John Browning |

John Browning

Kwata na karni da suka gabata, a zahiri ana iya samun ɗimbin kissosi masu sha'awa da aka yiwa wannan mai zane a cikin jaridun Amurka. Ɗaya daga cikin talifofin game da shi a cikin The New York Times ya ƙunshi, alal misali, layukan da ke gaba: “Dan wasan pian ɗan Amurka John Browning ya kai wani matsayi da ba a taɓa gani ba a cikin aikinsa bayan ya yi nasara tare da ƙwararrun ƙungiyar makaɗa a duk manyan biranen Amurka da Turai. Browning yana daya daga cikin taurarin matasa mafi haske a cikin galaxy na pianism na Amurka." Masu sukar masu tsauraran ra'ayi sukan sanya shi a cikin sahun farko na masu fasahar Amurka. Don wannan, yana da alama, akwai duk wasu dalilai na yau da kullun: farkon farkon ƙwararrun yara (dan asalin Denver), ingantaccen horo na kiɗa, wanda aka fara samu a Makarantar Kiɗa ta Los Angeles. J. Marshall, sa'an nan kuma a cikin Juilliard karkashin jagorancin mafi kyawun malamai, daga cikinsu akwai Yusufu da Rosina Levin, a karshe, nasara a cikin wasanni uku na duniya, ciki har da daya daga cikin mafi wuya - Brussels (1956).

Duk da haka, ma bravura, tallan tallace-tallace na jarida ya kasance mai ban tsoro, yana barin dakin rashin amincewa, musamman a Turai, inda a lokacin ba su da masaniya da matasa masu fasaha daga Amurka. Amma a hankali ƙanƙarar rashin yarda ta fara narkewa, kuma masu sauraro sun gane Browning a matsayin ɗan wasa mai mahimmanci na gaske. Bugu da ƙari, shi da kansa ya ci gaba da faɗaɗa tunaninsa na wasan kwaikwayo, ya juya ba kawai ga al'ada ba, kamar yadda Amirkawa ke cewa, daidaitattun ayyuka, amma har ma da kiɗa na zamani, yana gano mabuɗinsa. An tabbatar da hakan ne ta hanyar faifan kide-kiden da ya yi na kide-kiden Prokofiev da kuma yadda a shekarar 1962 daya daga cikin manyan mawakan Amurka, Samuel Barber, ya ba shi amana na farko na wasan wake-wake na piano. Kuma lokacin da kungiyar kade-kade ta Cleveland ta tafi Tarayyar Soviet a tsakiyar 60s, George Sell mai daraja ya gayyaci matasa John Browning a matsayin soloist.

A wannan ziyarar, ya buga wasan kwaikwayo na Gershwin da Barber a Moscow kuma ya sami jin daɗin masu sauraro, ko da yake bai "buɗe" ba har zuwa ƙarshe. Amma yawon shakatawa na baya-bayan nan na dan wasan pian - a cikin 1967 da 1971 - ya kawo masa nasarar da ba za a iya musantawa ba. Aikinsa ya bayyana a cikin bakan mai faɗi sosai, kuma tuni wannan haɓaka (wanda aka ambata a farkon) ya gamsu da babban ƙarfinsa. Anan akwai sake dubawa guda biyu, na farko yana nufin 1967, na biyu kuma zuwa 1971.

