Laure Cinti-Damoreau |

Laure Cinti-Damoreau

An haifi Laura Chinti Montal a birnin Paris a shekara ta 1801. Tun tana da shekaru 7 ta fara karatun kida a dakin kade-kade na Paris tare da Giulio Marco Bordogni. Ta kuma yi karatu tare da dan wasan contrabass na Grand Opera da organist Chenier. Daga baya (tun 1816) ta dauki darussa daga sanannen Angelica Catalani, wanda ya jagoranci Parisian "Italian Theater". A cikin wannan gidan wasan kwaikwayo, mawaƙin ya fara halarta a cikin 1818, wanda ya riga ya kasance ƙarƙashin sunan mai suna Chinti, a cikin opera The Rare Thing na Martin y Soler. Nasarar farko ta zo ga mawaƙa a cikin 1819 (Cherubino a cikin Le nozze di Figaro). A 1822 Laura ta yi a London (ba tare da nasara da yawa ba). Haɗuwa da Rossini ya faru a cikin 1825, lokacin da Cinti ya rera wani ɓangare na Countess Folleville a cikin farkon shirin Journey to Reims a Théâtre-Italiane, wannan wasan opera mara daɗi da rashin nasara da aka sadaukar don nadin sarautar Charles X a Reims, da yawa daga cikin waƙoƙin waƙa waɗanda babban ɗan Italiya ya yi amfani da su daga baya a cikin The Comte Ory. A 1826, da singer ya zama soloist a Grand Opera (na farko a Spontini Fernand Cortes), inda ta yi har 1835 (tare da hutu a 1828-1829, a lokacin da artist raira waƙa a Brussels). A cikin shekarar farko ta farko, ita, tare da Rossini, sun yi tsammanin samun nasara mai ban sha'awa a wasan opera The Siege of Corinth (1826, Mohammed II), inda Laura ta rera Pamirs. Adolf Nurri ya taka rawar Neocles, wanda daga baya ya zama abokin tarayya na dindindin (a zamaninmu, ana ba da wannan bangare ga mezzo-soprano). An ci gaba da samun nasara a cikin 1827 a farkon Musa da Fir'auna (Faransanci na Musa a Masar). Bayan shekara guda, wani sabon nasara - farkon duniya na "Comte Ory", wanda Rossini ya rubuta tare da haɗin gwiwar Eugene Scribe. Duet na Chinti (Adel) da Nurri (Ori) sun yi wani ra'ayi da ba za a iya mantawa da su ba, kamar yadda ita kanta wasan opera, da kyar za a iya kima da kyau da tace wakokinta.

Duk shekara mai zuwa, Rossini da ƙwazo ya tsara "William Tell". An jinkirta wasan farko sau da yawa, ciki har da saboda gaskiyar cewa Laura, wanda ya auri sanannen maigidan Vincent Charles Damoreau (1828-1793) a 1863, yana tsammanin yaro. Jaridun Parisiya sun rubuta game da wannan da ƙayatattun halayen wancan lokacin: “Ta zama mace ta shari’a, signora Damoro da son rai ta halaka kanta ga wasu rashin jin daɗi na shari’a, wanda za a iya sanin tsawon lokacinsa daidai.” Yunkurin maye gurbin mawakin ya ci tura. Jama'a da mawaƙa sun so su ga Laura kawai, wanda yanzu ya zama Chinti-Damoro.

A ƙarshe, a ranar 3 ga Agusta, 1829, an fara wasan William Tell. Rossini ya yi rashin sa'a akai-akai tare da farko, har ma yana son yin ba'a cewa yana da kyau a yi la'akari da wasan kwaikwayon na biyu a matsayin farko. Amma a nan komai ya fi rikitarwa. Masu sauraro ba su shirya don sabon abun ciki ba. Sabbin launukansa da wasan kwaikwayo ba a fahimci su ba, duk da cewa aikin yana da daraja sosai a cikin ƙwararrun masu fasaha. Duk da haka, masu soloists (Chinti-Damoro kamar Matilda, Nurri a matsayin Arnold, shahararren bass Nicola-Prosper Levasseur kamar Walter Fürst da sauransu) sun sami karbuwa sosai.

William Tell shine aikin ƙarshe na Rossini na gidan wasan kwaikwayo. A halin yanzu, aikin Laura ya ci gaba da sauri. A cikin 1831, ta yi wasan farko na Meyerbeer's Robert the Devil (bangaren Isabella), wanda Weber, Cherubini, da sauransu suka rera a cikin wasan operas. A cikin 1833, Laura ta zagaya London a karo na biyu, wannan lokacin tare da babban nasara. A cikin 1836-1843 Chinti-Damoro ya kasance mai soloist a Opera Comique. A nan ta shiga cikin farkon wasan kwaikwayo na Aubert, daga cikinsu - "Black Domino" (1837, ɓangaren Angela).

A 1943, mawaƙin ya bar mataki, amma ya ci gaba da yin wasan kwaikwayo. A 1844 ta yi yawon shakatawa na Amurka (tare da Belgian violinist AJ Artaud), a cikin 1846 St. Petersburg ya yaba mata.

Ana kuma san Chinti-Damoro a matsayin malamin murya. Ta koyar a Paris Conservatoire (1836-1854). Marubucin litattafai da dama kan hanya da ka'idar rera waka.

A cewar masu zamani, Cinti-Damoro ta haɗa haɗin kai da wadatar ƙwararrun makarantar muryar Faransa tare da ingantacciyar fasahar Italiyanci a cikin fasaharta. Nasarar ta ya ko'ina. Ta shiga cikin tarihin wasan opera a matsayin fitacciyar mawaƙa na rabin 1st na karni na 19.

E. Tsodokov