Tamara Ilyinichna Sinyavskaya |

Tamara Sinyavskaya

Spring 1964. Bayan dogon hutu, an sake ba da sanarwar gasa don shiga ƙungiyar masu horarwa a gidan wasan kwaikwayo na Bolshoi. Kuma, kamar dai a kan alama, masu digiri na Conservatory da Gnessins, masu zane-zane daga yankin sun zuba a nan - da yawa suna so su gwada ƙarfin su. Mawakan soloists na gidan wasan kwaikwayo na Bolshoi, suna kare haƙƙinsu na kasancewa a cikin rukunin gidan wasan kwaikwayo na Bolshoi, suma sun sami nasarar shiga gasar.

A kwanakin nan, wayar da ke ofishina ba ta daina kara ba. An kira duk wanda ke da wata alaka da waka, har ma wadanda ba ruwansu da ita. Tsofaffin abokan aiki a gidan wasan kwaikwayo da ake kira, daga Conservatory, daga Ma'aikatar Al'adu ... Sun nemi yin rikodin wannan ko wancan, a ra'ayinsu, wata baiwar da ke ɓacewa cikin duhu. Ina saurare kuma in ba da amsa: to, sun ce, aika!

Kuma mafi yawan wadanda suka kira wannan rana suna magana ne game da yarinya, Tamara Sinyavskaya. Na saurari Mawaƙin Jama'a na RSFSR ED Kruglikova, darektan fasaha na waƙar majagaba da ƙungiyar rawa VS Loktev da wasu muryoyi, ban tuna yanzu ba. Dukansu sun tabbatar da cewa Tamara, ko da yake ba ta sauke karatu daga Conservatory ba, amma kawai daga makarantar kiɗa, amma, sun ce, ya dace da Bolshoi Theater.

Idan mutum yana da yawan masu ceto, yana da ban tsoro. Ko dai yana da hazaka da gaske, ko kuma wani mayaƙi ne wanda ya yi nasarar tattara duk danginsa da abokansa don su “turawa”. A gaskiya, wani lokacin yana faruwa a cikin kasuwancinmu. Tare da wasu son zuciya, na ɗauki takardun kuma in karanta: Tamara Sinyavskaya sunan mahaifi ne da aka fi sani da wasanni fiye da fasahar murya. Ta sauke karatu daga music makaranta a Moscow Conservatory a cikin aji na malami OP Pomerantseva. To, wannan shawara ce mai kyau. Pomerantseva sanannen malami ne. Yarinyar tana da shekara ashirin… Ashe ba yarinya ba ce? Duk da haka, bari mu gani!

A ranar da aka kayyade, aka fara sauraron karar. Babban jagoran gidan wasan kwaikwayo EF Svetlanov ya jagoranci. Mun saurari kowa a tsarin dimokuradiyya, a bar su su yi waka har karshe, ba su katse mawakan don kada a yi musu rauni ba. Don haka su, matalauta, sun fi damuwa fiye da wajibi. Sinyavskaya ne ya yi magana. Lokacin da ta matso kusa da piano, kowa ya kalli juna da murmushi. Waswasi ya fara: "Ba da daɗewa ba za mu fara ɗaukar masu fasaha daga kindergarten!" mai shekaru ashirin da haihuwa ya yi kama da matashi. Tamara ta rera waƙar Vanya's aria daga wasan opera "Ivan Susanin": "Dokin matalauta ya faɗi a filin." Muryar - contralto ko ƙananan mezzo-soprano - yayi sauti mai laushi, mai rairayi, ko da, zan ce, tare da wani nau'i na motsin rai. Mawaƙin ya kasance a fili a cikin rawar wannan yaron mai nisa wanda ya gargadi sojojin Rasha game da kusantar abokan gaba. Kowa ya so shi, kuma an bar yarinyar zuwa zagaye na biyu.

Har ila yau, zagaye na biyu ya tafi da kyau ga Sinyavskaya, ko da yake ta repertoire ne sosai matalauta. Na tuna cewa ta yi abubuwan da ta shirya don bikin kammala karatun ta a makarantar. Yanzu an yi zagaye na uku, wanda ya gwada yadda muryar mawakiyar ke kara da makada. “Ruhu ya buɗe kamar fure da wayewar gari,” Sinyavskaya ta rera waƙar Delilah ta aria daga wasan opera na Saint-Saens Samson da Delilah, kuma kyakkyawar muryarta ta cika babban ɗakin gidan wasan kwaikwayo, ta ratsa cikin kusurwoyi mafi nisa. Ya bayyana wa kowa cewa wannan mawaƙi ne mai ban sha'awa wanda ke buƙatar a kai shi gidan wasan kwaikwayo. Kuma Tamara ya zama mai horarwa a gidan wasan kwaikwayo na Bolshoi.

Wata sabuwar rayuwa ta fara, wanda yarinyar ta yi mafarki. Ta fara waƙa da wuri (da alama, ta gaji murya mai kyau da son waƙa daga mahaifiyarta). Ta yi waƙa a ko'ina - a makaranta, a gida, a kan titi, ana jin muryarta mai ban sha'awa a ko'ina. Manya sun shawarci yarinyar ta shiga rukunin waƙar majagaba.

