Leopold Auer |

Leopold Auer

Auer ya faɗi abubuwa masu ban sha'awa da yawa game da rayuwarsa a cikin littafinsa Daga cikin Mawaƙa. An rubuta riga a cikin shekarunsa na raguwa, ba ya bambanta da daidaitattun takardun shaida, amma yana ba ku damar duba tarihin tarihin marubucin. Auer mai shaida ne, ɗan takara mai aiki da kuma mai lura da hankali na zamanin da ya fi ban sha'awa a cikin ci gaban al'adun kiɗa na Rasha da na duniya a cikin rabin na biyu na karni na XNUMX; shi ne kakakin yawancin ra'ayoyin ci gaba na wannan zamani kuma ya kasance da aminci ga ƙa'idodinsa har zuwa ƙarshen kwanakinsa.

An haifi Auer a ranar 7 ga Yuni, 1845 a cikin ƙaramin garin Hungarian Veszprem, a cikin dangin mai zane-zane. An fara karatun yaron tun yana dan shekara 8, a Budapest Conservatory, a ajin Farfesa Ridley Cone.

Auer baya rubuta wata kalma game da mahaifiyarsa. Wasu layukan launuka masu ban sha'awa sun sadaukar da ita daga marubuci Rachel Khin-Goldovskaya, aminiyar matar farko ta Auer. Daga cikin littattafanta mun koyi cewa mahaifiyar Auer mace ce da ba ta da tabbas. Daga baya, lokacin da mijinta ya mutu, ta kula da kantin sayar da kayan kwalliya, a kan kuɗin shiga wanda ta ci gaba da rayuwa.

Yaran Auer bai kasance mai sauƙi ba, dangi sukan fuskanci matsalolin kuɗi. Lokacin da Ridley Cone ya ba wa ɗalibinsa halarta a karon a wani babban shagali na sadaka a Opera National Opera (Auer ya yi wasan kwaikwayo na Mendelssohn), majiɓintan sun yi sha'awar yaron; tare da goyon bayansu, matashin dan wasan violin ya sami damar shiga Conservatory Vienna ga shahararren farfesa Yakov Dont, wanda ya bashi fasahar violin. A ɗakin ajiyar, Auer kuma ya halarci aji quartet wanda Joseph Helmesberger ke jagoranta, inda ya koyi tushe mai ƙarfi na salon ɗakinsa.

Duk da haka, ba da da ewa ba kudi don ilimi ya bushe, kuma bayan shekaru 2 na karatu, a 1858 ya yi baƙin ciki barin Conservatory. Daga yanzu ya zama babban mai ciyar da iyali, don haka ya zama dole ya ba da kide-kide ko da a cikin garuruwan kasar. Uban ya karɓi aikin wani ɗan wasan kwaikwayo, sun sami ɗan wasan pian, “mabuƙata kamar kanmu, waɗanda suke shirye su raba teburinmu da matsuguni tare da mu,” kuma suka fara jagorantar rayuwar mawaƙa masu tafiya.

"A koyaushe muna rawar jiki saboda ruwan sama da dusar ƙanƙara, kuma sau da yawa nakan saki ajiyar zuciya ganin hasumiya mai kararrawa da kuma rufin birni, wanda ya kamata ya ba mu mafaka bayan mun gaji."

Wannan ya ci gaba har tsawon shekaru 2. Wataƙila Auer ba zai taɓa fita daga matsayin ƙaramin ɗan wasan violin na lardin ba, idan ba don taron tunawa da Vieuxtan ba. Da zarar sun tsaya a Graz, babban birnin lardin Styria, sun sami labarin cewa Viettan ya zo nan kuma yana yin kade-kade. Wasan Viet Tang ya burge Auer, kuma mahaifinsa ya yi ƙoƙari dubu don sa babban ɗan wasan violin ya saurari ɗansa. A otal din Vietang da kansa ya karbe su da kyau, amma matarsa ​​ta yi sanyi sosai.

