Jonas Kaufmann (Jonas Kaufmann) |

Jonas Kaufmann

Tenor da aka fi nema a cikin wasan opera na duniya, wanda aka tsara jadawalinsa na tsawon shekaru biyar masu zuwa, wanda ya lashe kyautar Italiyanci na 2009 da lambar yabo ta Classica na 2011 daga kamfanonin rikodin. Mai zane wanda sunansa a kan fosta ya ba da tabbacin cikakken gida don kusan kowane lakabi a cikin mafi kyawun gidajen wasan opera na Turai da Amurka. Don wannan za mu iya ƙara bayyanar matakin da ba za a iya jurewa ba da kuma kasancewar sanannen kwarjini, wanda kowa ya tabbatar da shi ... Misali ga matasa tsara, wani abu na baki da fari hassada ga abokan hamayya - duk wannan shi ne, Jonas Kaufman.

Nasarar hayaniya ta same shi ba da dadewa ba, a cikin 2006, bayan babban nasara na halarta a karon a Metropolitan. Ga mutane da yawa cewa kyakkyawan tenor ya fito daga ko'ina, kuma wasu har yanzu suna ɗaukarsa a matsayin masoyi kawai. Duk da haka, tarihin rayuwar Kaufman ya kasance idan aka sami ci gaba mai jituwa tare da ci gaba mai kyau, aikin da aka gina cikin hikima da kuma ainihin sha'awar mai zane ga sana'arsa. "Ban taɓa fahimtar dalilin da yasa opera ba ta shahara sosai," in ji Kaufman. "Yana da daɗi sosai!"

Overture

Ƙaunar opera da kiɗa ya fara tun yana ƙarami, kodayake iyayensa na Jamus ta Gabas da suka zauna a Munich a farkon 60s ba mawaƙa ba ne. Mahaifinsa ya yi aiki a matsayin wakilin inshora, mahaifiyarsa ƙwararriyar malami ce, bayan haihuwar ɗanta na biyu ('yar'uwar Jonas ta girme shi da shekaru biyar), ta sadaukar da kanta ga iyali da kuma renon yara. Wani bene a sama da kakan ya rayu, mai sha'awar Wagner, wanda sau da yawa yakan gangara zuwa ɗakin jikokinsa kuma ya yi wasan operas da ya fi so a piano. Jonas ya ce: “Ya yi hakan ne don jin daɗin kansa kawai, “shi da kansa ya rera waƙa, ya rera sassan mata a cikin falsetto, amma ya saka sha’awa sosai a wannan wasan da ya sa mu yara abin farin ciki ne kuma a ƙarshe ya fi ilimantarwa. fiye da sauraron diski akan kayan aikin aji na farko. Uban ya sanya rikodin kiɗan kiɗan ga yara, daga cikinsu akwai Shostakovich symphonies da Rachmaninoff concertos, kuma babban girmamawa ga litattafan gargajiya ya kasance mai girma wanda na dogon lokaci ba a yarda yara su juya bayanan don kada su juya ba. ba da gangan lalata su.

Yana da shekaru biyar, an dauki yaron zuwa wasan opera, ko kadan ba wai Madama Butterfly na yara ba. Wannan ra'ayi na farko, kamar haske kamar bugun, mawaƙin har yanzu yana son tunawa.

Amma bayan waccan makarantar kiɗan ba ta bi ba, kuma baƙar magana ga makullin ko baka (ko da yake Jonas yana ɗan shekara takwas ya fara nazarin piano). Iyaye masu hankali sun aika da dansu zuwa dakin motsa jiki na gargajiya, inda, ban da batutuwan da suka saba, sun koyar da Latin da Girkanci na dā, kuma babu 'yan mata har zuwa digiri na 8. Amma a daya bangaren kuma, akwai wata kungiyar mawaka karkashin jagorancin wani matashin malami mai kishi, kuma ana rera waka a wurin har zuwa lokacin kammala karatun abin farin ciki, lada. Ko da maye gurbin da aka saba da shi na shekaru ya wuce lafiya kuma ba a fahimta ba, ba tare da katse darasi ba har kwana guda. A lokaci guda, wasan kwaikwayo na farko da aka biya ya faru - shiga cikin majami'u da bukukuwan birni, a cikin aji na ƙarshe, har ma da yin hidima a matsayin mawaƙa a cikin gidan wasan kwaikwayo na Prince Regent.

