Juan Diego Flores |

Juan Diego Florez

Shi ba dan takara ba ne don taken "Tenor na Hudu" kuma baya da'awar rawanin kalubale na Pavarotti da Placido Domingo nan ba da jimawa ba. Ba zai ci nasara da talakawan Nessun dorm-oh ba - ta hanyar, ba ya rera Puccini kwata-kwata kuma rawar Verdiian guda ɗaya kawai - matashin saurayin Fenton a Falstaff. Duk da haka, Juan Diego Flores ya riga ya kan hanyarsa ta zuwa taurari, godiya ga wata irin murya da Italiyanci ke kira "tenore di grazia" (mai kyau tenor). Shahararrun gidajen opera na duniya sun riga sun ba shi dabino a matsayin mai yin ayyukan Belcante na Rossini, Bellini da Donizetti.

Lambun Covent ya tuna da rawar da ya taka a cikin "Othello" da "Cinderella" na Rossini a bara, kuma nan da nan ya dawo can a matsayin Elvino, ango na shahararren mahaukaci a cikin "Sleepwalker" na Bellini. Wannan kakar, da 28-shekara singer, a fili sane da damar iya yin komai, ya riga rera wannan bangare a cikin wani samar da Vienna Opera (a London za a gani a cikin Maris 2002), da kuma nace cewa rawar da Bellini ya rubuta. Giovanni Rubini wanda ya shahara a zamaninsa, an kashe shi ba tare da yanke hukunci ba. Kuma ya yi abin da ya dace, saboda dukan abun da ke ciki shi ne ainihin mawaƙa na duniya, ba tare da la'akari da N. Dessey ba, wanda ya kamu da rashin lafiya kuma aka maye gurbinsa. A London, Aminansa za ta kasance matashiyar Helenanci Elena Kelessidi (an haife shi a Kazakhstan, tana yin wasan kwaikwayo a Turai tun 1992 - ed.), Wanda ya riga ya sami nasarar lashe zukatan masu sauraro tare da wasan kwaikwayon ta a La Traviata. A ƙarshe, akwai fatan cewa samar da Royal Opera zai zama mafi nasara a kowane fanni, duk da rashin bege scenography na Marco Arturo Marelli, wanda ya sanya aikin Bellini na opera a cikin saitin wani tsaunuka sanatorium daga Thomas Mann's "Magic". Dutsen”! Ƙarfafa jerin masu yin wasan kwaikwayo a cikin CG, ciki har da Cardiff Singer na Duniya, Inger Dam-Jensen, Alastair Miles da madugu M. Benini, ya kafa yanayi don wannan - a kalla a kan takarda duk abin da ya fi dacewa idan aka kwatanta da mediocries a Vienna.

Duk da haka, Flores ya kusan zama cikakke a cikin rawar Elvino, kuma waɗanda suka gan shi Rodrigo a Othello ko Don Ramiro a Cinderella sun san cewa shi ma siriri ne da kyan gani, kamar muryarsa na gargajiya ce a cikin dokinta Italiyanci ne. , Tare da kai hari mai haske, kewayon kewayo a cikin stratosphere, wanda Tenors guda uku ba su taɓa yin mafarki ba, sassauƙa, wayar hannu a cikin roulades da kayan ado, cike da cikar buƙatun da mawaƙa na zamanin bel canto suka saita don masu mallakar su.

Ba abin mamaki ba, don haka, cewa Decca "ya kama" shi da farko, yana sanya hannu kan kwangilar faifan solo. Faifan Rossini na mawaƙa na farko ya haɗa da aria na ƙarshe na Count Almaviva daga The Barber of Seville, wanda kusan koyaushe yana katsewa, yayin da Flores, akasin haka, yana rera shi a duk lokacin da damar ta taso. "Rossini da farko ya kira opera Almaviva kuma ya rubuta ta don babban leggiero Manuel Garcia, wanda shine dalilin da ya sa ba za a gajarta ba. Barber opera ce ta mai kunnawa, ba baritone ba” - Figaro kaɗan ne za su yarda da wannan magana, amma tarihi yana gefen Flores kuma yana da ƙawancin murya don tabbatar da wannan sigar ta musamman.

Decca a fili yana yin fare akan Flores a matsayin abokin C. Bartoli. A cikin Rossini muryoyin su za su haɗu daidai. Akwai jita-jita game da rikodin The Thieving Magpie, wani ƙwararren ƙwararren da ba a san shi ba wanda ya buɗe da ɗaya daga cikin fitattun fitattun mawaƙan. Bartoli da Flores za su iya dawo da wannan wasan opera cikin repertoire.