A cikin Gidan Majagaba na Moscow, shugaban ƙungiyar VS Loktev, ya ja hankalin yarinyar kuma ya kula da ita. Da farko Tamara tana da soprano, tana son rera manyan ayyukan coloratura, amma nan da nan kowa da kowa a cikin rukunin ya lura cewa muryarta tana raguwa a hankali, kuma a ƙarshe Tamara ta rera waƙa a cikin alto. Amma hakan bai hana ta ci gaba da shiga cikin coloratura ba. Har yanzu ta ce ta fi yawan rera waka akan arias na Violetta ko Rosina.

Rayuwa ba da daɗewa ba ta haɗa Tamara tare da mataki. Ta taso ba ta da uba, ta yi iya ƙoƙarinta don ta taimaki mahaifiyarta. Tare da taimakon manya, ta sami aiki a rukunin kiɗa na gidan wasan kwaikwayo na Maly. Mawaƙa a gidan wasan kwaikwayo na Maly, kamar yadda a cikin kowane gidan wasan kwaikwayo, galibi suna rera waƙa a baya kuma lokaci-lokaci suna ɗaukar mataki. Tamara ta fara bayyana ga jama'a a cikin wasan kwaikwayo "The Rayayyun Gawar", inda ta rera waka a cikin taron gypsies.

Sannu a hankali, an fahimci asirin sana'ar ɗan wasan a cikin kyakkyawar ma'anar kalmar. A dabi'a, saboda haka, Tamara ta shiga cikin gidan wasan kwaikwayo na Bolshoi kamar ta kasance a gida. Amma a cikin gidan, wanda ke yin buƙatun sa akan mai shigowa. Ko da a lokacin da Sinyavskaya karatu a music makaranta, ta, ba shakka, mafarkin yin aiki a cikin opera. Opera, a cikin fahimtarta, an haɗa shi da gidan wasan kwaikwayo na Bolshoi, inda mafi kyawun mawaƙa, mafi kyawun mawaƙa da, gabaɗaya, duk mafi kyau. A cikin maɗaukakiyar ɗaukaka, wanda ba za a iya samu ba ga mutane da yawa, kyakkyawan haikalin fasaha mai ban mamaki - wannan shine yadda ta yi tunanin Bolshoi Theater. Ta shiga ciki, ta yi iyakacin kokarinta don ta cancanci daukakar da aka yi mata.

Tamara bai rasa sakewa ko daya ba, ko wasan kwaikwayo daya. Na dubi aikin manyan masu fasaha, na yi ƙoƙari na haddace wasan su, murya, sautin bayanan mutum, don haka a gida, watakila daruruwan lokuta, maimaita wasu motsi, wannan ko wannan muryar murya, kuma ba kawai kwafi ba, amma kokarin gano wani abu na kaina.

A cikin kwanakin da Sinyavskaya ya shiga ƙungiyar masu horarwa a gidan wasan kwaikwayo na Bolshoi, gidan wasan kwaikwayo na La Scala yana yawon shakatawa. Kuma Tamara yayi ƙoƙari kada ya rasa wasan kwaikwayo guda ɗaya, musamman idan sanannen mezzo-sopranos - Semionata ko Kassoto ya yi (wannan shine rubutun a cikin littafin Orfyonov - prim. jere.).

Dukanmu mun ga kwazon yarinya, sadaukarwarta ga fasahar murya kuma ba mu san yadda za a karfafa ta ba. Amma ba da daɗewa ba damar ta ba da kanta. An ba mu kyauta don nunawa a gidan talabijin na Moscow masu fasaha guda biyu - ƙarami, mafi yawan farawa, daya daga Bolshoi Theater da daya daga La Scala.

Bayan shawarwari tare da jagorancin gidan wasan kwaikwayo na Milan, sun yanke shawarar nuna Tamara Sinyavskaya da mawakiyar Italiya Margarita Guglielmi. Dukansu ba su yi waƙa a gidan wasan kwaikwayo ba. Dukansu biyu sun haye kofa a cikin fasaha a karon farko.

Na sami sa'a na wakilci waɗannan mawaƙa biyu a talabijin. Kamar yadda na tuna, na ce yanzu duk muna shaida haihuwar sabbin sunaye a cikin fasahar wasan opera. Ayyukan da aka yi a gaban masu sauraron talabijin na miliyoyin miliyoyin sun yi nasara, kuma ga matasa mawaƙa a wannan rana, ina tsammanin, za a iya tunawa da su na dogon lokaci.

Daga lokacin da ta shiga ƙungiyar masu horarwa, Tamara ko ta yaya nan da nan ya zama wanda aka fi so na dukan wasan kwaikwayo. Abin da ya taka rawa a nan ba a sani ba, ko halin da yarinyar ta kasance cikin fara'a, zamantakewa, ko kuruciyarta, ko kuma kowa ya gan ta a matsayin tauraro mai zuwa a filin wasan kwaikwayo, amma kowa ya bi ci gabanta da sha'awa.

Aikin farko na Tamara shine Page a cikin opera ta Verdi Rigoletto. Matsayin namiji na shafin yawanci mace ce ke taka rawa. A cikin harshen wasan kwaikwayo, ana kiran irin wannan rawar "travesty", daga Italiyanci "mai tafiya" - don canza tufafi.