Yoni mai farin ciki ya girma a matsayin ɗan adam: yana buga ƙwallon ƙafa, ya ɗan yi ɓarna a cikin darasi, yana sha'awar fasahar zamani har ma ya sayar da rediyo. Amma a lokaci guda, akwai kuma biyan kuɗi na iyali zuwa Bavarian Opera, inda mafi kyawun mawaƙa da masu gudanarwa a duniya suka yi a cikin 80s, da tafiye-tafiye na rani na shekara-shekara zuwa wurare daban-daban na tarihi da al'adu a Italiya. Mahaifina ya kasance mai sha'awar Italiyanci, ya riga ya girma ya koyi harshen Italiyanci. Daga baya, ga tambayar ɗan jarida: "Za ku so, Mista Kaufman, lokacin da kuke shirya aikin Cavaradossi, ku je Roma, ku dubi Castel Sant'Angelo, da dai sauransu?" Jonas zai amsa kawai: “Me ya sa aka tafi da gangan, na ga duka sa’ad da nake yaro.”

Duk da haka, a ƙarshen makaranta, an yanke shawara a majalisar iyali cewa mutumin ya kamata ya sami ƙwararrun ƙwararrun fasaha. Kuma ya shiga sashin ilimin lissafi na Jami'ar Munich. Ya yi semester biyu, amma sha'awar waƙa ya fi ƙarfin. Ya garzaya zuwa cikin wanda ba a sani ba, ya bar jami'a kuma ya zama dalibi a Higher School of Music a Munich.

Ba mai fara'a ba

Kaufman baya son tunawa da malamai masu ra'ayin mazan jiya. A cewarsa, "sun yi imani cewa masu mallakar Jamus ya kamata su raira waƙa kamar Peter Schreyer, wato, tare da haske, sauti mai haske. Muryata ta kasance kamar Mickey Mouse. Ee, kuma abin da za ku iya koyarwa da gaske a cikin darussa biyu na mintuna 45 a mako! Makarantar sakandare duk game da solfeggio, wasan wasan zorro da ballet. Fencing da ballet, duk da haka, za su ci gaba da bauta wa Kaufman a matsayi mai kyau: Sigmund, Lohengrin da Faust, Don Carlos da Jose suna da tabbacin ba kawai murya ba, har ma da filastik, ciki har da makamai a hannunsu.

Farfesa Helmut Deutsch na ɗakin karatu ya tuna da Kaufman ɗalibin a matsayin matashi mai taurin kai, wanda komai ya kasance mai sauƙi a gare shi, amma shi da kansa bai daina karatunsa ba, yana jin daɗin matsayi na musamman a tsakanin ’yan uwansa ɗalibai saboda saninsa da duk abin da ya koya. sabuwar kidan pop da rock da ikon yin sauri kuma yana da kyau a gyara kowane mai rikodin kaset ko mai kunnawa. Koyaya, Jonas ya sauke karatu daga Makarantar Sakandare a cikin 1994 tare da karramawa a fannoni biyu lokaci guda - a matsayin opera da mawaƙin ɗaki. Helmut Deutsch ne wanda zai zama abokin tarayya na yau da kullun a cikin shirye-shiryen ɗakin karatu da rikodin fiye da shekaru goma.

Amma a cikin ƙasarsa, ƙaunataccen Munich, babu wanda ya buƙaci kyakkyawan kyakkyawan ɗalibi mai haske, amma mai mahimmanci. Hatta don ayyuka na al'ada. An sami kwantiragin dindindin a Saarbrücken kawai, a cikin gidan wasan kwaikwayo na farko a cikin "mafi girman yamma" na Jamus. Yanayin yanayi guda biyu, a cikin harshenmu, a cikin "walruses" ko da kyau, a cikin hanyar Turai, a cikin sulhu, ƙananan ayyuka, amma sau da yawa, wani lokacin kowace rana. Da farko, kuskuren sitiriyo na muryar ya sanya kansa ji. Ya zama mafi wuya ga raira waƙa, tunani game da komawa zuwa ainihin ilimin kimiyya ya riga ya bayyana. Bambaro na ƙarshe shine bayyanar a cikin rawar daya daga cikin Armigers a Wagner's Parsifal, lokacin da a cikin gyaran tufafin madugu ya ce a gaban kowa: "Ba za a iya jin ku ba" - kuma babu murya ko kaɗan, har ma. yayi zafi magana.