Bari mu bar falon ga Auer da kansa: “Ms. Vietang ta zauna a piano tare da nuna rashin jin daɗi a fuskarta. Na ji tsoro ta yanayi, na fara wasa "Fantaisie Caprice" (aiki na Vieux. - LR), duk suna rawar jiki da farin ciki. Ban tuna yadda na taka ba, amma da alama a gare ni na sanya raina gaba ɗaya a cikin kowane rubutu, kodayake fasaha na da rashin haɓaka ba koyaushe yana kan aikin ba. Viettan ya taya ni murna da murmushinsa na sada zumunci. Ba zato ba tsammani, a daidai lokacin da na isa tsakiyar wata magana mai kaifi, wanda, na furta, na yi wasa da hankali, Madame Vietang ta tashi daga kujerarta ta fara takawa dakin da sauri. Sunkuyar da kanta kasa tayi ta kalli dukkan kusurwoyi, karkashin kayan daki, karkashin teburi, karkashin piano, cike da shagaltuwar iskar mutumin da ya rasa wani abu kuma ya kasa samunsa ta kowace hanya. Na katse ba zato ba tsammani da wani bakon aikinta, na tsaya tare da bude baki ina mamakin me wannan duka zai iya nufi. Ba k'aramin mamaki ba Vieuxtan ya bi motsin matarsa ​​da mamaki ya tambaye ta me take nema da irin wannan damuwa a k'ark'ashin kayan. "Kamar kuliyoyi suna ɓoye wani wuri a nan cikin ɗakin," in ji ta, ƙawancen su na fitowa daga kowane lungu. Ta yi nuni da glissando na da wuce gona da iri a cikin wata magana. Tun daga wannan rana, na ƙi duk wani glissando da vibrato, kuma har zuwa wannan lokacin ba zan iya tunawa ba tare da tsoratar da ziyarar da na yi a Viettan ba."

Duk da haka, wannan taron ya zama mai mahimmanci, wanda ya tilasta matashin mawaƙin ya kula da kansa sosai. Daga yanzu ya tanadi kudi don ci gaba da karatunsa, kuma ya sanya kansa burin zuwa Paris.

Suna zuwa Paris sannu a hankali, suna ba da kide-kide a biranen Kudancin Jamus da Holland. Sai kawai a cikin 1861 mahaifinsa da ɗansa suka isa babban birnin Faransa. Amma a nan Auer ba zato ba tsammani ya canza ra'ayinsa kuma, bisa shawarar 'yan uwansa, maimakon shiga cikin Conservatory na Paris, ya tafi Hannover zuwa Joachim. Darussa daga mashahuran violin sun kasance daga 1863 zuwa 1864 kuma, duk da ɗan gajeren lokacinsu, yana da tasiri mai mahimmanci akan rayuwa da aikin Auer na gaba.

Bayan kammala karatunsa, Auer ya tafi Leipzig a 1864, inda F. David ya gayyace shi. Nasarar halarta ta farko a cikin sanannen zauren Gewandhaus yana buɗe masa kyakkyawan fata. Ya rattaba hannu kan kwangilar mukamin mawallafin kade-kade a Düsseldorf kuma yana aiki a nan har zuwa farkon yakin Austro-Prussian (1866). A wani lokaci, Auer ya koma Hamburg, inda ya gudanar da ayyukan ƙungiyar makaɗa da ƙwararrun ƙwararru, lokacin da ba zato ba tsammani ya sami gayyata don ɗaukar matsayin ɗan wasan violin na farko a cikin shahararriyar Müller Brothers Quartet. Ɗaya daga cikinsu ya kamu da rashin lafiya, kuma don kada a rasa kide-kide, an tilasta wa ’yan’uwa su koma Auer. Ya taka leda a Muller quartet har zuwa tafiyarsa zuwa Rasha.

Halin da ya zama dalilin gaggawa na gayyatar Auer zuwa St. Babu shakka, Rubinstein nan da nan ya lura da matashin mawaki, kuma bayan 'yan watanni, darektan St. Petersburg Conservatory N. Zaremba a lokacin ya sanya hannu kan kwangilar shekaru 1868 tare da Auer don matsayi na farfesa na violin da soloist na Ƙungiyar Kiɗa na Rasha. A watan Satumba 3 ya tafi zuwa Petersburg.

