Альдо Чикколини (Aldo Ciccoli) |

Aldo Ciccoli

Ya kasance a birnin Paris a lokacin rani na 1949. Masu sauraro sun gaishe da guguwar tafi da shawarar yanke shawara na juri na Uku Marguerite Long International Competition don ba da kyautar Grand Prix (tare da Y. Bukov) ga wani kyakkyawa, siririn Italiyanci wanda ya sanya hannu. har zuwa gasar a lokacin karshe. Haihuwarsa, haske, wasansa na ban sha'awa da ban sha'awa ya burge masu sauraro, musamman ma kyakyawar wasan Concerto na farko na Tchaikovsky.

• Kiɗa na Piano a cikin kantin sayar da kan layi OZON.ru

Gasar ta raba rayuwar Aldo Ciccolini gida biyu. Bayan - shekarun binciken, wanda ya fara, kamar yadda sau da yawa ya faru, a farkon yara. Lokacin da yake yaro ɗan shekara tara, a matsayin ban da, an shigar da shi a Naples Conservatory, a cikin aji na piano na Paolo Denza; a layi daya, ya karanci abun da ke ciki har ma ya sami lambar yabo don daya daga cikin gwaje-gwajen da ya yi. A 1940, ya riga ya sauke karatu daga Naples Conservatory, da kuma Ciccoli na farko solo concert ya faru a 1942 a cikin zauren na sanannen San Carlo Theater, kuma nan da nan ya aka gane a da yawa Italiyanci birane. Kwalejin "Santa Cecilia" ta ba shi lambar yabo ta shekara-shekara.

Sai kuma Paris. Babban birnin Faransa ya lashe zuciyar mai zane. "Ba zan iya zama a ko'ina a duniya ba sai Paris. Wannan birni yana kara min kwarin gwiwa,” in ji shi daga baya. Ya zauna a birnin Paris, ba da daɗewa ba yana dawowa nan bayan yawon shakatawa, ya zama farfesa a National Conservatory (1970 - 1983).

Don ƙaunar da jama'ar Faransa har yanzu suke da shi, Ciccolini yana amsawa tare da sadaukarwa ga kiɗan Faransanci. Kadan ne suka yi abubuwa da yawa a cikin ƙarni namu don yada abubuwan ƙirƙira na piano waɗanda mawaƙa na Faransa suka ƙirƙira. Bayan mutuwar Samson Francois, an yi la'akari da shi a matsayin babban dan wasan pian na Faransa, mafi kyawun fassara na Impressionists. Ciccolini bai iyakance ga haɗa kusan duk ayyukan Debussy da Ravel a cikin shirye-shiryensa ba. A cikin wasan kwaikwayonsa, dukkanin kide-kide guda biyar na Saint-Saens da "Carnival of Animals" (tare da A. Weissenberg) an buga su kuma an yi rikodin su a rubuce; Ya ba da dukan kundin rikodin rikodin ga ayyukan Chabrier, de Severac, Satie, Duke, yana ba da sabuwar rayuwa har ma da kiɗan piano na mawaƙan opera - Wiese ("Suite" da "Spanish exerpts") da Massenet (Concert da "Halayyar yanki). ”). Mai wasan pian yana buga su da gaske, tare da sha'awa, yana ganin aikinsa a cikin farfagandarsu. Kuma daga cikin mawallafin da Ciccolini ya fi so akwai ɗan ƙasarsa D. Scarlatti, Chopin, Rachmaninoff, Liszt, Mussorgsky, da kuma a ƙarshe Schubert, wanda hotonsa shi kaɗai ne akan piano. Mawaƙin pian ya yi bikin cika shekaru 150 da mutuwar gunkinsa tare da clavierabends Schubert.

Ciccolini ya taɓa bayyana ma’anar ƙirƙirar sa kamar haka: “Kiɗa ita ce neman gaskiya da ke cikin harsashi na kiɗa, bincike ta hanyar fasaha, tsari da ƙirar gine-gine.” A cikin wannan ɗan taƙaitaccen tsari na ɗan zane mai son falsafa, kalma ɗaya tana da mahimmanci - bincike. A gare shi, binciken shine kowane wasan kwaikwayo, kowane darasi tare da ɗalibai, aiki ne na rashin son kai a gaban jama'a da duk lokacin da ya rage don azuzuwan daga balaguron marathon - matsakaicin kide-kide na 20 a kowane wata. Kuma ba abin mamaki ba ne cewa palette m na maigidan yana cikin ci gaba.

A cikin 1963, lokacin da Ciccolini ya ziyarci Tarayyar Soviet, ya riga ya kasance balagagge, mawaƙi mai kyau. “Wannan mawaƙin pian mawaƙi ne, mai rai da mafarki, tare da palette mai wadataccen sauti. Sovetskaya Kultura ya rubuta a sa'an nan, yana lura da sanyin yanayin bazara a cikin Schubert's Sonata (Op. 120), kyawawan halaye masu kyau da farin ciki a cikin sassan de Falla, da launi na waka a cikin fassarar Debussy. Tun daga wannan lokacin, fasahar Ciccolini ta zama mai zurfi, mafi ban mamaki, amma tana riƙe da babban fasali. A cikin sharuddan pianistic kawai, mai zane ya kai wani nau'in kamala. Haske, bayyanannen sauti, ƙwarewar albarkatun piano, sassaucin layin melodic yana da ban mamaki. Wasan yana cike da motsin rai, ikon gwaninta, wani lokacin wucewa, duk da haka, cikin hankali. Amma Ciccolini ya ci gaba da bincike, ya yi ƙoƙari kada ya maimaita kansa. A cikin nazarinsa na Parisian, ana buga piano kusan kowace rana har zuwa karfe biyar na safe. Kuma ba daidai ba ne cewa matasa suna da sha'awar halartar kide-kide da wake-wake nasa, da masu wasan pian na gaba - zuwa ajinsa na Parisian. Sun san cewa wannan kyakykyawan kyakykyawan mutumen da ya gaji ya kirkiro fasahar fasaha kuma yana koya wa wasu game da ita.

A cikin 1999, don bikin cika shekaru 50 na aikinsa a Faransa, Ciccolini ya ba da kide-kide na solo a Théâtre des Champs Elysées. A cikin 2002, an ba shi lambar yabo ta Golden Range don rikodin ayyukansa na Leos Janáček da Robert Schumann. Ya kuma yi rikodin fiye da ɗari don EMI-Pathe Marconi da sauran alamun rikodin.

Grigoriev L., Platek Ya.