Wani abokin aiki, wani tsoho bass, ya ji tausayi, ya ba da lambar wayar wani malami-ceton wanda ke zaune a Trier. Sunansa - Michael Rhodes - bayan Kaufman yanzu yana tunawa da godiya ga dubban magoya bayansa.

Haihuwar Girka, Michael Rhodes ya rera waƙa na shekaru da yawa a gidajen wasan opera daban-daban a Amurka. Bai yi fice a sana’a ba, amma ya taimaki mutane da yawa su sami nasu murya ta gaske. A lokacin ganawar da Jonas, Maestro Rhodes ya haura 70, don haka sadarwa tare da shi ya zama makarantar tarihi da ba kasafai ba, tun daga al'adun farkon karni na ashirin. Rhodes da kansa yayi karatu tare da Giuseppe di Luca (1876-1950), ɗaya daga cikin manyan malaman baritone da murya na ƙarni na 22. Daga gare shi, Rhodes ya karbi dabarar fadada maƙogwaro, yana ba da damar muryar murya kyauta, ba tare da tashin hankali ba. Misali na irin wannan waƙa za a iya ji a kan tsira rikodin di Luca, daga cikinsu akwai duets tare da Enrico Caruso. Kuma idan muka yi la'akari da cewa di Luca ya rera manyan sassa na yanayi na 1947 a jere a Metropolitan, amma har ma a cikin wasan kwaikwayo na bankwana a 73 (lokacin da mawaƙa yana da shekaru XNUMX) muryarsa ta cika, to za mu iya. kammala cewa wannan dabara ba wai kawai tana ba da cikakkiyar fasaha ta murya ba, amma har ma tana tsawaita rayuwar mawaƙa.

Maestro Rhodes ya bayyana wa matashin Bajamushe cewa 'yanci da ikon rarraba sojojin su ne manyan sirrin tsohuwar makarantar Italiya. "Don haka bayan wasan kwaikwayon da alama - za ku iya sake rera dukan opera!" Ya fitar da timbre na gaskiya, duhu matte baritone, ya sanya manyan bayanai masu haske, "zinariya" ga masu haya. Tuni 'yan watanni bayan fara karatun, da gaba gaɗi Rhodes ya annabta wa ɗalibin: "Za ku zama Lohengrin na."

A wani lokaci, ya zama ba zai yiwu ba a haɗa karatun a cikin Trier tare da aiki na dindindin a Saarbrücken, kuma matashin mawaƙa, wanda a ƙarshe ya ji kamar ƙwararren, ya yanke shawarar shiga cikin "wasan kwaikwayo na kyauta". Daga gidan wasan kwaikwayo na farko na dindindin, wanda ƙungiyarsa ya riƙe mafi kyawun jin daɗi, ya ɗauke ba kawai kwarewa ba, har ma da manyan mezzo-soprano Margaret Joswig, wanda ba da daɗewa ba ya zama matarsa. Manyan jam'iyyun farko sun bayyana a Heidelberg (Z. Romberg's operetta The Prince Student), Würzburg (Tamino in The Magic Flute), Stuttgart (Almaviva a cikin Barber na Seville).

Hanzarta

Shekaru 1997-98 sun kawo Kaufman ayyuka mafi mahimmanci da kuma tsarin rayuwa daban-daban na rayuwa a cikin opera. Haƙiƙa ƙaddara ce taron da aka yi a 1997 tare da almara Giorgio Strehler, wanda ya zaɓi Jonas daga ɗaruruwan masu neman aikin Ferrando don sabon samar da Così fan tutte. Yi aiki tare da maigidan wasan kwaikwayo na Turai, ko da yake ɗan gajeren lokaci kuma ba a kawo shi zuwa wasan karshe da maigidan (Streler ya mutu da ciwon zuciya wata daya kafin fara farawa), Kaufman ya tuna da farin ciki akai-akai a gaban wani gwani wanda ya sami damar bayarwa. matasa masu fasaha suna da ƙarfi don haɓakawa mai ban mamaki tare da cikakken karatun kuruciyarsa na wuta, ga sanin gaskiyar kasancewar ɗan wasan a cikin tarurrukan gidan wasan opera. Wasan kwaikwayo tare da ƙungiyar matasa ƙwararrun mawaƙa (abokin Kaufman shine soprano na Georgian Eteri Gvazava) gidan talabijin na Italiya ne ya rubuta shi kuma ya yi nasara a yawon shakatawa a Japan. Amma babu wani karuwa a cikin shahararrun, yawancin tayi daga farkon wasan kwaikwayo na Turai zuwa tenor, wanda ya mallaki dukan jimlar halayen da ake so ga matashi mai ƙauna, bai bi ba. A hankali sosai, sannu a hankali, ba tare da kula da haɓakawa ba, talla, ya shirya sabbin ƙungiyoyi.

