Isra'ila, Berlin Radio, Orchestra na Romanesque Switzerland. Fiye da sau ɗaya da aka yi a Rasha da kuma ƙasashen waje tare da ƙungiyar makaɗa na St. Petersburg Philharmonic. Hotunan zane-zane sun hada da kide-kide na piano na Schumann, Grieg, Rachmaninov, Prokofiev, Shostakovich, Scriabin, da kuma ayyukan piano na solo na Brahms, Schumann, Chopin, Liszt, Prokofiev. Faifai tare da rikodin Negro spirituals da mawakiyar Amurka Barbra Hendrix da Dmitry Alekseev suka yi ya shahara sosai.

Grigoriev L., Platek Ya.