Dubi Sinyavskaya a cikin rawar da Page, mun yi tunanin cewa yanzu za mu iya zama a kwantar da hankula game da maza rawar da ake yi da mata a operas: wadannan su ne Vanya (Ivan Susanin), Ratmir (Ruslan da Lyudmila), Lel (The Snow Maiden). ), Fedor ("Boris Godunov"). Gidan wasan kwaikwayo ya sami mai zane mai iya kunna waɗannan sassan. Kuma su, wadannan jam’iyyun, suna da sarkakiya. Ana buƙatar masu wasan kwaikwayo su yi wasa da rera waƙa ta yadda mai kallo ba zai yi tunanin cewa mace ce ke waƙa ba. Wannan shi ne ainihin abin da Tamara ya gudanar da shi daga matakan farko. Shafinta yaro ne mai fara'a.

Matsayi na biyu na Tamara Sinyavskaya shine Hay Maiden a cikin wasan opera Rimsky-Korsakov The Tsar Bride. Matsayin yana ƙarami, kawai 'yan kalmomi: "Boyer, gimbiya ta farka," ta raira waƙa, kuma shi ke nan. Amma wajibi ne a bayyana a kan mataki a cikin lokaci da sauri, aiwatar da kalmar kiɗan ku, kamar kuna shiga tare da ƙungiyar makaɗa, kuma ku gudu. Kuma kuyi duk wannan don ganin bayyanarku ya lura da mai kallo. A cikin gidan wasan kwaikwayo, a zahiri, babu matsayi na biyu. Yana da mahimmanci yadda ake wasa, yadda ake raira waƙa. Kuma ya dogara da dan wasan kwaikwayo. Kuma ga Tamara a wancan lokacin ba kome ba ne - babba ko ƙarami. Babban abu shi ne cewa ta yi a kan mataki na Bolshoi Theater - bayan duk, wannan shi ne ta fi so mafarki. Ko da yar rawa ta shirya sosai. Kuma, dole ne in ce, na ci nasara da yawa.

Lokaci yayi don yawon shakatawa. Gidan wasan kwaikwayo na Bolshoi yana zuwa Italiya. Manyan masu fasaha suna shirin tafiya. Hakan ya faru cewa duk masu yin aikin Olga a Eugene Onegin dole ne su je Milan, kuma dole ne a shirya wani sabon mai yin wasan gaggawa don wasan kwaikwayon a matakin Moscow. Wanene zai raira waƙa a ɓangaren Olga? Mun yi tunani da tunani kuma mun yanke shawarar: Tamara Sinyavskaya.

Jam'iyyar Olga ba kalmomi biyu ba ne. Wasanni da yawa, yawan waƙa. Alhakin yana da girma, amma lokacin shiri kaɗan ne. Amma Tamara bai ji kunya ba: ta taka leda da kuma raira waƙa Olga sosai. Kuma shekaru da yawa ta zama daya daga cikin manyan masu yin wannan rawar.

Da yake magana game da aikinta na farko a matsayin Olga, Tamara ta tuna yadda ta damu kafin ta shiga mataki, amma bayan kallon abokin tarayya - kuma abokin tarayya shine mai suna Virgilius Noreika, mai zane na Vilnius Opera, ta kwantar da hankali. Sai ya zama shi ma ya damu. "Ni," in ji Tamara, "na yi tunanin yadda zan kwantar da hankali idan irin waɗannan ƙwararrun masu fasaha sun damu!"

Amma wannan kyakkyawan abin farin ciki ne na ƙirƙira, babu wani ɗan wasan kwaikwayo na gaske da zai iya yin ba tare da shi ba. Chaliapin da Nezhdanova suma sun damu kafin su shiga mataki. Kuma matashiyar mawaƙinmu dole ne ta ƙara damuwa da yawa, saboda ta ƙara shiga cikin wasan kwaikwayo.

An shirya wasan opera na Glinka “Ruslan da Lyudmila” don shiryawa. Akwai 'yan takara guda biyu don rawar "matashi Khazar Khan Ratmir", amma dukansu biyu ba su dace da ra'ayinmu na wannan hoton ba. Sa'an nan kuma masu gudanarwa - shugaba BE Khaikin da darektan RV Zakharov - sun yanke shawarar yin kasadar bayar da rawar ga Sinyavskaya. Kuma ba su yi kuskure ba, ko da yake sun yi aiki tuƙuru. Ayyukan Tamara sun yi kyau sosai - zurfin muryar kirjinta, siririyar siffa, samartaka da sha'awar sa Ratmir ya yi kyau sosai. Tabbas, da farko akwai wani aibi a cikin ɓangaren murya: wasu manyan bayanan kula har yanzu ko ta yaya aka “jefa baya”. An buƙaci ƙarin aiki akan rawar.

Ita kanta Tamara ta fahimci hakan da kyau. Yana yiwuwa a lokacin ne ta sami ra'ayin shiga cibiyar, wanda ta fahimci kadan daga baya. Amma duk da haka, nasarar aikin Sinyavskaya a matsayin Ratmir ya rinjayi makomarta ta gaba. An canza ta daga rukunin masu horarwa zuwa ma'aikatan gidan wasan kwaikwayo, kuma an ƙaddara mata bayanin matsayin, wanda tun daga ranar ya zama abokanta na dindindin.