Kasar Rasha ta jawo hankalin Auer ba tare da wata shakka ba tare da fatan yin da ayyukan koyarwa. Ta burge yanayinsa mai zafi da kuzari, kuma Auer, wanda da farko ya yi niyyar zama a nan na tsawon shekaru 3 kawai, ya sake sabunta kwangilar, ya zama ɗaya daga cikin masu haɓaka al'adun kiɗa na Rasha. A gidan ra'ayin mazan jiya, ya kasance babban farfesa kuma mamba na dindindin na majalisar fasaha har zuwa 1917; koyar da azuzuwan solo violin da gungu; daga 1868 zuwa 1906 ya shugabanci Quartet na reshen St. Petersburg na RMS, wanda aka dauke shi daya daga cikin mafi kyau a Turai; kowace shekara suna ba da ɗimbin kide-kide na solo da maraice na ɗakin. Amma babban abu shine ya kirkiro makarantar violin da ta shahara a duniya, tana haskakawa da sunaye irin su J. Heifetz, M. Polyakin, E. Zimbalist, M. Elman, A. Seidel, B. Sibor, L. Zeitlin, M. Bang, K. Parlow, M. da I. Piastro da yawa, da yawa.

Auer ya bayyana a kasar Rasha a lokacin da ake gwabza kazamin fada wanda ya raba al'ummar mawakan Rasha zuwa sansanoni biyu masu adawa da juna. Daya daga cikinsu ya samu wakilcin Mighty Handful karkashin jagorancin M. Balakirev, dayan kuma 'yan mazan jiya da suka hada da kewayen A. Rubinshtein.

Dukansu kwatance sun taka muhimmiyar rawa wajen haɓaka al'adun kiɗa na Rasha. An kwatanta jayayya tsakanin "Kuchkists" da "Conservatives" sau da yawa kuma sananne ne. A zahiri, Auer ya shiga sansanin "masu ra'ayin mazan jiya"; ya kasance cikin babban abota tare da A. Rubinstein, K. Davydov, P. Tchaikovsky. Auer ya kira Rubinstein mai hazaka ya rusuna a gabansa; tare da Davydov, ya kasance da haɗin kai ba kawai ta sirri tausayi, amma kuma da shekaru da yawa na hadin gwiwa aiki a cikin RMS Quartet.

Kuchkist da farko sun yi wa Auer magani cikin sanyi. Akwai maganganu masu mahimmanci da yawa a cikin labaran Borodin da Cui akan jawaban Auer. Borodin ya zarge shi da sanyi, Cui - na rashin tsarki, mummunan trill, rashin launi. Amma Kuchkist sun yi magana sosai game da Auer the Quartetist, suna la'akari da shi a matsayin ma'asumi a wannan yanki.

Lokacin da Rimsky-Korsakov ya zama farfesa a Conservatory, halinsa ga Auer gabaɗaya ya canza kadan, ya kasance mai daraja amma daidai sanyi. Bi da bi, Auer ba shi da tausayi ga Kuchkist kuma a ƙarshen rayuwarsa ya kira su "ƙungiyar", "ƙungiyar masu kishin ƙasa."

Babban abota ya haɗa Auer tare da Tchaikovsky, kuma ya girgiza sau ɗaya kawai, lokacin da violin ba zai iya godiya da wasan violin da mawaki ya keɓe masa ba.

Ba daidai ba ne cewa Auer ya ɗauki irin wannan matsayi a cikin al'adun kiɗa na Rasha. Ya mallaki wadancan halaye da aka fi yabawa a zamanin da ya yi fice a cikin ayyukansa, don haka ya iya yin gogayya da fitattun ’yan wasa kamar Venyavsky da Laub, duk da cewa ya kasance kasa da su ta fuskar fasaha da hazaka. Abokan zamanin Auer sun yaba da ɗanɗanon fasahar fasaha da dabarar kidan na gargajiya. A cikin wasan Auer, tsananin da sauƙi, ikon yin amfani da aikin da aka yi da isar da abun ciki daidai da ɗabi'a da salo, ana lura da su koyaushe. An yi la'akari da Auer a matsayin mai fassarar Bach's sonatas, violin concerto da Beethoven's quartets. Har ila yau, tarihinsa ya shafi tarbiyyar da aka samu daga Joachim - daga malaminsa, ya ɗauki ƙaunar kiɗa na Spohr, Viotti.

