Oda na haɗa tasirin da zane na allon feda mai sauƙi

Lokacin da muka sami tasirin guitar a ƙarshe, lokaci ya yi da za mu toshe su. Babu matsala tare da tasiri guda ɗaya, amma idan mun riga mun sami da yawa daga cikinsu, suna iya yin sauti daban-daban dangane da tsarin da aka haɗa su. Zan kuma raba muku wasu mahimman bayanai har ma da gargaɗi ɗaya, waɗanda zan fara.

Ƙaddamar da tasirin daga mains

Mafi yawan lokuta ana yin amfani da allon feda daga waje, kawai ta hanyar wutar lantarki. Ba za a sami matsala ba idan ba don gaskiyar cewa masana'antun daban-daban suna amfani da polarity daban-daban ba. Ba za mu shiga cikinsa ta mahangar kimiyya ba, domin ba wannan ba ne. Ya isa a yi amfani da doka ɗaya. Idan tasirin yana da ƙari a tsakiya, haɗa shi zuwa wutar lantarki wanda kuma yana da ƙari a tsakiya. Idan tasirin yana da raguwa a tsakiya, haɗa shi zuwa wutar lantarki wanda kuma yana da raguwa a tsakiya. In ba haka ba, zaku iya haɗa tasirin ba daidai ba. Lokacin zabar wutar lantarki ta fedalboard, yana da kyau a zaɓi wanda ke da reshe zuwa sassa biyu saboda polarity. Sauran hanyoyin shine a yi amfani da tasiri kawai tare da polarity ɗaya, kayan wuta daban-daban guda biyu, ko don kunna duk tasirin daga batura kawai. Duk waɗannan hanyoyin, a takaice, suna da ban sha'awa.

Yana tasiri madauki

Kafin ƙoƙarin kammala ƙwallon ƙafa, tabbatar da cewa amplifier ɗinmu yana da madaukai masu tasiri (FX LOOP). Ba tare da madaukai ba, zaku iya samun nasarar amfani da murdiya ta waje, compressor da wah-wah. Irin waɗannan tasirin bai kamata ma a haɗa su da shi ba. Zai fi kyau a haɗa ragowar tasirin zuwa madauki. Wannan, ba shakka, ba lallai ba ne, amma bayan haka, tasirin tasirin a cikin manyan amplifiers ba don kayan ado ba ne, amma yana da babban aiki.

Ƙaddamar da amplifier

Wannan kuma batu ne da ke da alaƙa da tasiri. Mafi sau da yawa yana amfani da haske ko matsakaicin overdrive ko murdiya nau'in murdiya da ginannen tashar murdiya a cikin amplifier. Zai fi kyau a ƙona masu amfani da bututu, saboda haɓakar da aka gina su sun fi son abin da ake kira amplifiers bututu saboda halayen bututun su. harmonics. Hayaniyar da ke cikin cube tana jaddada rashin jituwa da rashin jituwa da kuma murdiya da aka gina a cikin amplifiers dangane da transistor. Madaidaicin madaidaicin madaidaicin kawai an cika su tare da halayyar tasirin bayan konewa. Ta yaya za a yi haka? A lokaci guda kuma, tashar murdiya da karkatar da waje suna shiga. Yana farawa da "riba" a sifili. Dukansu “riba” suna haɓaka sannu a hankali har sai an sami gamsasshiyar murdiya. Hakanan zaka iya gwaji, dakatar da duka "riba" a wani wuri mai aminci kuma a hankali tada ɗaya daga cikinsu, ɗayan ba tare da motsi ba. Kada ku taɓa yin amfani da murdiya biyu sun cika!

Gaskiya Kewaya

Zai fi kyau a nemi sakamako tare da fasahar Bypass na Gaskiya. Godiya gare shi, tasirin kashewa baya shafar siginar da ke gudana ta cikinta. Wannan yana da mahimmanci musamman tare da madauki mai tsayi, lokacin da muka kunna da yawa kuma an kunna tasirin kashewa da yawa a cikin amplifier a lokaci guda, saboda tasirin ba tare da wannan fasaha ba, kodayake an kashe su, canza sautin.