Mun riga mun faɗi cewa gidan wasan kwaikwayo na Bolshoi ya shirya wasan opera Benjamin Britten A Midsummer Night's Dream. Muscovites sun riga sun san wannan wasan opera da Komishet Oper, gidan wasan kwaikwayo na Jamhuriyar Demokradiyyar Jamus ya shirya. Bangaren Oberon - sarkin elves a cikinsa ana yin shi ta hanyar baritone. A cikin kasarmu, an ba da rawar Oberon ga Sinyavskaya, ƙananan mezzo-soprano.

A cikin opera bisa makircin Shakespeare, akwai masu sana'a, masoya-jarumai Helen da Hermia, Lysander da Demetrius, fitattun elves da dwarves karkashin jagorancin sarkinsu Oberon. Hotuna - duwatsu, ruwaye, furanni na sihiri da ganye - sun cika mataki, suna haifar da yanayi mai ban mamaki na wasan kwaikwayon.

A cewar wasan barkwanci na Shakespeare, shakar kamshin ganye da furanni, kana iya kauna ko kyama. Yin amfani da wannan abin al'ajabi, sarkin elves Oberon ya zaburar da Sarauniya Titania da ƙauna ga jaki. Amma jaki shi ne mai sana'a Spool, wanda ke da kan jaki kawai, kuma shi da kansa yana da rai, wayo, mai basira.

Dukan wasan kwaikwayon yana da haske, farin ciki, tare da kiɗa na asali, kodayake ba sauƙin tunawa da mawaƙa ba. An nada 'yan wasan uku a matsayin Oberon: E. Obraztsova, T. Sinyavskaya da G. Koroleva. Kowannensu ya taka rawar ta hanyarsa. Gasa ce mai kyau na mawakan mata uku wadanda suka yi nasarar jure wani bangare mai wahala.

Tamara yanke shawarar kan rawar Oberon a hanyarta. Ita ba ta da kama da Obraztsova ko Sarauniya. Sarkin elves na asali ne, yana da kaushi, mai girman kai da ɗan kwazo, amma ba mai ɗaukar fansa ba. Shi dan wasa ne. Da wayo da ɓarna yana sakar masa makirci a masarautar daji. A faifan farko, wanda ƴan jarida suka lura, Tamara ta faranta wa kowa daɗaɗar sautin ƙaramar muryarta mai daɗi.

Gabaɗaya, ma'anar babban ƙwararru ta bambanta Sinyavskaya a cikin takwarorinta. Watakila tana da ciki, ko kuma ta kawo shi a cikin kanta, ta fahimci alhakin da ta fi so gidan wasan kwaikwayo, amma gaskiya ne. Sau nawa gwaninta ya zo don ceton gidan wasan kwaikwayo a lokuta masu wahala. Sau biyu a cikin kakar wasa ɗaya, Tamara ta yi kasada, tana wasa a cikin waɗannan sassan, kodayake tana "ji", ba ta san su da kyau ba.

Saboda haka, ba tare da bata lokaci ba, ta yi rawar gani guda biyu a cikin wasan opera na Vano Muradeli "Oktoba" - Natasha da Countess. Matsayin ya bambanta, ko da akasin haka. Natasha yarinya ce daga masana'antar Putilov, inda Vladimir Ilyich Lenin ke ɓoye daga 'yan sanda. Ta kasance mai taka rawa wajen shirye-shiryen juyin juya halin Musulunci. The countess maƙiyi ne na juyin juya hali, mutumin da ya tunzura White Guards su kashe Ilyich.

Don rera waɗannan rawar a cikin wasan kwaikwayo ɗaya yana buƙatar gwanin kwaikwayi. Kuma Tamara tana waka da wasa. Anan ita ce - Natasha, ta rera waƙar gargajiya ta Rasha "Ta wurin gizagizai masu shuɗi suna shawagi a sararin sama", suna buƙatar mai yin wasan ya numfasa da raira waƙa na Rashanci, sa'an nan kuma ta shahara rawa rawa rawa a dandalin bikin aure na Lena. Ilyusha (wasan opera). Kuma kadan daga baya muna ganin ta a matsayin Countess - mace mai rauni na manyan al'umma, wanda aka gina sashin rera waƙa a kan tsohuwar salon tangos da rabi-gypsy hysterical romances. Abin mamaki ne yadda mawakin mai shekara ashirin ya samu fasaha ta yin wannan duka. Wannan shine abin da muke kira ƙwarewa a cikin wasan kwaikwayo na kiɗa.

A lokaci guda tare da replenishment na repertoire da alhakin ayyuka, Tamara har yanzu ba wasu sassa na biyu matsayi. Ɗaya daga cikin waɗannan rawar shine Dunyasha a cikin Rimsky-Korsakov's Bride Tsar, abokin Marfa Sobakina, amaryar Tsar. Ya kamata Dunyasha ta kasance matashi, kyakkyawa - bayan haka, har yanzu ba a san ko wanene daga cikin 'yan matan da sarki zai zaba a amarya ta zama matarsa ​​ba.

Baya ga Dunyasha, Sinyavskaya ya rera Flora a La Traviata, da Vanya a cikin opera Ivan Susanin, da Konchakovna a cikin Prince Igor. A cikin wasan kwaikwayo "Yaki da Aminci" ta yi sassa biyu: gypsies Matryosha da Sonya. A cikin Sarauniyar Spades, har yanzu ta buga Milovzor kuma ta kasance mai dadi sosai, mai ladabi, mai raira wannan bangare daidai.