Stuttgart Opera, wacce ta zama “gidajen wasan kwaikwayo na asali” na Kaufmann a lokacin, ita ce tushen mafi girman tunani a gidan wasan kwaikwayo: Hans Neuenfels, Ruth Berghaus, Johannes Schaaf, Peter Moussbach da Martin Kusche suka shirya a wurin. Yin aiki tare da Kushey a kan "Fidelio" a cikin 1998 (Jacquino), bisa ga abubuwan tunawa na Kaufman, shine ƙwarewar farko da ta samu a cikin gidan wasan kwaikwayo na darektan, inda kowane numfashi, kowane nau'i na mai wasan kwaikwayo ya kasance saboda wasan kwaikwayo na kiɗa da kuma umarni na darektan a gidan wasan kwaikwayo. lokaci guda. Don rawar da Edrisi ya taka a cikin "King Roger" na K. Szymanowski, mujallar Jamus "Opernwelt" ta kira matashin dan wasan "ganowar shekara."

A layi daya da wasanni a Stuttgart, Kaufman ya bayyana a cikin La Scala (Jacquino, 1999), a Salzburg (Belmont a Sace daga Seraglio), debuts a La Monnaie (Belmont) da Zurich Opera (Tamino), a 2001 ya rera waƙa don a karo na farko a Chicago, ba tare da risking ba, duk da haka, fara nan da nan tare da babban rawa a cikin Verdi ta Othello, da kuma iyakance kansa ga taka rawa na Cassio (zai yi haka nan tare da Parisian halarta a karon a 2004). A cikin waɗannan shekarun, bisa ga kalmomin Jonas, bai ma yi mafarkin matsayin ɗan wasa na farko a kan matakan lambun Met ko Covent Garden ba: “Na kasance kamar wata a gabansu!”

Poco a poco

Tun daga shekara ta 2002, Jonas Kaufmann ya kasance cikakken mawallafin soloist na Zurich Opera, a lokaci guda kuma, labarin labarin kasa da tarihin wasan kwaikwayonsa a biranen Jamus da Ostiriya yana haɓaka. A cikin kide-kide da juzu'i na rabin-mataki, ya yi Beethoven's Fidelio da Verdi's The Robbers, sassan tenor a cikin kade-kade na 9th, oratorio Kristi akan Dutsen Zaitun da Babban Mass na Beethoven, Halittar Haydn da Mass a E-flat manyan Schubert, Berlioz's Requiem da Liszt's Faust Symphony; Zagayen zagaye na ɗakin Schubert…

A shekara ta 2002, taron farko ya faru tare da Antonio Pappano, wanda a karkashin jagorancin La Monnaie Jonas ya shiga cikin wani m samar da Berlioz ta mataki oratorio The Damnation na Faust. Abin mamaki shine, rawar da Kaufmann ya yi a cikin mafi wuyar lakabi, tare da bass mai ban mamaki Jose Van Damme (Mephistopheles), bai sami amsa mai yawa ba a cikin jarida. Duk da haka, manema labarai ba su ba Kaufman hankali ba a lokacin, amma an yi sa'a, yawancin ayyukansa na waɗannan shekarun an dauki su ta hanyar sauti da bidiyo.

Wasan opera na Zurich, wanda Alexander Pereira ya jagoranta a wadannan shekarun, ya baiwa Kaufman damar yin wakoki daban-daban da kuma damar inganta surutu da kuma a kan mataki, tare da hada kade-kaden wakoki da na ban mamaki. Lindor a cikin Nina na Paisiello, inda Cecilia Bartoli ta taka rawa, Mozart's Idomeneo, Emperor Titus a cikin kansa Titus' rahama, Florestan a cikin Beethoven's Fidelio, wanda daga baya ya zama alamar mawaƙa, Duke a cikin Verdi's Rigoletto, F. Schubert's "Fierrabras" na "Fierrabras". daga mantuwa - kowane hoto, murya da aiki, yana cike da fasaha balagagge, wanda ya cancanci zama a cikin tarihin opera. Ayyukan ban sha'awa, babban gungu mai ƙarfi (kusa da Kaufman akan mataki sune Laszlo Polgar, Vesselina Kazarova, Cecilia Bartoli, Michael Folle, Thomas Hampson, a filin wasa Nikolaus Arnoncourt, Franz Welser-Möst, Nello Santi…)