Duk da ƙuruciyarsa, Flores yana da masaniya game da abubuwan da ya dace da kuma damarsa. "Na rera Rinucci a cikin ayyukan Vienna na Puccini's Gianni Schicchi kuma ba zan sake yin ta a gidan wasan kwaikwayo ba. Karamin bangare ne, amma na ji irin nauyin muryata.” Yana da gaskiya. Puccini ya rubuta wannan rawar don ɗan wasa ɗaya wanda ya rera rawar Luigi mai ban mamaki a cikin wasan farko na The Cloak, a farkon farkon Triptych na New York Metropolitan. Rinucci's records sau da yawa suna nuna masu haya tare da muryoyi kamar Flores, amma a cikin gidan wasan kwaikwayo ana buƙatar matashi Domingo. Irin wannan kima na mawaƙa na "ƙwaƙwalwa" yana da ban mamaki, watakila kuma saboda Flores, ko da yake ya girma a cikin iyalin kida daga Lima, bai taba nufin ya zama mawaƙa na opera ba.

“Mahaifina ƙwararren ƙwararren mai yin kiɗan jama’a ne na Peruvian. A gida, nakan ji yana rera waka da kadar. Ni kaina, farawa daga shekaru 14, kuma ina son kunna guitar, duk da haka, abubuwan da nawa. Na rubuta wakoki, ina son rock da nadi, ina da mawakan dutse na, kuma babu kidan gargajiya da yawa a rayuwata.

Hakan ya faru ne cewa shugaban ƙungiyar mawaƙa ta makarantar sakandare ya fara ba wa Flores amana da solo sassa har ma da yin karatu a ɗaiɗaiku. "Ya sa na juya zuwa hanyar wasan opera, kuma a karkashin jagorancinsa na koyi duke's aria Questa o quella daga Rigoletto da Schubert's Ave Maria. Tare da waɗannan lambobi biyu ne na yi a wurin taron sauraren ra'ayoyin jama'a a Lima.

A cikin ɗakin ajiyar mawaƙa, mawaƙin ya ce, na dogon lokaci ba zai iya tantance abin da ya dace da muryarsa ba, kuma ya yi sauri tsakanin mashahurin kiɗa da na gargajiya. “Ina so in yi nazarin kiɗan gabaɗaya, musamman yadda ake yin kida da kuma wasan piano. Na fara koyon yadda ake kunna Chopin a cikin dare kuma in raka kaina." A cikin gidan Flores's Viennese, wanda Domingo ya ba shi hayar, an bayyana bayanan Debussy's "Le Petit Negre" akan piano, wanda ke nuna sha'awar kiɗan da ta wuce aikin wasan kwaikwayo.

"A karon farko na fara fahimtar wani abu yayin da nake aiki tare da dan wasan Peruvian Ernesto Palacio. Ya gaya mani: "Kuna da irin murya ta musamman kuma dole ne a kula da ita." Na sadu da shi a cikin 1994 kuma lokacin da ya ji ni, ya riga ya sami wasu ra'ayoyi, amma babu wani abu na musamman, ya ba da damar yin rikodin ƙaramin rawa a CD. Sai na tafi tare da shi don yin karatu a Italiya kuma a hankali na fara ingantawa.”

Flores ya fara yin "spurt" na farko a cikin 1996, yana da shekaru 23 kawai. "Na je bikin Rossini a Pesaro da gaggawa don shirya ƙaramin aiki a Mathilde di Chabran, kuma duk ya ƙare tare da wasan kwaikwayo na babban ɓangaren. Daraktocin gidajen wasan kwaikwayo da yawa sun halarci bikin, kuma nan da nan na zama sananne sosai. Bayan aikina na farko na ƙwararru a opera, kalandana ya cika da ƙarfi. A La Scala an gayyace ni zuwa taron jita-jita a watan Agusta, kuma a cikin Disamba na yi waka a Milan a Armida, a Wexford a Meyerbeer's North Star, da sauran manyan gidajen wasan kwaikwayo suma suna jira.

Bayan shekara guda, Covent Garden ya yi sa'a don "samu" Flores don maye gurbin D. Sabbatini a cikin wasan kwaikwayo na wasan kwaikwayo na wasan kwaikwayo na opera "Elizabeth" na Donizetti da sauri ya kammala kwangila tare da shi don "Othello", "Cinderella" da "Sleepwalker". ". Landan na iya sa ran dawowar Cinderella mai nasara sosai kuma, a fili, lokaci yayi da za a yi tunani game da sabon Barber na Seville - oh, hakuri - Almaviva - don mafi kyawun matashin Rossini tenor na zamaninmu.

Hugh Canning Jaridar Sunday Times, Nuwamba 11, 2001 Bugawa da fassara daga Turanci ta Marina Demina, operanews.ru