V. Delson: “John Browning mawaƙi ne mai fara'a mai haske, ruhi na waƙoƙi, ɗanɗano mai daraja. Ya san yadda ake wasa da rai - isar da motsin rai da yanayi "daga zuciya zuwa zuciya". Ya san yadda ake yin abubuwa masu laushi, masu taushi tare da tsaftataccen tsafta, don bayyana rayayyun mutane tare da ɗumi mai daɗi da fasaha na gaske. Browning yana wasa tare da maida hankali, cikin zurfi. Ba ya yin kome "ga jama'a", ba ya shiga cikin fanko, "jin magana", gaba ɗaya baƙon abu ne ga bravura mai ban tsoro. A lokaci guda kuma, ƙwaƙƙwaran ɗan wasan pian a cikin kowane nau'in ɗabi'a yana da ban mamaki da ba za a iya fahimta ba, kuma mutum ya "gano" kawai bayan wasan kwaikwayo, kamar dai a baya. Gabaɗayan fasahar aikinsa na ɗauke da tambarin farkon mutum, kodayake ɗaiɗaicin fasaha na Browning a cikin kanta ba ya cikin da'irar ban mamaki, ma'auni mara iyaka, mai ban mamaki, amma a hankali amma tabbas abubuwan sha'awa. Koyaya, duniya ta alama da Browning ya nuna ƙarfin iyawa mai ƙarfi yana da ɗan gefe guda. Mawaƙin pian ba ya raguwa, amma yana sassaukar da bambance-bambancen haske da inuwa, wani lokacin har ma da “fassara” abubuwan wasan kwaikwayo a cikin jirgin sama mai rairayi tare da dabi'ar halitta. Shi mai son soyayya ne, amma da dabarar motsin zuciyarmu, tare da ra'ayoyinsu na shirin Chekhov, sun fi karkata a gare shi fiye da wasan kwaikwayo na sha'awa a fili. Saboda haka, filastik sassaka ya fi halayen fasaharsa fiye da gine-ginen gine-gine.

G. Tsypin: “Wasannin ɗan wasan pian ɗan ƙasar Amurka John Browning shine, da farko, misali ne na balagagge, dawwama kuma mai tsayayye na fasaha na ƙwararru. Mai yiyuwa ne a tattauna wasu halaye na keɓancewar mahaliccin mawaƙa, don tantance ma'auni da ma'aunin nasarorin da ya samu na fasaha da na waƙa a cikin fasahar tafsiri ta hanyoyi daban-daban. Abu ɗaya ba shi da tabbas: ƙwarewar yin aiki a nan ba ta da shakka. Bugu da ƙari, fasaha da ke nuna cikakkiyar 'yanci, halitta, wayo da kuma cikakkiyar tunani na ƙwarewar duk nau'ikan hanyoyin bayyana piano… Suna cewa kunnuwa ruhin mawaƙi ne. Ba shi yiwuwa ba a ba da kyauta ga baƙon Amurka ba - yana da gaske yana da hankali, mai mahimmanci, mai ladabi mai ladabi "kunne" na ciki. Siffofin sautin da yake ƙirƙira koyaushe suna sirara, ƙayatarwa da ƙayyadaddun ƙayyadaddun ƙayyadaddun bayanai. Hakanan yana da kyau shine palette mai ban sha'awa da kyan gani; daga velvety, "marasa damuwa" forte zuwa taushi iridescent wasa na halftones da haske tunani a kan piano da pianissimo. Tsanani kuma kyakkyawa a cikin Browning da tsarin rhythmic. A cikin wata kalma, piano a ƙarƙashin hannayensa koyaushe yana jin kyau da daraja… Tsafta da daidaiton fasaha na pianism na Browning ba zai iya haifar da jin daɗin mutuntawa a cikin ƙwararru ba."

Wadannan kima guda biyu ba kawai suna ba da ra'ayi na ƙarfin gwanintar pianist ba, har ma suna taimakawa wajen fahimtar hanyar da yake tasowa. Bayan ya zama ƙwararre a cikin ma'ana mai zurfi, mai zane har ya zuwa wani lokaci ya rasa ƙarancin kuruciyar sa, amma bai rasa waƙarsa ba, shigar da fassarar.

A lokacin yawon shakatawa na Pianist na Moscow, wannan ya bayyana a fili a cikin fassararsa na Chopin, Schubert, Rachmaninov, Scarlatti mai kyau rubutun sauti. Beethoven a cikin sonatas ya bar shi da ƙarancin ra'ayi: babu isasshen sikeli da tsananin ƙarfi. Sabbin rikodin Beethoven na mai zane, musamman Diabelli Waltz Variations, sun shaida gaskiyar cewa yana neman tura iyakokin iyawarsa. Amma ba tare da la'akari da ko ya ci nasara ko a'a ba, Browning ƙwararren mai zane ne wanda ke magana da mai sauraro da gaske kuma tare da wahayi.

Grigoriev L., Platek Ya., 1990