Andrey Pavlovich Petrov |

Andrey Petrov

A. Petrov yana daya daga cikin mawaƙa wanda rayuwa ta kerawa ta fara a cikin shekarun baya-bayan nan. A 1954 ya sauke karatu daga Leningrad State Conservatory a cikin aji na Farfesa O. Evlakhov. Tun daga wannan lokacin, ayyukansa masu ban sha'awa da ban sha'awa na kaɗe-kaɗe da kida da zamantakewa suna kirgawa. Halin Petrov, mawaki da mutum, yana ƙayyade yadda ya amsa, da hankali ga aikin abokan aikin sa da bukatun yau da kullum. A lokaci guda, saboda yanayin zamantakewar dabi'a, Petrov yana jin dadi a cikin kowane masu sauraro, ciki har da wadanda ba masu sana'a ba, tare da wanda ya iya samun harshe na kowa. Kuma irin wannan tuntuɓar ya samo asali ne daga ainihin yanayin basirarsa na fasaha - yana ɗaya daga cikin 'yan masters waɗanda suka haɗa aiki a cikin gidan wasan kwaikwayo mai mahimmanci da kuma a cikin wasan kwaikwayo da kuma nau'o'in philharmonic tare da aikin nasara a fagen yawan nau'o'in, wanda aka tsara don masu sauraro miliyoyin. Wakokinsa “Kuma ina tafiya, ina yawo a kusa da Moscow”, “Blue Cities” da sauran wakokin da ya yi da yawa sun sami karbuwa sosai. Petrov, a matsayin mawaki, ya shiga cikin ƙirƙirar fina-finai masu ban mamaki kamar "Ku yi hankali da Motar", "Tsohon, Tsohuwar Tale", "Attention, Kunkuru!", "Taming da Wuta", "White Bim Black Ear". "Office Romance", "Autumn Marathon", "Garage", "Station for two", da dai sauransu. Aiki na ci gaba da dagewa a cikin sinima ya ba da gudummawa ga ci gaban tsarin zamani na zamaninmu, salon waƙar da ke tsakanin matasa. Kuma wannan a cikin hanyarsa ya bayyana a cikin aikin Petrov a cikin wasu nau'o'in, inda numfashin rai mai rai, "sociable" intonation yana da kyau.

Musical wasan kwaikwayo ya zama babban Sphere aikace-aikace na Petrov ta m sojojin. Tuni ballet ɗinsa na farko The Shore of Hope (libre na Y. Slonimsky, 1959) ya ja hankalin al'ummar mawakan Soviet. Amma Ballet Creation of the World (1970), bisa ga zane-zane na satirical na ɗan wasan kwaikwayo na Faransa Jean Effel, ya sami farin jini na musamman. Librettists da daraktoci na wannan witty wasan kwaikwayon, V. Vasilev da N. Kasatkina, ya zama na dogon lokaci da babban cobotors na mawaki a cikin wani yawan ayyukansa ga m gidan wasan kwaikwayo, misali, a cikin music ga play "Mu so su rawa" ("Zuwa rhythm na zuciya") tare da rubutu V. Konstantinov da B. Racera (1967).

Mafi mahimmancin aikin Petrov shine nau'i na trilogy, ciki har da matakan 3 da suka danganci maɓalli, juya maki a tarihin Rasha. Wasan opera Peter the Great (1975) na cikin nau'in wasan opera-oratorio, wanda aka yi amfani da ƙa'idar fresco abun da ke ciki. Ba daidaituwa ba ne cewa ya dogara ne akan abin da aka halicce shi a baya da kuma abubuwan da suka faru - frescoes "Peter the Great" don mawallafin soloists, mawaƙa da mawaƙa a kan rubutun asali na takardun tarihi da tsofaffin waƙoƙin jama'a (1972).

Ba kamar wanda ya gabace shi M. Mussorgsky ba, wanda ya juya zuwa ga abubuwan da suka faru a wannan zamanin a cikin opera Khovanshchina, mawaƙin Soviet ya jawo hankalin mai girma da kuma sabani na mai gyara na Rasha - girman dalilin mahaliccin sabon Rasha. an jaddada matsayin kasa sannan kuma a lokaci guda wadancan hanyoyin barna da ya cimma burinsa.

Hanya ta biyu na trilogy ita ce waƙar wariyar launin fata-choreographic "Pushkin" don mai karatu, soloist, mawaƙa da ƙungiyar mawaƙa (1979). A cikin wannan aikin haɗin gwiwa, ɓangaren choreographic yana taka muhimmiyar rawa - babban aikin yana gabatar da masu rawa na ballet, kuma rubutun da aka karanta da sautin murya suna bayyanawa da sharhi game da abin da ke faruwa. Hakanan an yi amfani da irin wannan fasaha ta nuna zamanin ta hanyar fahimtar fitaccen ɗan wasan kwaikwayo a cikin opera extravaganza Mayakovsky Begins (1983). Hakazalika samuwar mawakin juyin ya bayyana ne ta hanyar kwatanta fage inda ya bayyana a cikin kawance da abokai da mutane masu ra'ayi iri daya, wajen fuskantar abokan adawa, cikin tattaunawa- fada da jaruman adabi. "Mayakovsky Begins" na Petrov yana nuna bincike na zamani don sabon fasahar fasaha a kan mataki.

Petrov kuma ya nuna kansa a cikin nau'o'i daban-daban na kide-kide da kiɗa na philharmonic. Daga cikin ayyukansa akwai waƙoƙin waƙa (mafi mahimmancin waƙa ga gabobin jiki, kirtani, ƙaho huɗu, pianos biyu da kaɗa, waɗanda aka sadaukar don tunawa da waɗanda aka kashe a lokacin Siege na Leningrad - 1966), Concerto don violin da orchestra (1980), ɗaki. ayyukan murya da mawaƙa.

Daga cikin ayyukan 80s. Mafi shahara shine Fantastic Symphony (1985), wanda aka yi wahayi zuwa ga hotunan littafin M. Bulgakov The Master and Margarita. A cikin wannan aikin, halayen halayen halayen fasaha na Petrov sun mayar da hankali - yanayin wasan kwaikwayo da na filastik na kiɗansa, wannan ruhun raye-raye, wanda ke motsa aikin tunanin mai sauraro. Mawaƙin ya kasance mai aminci ga sha'awar haɗawa da rashin daidaituwa, don haɗawa da alama ba daidai ba, don cimma haɗin kai na ka'idodin kiɗa da kiɗa.

M. Tarakanov