Tarihi a can

Akwai-akwai - kayan kida na kaɗe-kaɗe, ɗaya daga cikin nau'ikan gong. Ya ƙunshi babban faifai mai ɗaukar hoto, wanda aka yi da ƙarfe, galibi tagulla. Mallet ɗin da aka yi amfani da shi don yin wasa hannun katako ne tare da titin ji. Lokacin da aka buga shi da mallet, faifan yana rawar jiki na dogon lokaci, yana haifar da raƙuman sauti suna tashi da faɗuwa, wanda ke haifar da jin daɗin tarin sautin. Tam-tam yana da ƙaƙƙarfan katako, bakin ciki da ƙaƙƙarfan katako. Yin wasa a can-akwai yiwuwa ta hanyoyi daban-daban. Don samun hadaddun raye-raye, an yi amfani da ganguna ko sandunan ƙarfe, waɗanda aka zagaya da diski. An kuma fitar da sautuna daga bakan bass biyu.

Tushen Afirka ko Asiya

Akwai nau'i biyu na asalin kayan aikin. Daya daga cikinsu ya ce kayan aiki na iya samun tushen Asiya, wannan yana tabbatar da kamancensa da dangin gong. Kwatankwacin sauti na gong na kasar Sin da tam-tam ya tabbatar da wannan sigar. Bisa ga sigar ta biyu, ana ɗaukar tam-tam a matsayin kayan aiki na tsoffin kabilun Afirka. A baya, an yi amfani da harsashi na kwakwa da busasshiyar fatar buffalo don yin ta.

A gabas, yamma da tsakiyar Afirka, ana samun nau'ikan tam-tam iri biyu. Nau'in farko shine katako mai ƙarfi, yanke ko rami a cikin gangar jikin tare da tsayin itacen, yana da saman biyu don tasiri. Nau'in na biyu shine ganguna da aka rufe da fata a saman: daya yana wasa akan babban rubutu, na biyu a kan ƙananan. Baya ga waɗannan nau'ikan, akwai nau'ikan iri da yawa a can. Girman kayan kida sun bambanta: daga mita 2 zuwa ƙananan ƙananan, kama da rattles.

Akwai-akwai a matsayin hanyar sadarwa

A Afirka, an yi amfani da tam-tam a matsayin hanyar sadarwa don sanar da kabilu game da haihuwa ko mutuwa, harin makiya, tunkarar bala'i. Ana danganta al'adar sihiri da ita, kamar almara, la'ana. A 'yan shekarun baya-bayan nan, mai mulkin Kongo ya raba umarninsa tare da taimakon tam-tam, an ji karar ganga a nesa fiye da kilomita talatin. Don isar da bayanai ta nisa mai nisa, an yi amfani da hanyar watsa bayanai lokaci-lokaci: daga wannan can-can zuwa wancan. Kuma a zamaninmu, a ƙauyuka da yawa a Afirka, an kiyaye irin wannan al'ada na isar da bayanai.

Akwai-akwai a cikin kiɗan gargajiya da na zamani

A cikin kiɗan gargajiya, mawaƙin Giacomo Meyerbeer ya fara amfani da tam-tam. Kayan aiki na zamani ya fara ɗan bambanta da kakanninsa. Don ƙera fayafai, ana amfani da tagulla sau da yawa, ƙasa da sau da yawa gami da jan karfe da kwano. Faifan da kansa yana da nau'i mai ma'ana kuma yana da girma mai ban sha'awa. A cikin kayan kida don ƙungiyar makaɗa, tam-tam yana ba da damar isar da yanayi na musamman ga kiɗa: girman kai, damuwa, barazana. Sauti a can kuma akwai sauti a cikin shahararrun ayyukan: Rimsky-Korsakov's Scheherazade, Glinka's Ruslan da Lyudmila, a ƙarshen Tchaikovsky's Symphony No. 6. Ana iya jin kayan aikin Glinka a cikin labarin lokacin da Chernomor ya sace Lyudmila. A cikin "Scheherazade" na Rimsky-Korsakov, ana jin sautin ban tausayi a nutsewar jirgin. D. Shostakovich ya yi amfani da tam-tam a cikin ayyuka da yawa don jaddada mummunan kololuwar ayyukansa.