Amma kamar yadda yake a da, Kaufman ya kasance "sannu sosai a cikin kunkuntar da'ira" na yau da kullun a cikin gidan wasan kwaikwayo na Jamusanci. Babu wani abu da ya canza ko da na halarta na farko a Lambun Covent na London a cikin Satumba 2004, lokacin da ya maye gurbin Roberto Alagna mai ritaya ba zato ba tsammani a G. Puccini's The Swallow. A sa'an nan ne aka sani da prima donna Angela Georgiou, wanda ya gudanar da godiya ga fitattun bayanai da amincin abokin tarayya na matashin Jamusanci, ya faru.

A cikakkiyar murya

“Sa’ar ta zo” a cikin Janairu 2006. Kamar yadda har yanzu wasu ke cewa tare da ƙeta, duk wani abu ne na daidaituwa: ɗan wasan Met, Rolando Villazon, ya katse wasan kwaikwayon na dogon lokaci saboda matsaloli masu tsanani da muryarsa, Alfred ya kasance. ana buƙatar gaggawa a La Traviata, Georgiou, mai himma wajen zaɓar abokan hulɗa, tunawa da ba da shawara Kaufman.

Tafi da aka yi wa sabon Alfred bayan aiki na 3 ya yi wa sabon Alfred raini sosai har kamar yadda Jonas ya tuna, ƙafafunsa sun kusa bacewa, da gangan ya yi tunani: “Shin da gaske na yi haka?” Ana iya samun gutsuwar wannan aikin a yau akan You Tube. Wani bakon ji: sauti mai haske, kunna yanayin yanayi. Amma me ya sa banal Alfred, ba zurfafan rawar da ya taka a baya ba, ya kafa tushen shaharar Kaufman? Mahimmanci jam'iyyar abokin tarayya, inda akwai kyawawan kide-kide masu yawa, amma babu wani abu mai mahimmanci da za a iya gabatar da shi a cikin hoton da karfi na nufin marubucin, saboda wannan opera game da ita, game da Violetta. Amma watakila shi ne ainihin wannan tasirin girgizar da ba zato ba tsammani daga wani sosai sabo aiwatar da wani ɓangaren da ake ganin an yi nazari sosai, kuma ya kawo irin wannan gagarumar nasara.

Ya kasance tare da "La Traviata" wanda ya fara karuwa a cikin shahararren tauraron mai zane. Don a ce ya "tashi shahararre" zai iya zama mai tsayi: shaharar opera ba ta da nisa daga shahara ga taurarin fina-finai da TV. Amma tun daga shekara ta 2006, mafi kyawun gidajen opera sun fara farautar mawaƙa mai shekaru 36, nesa ba kusa ba game da ƙayyadaddun ƙa'idodin yau, suna gwada shi da yin takara tare da kwangiloli masu jaraba.

A cikin wannan 2006, ya rera waka a Vienna State Opera (The Magic sarewa), ya sa ya halarta a karon a matsayin Jose a Covent Garden (Carmen tare da Anna Caterina Antonacci, shi ne mai resounding nasara, kamar yadda shi ne saki CD tare da wasan kwaikwayon, da kuma rawar. na Jose na shekaru da yawa zai zama wani ba kawai wurin hutawa ba, amma kuma ƙaunataccen); a cikin 2007 ya rera Alfred a Paris Opera da La Scala, ya fitar da fayafan solo na farko na Arias…

Shekara ta gaba, 2008, ta ƙara zuwa jerin "al'amuran farko" Berlin tare da La bohème da Lyric Opera a Chicago, inda Kaufman ya yi tare da Natalie Dessay a Massenet's Manon.

A watan Disamba 2008, ya kawai concert a Moscow ya zuwa yanzu ya faru: Dmitry Hvorostovsky gayyace Jonas zuwa ga shekara-shekara concert shirin a cikin Kremlin Palace of Congresses "Hvorostovsky da abokai".

