Gleb Axelrod |

Sunan mahaifi Axelrod

Da zarar Gleb Axelrod ya ce: “Za a iya isar da aiki mafi rikitarwa ga kowane mai sauraro idan an yi shi da gaske, tare da cikakkiyar sadaukarwa kuma a sarari.” Waɗannan kalmomi sun fi ƙunshe da ƙididdiga na fasaha na mai zane. A lokaci guda kuma, suna da alama ba wai kawai alaƙar da ta dace ba, har ma da mahimmancin sadaukarwar wannan maigidan ga tushen tushe na makarantar pianistic ta Ginzburg.

Kamar sauran abokan aikinsa da yawa, hanyar Axelrod zuwa babban wasan kide kide da wake-wake ya ta'allaka ne a cikin "fararen gasa". Sau uku ya shiga yakin pianist sau uku kuma ya koma kasarsa tare da lashe kyautar. wannan ya biyo bayan gasar kasa da kasa mai suna M. Long - J. Thibault a Paris (1951, lambar yabo ta hudu) da sunan Vian da Mota a Lisbon (1955, lambar yabo ta biyu). Axelrod ya shirya don duk waɗannan gasa a ƙarƙashin jagorancin GR Ginzburg. A cikin aji na wannan gagarumin malami, ya sauke karatu daga Moscow Conservatory a 1957, da kuma 1948 ya kammala postgraduate course. Tun 1951, Axelrod kansa ya fara koyarwa; a shekarar 1959 aka ba shi mukamin Farfesa.

Kwarewar kide kide da wake-wake da Akselrod (kuma yana yin duka a kasarmu da kasashen waje) ya kai kusan shekaru arba'in. A wannan lokacin, ba shakka, wani takamaiman zane-zane na zane-zane ya ɓullo da shi, wanda aka fi sani da kyakkyawan fasaha, bayyanannen niyyar yin niyya. A cikin ɗaya daga cikin bita, A. Gottlieb ya rubuta: “G. Nan da nan Axelrod ya sami amincewar mai sauraro tare da tabbacinsa, kwanciyar hankali na cikin mutum wanda ya san abin da yake ƙoƙari. Ayyukansa, na al'ada a cikin mafi kyawun ma'ana, ya dogara ne akan nazarin tunani na rubutu da fassararsa ta mafi kyawun malamanmu. Ya haɗu da abin tunawa na gaba ɗaya abun da ke ciki tare da kammala cikakkun bayanai a hankali, bambanci mai haske tare da dabara da sauƙi na sauti. Mawaƙin piano yana da ɗanɗano mai kyau da ɗabi'a mai kyau. " Bari mu ƙara wa wannan ƙarin sifa daga mujallar "Soviet Music": "Gleb Axelrod wani virtuoso ne, mai kama da irin Carlo Cecchi ... irin haske da sauƙi a cikin sassa, juriya iri ɗaya a cikin fasaha mai girma, irin matsananciyar hali. . Fasahar Axelrod tana da fara'a cikin sautin, mai haske a launuka.

Duk wannan har zuwa wani lokaci yana ƙayyade kewayon repertory inclinations na artist. Tabbas, a cikin shirye-shiryensa akwai "masu ƙarfi" gama gari ga kowane ɗan wasan piano: Scarlatti, Haydn, Beethoven, Schubert, Liszt, Chopin, Brahms, Debussy. A lokaci guda, ya fi sha'awar pianoforte Tchaikovsky (First Concerto, Grand Sonata, The Four Seasons) fiye da Rachmaninov. A kan fastocin kide-kide na Axelrod, kusan ba mu saba haduwa da sunayen mawakan karni na XNUMX (J. Sibelius, B. Bartok, P. Hindemith), mashawartan kiɗan Soviet. Ba a ma maganar "gargajiya" S. Prokofiev ba, ya taka rawar D. Shostakovich. Concerto na uku da Sonatina na farko na D. Kabalevsky, wanda R. Shchedrin ya yi. Axelrod's repertoire inquisitiveness kuma yana nunawa a cikin gaskiyar cewa daga lokaci zuwa lokaci yakan juya zuwa abubuwan da ba a cika yin su ba; Wasan Liszt mai suna “Memories of Russia” ko daidaitawar Scherzo daga Symphony na shida na Tchaikovsky na S. Feinberg za a iya buga misali. A ƙarshe, ba kamar sauran masu lashe gasar ba, Gleb Axelrod ya bar takamaiman gasa guda a cikin repertoire na dogon lokaci: raye-rayen piano na Smetana, har ma da mawaƙan mawaƙan Portuguese J. de Sousa Carvalho ko J. Seixas, ba a jin su sau da yawa. a cikin repertoire.

Gabaɗaya, kamar yadda mujallar Soviet Music ta lura a shekara ta 1983, “ruhun matasa yana jin daɗin fasaharsa mai rai.” A matsayin misali ɗaya daga cikin sababbin shirye-shirye na pianist (takwas prelude ta Shostakovich, duk ayyukan hannu huɗu na Beethoven a cikin gungu tare da O. Glebov, zaɓaɓɓen guda ta Liszt), mai bita ya jawo hankali ga gaskiyar cewa ya sa ya yiwu. bayyana duka fuskoki daban-daban na mutumtakar sa na kirkire-kirkire da kuma dabarun balagagge mai fasaha. "Dukansu a cikin Shostakovich da kuma a cikin Liszt mutum zai iya gane ƙayyadaddun ƙayyadaddun ƙayyadaddun ƙayyadaddun kalmomin da ke cikin G. Axelrod, aikin innation, hulɗar yanayi tare da kiɗa, kuma ta hanyarsa tare da masu sauraro. Nasara ta musamman tana jiran mai zane a cikin abubuwan da Liszt ya yi. Farin cikin saduwa da kiɗan Liszt - wannan shine yadda nake so in kira ra'ayi na musamman, mai cike da abubuwan ganowa (ƙarashin ƙarfi, dabara, a cikin hanyoyi da yawa, abubuwan ban sha'awa masu ban sha'awa, layin rubato kaɗan) karanta na biyu Hungarian Rhapsody . A cikin "Ƙararrarawa na Geneva" da "Tsarin Jana'izar" - zane-zane iri ɗaya, mallakin ban mamaki na gaske na soyayya, mai arziki a cikin sonority na piano mai launi.

Fasahar Axelrod ya sami karbuwa sosai a gida da waje: ya zagaya, a tsakanin sauran abubuwa, a Italiya, Spain, Portugal, Faransa, Jamus, Finland, Czechoslovakia, Poland, da Latin Amurka.

Tun 1997 G. Axelrod ya zauna a Jamus. Ya mutu a ranar 2 ga Oktoba, 2003 a Hannover.

Grigoriev L., Platek Ya.