Agusta 1967 Bolshoi Theatre a Kanada, a Nunin Duniya EXPO-67. Wasan kwaikwayo suna bi daya bayan daya: "Prince Igor", "Yaki da Aminci", "Boris Godunov", "The Legend of the Invisible City of Kitezh", da dai sauransu Babban birnin Kanada, Montreal, yana maraba da masu fasaha na Soviet. A karo na farko Tamara Sinyavskaya kuma tafiya kasashen waje tare da gidan wasan kwaikwayo. Ita, kamar masu fasaha da yawa, dole ne ta taka rawa da yawa da yamma. Lallai, a cikin operas da yawa kimanin 'yan wasan kwaikwayo hamsin ne ke aiki, kuma 'yan wasan kwaikwayo talatin da biyar ne suka tafi. Wannan shine inda kuke buƙatar fita ko ta yaya.

A nan, basirar Sinyavskaya ya shiga cikin cikakken wasa. A cikin play "Yaki da Aminci" Tamara taka uku matsayin. Anan ita ce gypsy Matryosha. Ta bayyana a kan dandalin na 'yan mintuna kaɗan, amma yadda ta bayyana! Kyawawan, m - ainihin 'yar steppes. Kuma bayan 'yan hotuna ta taka tsohuwar baiwar Mavra Kuzminichna, kuma tsakanin waɗannan ayyuka biyu - Sonya. Dole ne in ce da yawa masu wasan kwaikwayo na rawar Natasha Rostova ba sa son yin tare da Sinyavskaya. Ita Sonya tana da kyau sosai, kuma yana da wahala Natasha ta zama mafi kyawun kyau, mafi kyawun yanayin wasan ƙwallon kusa da ita.

Ina so in yi magana game da rawar Sinyavskaya na Tsarevich Fedor, ɗan Boris Godunov.

Wannan rawar da alama an ƙirƙira ta musamman don Tamara. Bari Fedor a cikin aikinta ya zama mafi mata fiye da, alal misali, Glasha Koroleva, wanda masu sharhi suka kira Fedor manufa. Duk da haka, Sinyavskaya ya haifar da wani m image na wani saurayi wanda yake sha'awar a cikin makomar kasarsa, karatu kimiyya, shirya don gudanar da jihar. Shi mai tsarki ne, mai jaruntaka, kuma a wurin mutuwar Boris ya rikice da gaske kamar yaro. Kun amince mata Fedor. Kuma wannan shine babban abu ga mai zane - don sa mai sauraro ya gaskata da hoton da ta halitta.

Ya ɗauki mai zane lokaci mai yawa don ƙirƙirar hotuna guda biyu - matar commissar Masha a cikin wasan kwaikwayo na Molchanov The Unknown Soja da Commissar a cikin Kholminov's Exmistic Tragedy.

Hoton matar commissar rowa ne. Masha Sinyavskaya ta ce ban kwana ga mijinta kuma ta san cewa har abada. Idan ka ga waɗannan ba su da bege suna shawagi, kamar karyewar fuka-fuki na tsuntsu, hannun Sinyavskaya, za ka ji abin da wata mace mai kishin Soviet, mai fasaha mai fasaha ta yi, ke faruwa a wannan lokacin.

Matsayin Commissar a cikin "Babban Bala'i" sananne ne sosai daga wasan kwaikwayo na wasan kwaikwayo. Duk da haka, a cikin opera, wannan rawar ya bambanta. Dole ne in saurari Bala'i mai Kyau sau da yawa a cikin gidajen opera da yawa. Kowannensu yana sanya shi a hanyarsa, kuma, a ganina, ba koyaushe cikin nasara ba.

A Birnin Leningrad, alal misali, ya zo tare da mafi ƙarancin adadin takardun banki. Amma a gefe guda, akwai lokuta masu tsayi da yawa kuma zalla na tashe. Gidan wasan kwaikwayo na Bolshoi ya ɗauki nau'i daban-daban, mafi ƙuntatawa, taƙaitacce kuma a lokaci guda yana ba da damar masu fasaha su nuna iyawar su a ko'ina.

Sinyavskaya ya halicci siffar Commissar a cikin layi daya tare da wasu 'yan wasan biyu na wannan rawar - Mawallafin Jama'a na RSFSR LI Avdeeva da Artist na Tarayyar Soviet IK Arkhipova. Abin alfahari ne ga mai fasaha da ta fara sana'arta ta kasance daidai da masu hasashe a fage. Amma ga daraja na mu Soviet artists, dole ne a ce LI Avdeeva, kuma musamman Arkhipova, taimaka Tamara shiga cikin rawa a hanyoyi da dama.

A hankali, ba tare da sanya wani abu na kanta, Irina Konstantinovna, a matsayin gogaggen malami, a hankali da kuma akai bayyana mata asirin yin aiki.

Sashin Commissar ya kasance mai wahala ga Sinyavskaya. Yadda ake shiga wannan hoton? Yadda za a nuna nau'in ma'aikacin siyasa, wata mace da juyin juya halin ya aika zuwa ga rundunar jiragen ruwa, inda za a samu shigar da ake bukata a cikin tattaunawa tare da ma'aikatan jirgin ruwa, tare da anarchists, tare da kwamandan jirgin - tsohon jami'in tsarist? Oh, nawa daga cikin waɗannan “ta yaya?”. Bugu da ƙari, an rubuta ɓangaren ba don contralto ba, amma don babban mezzo-soprano. Tamara a wancan lokacin ba ta yi ƙware sosai a cikin sautin muryarta ba a lokacin. Yana da dabi'a cewa a karo na farko da wasan kwaikwayo na farko an sami rashin jin daɗi, amma akwai kuma nasarorin da suka tabbatar da ikon mai zane na yin amfani da wannan rawar.

