Yadda za a koyi raira waƙa da kyau: ƙa'idodi na asali na muryoyin murya

Mutane da yawa suna mafarkin koyan waƙa da kyau. Amma wannan aikin ya dace da kowa, ko kuwa kimiyya ce ga manyan mutane? Ga mafi yawan mawaƙa, waƙar muryarsu tana da haske da kyauta, amma ba haka ba ne.

Lokacin waƙa, matsayi na magana, daidaitaccen matsayi na jiki, ma'anar kari, da yanayin motsin rai suna da mahimmanci. Bugu da kari, numfashinka, ƙamus, da faɗuwar magana za su shafi tsaftar sautin sauti. Don haɓaka kowace fasaha, ana buƙatar motsa jiki masu dacewa.

Bari mu fara da numfashi da daidai matsayin jiki yayin waƙa. A cikin tambaya "yadda za a koyi yin waƙa da kyau," shine yanayin matsayi na jiki wanda ke da mahimmanci na farko. Sauke kafadu ba tare da ɗagawa ba lokacin yin sauti, ƙafafu kafada-nisa dabam, madaidaiciyar baya, goyon baya a kan diddige - duk wannan yana da matukar muhimmanci.

Ya kamata numfashi ya zama na ciki ko gauraye, wato, kuna buƙatar numfashi da ciki. Kuma kawai a gare su, ba tare da tayar da kafadu ba, kuma ba tare da jawo iska a cikin kirji ba. Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwararren Ƙwaƙwalwa na Ƙaƙwal na Ƙaƙwal na Ƙaƙwal na Ƙaƙwal na Ƙaƙwal na Ƙaƙwal na Ƙaƙwal ) ya yi:

• numfashi da sauri, da sauƙi kuma ba a fahimta ba (ba tare da ɗaga kafadu ba);
• bayan shakar, kuna buƙatar ɗaukar numfashi na ɗan lokaci;
• exhale - a ko'ina kuma a hankali, kamar kuna hurawa a kan fitilar wuta.

Motsa jiki don haɓaka numfashin diaphragmatic: sanya hannayen ku akan hakarkarin ku kuma ku shaƙa don hakarkarin da rami na ciki ya faɗaɗa, ba tare da motsa kafaɗunku ba. Ƙarin motsa jiki:

Idan ba ku san yadda ake koyon waƙa da kyau ba, fara da horar da numfashi mai kyau. Na gaba - ƙamus da na'urori na articulatory. Yi waɗannan darussan don haɓaka su:

1. Koyi furta masu murza harshe a sarari.
2. "Bra-bra-bri-bro-bru" a kan rubutu ɗaya a cikin ɗan gajeren lokaci, furta harafin "r" da kyau.
3. Moo da bakinka a rufe. Zai zama da amfani kawai lokacin da madaidaicin ma'anar resonator ya bayyana a lokacin motsa jiki; ya kamata ku iya jin girgizawar kyallen hanci da kyau. Yana da matukar muhimmanci a yi waƙa tare da rufe bakinka a farkon.
4. "Ne-na-no-nu", "da-de-di-do-du", "mi-me-ma-mo-mu" - muna raira waƙa akan rubutu ɗaya.
5. Ya kamata a sami nau'in "dome" a cikin bakin, apple, duk abin da ya kamata ya zama annashuwa da kyauta a cikin rami na baki.
6. Yana da amfani don yin grimas daban-daban, yin koyi da dabbobi, isar da motsin zuciyarmu; wannan yana kwantar da muƙamuƙi da kyau kuma yana kawar da duk wani matsi.

Hakanan yanayin tunanin ku na iya sarrafa jijiyoyin. Nasarar ku ta gaba ita ce nawa za ku iya kawar da muryoyin murya da kwararar sauti mara kyau. Yi ƙoƙarin barin sautin ya fito daga diaphragm cikin sauƙi da kuma kyauta, kar a ɗaga ko rage haƙar ku.

Saita fara'a mai laushi zuwa matsayi na "hamma" zai haifar da yanayi don samar da wasulan; yana rinjayar zagaye su, timbre, matsayi mai girma da launi. Idan kun rera manyan bayanan kula, kuna buƙatar ƙara haɓakar ƙoshin laushi, ƙirƙirar babban "dome". Sa'an nan kuma samar da sauti zai zama mai sauƙi.

Kuna neman bayanai akan layi akan tambayar "yadda ake koyon waƙa da kyau"? Yana da mahimmanci a goge nau'ikan waƙa daban-daban. Waƙa akan staccato sauti ne mai kaifi, bayyananne, kaifi. Stacatto yana kunna aikin haɗin gwiwa da kyau, yana da matukar amfani ga sluggish sautin tsokoki na murya, tare da sauti mai ƙarfi. Lokacin waƙar staccato, jingina kan diaphragm.

Yin waƙa a cikin legato yana samar da sauti mai daɗi, farin ciki, santsi. Don aiwatar da waƙa mai santsi, kuna buƙatar rera kowace jumla cikin sauƙi, cikin farin ciki, cikin numfashi ɗaya.

Don koyan raira waƙa da kyau, abubuwa da yawa suna da mahimmanci: sha'awar haɓakawa, ƙuduri, haƙuri, sanya ran ku da motsin zuciyar ku a cikin waƙoƙin ku. Ana iya haɓaka ji a hankali kuma ana iya gyara ƙarancin sauti. Kasance sha'awar shahararrun mawaƙa da mawaƙa.

Marubuci – Marie Leto