Tsawon lokaci na al'adun kiɗa

Tsayar da al'adun kiɗa na zamani wani lamari ne mai rikitarwa wanda za'a iya kallon shi ta fuskoki daban-daban dangane da ka'idodin da aka zaɓa. Amma abubuwan da suka fi muhimmanci a cikin sauye-sauyen kiɗa su ne siffofi da yanayin da yake aiki.

Daga wannan ra'ayi, ana gabatar da al'adun kiɗa na lokaci-lokaci kamar haka:

• Jin daɗin sautunan halitta (waƙar a yanayi). A wannan mataki har yanzu ba a sami fasaha ba, amma hangen nesa na ado ya riga ya kasance. Sautunan yanayi irin wannan ba kiɗa ba ne, amma idan mutane suka gane su sai su zama kiɗa. A wannan mataki, mutum ya gano ikon jin daɗin waɗannan sautunan.
• Kiɗa mai amfani. Ya kasance tare da aiki, shine bangarensa, musamman idan ya zo ga aikin gama kai. Kiɗa ya zama wani ɓangare na rayuwar yau da kullun.
• Rit. Kiɗa yana rakiyar ba kawai aiki ba, har ma da kowane muhimmin al'ada.
• Ware bangaren fasaha daga al'ada da hadaddun addini da kuma samun ma'anar ado mai zaman kanta.
• Rabuwar sassan daidaikun mutane, gami da kiɗa, daga hadaddun fasaha.

Matakan samuwar kiɗa

Wannan lokaci na al'adun kiɗa yana ba mu damar bambance matakai uku a cikin samuwar kiɗa:

1. Haɗin kiɗa a cikin ayyukan ɗan adam, bayyanar farko na kiɗa;
2. Siffofin kiɗa na farko suna rakiyar wasanni, al'adu da ayyukan aiki, gami da waƙa, raye-raye da wasan kwaikwayo. Kiɗa ba ya rabuwa da kalmomi da motsi.
3. Samar da kiɗan kayan aiki azaman sigar fasaha mai zaman kanta.

Amincewa da kiɗan mai cin gashin kai na kayan aiki

Ƙaddamar da al'adun kiɗa na zamani ba ya ƙare tare da samar da kiɗa mai cin gashin kansa. An kammala wannan tsari a ƙarni na 16-17. Wannan ya ba da damar yaren kiɗa da dabaru don haɓaka gaba. Bach da ayyukansa suna ɗaya daga cikin ci gaban fasahar kiɗan. Anan, a karon farko, dabarun kiɗan masu zaman kansu da ikon yin hulɗa tare da sauran nau'ikan fasaha sun bayyana cikakke. Duk da haka, har zuwa karni na 18, an fassara nau'o'in kiɗa daga mahangar furucin kiɗa, wanda ya dogara ne akan matakan wallafe-wallafe.

Mataki na gaba a cikin ci gaban kiɗa shine lokacin Viennese classicism. Wannan shi ne lokacin da fasahar simphonic ta bunƙasa. Ayyukan Beethoven sun nuna yadda kiɗa ke isar da hadadden rayuwar ruhin mutum.

A cikin lokaci soyayyar soyayya Akwai yanayi daban-daban a cikin kiɗa. A lokaci guda kuma, fasahar kiɗa tana haɓaka azaman sifa mai cin gashin kanta, kuma ƙananan kayan aikin kayan aiki sun bayyana waɗanda ke nuna yanayin rayuwar ɗan adam na karni na 19. Godiya ga wannan, an ƙirƙira sabbin nau'ikan da za su iya nuna sassaucin abubuwan da mutum ya samu. A lokaci guda kuma, hotuna na kiɗa sun ƙara bayyana kuma sun fi dacewa, tun da sabon bourgeois jama'a ya bukaci tsabta da mahimmancin abun ciki, kuma harshen kiɗan da aka sabunta ya yi ƙoƙari a haɗa shi gwargwadon yiwuwa a cikin zane-zane. Misalin wannan shine wasan kwaikwayo na Wagner, ayyukan Schubert da Schumann.

A cikin karni na 20, kiɗa yana ci gaba da haɓaka ta hanyoyi biyu waɗanda suke da alama sun bambanta. A gefe guda, wannan shine haɓaka sabbin hanyoyin kiɗa na musamman, ƙaddamar da kiɗan daga abubuwan rayuwa. A gefe guda kuma, haɓaka nau'ikan fasaha ta amfani da kiɗa, inda ake haɓaka sabbin alaƙa da hotunan kiɗan, kuma harshensa ya zama takamaiman.

A kan turbar hadin gwiwa da gasa na dukkan fannonin fasahar kida ya ta'allaka ne da karin binciken dan Adam a wannan fanni.