Ya sau da yawa buga ayyukan zamaninsa, galibi mawakan Jamus Raff, Molik, Bruch, Goldmark. Duk da haka, idan wasan kwaikwayo na Beethoven Concerto ya sadu da mafi kyawun amsa daga jama'ar Rasha, to, sha'awar Spohr, Goldmark, Bruch, Raff ya haifar da mafi yawan mummunan dauki.

Littattafan Virtuoso a cikin shirye-shiryen Auer sun mamaye wuri mai faɗi sosai: daga gadon Paganini, ya buga kawai "Moto perpetuo" a cikin ƙuruciyarsa, sannan wasu fantasies da Ernst's Concerto, wasan kwaikwayo da kide kide da wake-wake da Vietana, wanda Auer ya girmama duka biyu a matsayin mai wasan kwaikwayo da wasan kwaikwayo. a matsayin mawaki.

Yayin da ayyukan mawaƙan Rasha suka bayyana, ya nemi ya arzuta wakokinsa da su; wasa da son rai, kide kide da gungun A. Rubinshtein. P. Tchaikovsky, C. Cui, kuma daga baya - Glazunov.

Sun rubuta game da wasan Auer cewa ba shi da ƙarfi da kuzari na Venyavsky, fasaha mai ban mamaki na Sarasate, "amma ba shi da wasu halaye masu mahimmanci: wannan alheri ne na ban mamaki da sautin sauti, ma'anar daidaito da ma'ana sosai. jimlar kiɗan kiɗa da ƙare mafi ƙarancin bugun jini. ; don haka, aiwatar da shi ya dace da mafi tsananin buƙatu.

"Mai fasaha mai mahimmanci kuma mai tsauri… mai baiwa da iyawa don haske da alheri… shine abin da Auer yake," sun rubuta game da shi a farkon 900s. Kuma idan a cikin 70s da 80s Auer wani lokaci ana zarginsa da kasancewa mai tsauri, yana iyaka da sanyi, to daga baya an lura cewa "a tsawon shekaru, da alama, yana wasa da ladabi da shayari, yana kama mai sauraro da zurfi tare da shi. bakansa mai ban sha'awa."

Ƙaunar Auer ga kiɗan ɗakin gida yana gudana kamar zaren ja a cikin rayuwar Auer gaba ɗaya. A cikin shekarun rayuwarsa a Rasha, ya yi wasa da yawa tare da A. Rubinstein; a cikin 80s, babban taron kida shine wasan kwaikwayon dukan zagayowar violin sonatas na Beethoven tare da sanannen dan wasan pian na Faransa L. Brassin, wanda ya rayu na ɗan lokaci a St. Petersburg. A cikin 90s, ya sake maimaita wannan zagayowar tare da d'Albert. Auer's sonata maraice tare da Raul Pugno ya jawo hankali; Tarin dindindin na Auer tare da A. Esipova ya faranta wa mawaƙan kiɗan daɗi na shekaru da yawa. Game da aikinsa a cikin RMS Quartet, Auer ya rubuta: “Nan da nan (da isowa St. Petersburg. – LR) ƙulla abota ta kud da kud da Karl Davydov, sanannen mawallafi, wanda ya girme ni ’yan kwanaki. A daidai lokacin da muka yi karo-karo na farko, ya shigar da ni cikin gidansa ya gabatar da ni da kyakkyawar matarsa. A tsawon lokaci, waɗannan gwaje-gwajen sun zama tarihi, saboda kowane sabon yanki na piano da kirtani na quartet ɗinmu koyaushe yana yin sa, wanda ya yi shi a karon farko a gaban jama'a. violin na biyu shi ne Jacques Pickel, babban mawallafin kide-kide na kungiyar kade-kade ta kasar Rasha, kuma Weikman ne ya buga wasan viola na farko. Wannan gungu ya buga a karon farko daga rubutun Tchaikovsky na farkon quartets. Arensky, Borodin, Cui da sababbin abubuwan da Anton Rubinstein suka yi. Waɗannan kwanaki ne masu kyau!”

