Mai rinjaye |

Mai rinjaye (daga Latin sub - ƙarƙashin kuma rinjaye; Faransanci sousdominante, Jamusanci Subdominante, Unterdominante) - sunan digiri na IV na sikelin; a cikin rukunan jituwa kuma ake kira. Ƙimar da aka gina akan wannan mataki, da kuma aikin da ya haɗa maƙallan IV, II, low II, VI matakai. C. yana nuna harafin S (wannan alamar, kamar D da T, X. Riemann ne ya gabatar da shi). Darajar S. chords a cikin tsarin aiki na tonal-aiki na jituwa an ƙaddara ta hanyar yanayin dangantakar su da ƙwayar tonic (T). Sautin Main S. baya kunshe cikin kowane tonic. triads, kuma ba a cikin jerin sauti daga tonic ba. sautin haushi. Babban sautin T wani ɓangare ne na maƙallan C. kuma a cikin sabon jerin sautin-sabon daga matakin IV na sikelin. A cewar Riemann, motsi na jituwa (daga T) zuwa C. triad yana kama da canji a tsakiyar nauyi (don haka, C. yana da ƙasa da ƙarfi a cikin T fiye da D), wanda ke buƙatar ƙarfafa wannan tonality; saboda haka fahimtar S. a matsayin "rikicin rikici" (Riemann). Gabatarwa na gaba na D chord yana mayar da kaifin jan hankali zuwa T kuma ta haka yana ƙarfafa tonality. Juyawa S - T, wanda ba shi da halin dawowa daga abin da aka samu zuwa abin da ke haifarwa, ba shi da irin wannan ma'anar cikar jituwa. ci gaba, "ƙarshe", a matsayin juzu'i D - T (duba Plagal cadenza). JF Rameau ("Sabon Tsarin Ka'idar Kiɗa", 1726, ch. 7), wanda ya fassara S, D da T a matsayin tushe guda uku na yanayin (yanayin) ya gabatar da manufar S. da ma'anar daidai. sauti na asali guda uku, to-rye suna yin jituwa, inda suke ganin farkon ka'idar aiki ta masu jituwa. tonality.

References: Rameau J. Ph., Nouveau systime de musique théorique…, P., 1726. Duba kuma lit. Ƙarƙashin labarin Harmony, Ayyukan jituwa, Tsarin sauti, Manyan Ƙananan, Tonality.

Yu. N. Kholopov