Evgeny Glebov (Eugeny Glebov) |

Eugeny Glebov

Yawancin shafuka mafi kyau na al'adun kiɗa na Belarus na zamani suna da alaƙa da aikin E. Glebov, da farko a cikin nau'in wasan kwaikwayo, ballet da cantata-oratori. Babu shakka, sha'awar mawaƙin zuwa manyan matakai (ban da ballets, ya ƙirƙiri opera Your Spring - 1963, operetta The Parable of the Heirs, ko Scandal in the Underworld - 1970, wasan kwaikwayo na kiɗan The Millionaire - 1986). Hanyar Glebov zuwa fasaha ba ta da sauƙi - kawai yana da shekaru 20 ya iya fara darussan kiɗa na sana'a, wanda ya kasance mafarki mai mahimmanci ga saurayi. A cikin danginsa na ma'aikatan jirgin ƙasa na gado, koyaushe suna son yin waƙa. Ko da a lokacin ƙuruciya, ba tare da sanin bayanin kula ba, mawaƙin nan gaba ya koyi yin wasa da guitar, balalaika da mandolin. A 1947, bayan shiga Roslavl Railway Technical School bisa ga iyali al'ada, Glebov ba ya bar sha'awar - ya rayayye shiga a cikin mai son wasan kwaikwayo, shirya mawa da kuma wani instrumental gungu. A 1948, na farko abun da ke ciki na matasa marubuci ya bayyana - song "Student Farewell". Nasarar da ta samu ya baiwa Glebov kwarin gwiwa.

Bayan ya koma Mogilev, inda ya yi aiki a matsayin mai duba wagon, Glebov halarci azuzuwan a gida music makaranta. Ganawa tare da sanannen mawaƙin Belarusian I. Zhinovich, wanda ya shawarce ni in shiga cikin ɗakunan ajiya, ya zama yanke shawara. A shekara ta 1950, Glebov mafarki ya zama gaskiya, kuma nan da nan, godiya ga m juriya da jajircewa, ya zama daya daga cikin mafi kyau dalibai a cikin aji na Farfesa A. Bogatyrev. Aiki mai yawa da 'ya'ya, Glebov ya kasance har abada ta hanyar tarihin Belarushiyanci, wanda ya shiga cikin aikinsa sosai. Mawaƙin koyaushe yana rubuta aiki don ƙungiyar makaɗa na kayan kida na Belarushiyanci, don kayan kidan solo daban-daban.

Ayyukan Glebov suna da yawa. Tun 1954, ya juya zuwa ilimin koyarwa, na farko koyarwa (har zuwa 1963) a Minsk Musical College, sa'an nan koyarwa abun da ke ciki a Conservatory. Aiki a matsayin shugaban iri-iri da kuma kade-kade na kade-kade na Jihar Television da kuma Radio Broadcasting na BSSR, a cikin cinema (music edita na Belarushiyancifilm), a cikin jamhuriyar wasan kwaikwayo na matasa kallo (conductor da mawaki) rayayye tasiri kerawa. Saboda haka, repertoire na yara ya kasance Glebov ta m soyayya (waƙoƙi, da oratorio "Gayyatar Ƙasar Yara" - 1973, kayan aiki guda, da dai sauransu). Duk da haka, duk da iri-iri na sha'awa, Glebov ne da farko a symphonic mawaki. Tare da abubuwan da aka tsara ("Poem-Legend" - 1955; "Polessky Suite" - 1964; "Alpine Symphony-Ballad" - 1967; 3 suites daga ballet "Zaɓaɓɓen Ɗaya" - 1969; 3 suites daga ballet "Til Ulenspiegel" ", 1973- 74; Concerto for orchestra "The Call" - 1988, da dai sauransu) Glebov ya halicci 5 symphonies, 2 daga cikinsu ma shirye-shirye (Na farko, "Partisan" - 1958 da kuma biyar, "Zuwa Duniya" - 1985). Wa] annan wa] annan wa] annan abubuwan sun ƙunshi mafi mahimmancin siffofi na halayen fasaha na mawallafin - sha'awar nuna wadatar rayuwa ta kewaye, duniyar ruhaniya mai rikitarwa na zamani na zamani, wasan kwaikwayo na zamanin. Ba daidaituwa ba ne cewa ɗayan mafi kyawun ayyukansa - Symphony na biyu (1963) - wanda mawaki ya sadaukar da shi ga matasa.

Rubutun hannun mawaƙi yana da kaifi na ma'anar bayyanawa, jin daɗin jigogi (sau da yawa na asalin almara), cikakkiyar ma'anar tsari, kyakkyawan ƙwararren palette na ƙungiyar makaɗa, musamman mai karimci a cikin makin saƙon sauti. Halayen mawallafin wasan kwaikwayo-symphonist sun rabu da su ta hanya mai ban sha'awa mai ban sha'awa a cikin Glebov's ballets, wanda ya dauki matsayi mai mahimmanci ba kawai a kan matakin gida ba, amma kuma an shirya shi a kasashen waje. Babban fa'idar waƙar ballet na mawaƙa shine filastik, kusancin haɗin gwiwa tare da choreography. Yanayin wasan kwaikwayo, na ban mamaki na wasan ballet ya kuma ƙayyade faɗin jigogi da makircin da aka yi magana a lokuta daban-daban da ƙasashe daban-daban. A lokaci guda, ana fassara nau'in nau'in nau'in nau'in nau'in nau'in nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i nau'i) nau'i-nau'i-nau'i. ; Choreographic novels "Hiroshima", "Blues", "Gaba", "Dollar", "Spanish Dance", "Musketeers", "Souvenirs" - 1961; "Alpine Ballad" - 1965; "Zaɓaɓɓen Ɗaya" - 1965; " Til Ulenspiegel" - 1967; Miniatures guda uku don Ƙungiyar Rawar Jama'a na BSSR - 1969; "The Little Prince" - 1973).

Glebov's art ko da yaushe gravitate ga zama ɗan ƙasa. Wannan yana bayyana a fili a cikin abubuwan da ya yi na cantata-oratorio. Amma batun anti-yaki, wanda ke kusa da masu fasaha na Belarus, ya sami sauti na musamman a cikin aikin mawaƙa, wanda ya yi sauti da karfi a cikin ballet "Alpine Ballad" (bisa labarin V. Bykov), a cikin biyar. Symphony, a cikin sake zagayowar murya-symphonic "Na Tuna" (1964) da kuma a cikin "Ballad of Memory" (1984), a cikin Concerto don murya da makaɗa (1965).

Ayyukan mawaƙa sun sami karɓuwa na ƙasa, gaskiya ga kansa Evgeny Glebov ya ci gaba da "kare haƙƙin rayuwa" tare da kiɗan sa.

G. Zhdanova