Domin

Bari mu matsa zuwa ainihin tsari na tasirin. Mun bambanta tsakanin "sarkoki" guda biyu. Daya tsakanin guitar da babban shigarwar amp, ɗayan tsakanin aika madauki na tasirin sakamako da madauki na tasirin tasirin. Da farko haɗa masu tacewa zuwa sarkar farko. Yana da ban mamaki, amma mafi yawan tacewa shine wah-wah, don haka komai a bayyane yake. Sannan muna da compressor, idan muna da daya. Wannan yana da ma'ana domin bayan tacewa yana matsawa siginar da aka riga aka tsara don ci gaba da yankewa. Na gaba muna da tasirin tsinke sigina. Me hakan ke nufi da yankewa? Hakanan zaka iya amfani da wata, sanannen kalma - murdiya. Kuma komai ya sake bayyana. Duk overdrive, murdiya da fuzz effects a nan.

Akwai wasu lokutan da wasu illolin murdiya ba sa aiki tare da agwagwa a wannan lokacin. Sa'an nan kuma mu toshe su kafin wah-wah. Tabbas, zamu iya toshe waɗancan tasirin murdiya waɗanda ke da kyau a bayan duck. Za mu sami wani sauti daban sannan. Sarkar na biyu, sarkar madauki mai tasiri, tana farawa da tasirin daidaitawa. Suna daidaita sautin, amma ba sa jinkirta shi (aƙalla zuwa wani mahimmin matsayi). Don haka akwai tasiri irin su flanger, phaser, chorus, tremolo, pitch shifter da octaver. A ƙarshe, muna haɗa tasirin jinkiri kamar jinkiri da sake maimaitawa. Kamar yadda sunan ya nuna, suna jinkirta sautin amma ba sa canza shi (kuma aƙalla zuwa wani mahimmin matsayi). A aikace, muna jin sautin asali na guitar, sannan kuma mu ninka ta ko ninkawa da yawa a cikin ƙananan tazara (reverb) ko girma (jinkiri). Bugu da ƙari, wannan tsari yana da ma'ana, saboda sauti ya kamata a "canza" da farko sannan a kwafi. Yana iya zama mara kyau a yi amfani da tasirin daidaitawa zuwa kwafin sautin da aka “samuwa”, sabili da haka jerin.

Yadda ake haɗa tasirin zuwa madauki na tasiri?

Ana fitar da kebul ɗin daga soket na "aika" a cikin madauki. Mun haɗa shi zuwa "shigarwar" na tasirin farko. Sa'an nan kuma mu hada "fitarwa" na wannan tasiri tare da "shigar" sakamako na gaba. Lokacin da muka yi amfani da duk tasirin, muna toshe "fitarwa" na ƙarshe a cikin soket "dawowa" a cikin madauki.

Summation

A cikin taken muna da "zane-zane na allo mai sauƙi". A zahiri, babu irin wannan abu, saboda muna haɗa tasirin gwargwadon ƙayyadaddun ƙa'idodi, don haka babu wani mummunan abu da zai iya faruwa idan ba mu yi kuskuren polarity ba yayin samarwa. Mafi sauƙaƙan “allolin feda” haƙiƙa suna da tasiri da yawa. Yana da madadin sakamako masu yawa kuma, a lokaci guda, bayani mai rahusa. Koyaya, kada ku ji tsoro don kammala ƙwallon ƙafa wanda ya ƙunshi tasirin mutum ɗaya. Zai haifar da ingantaccen sauti kuma, sama da duka, sauti na musamman. Yawan mawaƙa a duniya, ra'ayoyi da yawa don allo. Don haka kada mu yi watsi da irin wannan lamari mai muhimmanci.

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