A cikin 2009, Kaufman ya sami karbuwa ta gourmets a Vienna Opera a matsayin Cavaradossi a cikin Tosca na Puccini (wanda ya fara halarta a cikin wannan rawar gani ya faru shekara guda a London). A cikin 2009 guda, sun koma ƙasarsu ta Munich, a alamance, ba a kan farin doki ba, amma tare da farin swan - "Lohengrin", watsa shirye-shiryen kai tsaye a kan manyan fuska akan Max-Josef Platz a gaban Bavarian Opera, ya tara dubban mutane. na 'yan kasar masu ni'ima , da hawaye a idanunsu suna sauraron shigar "A cikin fernem Land". Har ma an gane jarumin soyayya a cikin T-shirt da sneakers wanda darakta ya dora masa.

Kuma, a ƙarshe, buɗewar kakar wasa a La Scala, Disamba 7, 2009. Sabon Don Jose a Carmen aiki ne mai rikitarwa, amma nasara marar iyaka ga Bavarian tenor. Farkon 2010 - nasara a kan 'yan Parisiya a filin su, "Werther" a Bastille Opera, Faransanci mara kyau da aka gane da masu sukar, cikakkiyar haɗuwa tare da siffar JW Goethe da kuma salon soyayya na Massenet.

Da dukan rai

Ina so in lura cewa duk lokacin da libertto ya dogara ne akan al'adun Jamusanci, Kaufman yana nuna girmamawa ta musamman. Ko Don Carlos na Verdi ne a London ko kwanan nan a Bavarian Opera, ya tuna da nuances daga Schiller, Werther iri ɗaya ko, musamman, Faust, wanda ke haifar da halayen Goethe koyaushe. Hoton Likitan da ya sayar da ransa ya kasance ba a raba shi da mawaki tsawon shekaru. Za mu iya kuma tuna da sa hannu a cikin F. Busoni ta Doctor Faust a cikin episodic matsayi na Student, da kuma riga aka ambata Berlioz ta La'antar Faust, F. Liszt ta Faust Symphony, da arias daga A. Boito's Mephistopheles kunshe a cikin solo CD "Arias na Verism". Kiransa na farko ga Faust of Ch. Gounod a cikin 2005 a Zurich za a iya yanke hukunci ta hanyar rikodin bidiyo mai aiki daga gidan wasan kwaikwayo da ke kan Yanar gizo. Amma wasanni biyu daban-daban a wannan kakar - a Met, wanda aka watsa shi kai tsaye a gidajen sinima a duniya, kuma mafi girman kai a Vienna Opera, ya ba da ra'ayi game da aikin da ke gudana a kan hoton da ba ya ƙarewa na duniya classic. . A lokaci guda kuma, mawaƙin da kansa ya yarda cewa a gare shi kyakkyawan tsarin siffar Faust yana cikin waƙar Goethe, kuma don isasshiyar canja wuri zuwa matakin wasan opera, ana buƙatar ƙarar tetralogy na Wagner.

Gabaɗaya, yana karanta wallafe-wallafe masu yawa, yana bin sabon salo a cikin fitattun fina-finai. Tattaunawar Jonas Kaufmann, ba kawai a cikin Jamusanci na asali ba, har ma a cikin Ingilishi, Italiyanci, Faransanci, karatu ne mai ban sha'awa koyaushe: mai zane ba ya samun jimlar jimloli, amma yana magana game da halayensa da kuma game da wasan kwaikwayo na kiɗa gabaɗaya a cikin daidaito. da zurfin hanya.

Yadu

Ba shi yiwuwa ba a ambaci wani bangare na aikinsa ba - wasan kwaikwayo na ɗakin da kuma shiga cikin kide kide da wake-wake. Kowace shekara ba ya da kasala don yin sabon shiri daga danginsa Lieder tare da tsohon farfesa, kuma a yanzu aboki kuma abokin tarayya mai mahimmanci Helmut Deutsch. The kusanci, gaskiya na sanarwa bai hana faɗuwar 2011 tattara cikakken 4000 dubu zauren Metropolitan a irin wannan jam'iyya maraice, wanda ba a nan domin 17 shekaru, tun da solo concert na Luciano Pavarotti. Wani "rauni" na musamman na Kaufmann shine ayyukan ɗakin Gustav Mahler. Tare da wannan marubucin sufanci, yana jin dangi na musamman, wanda ya sha bayyanawa. Yawancin wakokin soyayya an riga an rera su, “Waƙar Duniya”. Kwanan nan, musamman ga Jonas, matashin darektan kungiyar Orchestra na Birmingham, mazaunin Riga Andris Nelsons, ya sami nau'in Waƙoƙin Mahler game da Matattu waɗanda ba a taɓa yin su ba ga kalmomin F. Rückert a cikin maɓallin tenor (ƙananan na uku mafi girma fiye da asali). Shigarwa da shiga cikin sigar alama na aikin na Kaufman yana da ban mamaki, fassararsa tana kan daidai da rikodi na yau da kullun na D. Fischer-Dieskau.