Lokaci ya dauki nauyinsa. Tamara, kamar yadda suke faɗa, "waƙa" da "wasa" a cikin rawar da Commissar kuma ya yi shi da nasara. Kuma har ma an ba ta kyauta ta musamman tare da abokan aikinta a cikin wasan kwaikwayo.

A lokacin rani na 1968 Sinyavskaya ziyarci Bulgaria sau biyu. A karon farko ta shiga cikin bikin bazara na Varna. A cikin birnin Varna, a sararin sama, cike da kamshin wardi da teku, an gina gidan wasan kwaikwayo inda opera opera, da ke fafatawa da juna, ke nuna fasaharsu a lokacin rani.

A wannan lokaci duk mahalarta wasan kwaikwayon "Prince Igor" an gayyaci su daga Tarayyar Soviet. Tamara taka rawar Konchakovna a wannan bikin. Ta yi kama da ban sha'awa: kayan Asiya na 'yar arziƙi na Khan Konchak… launuka, launuka… da muryarta - kyakkyawan mezzo-soprano na mawaƙa a cikin jinkirin cavatina (“Rana Fades”), a kan bangon yammacin yammacin kudu - mai ban sha'awa kawai.

A karo na biyu, Tamara ta kasance a Bulgaria a gasar IX na bikin matasa da dalibai na duniya a cikin waƙoƙin gargajiya, inda ta lashe lambar zinare ta farko a matsayin wadda ta lashe kyautar.

Nasarar wasan kwaikwayon a Bulgaria ya kasance wani juyi a cikin hanyar kirkira ta Sinyavskaya. Ayyukan da aka yi a bikin IX shine farkon yawan gasa daban-daban. Don haka, a 1969, tare da Piavko da Ogrenich, Ma'aikatar Al'adu ta aika zuwa ga gasar Vocal ta duniya, wanda aka gudanar a birnin Verviers (Belgium). A can, mawaƙinmu shine gunki na jama'a, wanda ya lashe duk manyan kyaututtuka - Grand Prix, lambar zinare na gwal da lambar yabo ta musamman na gwamnatin Belgium, wanda aka kafa don mafi kyawun mawaƙa - wanda ya lashe gasar.

Ayyukan Tamara Sinyavskaya ba su wuce ta hankalin masu nazarin kiɗa ba. Zan ba da ɗaya daga cikin sharhin da ke kwatanta waƙarta. "Ba za a iya kawo zargi ko ɗaya a kan mawaƙin Moscow ba, wanda ke da ɗayan kyawawan muryoyin da muka ji kwanan nan. Muryarta, na musamman mai haske a cikin timbre, mai gudana cikin sauƙi da walwala, tana shaida makarantar waƙa mai kyau. Tare da ƙarancin kida da jin daɗi, ta yi seguidille daga opera Carmen, yayin da furcinta na Faransanci ba shi da kyau. Daga nan ta nuna iyawa da kida mai yawa a cikin Vanya's Aria daga Ivan Susanin. Kuma a ƙarshe, tare da nasara na gaske, ta raira waƙa ta soyayya ta Tchaikovsky "Dare".

A cikin wannan shekarar, Sinyavskaya ya sake yin tafiye-tafiye biyu, amma a matsayin wani ɓangare na gidan wasan kwaikwayo na Bolshoi - zuwa Berlin da Paris. A Berlin, ta yi a matsayin matar commissar (Soja ba a sani ba) da Olga (Eugene Onegin), kuma a cikin Paris ta rera ayyukan Olga, Fyodor (Boris Godunov) da Konchakovna.

Jaridun Parisiya sun yi taka-tsan-tsan a lokacin da suke bitar wasan kwaikwayon matasa mawaƙa na Soviet. Sun rubuta da sha'awa game da Sinyavskaya, Obraztsova, Atlantov, Mazurok, Milashkina. Alamun "mai ban sha'awa", "murya mai girma", "mezzo mai ban tausayi" sun yi ruwan sama daga shafukan jaridu zuwa Tamara. Jaridar Le Monde ta rubuta: “T. Sinyavskaya - Konchakovna yanayi - tada a cikin mu wahayi na m Gabas da ta m, m murya, kuma nan da nan ya bayyana dalilin da ya sa Vladimir ba zai iya tsayayya da ita.

Abin farin cikin yana da shekaru ashirin da shida don samun karramawar mawaƙa na mafi girman aji! Wanene ba ya jin duriyar nasara da yabo? Ana iya gane ku. Amma Tamara ya fahimci cewa har yanzu yana da wuri don yin girman kai, kuma a gaba ɗaya, girman kai bai dace da zane-zane na Soviet ba. Girman kai da ci gaba da karatu - shine abin da ya fi mahimmanci a gare ta a yanzu.

Domin inganta aikinta basira, domin ya mallaki dukan intricacies na vocal art, Sinyavskaya, baya a shekarar 1968, ya shiga AV Lunacharsky State Institute of Theater Arts, sashen na m comedy 'yan wasan kwaikwayo.