Duk da haka, Auer ba cikakke cikakke ba ne, tun da yawancin 'yan wasa na Rasha an fara buga su ta hanyar wasu 'yan wasa, amma, a St.

Bayyana ayyukan Auer, mutum ba zai iya yin watsi da ayyukansa ba. Domin da yawa yanayi shi ne babban darektan na symphony tarurruka na RMS (1883, 1887-1892, 1894-1895), kungiyar na symphony Orchestra a RMS yana hade da sunansa. Galibi taron ƙungiyar mawaƙa ta opera ce ke ba da hidima. Abin baƙin ciki shine, ƙungiyar makaɗar RMS, wanda ya tashi kawai godiya ga makamashi na A. Rubinstein da Auer, ya kasance kawai shekaru 2 (1881-1883) kuma an wargaza saboda rashin kudi. Auer a matsayin madugu ya shahara kuma an yaba masa sosai a Jamus, Holland, Faransa da sauran ƙasashe inda ya taka rawar gani.

Domin shekaru 36 (1872-1908) Auer ya yi aiki a gidan wasan kwaikwayo na Mariinsky a matsayin mai rakiya - soloist na ƙungiyar makaɗa a cikin wasan kwaikwayo na ballet. A karkashinsa, da farko na ballets da Tchaikovsky da Glazunov aka gudanar, shi ne na farko fassara na violin solos a cikin ayyukansu.

Wannan shi ne cikakken hoto na ayyukan kiɗa na Auer a Rasha.

Akwai ɗan bayani game da keɓaɓɓen rayuwar Auer. Wasu abubuwa masu rai a cikin tarihinsa shine tunanin mai son violinist AV Unkovskaya. Ta yi karatu da Auer tun tana yarinya. “Lokacin da wani danko mai karamin gemu mai siliki ya bayyana a gidan; wannan shi ne sabon malamin violin, Farfesa Auer. Goggo ta kula. Idanunsa masu duhun launin ruwan kasa, manya, taushi da basira ya kalli kakarsa, yana sauraronta, da alama yana nazarin halinta; jin haka, kakata a fili ta ji kunya, tsohuwar kuncinta sun yi ja, kuma na lura cewa tana ƙoƙarin yin magana da kyau da wayo kamar yadda zai yiwu - suna magana da Faransanci.

Binciken masanin ilimin halayyar dan adam na gaske, wanda Auer ya mallaka, ya taimaka masa a cikin koyarwa.

A ranar 23 ga Mayu, 1874, Auer ya auri Nadezhda Evgenievna Pelikan, dangi na lokacin darektan Azanchevsky Conservatory, wanda ya fito daga dangi mai daraja. Nadezhda Evgenievna ya auri Auer saboda tsananin soyayya. Mahaifinta, Evgeny Ventseslavovich Pelikan, sanannen masanin kimiyya, likitan rayuwa, abokin Sechenov, Botkin, Eichwald, mutum ne mai ra'ayi mai sassaucin ra'ayi. Duk da haka, duk da "liberalism", ya yi matukar adawa da auren 'yarsa tare da "plebeian", kuma ban da asalin Yahudawa. R. Khin-Goldovskaya ya rubuta: “Don raba hankali, ya aika ’yarsa zuwa Moscow, amma Moscow ba ta taimaka ba, kuma Nadezhda Evgenievna ya juya daga wata mace mai daraja da aka haifa zuwa m-me Auer. Matasan ma'auratan sun yi tafiyarsu ta gudun amarci zuwa Hungary, zuwa wani ƙaramin wuri inda mahaifiyar "Poldi"… tana da kantin sayar da kayan kwalliya. Uwar Auer ta gaya wa kowa cewa Leopold ya auri "Gimbiya Rasha." Sosai ta dinga yiwa d'anta, don in ya auri 'yar sarki ita ma ba za ta yi mamaki ba. Ta kyautata mata belle-soeur ta bar ta a shago maimakon kanta idan ta je hutu.