Jadawalin mawaƙin an tsara shi sosai har zuwa 2017, kowa yana son shi kuma ya yaudare shi da tayi daban-daban. Mawakin ya koka da cewa wannan duka biyun horo da sarƙoƙi ne a lokaci guda. "Ka yi ƙoƙarin tambayar mai zane-zane wane fenti zai yi amfani da shi da kuma abin da yake so ya zana a cikin shekaru biyar? Kuma dole ne mu sanya hannu kan kwangiloli da wuri!” Wasu kuma suna zaginsa da cewa ya kasance “mai son rai”, don ma da ƙarfin hali ya canza Sigmund a cikin “Valkyrie” tare da Rudolf a cikin “La Boheme”, da Cavaradossi tare da Lohengrin. Amma Jonas ya mayar da martani ga wannan cewa yana ganin tabbacin lafiyar murya da tsawon rai a cikin canjin salon kiɗan. A cikin wannan, shi misali ne na babban abokinsa Placido Domingo, wanda ya rera rikodin adadin jam'iyyun daban-daban.

Sabuwar totontenore, kamar yadda Italiyanci suka kira shi ("dukkan mai raira waƙa"), wasu suna ɗaukarsa a matsayin Jamusanci a cikin repertoire na Italiyanci, kuma ma Italiyanci a cikin wasan kwaikwayo na Wagner. Kuma ga Faust ko Werther, masu fasaha na salon Faransanci sun fi son ƙarin haske na al'ada da muryoyin haske. To, mutum zai iya jayayya game da dandano na murya na dogon lokaci kuma ba tare da wani amfani ba, fahimtar muryar mutum mai rai yana daidai da fahimtar wari, kamar dai dai daidaikun mutane.

Abu daya ya tabbata. Jonas Kaufman ɗan wasan kwaikwayo ne na asali akan wasan opera na zamani Olympus, wanda aka ba shi da wani hadadden hadaddun duk kyaututtuka na halitta. Kwatancen akai-akai tare da fitaccen ɗan wasan Jamus, Fritz Wunderlich, wanda ya mutu bai dace ba yana da shekaru 36, ko kuma tare da ƙwararren “Prince of the Opera” Franco Corelli, wanda kuma ba kawai yana da murya mai duhu ba, har ma da bayyanar Hollywood, kuma kuma tare da Nikolai Gedda, Domingo iri ɗaya, da dai sauransu .d. kamar mara tushe. Duk da cewa Kaufman da kansa yana ganin kwatancen da manyan abokan aikin da suka gabata a matsayin yabo, tare da godiya (wanda ke da nisa daga ko da yaushe a tsakanin mawaƙa!), shi kansa wani lamari ne. Fassarar wasan kwaikwayon sa na wasu lokuta masu tsattsauran ra'ayi na asali ne kuma masu gamsarwa, kuma muryoyinsa a mafi kyawun lokuta suna mamakin cikakkiyar jimla, piano mai ban mamaki, ƙamus mara kyau da cikakkiyar jagorar sautin baka. Haka ne, timbre na halitta kanta, watakila, yana da alama ga wani ba shi da wani launi na musamman da aka sani, kayan aiki. Amma wannan "kayan" yana kama da mafi kyawun violas ko cellos, kuma mai shi yana da wahayi da gaske.

Jonas Kaufman yana kula da lafiyarsa, yana gudanar da ayyukan yoga akai-akai, horarwa ta atomatik. Yana son yin iyo, yana son yin tuƙi da keke, musamman a ƙasarsa ta tsaunin Bavaria, a gabar tafkin Starnberg, inda gidansa yake yanzu. Yana da tausayi sosai ga dangi, 'yar da ta girma da 'ya'ya maza biyu. Ya damu da cewa an sadaukar da aikin wasan opera na matarsa ​​ga shi da ’ya’yansa, kuma yana farin ciki da wasannin kide-kide na hadin gwiwa da ba kasafai ba tare da Margaret Josvig. Ta yi ƙoƙari ta kashe kowane ɗan gajeren “hutu” tsakanin ayyuka tare da danginta, tana ba da kuzari don sabon aiki.