Kuna tambaya - me yasa wannan cibiya, kuma ba zuwa ga Conservatory ba? Ya faru. Da fari dai, babu sashen maraice a ɗakin ajiya, kuma Tamara ba zai iya daina aiki a gidan wasan kwaikwayo ba. Abu na biyu, a GITIS ta sami damar yin karatu tare da Farfesa DB Belyavskaya, ƙwararren malamin vocal, wanda ya koyar da manyan mawaƙa na Bolshoi Theater, ciki har da mawaƙa mai ban mamaki EV Shumskaya.

Yanzu, da dawowa daga yawon shakatawa, Tamara ya yi jarrabawa da kuma kammala darussan na institute. Kuma gaba da kare difloma. Tamara ta kammala jarrabawar shi ne ta yi a IV International Tchaikovsky Competition, inda ta, tare da talented Elena Obraztsova, samu lambar yabo ta farko da lambar zinariya. Wani mai bita na mujallar Waƙar Soviet ta rubuta game da Tamara: “Ita ce ta mallaki wani mezzo-soprano na musamman a kyau da ƙarfi, wanda ke da irin wannan wadataccen sautin ƙirji na musamman wanda ke da halayyar ƙananan muryoyin mata. Wannan shi ne abin da ya ba da damar mai zane ya yi daidai da Vanya ta Aria daga "Ivan Susanin", Ratmir daga "Ruslan da Lyudmila" da arioso na Warrior daga P. Tchaikovsky's cantata "Moscow". Seguidilla daga Carmen da Joanna's aria daga Tchaikovsky's Maid of Orleans sun yi kama da haske. Ko da yake ba za a iya kiran basirar Sinyavskaya cikakken balagagge (har yanzu ba ta da daidaito a cikin wasan kwaikwayon, cikawa a cikin kammala ayyukan), tana jin daɗin jin dadi, jin dadi da jin dadi, wanda ko da yaushe sami hanyar da ta dace ga zukatan masu sauraro. Nasarar Sinyavskaya a gasar ... ana iya kiransa mai nasara, wanda, ba shakka, an sauƙaƙe shi ta hanyar fara'a na matasa. Bugu da ari, mai bita, ya damu game da adana muryar Sinyavskaya da ba a taɓa gani ba, ya yi kashedin: "Duk da haka, ya zama dole a gargaɗi mawaƙa a yanzu: kamar yadda tarihi ya nuna, muryoyin irin wannan sun lalace cikin sauri, sun rasa wadatarsu, idan sun yi hasara. masu mallakar suna kula da su da rashin isasshen kulawa kuma ba sa bin tsayayyen murya da yanayin rayuwa.”

Dukkanin 1970 shekara ce ta babban nasara ga Tamara. An san gwaninta a cikin kasarta da kuma lokacin yawon bude ido na kasashen waje. "Don yin aiki a cikin haɓaka kiɗan Rasha da Soviet" an ba ta kyautar kwamitin Komsomol na birnin Moscow. Tayi kyau a gidan wasan kwaikwayo.

Lokacin da Bolshoi Theater aka shirya wasan opera Semyon Kotko, biyu actresses aka nada a matsayin Frosya - Obraztsova da Sinyavskaya. Kowannensu ya yanke shawarar hoton a hanyarsa, rawar da kanta ta ba da damar wannan.

Gaskiyar ita ce, wannan rawar ba kwata-kwata ce ta “opera” a ma’anar kalmar da aka saba yarda da ita ba, duk da cewa wasan kwaikwayo na opera na zamani an gina shi ne bisa ka’idojin da suka dace da wasan kwaikwayo na ban mamaki. Bambancin kawai shi ne dan wasan kwaikwayo na wasan kwaikwayo da magana, kuma mai wasan kwaikwayo na opera yana wasa da rera, a duk lokacin da ya dace da sautin murya da launin kiɗan da ya dace da wannan ko waccan hoton. Bari mu ce, alal misali, mawaƙi yana rera sashen Carmen. Muryarta tana da sha'awa da fa'ida na yarinya daga masana'antar taba. Amma wannan mai zane yana yin ɓangaren makiyayi cikin ƙauna Lel a cikin "The Snow Maiden". Matsayin daban daban. Wata rawa, wata murya. Kuma yana faruwa cewa, yayin wasa ɗaya, mai zane ya canza launin muryarta dangane da yanayin - don nuna baƙin ciki ko farin ciki, da dai sauransu.

Tamara sharply, a cikin nata hanya, ya fahimci rawar da Frosya, kuma a sakamakon haka ta samu wani sosai gaskiya image na baƙauye yarinya. A wannan lokacin, adireshin mai zane ya kasance maganganu da yawa a cikin jaridu. Zan ba da abu ɗaya kawai wanda ya fi nuna wasan basirar mawaƙin: “Frosya-Sinyavskaya kamar mercury ne, imperless imp… Tare da Sinyavskaya, mimicry, wasa mai ban sha'awa ya juya zuwa wani tasiri mai mahimmanci na sculpting wani mataki image.

Matsayin Frosya shine sabon sa'ar Tamara. Gaskiya ne, mahalarta taron sun sami karbuwa sosai kuma an ba su kyauta a gasar da aka gudanar don tunawa da cika shekaru 100 da haifuwar VI Lenin.