Dawowa daga kasashen waje, matasan Auers sun yi hayar gida mai kyau kuma sun fara shirya maraice na kiɗa, wanda a ranar Talata ya haɗu da dakarun kiɗa na gida, St. Petersburg jama'a da kuma masu ziyara.

Auer yana da 'ya'ya mata hudu daga aurensa zuwa Nadezhda Evgenievna: Zoya, Nadezhda, Natalya da Maria. Auer ya sayi katafaren gida a Dubbeln, inda dangin ke zaune a lokacin bazara. An bambanta gidansa da baƙi da baƙi, lokacin bazara da yawa baƙi sun zo nan. Khin-Goldovskaya ya shafe lokacin rani daya (1894) a can, yana sadaukar da waɗannan layin zuwa Auer: "Shi da kansa mawaƙi ne mai ban sha'awa, ɗan wasan violin mai ban mamaki, mutumin da ya kasance mai "kyautar" a kan matakan Turai da kuma a cikin dukkanin al'umma ... … bayan “gyara” na waje a cikin duk ɗabi’unsa koyaushe mutum yana jin “plebeian” - mutum daga cikin mutane - mai hankali, mai dabara, wayo, rashin kunya da kirki. Idan ka cire violin daga gare shi, to, zai iya zama kyakkyawan dillalan hannun jari, wakilin hukumar, ɗan kasuwa, lauya, likita, komai. Yana da kyawawan bakar manyan idanuwa, kamar an zuba mai. Wannan "jawo" yana ɓacewa ne kawai lokacin da yake buga manyan abubuwa ... Beethoven, Bach. A gida, Khin-Goldovskaya ya ci gaba, Auer miji ne mai daɗi, mai ƙauna, mai kulawa, mai kirki, ko da yake uba mai tsauri, wanda ke kallon cewa 'yan matan sun san "tsari." Shi mai karbar baki ne, mai jin dadi, mai yawan magana; haziki, mai sha'awar siyasa, adabi, fasaha… Mai sauqi qwarai, ba }aramar matsayi ba. Duk wani ɗalibin ɗakin ajiyar ya fi mahimmanci fiye da shi, mashahurin Turai.

Auer yana da hannaye marasa godiya a jiki kuma an tilasta masa yin karatu na sa'o'i da yawa a rana, ko da lokacin bazara, lokacin hutu. Ya kasance mai ƙwazo na musamman. Aiki a fagen fasaha shi ne tushen rayuwarsa. "Nazari, aiki," shine umarninsa akai-akai ga ɗalibansa, jigon wasiƙunsa ga 'ya'yansa mata. Ya rubuta game da kansa: “Ni kamar injin gudu ne, kuma babu abin da zai hana ni, sai rashin lafiya ko mutuwa…”

Har zuwa 1883, Auer ya zauna a Rasha a matsayin batun Austrian, sannan ya koma dan kasar Rasha. A shekara ta 1896 an ba shi mukamin babban magatakarda na gado, a 1903 - dan majalisar jiha, kuma a 1906 - kansila na ainihi.