Yana da kwarewa a cikin Jamusanci, ya yi alƙawarin rera waƙar Verdi's Othello ba da daɗewa ba kafin ya "wuce" ta hanyar Il trovatore, Un ballo in maschera da The Force of Fate, amma bai yi tunani musamman game da ɓangaren Tristan ba, yana tunawa da farko. Tristan ya mutu bayan wasan kwaikwayo na uku yana da shekaru 29, kuma yana so ya rayu tsawon rai kuma ya rera waƙa zuwa 60.

Ga kadan daga cikin magoya bayansa na Rasha ya zuwa yanzu, kalmomin Kaufman game da sha'awarsa ga Herman a cikin Sarauniyar Spades suna da sha'awa ta musamman: "Ina so in yi wasa da wannan mahaukaci kuma a lokaci guda Bajamushe mai hankali wanda ya shiga Rasha." Amma daya daga cikin abubuwan da ke kawo cikas shi ne cewa ba ya rera waƙa da yaren da ba ya magana. To, bari mu yi fatan cewa ko dai Jonas mai ilimin harshe zai yi nasara da "mafi girma da girma", ko kuma saboda ƙwararrun opera na Tchaikovsky, zai daina ka'idarsa kuma ya koyi ɓangaren rawanin wasan kwaikwayo na wasan opera na Rasha. interlinear, kamar kowa. Babu shakka zai yi nasara. Babban abu shine samun isasshen ƙarfi, lokaci da lafiya ga komai. An yi imanin cewa tenor Kaufman yana shiga cikin zenith ɗin sa kawai!

Tatyana Belova, Tatyana Yelagina

Hotuna:

Albums na solo

• Richard Strauss. maƙaryaci. Harmonia mundi, 2006 (tare da Helmut Deutsch)
• Romantic Arias. Deca, 2007 (dir. Marco Armigliato)
• Schubert. Sunan mahaifi Schöne Müllerin. Deca, 2009 (tare da Helmut Deutsch)
• Sehnsucht. Deca, 2009 (dir. Claudio Abbado)
• Verismo Arias. Deca, 2010 (dir. Antonio Pappano)

Opera

CD

• masu zanga-zanga The Vampire. Capriccio (DELTA MUSIC), 1999 (d. Froschauer)
• Weber. Oberon. Philips (Universal), 2005 (dir. John-Eliot Gardiner)
• Humperdinck. Sunan mahaifi Konigskinder. Accord, 2005 ( rikodi daga bikin Montpellier, dir. Philip Jordan)
• Puccini. Madame Butterfly. EMI, 2009 (dir. Antonio Pappano)
• Beethoven Fidelio. Deca, 2011 (dir. Claudio Abbado)

DVD

• Paisiello. Nina, ko zama mahaukaci don soyayya. Arthaus Musik. Opernhaus Zurich, 2002
• Monteverdi Komawar Ulysses zuwa mahaifarsa. Arthaus. Opernhaus Zurich, 2002
• Beethoven Fidelio. Art gidan kiɗa. Zurich Opera House, 2004
• Mozart. Rahamar Tito. Farashin EMI. Opernhaus Zurich, 2005
• Schubert. Fierrabras. Farashin EMI. Zurich Opera House, 2007
• Bizet. Karmen. Dec. Zuwa Royal Opera House, 2007
• Jimina. The Rosenkavalier. Decca. Baden-Baden, 2009
• Wagner. Lohengrin. Decca. Opera State Bavaria, 2009
• Massenet. Wether. Deca. Paris, Opera Bastille, 2010
• Puccini. zuwa Decca. Zurich Opera House, 2009
• Cilea. Adriana Lecouveur asalin Dec. Zuwa Royal Opera House, 2011

lura:

Biography Jonas Kaufmann a cikin nau'i na cikakken hira da sharhi daga abokan aiki da kuma duniya taurarin opera aka buga a cikin wani nau'i na littafi: Thomas Voigt. Jonas Kaufmann: "Meinen mutu wirklich mich?" (Henschel Verlag, Leipzig 2010).