Kaka ya zo. Yawon shakatawa kuma. A wannan karon gidan wasan kwaikwayo na Bolshoi zai tashi zuwa Japan, don nunin EXPO-70 na duniya. 'Yan reviews sun zo mana daga Japan, amma ko da wannan karamin adadin reviews magana game da Tamara. Jafanawa sun yaba muryarta mai ban mamaki, wanda ya ba su farin ciki sosai.

Dawowa daga tafiya, Sinyavskaya ya fara shirya wani sabon rawar. Wasan opera na Rimsky-Korsakov Ana shirya Maid of Pskov. A cikin gabatarwar wannan opera, wanda ake kira Vera Sheloga, ta rera waka na Nadezhda, 'yar'uwar Vera Sheloga. Matsayin yana da ƙananan, laconic, amma wasan kwaikwayon yana da haske - masu sauraro sun yaba.

A wannan kakar, ta yi mata a cikin sababbin ayyuka guda biyu: Polina a cikin Sarauniyar Spades da Lyubava a Sadko.

Yawancin lokaci, lokacin duba muryar mezzo-soprano, an ba da izinin mawaƙa don rera ɓangaren Polina. A cikin aria-romance na Polina, kewayon muryar mawaƙi yakamata ya zama daidai da octaves biyu. Kuma wannan tsalle zuwa saman sannan zuwa bayanin kula a cikin A-flat yana da matukar wahala ga kowane mai zane.

Ga Sinyavskaya, bangaren Polina ya shawo kan wani matsala mai wuyar gaske, wanda ba ta iya shawo kan ta na dogon lokaci ba. A wannan karon an ɗauki "shamakin tunani", amma mawaƙin ya kasance mai ƙarfi a ci gaban da aka samu daga baya. Bayan ya rera Polina, Tamara ya fara tunani game da wasu sassa na mezzo-soprano repertoire: game da Lyubasha a cikin The Tsar Bride, Martha a Khovanshchina, Lyubava a Sadko. Ya faru cewa ita ce ta farko da ta fara rera waƙa Lyubava. Waƙar baƙin ciki, farin ciki na aria a lokacin bankwana da Sadko an maye gurbinsu da waƙar farin ciki ta Tamara lokacin saduwa da shi. "Ga hubby na zuwa, fatana mai dadi!" tana waka. Amma ko da wannan da alama Rasha ce zalla, jam'iyyar rera tana da nata ramukan. A ƙarshen hoto na huɗu, mawaƙin yana buƙatar ɗaukar babban A, wanda don irin wannan murya kamar ta Tamara, rikodin wahala ne. Amma mawaƙin ya shawo kan duk waɗannan manyan A, kuma ɓangaren Lyubava yana da kyau a gare ta. Da yake ba da kima game da aikin Sinyavskaya dangane da lambar yabo ta Moscow Komsomol Prize da aka ba ta a wannan shekarar, jaridu sun rubuta game da muryarta: "Farin ciki na sha'awa, marar iyaka, mai fushi kuma a lokaci guda yana jin daɗin murya mai laushi mai lullube. karya daga zurfafan ruhin mawakin. Sautin yana da yawa kuma zagaye, kuma da alama ana iya riƙe shi a cikin tafin hannu, sai ya yi ringi, sannan yana jin tsoro don motsawa, saboda yana iya karye a cikin iska daga duk wani motsi na rashin kulawa.

A ƙarshe zan so in faɗi game da ingancin halin Tamara mara makawa. Wannan shi ne zamantakewa, ikon saduwa da gazawa tare da murmushi, sa'an nan kuma tare da dukan muhimmancin, ko ta yaya imperceptibly ga kowa da kowa ya yi yaƙi da shi. Shekaru da yawa a jere Tamara Sinyavskaya aka zaba sakataren kungiyar Komsomol na opera troupe na Bolshoi Theater, ya zama wakili ga XV Congress na Komsomol. Gaba ɗaya, Tamara Sinyavskaya mutum ne mai raye-raye, mai ban sha'awa, tana son yin ba'a da jayayya. Da kuma yadda ta kasance abin ba'a game da camfin da 'yan wasan kwaikwayo suke a cikin hankali, rabi-bakwai, rabin-da gaske. Don haka, a Belgium, a gasar, ba zato ba tsammani ta sami lamba na goma sha uku. An san wannan lambar a matsayin "rashin sa'a". Kuma da wuya kowa zai yi farin ciki da shi. Ita kuwa Tamara dariya. "Ba komai," in ji ta, "wannan lambar za ta yi min farin ciki." Kuma me kuke tunani? Mawakin yayi gaskiya. Gasar Grand Prix da lambar zinare ne ya kawo mata lamba ta goma sha uku. Wakokinta na farko na solo ranar Litinin! Hakanan rana ce mai wahala. Wannan ba sa'a ba ne! Kuma tana zaune a cikin wani Apartment a kan bene na goma sha uku ... Amma ba ta yi imani da alamun Tamara ba. Ta yi imani da tauraruwar sa'a, ta gaskanta da baiwarta, ta gaskanta da karfinta. Ta hanyar aiki akai-akai da juriya, ya sami matsayinsa a fasaha.

Source: Orfenov A. Matasa, bege, nasarori. – M .: Matashin Guard, 1973. – shafi. 137-155.