Kamar yawancin mawaƙa na zamaninsa, ya kasance mai nisa daga siyasa kuma ya kasance mai natsuwa game da mummunan al'amuran gaskiyar Rasha. Bai gane ba kuma bai yarda da juyin juya halin 1905 ba, ko juyin juya halin Fabrairu 1917, ko ma babban juyin Oktoba. A lokacin rikicin ɗalibi na 1905, wanda kuma ya kama gidan ra'ayin mazan jiya, ya kasance a gefen furofesoshi masu amsawa, amma ta hanyar, ba don ra'ayin siyasa ba, amma saboda tashin hankali… an bayyana a cikin azuzuwan. Conservantism ba shi da tushe. Violin ya ba shi matsayi mai ƙarfi a cikin al'umma, ya shagaltu da fasaha a duk rayuwarsa kuma ya shiga cikinta duka, ba tare da tunanin rashin daidaituwa na tsarin zamantakewa ba. Mafi yawan duka, ya kasance mai sadaukarwa ga ɗalibansa, su ne "ayyukan fasaha" nasa. Kula da ɗalibansa ya zama abin buƙata na ransa, kuma, ba shakka, ya bar Rasha, ya bar 'ya'yansa mata, iyalinsa, ɗakin ajiya a nan, kawai saboda ya ƙare a Amurka tare da dalibansa.

A cikin 1915-1917, Auer ya tafi hutun bazara zuwa Norway, inda ya huta kuma ya yi aiki a lokaci guda, ɗalibansa sun kewaye shi. A cikin 1917 ya zama dole ya zauna a Norway don lokacin sanyi kuma. A nan ya sami juyin juya halin Fabrairu. Da farko, bayan samun labarin juyin juya hali, kawai ya so ya jira su don komawa Rasha, amma ya daina yin haka. A ranar 7 ga Fabrairu, 1918, ya shiga jirgi a Christiania tare da ɗalibansa, kuma bayan kwanaki 10, ɗan wasan violin ɗan shekara 73 ya isa New York. Kasancewar ɗimbin ɗalibansa a Amurka a St. Ya shiga cikin aikin, wanda kamar kullum, ya hadiye shi gaba daya.

Zaman rayuwar Auer na Amurka bai kawo kyakkyawan sakamako na ilmantarwa ga ƴan wasan violin na ban mamaki ba, amma ya kasance mai albarka ta yadda a wannan lokacin ne Auer, ya taƙaita ayyukansa, ya rubuta littattafai da dama: Daga cikin Mawaƙa, Makarantar Wasa ta Violin. , Violin Masterpieces da fassarar su", "Makarantar ci gaba na wasan violin", "Darussan wasa a cikin gungu" a cikin litattafan rubutu guda 4. Mutum zai iya mamakin irin yadda wannan mutumin ya yi a lokacin goma na bakwai da takwas na rayuwarsa!

Daga cikin abubuwan da suka shafi yanayin mutum na ƙarshe na rayuwarsa, ya zama dole a lura da aurensa ga dan wasan pian Wanda Bogutka Stein. Soyayyarsu ta fara ne a kasar Rasha. Wanda ya tafi tare da Auer zuwa Amurka kuma, bisa ga dokokin Amurka waɗanda ba su amince da auren jama'a ba, an kafa ƙungiyar su a cikin 1924.

Har zuwa ƙarshen kwanakinsa, Auer ya ci gaba da kasancewa mai ban mamaki, inganci, da kuzari. Mutuwarsa ta zo da mamaki ga kowa. Duk lokacin rani yana tafiya zuwa Loschwitz, kusa da Dresden. Wata rana da yamma, ya fita baranda sanye da kaya mara nauyi, sai sanyi ya kama shi ya mutu sakamakon ciwon huhu bayan 'yan kwanaki. Wannan ya faru ne a ranar 15 ga Yuli, 1930.

An kai gawar Auer a cikin akwatin gawa mai tudu zuwa Amurka. An yi jana'izar ta ƙarshe a cocin Orthodox na New York. Bayan taron tunawa, Jascha Heifetz ya yi Schubert's Ave, Maria, da I. Hoffmann sun yi wani ɓangare na Beethoven's Moonlight Sonata. Akwatin da gawar Auer ya samu rakiyar dubban jama'a, daga cikinsu akwai mawaka da dama.

Tunawa da Auer yana rayuwa a cikin zukatan ɗalibansa, waɗanda ke kiyaye manyan al'adu na fasaha na hakika na Rasha na karni na XNUMX, wanda ya sami zurfin magana a cikin yin aiki da aikin koyarwa na malaminsu mai ban mamaki.

L. Rabin