Jigon kiɗa a cikin ayyukan adabi

Menene tushen ayyukan kiɗa da adabi, me ke ƙarfafa marubutansu? Hotunansu, jigogi, dalilansu, makircinsu suna da tushen gama gari; an haife su daga gaskiyar duniyar da ke kewaye.

Kuma ko da yake kaɗe-kaɗe da wallafe-wallafen suna samun furucinsu a cikin nau'ikan harshe daban-daban, suna da yawa iri ɗaya. Mafi mahimmancin jigon alakar da ke tsakanin waɗannan nau'ikan zane-zane shine innation. Ƙaunar ƙauna, baƙin ciki, farin ciki, damuwa, daɗaɗɗen ƙima da jin daɗi ana samun su a cikin maganganun adabi da na kiɗa.

Ta hanyar haɗa kalmomi da kiɗa, ana haifar da waƙoƙi da soyayya, wanda, ban da maganganun magana na motsin rai, yanayin tunani yana bayyana ta hanyar nuna kida. Canjin yanayi, kari, waƙa, sifofi, rakiya suna ƙirƙirar hotuna na musamman na fasaha. Kowa ya san cewa kiɗa, ko da ba tare da kalmomi ba, ta hanyar haɗuwa da sautuna kadai, yana iya haifar da ƙungiyoyi masu sauraro da dama da hargitsi na ciki.

"Kiɗa yana ɗaukar hankalinmu kafin ya kai ga tunaninmu."

Romain Rolland

Kowane ɗayan mutane yana da nasa hali game da kiɗa - ga wasu sana'a ce, ga wasu sha'awa ce, ga wasu kuma abin farin ciki ne kawai, amma kowa ya san game da rawar wannan fasaha a cikin rayuwa da makomar ɗan adam.

Amma kiɗa, mai ikon bayyana yanayin ran mutum a hankali da motsi, har yanzu yana da iyakataccen damar. Duk da wadatar da ba za a iya musantawa ba a cikin motsin rai, ba shi da ƙayyadaddun ƙayyadaddun bayanai - don ganin cikakken hoton da mawaki ya aiko, mai sauraro dole ne ya "kunna" tunaninsa. Bugu da ƙari, a cikin wani waƙar baƙin ciki, masu sauraro daban-daban za su "gani" hotuna daban-daban - gandun daji na kaka, ban kwana ga masoya a kan dandamali, ko kuma bala'i na jerin jana'izar.

Shi ya sa, don samun ƙarin gani, wannan nau'in fasaha yana shiga cikin symbiosis tare da sauran fasaha. Kuma, mafi yawan lokuta, tare da wallafe-wallafe. Amma wannan symbiosis? Me ya sa marubuta - mawaƙa da mawallafa - sukan taɓa batun kiɗa a cikin ayyukan adabi? Menene hoton kiɗan tsakanin layi ya ba mai karatu?

In ji Christoph Gluck, sanannen mawaƙin Viennese, “ya ​​kamata kiɗa ta taka dangane da aikin waƙa irin rawar da hasken launuka ke takawa dangane da ingantaccen zane.” Kuma ga Stéphane Mallarmé, masanin ka'idar alamar, kiɗa shine ƙarin ƙarar da ke ba mai karatu ƙarin haske, hotuna masu kama da gaske na ainihin rayuwa.

Harsuna daban-daban na haifuwa da hanyoyin fahimtar waɗannan nau'ikan fasaha sun sa su bambanta da nesa da juna. Amma burin, kamar kowane harshe, ɗaya ne - don isar da bayanai daga mutum ɗaya zuwa wani. Kalmar, da farko, ana magana da ita ga hankali sannan kawai ga ji. Amma ba koyaushe yana yiwuwa a sami kwatancen baki ga komai ba. A cikin irin waɗannan lokutan cike da jin daɗi, kiɗa yana zuwa ceto. Don haka ya yi hasarar kalmar a takamaiman, amma yana cin nasara a cikin ma'anar tunani. Tare, kalma da kiɗa kusan suna da iko.

Ƙwaƙwalwar waƙa waɗanda suke "sauti" a cikin mahallin litattafai, gajerun labarai da labaru suna cikin waɗannan ayyukan ba kwatsam ba. Suna ɗaukar rumbun adana bayanai kuma suna yin wasu ayyuka:

• The m jigo a matsayin mãkirci core na wani wallafe-wallafen (jigon na music a cikin wallafe-wallafen ayyukan Leo Nikolaevich Tolstoy "The Kreutzer Sonata", "Bayan Ball").
• Yin amfani da hotuna na kiɗa don ƙarin cikakkun bayanai game da halayen halayen halayen wallafe-wallafen ("Kreutzer Sonata" - kiɗa a matsayin "biyu" na hali)
• Marubucin ra'ayin marubucin ya dogara ne akan hoton mawaƙa, ra'ayoyinsa game da rayuwa, kiɗa, da mutanen da ke kewaye da shi (kamar yadda a cikin ayyukan "Mozart da Salieri" na Alexander Sergeevich Pushkin da "Cavalier Gluck" na Theodor. Amadeus Hoffmann).
• Ƙirƙirar aikin wallafe-wallafen bisa tsarin mawaƙa ("Mozart da Salieri" na AS Pushkin ya yi kama da "Requiem," babban zane na ƙarshe na mawallafin mawallafi, waƙar Afanasy Fet suna kama da soyayya, kuma wasu daga cikin Boris Pasternak inganta kiɗa).

Jigon kiɗa a cikin ayyukan adabi kuma ana jin shi a cikin aiki mai ƙarfi na amfani da hanyoyin ƙirƙirar hotuna. Maimaituwa, rubutun sauti, hotuna na leitmotif - duk wannan ya zo ga wallafe-wallafen daga kiɗa.

"... zane-zane na ci gaba da canzawa zuwa juna, wani nau'i na fasaha yana samun ci gaba da kammalawa a wani." Romain Rolland

Don haka, hoton kiɗan da ke tsakanin layin “yana farfaɗowa”, yana ƙara “launi” da “girma” zuwa hotuna masu girma dabam na haruffan haruffa da kuma abubuwan da suka fuskanta a shafukan ayyukan adabi.