Fiorenza Cedolins |

Fiorenza Cedolins

An haifi Fiorenza Cedolins a Anduins, wani ƙaramin gari a lardin Pordenone (yankin Friuli-Venezia Giulia). Tuni tun tana karama, Chedolins ta fara fitowa a matakin opera na kwararru (1988). Babban aikinta na farko shine Santuzza a Mascagni's Rural Honor (Teatro Carlo Felice a Genoa, 1992). Samun murya mai laushi mai laushi ta filastik mai launin duhu mai wuyar gaske da babban kewayon, da kuma arsenal mai ƙarfi na hanyoyin fasaha waɗanda ke ba ta damar yin duka sassan wasan soprano mai ban mamaki da kuma jin kwarin gwiwa a cikin wasan kwaikwayo na ban mamaki (verist), mawakiya a matakin farko na sana'arta ta yi nasara a lokuta da yawa a jere. yana haɗin gwiwa a matsayin baƙon soloist tare da bikin a Split (Croatia). Sassan salo iri-iri waɗanda dole ne a yi su a wannan lokacin sun zama tushen farawa wanda akansa zaku iya haɓaka damar rera waƙa da tara ƙwarewar fasaha. Don haka, tare da kishi, Chedolins ya mallaki mafi girman repertoire daga Monteverdi's Duel of Tancred da Clorinda zuwa Orff's Carmina Burana, daga Musa na Rossini zuwa Richard Strauss's Salome.

Kamar yadda aka ambata riga, da m juya a cikin aiki na Chaedolins faruwa a 1996. A matsayin mai nasara na Luciano Pavarotti International Competition, ta samu damar rera Puccini ta "Tosca" a Philadelphia a cikin wannan wasan kwaikwayon tare da babban tenor na duniya. . A cikin wannan shekarar, mawaƙin ya sami wani Santuzza a bikin Ravenna (mai gudanarwa - Riccardo Muti). A lokacin rani na 1997, KICCO MUSIC ya yi rikodin akan CD Cilea's "Gloria" tare da Cedolins a cikin rawar taken daga wasan kwaikwayo a bikin San Gimignano. A cikin kaka na wannan shekara - sake Santuzza a bikin Mascagni a Livorno. Don haka, ainihin yanayin muryar ta dabi'a ta ƙayyade tushen waƙar mawaƙin a matsayin "Veristic-Puccini".

Koyaya, tun daga Oktoba 1997, Cedolins ya yanke shawarar ba da labarinsa ga bita a hankali. An ba da fifiko a yanzu, da farko, ga jarumai na mawaƙa, da kuma sassa na rawar waƙa da ban mamaki, waɗanda ke buƙatar takamaiman sassauci da motsin muryar tare da dumi, kauri mai launi na sauti da jikewa na rubutun murya. Fitowa a cikin repertoire na verismo da "babban opera" (a wannan yanayin, wannan kalmar tana nufin cikakkun sassa na ban mamaki) sannu a hankali sun fara rasa halayensu na yau da kullun.

Daga wannan lokacin, adadin kwangilar Chedolins yana girma kamar ƙwallon dusar ƙanƙara. Daya bayan daya, manyan matakan wasan opera na duniya suna mika mata. Hanyoyin alƙawuran nata sun taso ne daga Opera na Metropolitan na New York zuwa Lambun Covent na London, daga Opera Bastille na Paris zuwa Liceu na Barcelona, ​​daga Opera House na Zurich zuwa Gidan wasan kwaikwayo na Madrid. Marubucin wadannan layukan yana da sa'a sau biyu don jin mawaƙin a cikin wasan kwaikwayo na gidan wasan kwaikwayo na Arena di Verona: a cikin operas na Verdi Il trovatore (2001) da Aida (2002). Kuma, ba shakka, hanyoyin kerawa a zahiri suna jagorantar mai wasan kwaikwayo zuwa faffadan hanya mai tsarki na gidan wasan kwaikwayo na La Scala - wasan opera Makka wanda kowane mawaƙi ke mafarkin cin nasara. Wasan farko na Milan na Cedolins ya koma watan Fabrairu 2007: babban rawar da Puccini's Madama Butterfly (mai gudanarwa - Myung-Vun Chung) yayi fice.

Ɗaya daga cikin wallafe-wallafen ƙwararrun masu sukar Italiyanci na wancan lokacin a cikin mujallar Messaggero Veneto, hira da mawaƙin, ana kiranta "Sunan La Scala Fiorenza Cedolins." Ga abin da aka rubuta a cikin gabatarwarsa: “Haka ne na gaske na jama’a. Haikali na Opera na Italiya, daya daga cikin wuraren da aka fi girmamawa ga kowane mai zane, ya tashi tsaye kuma ya "yi ihu" tare da jin dadi da yarda. Fiorenza Cedolins, matashin soprano, taɓawa, sha'awa, sha'awar mafi gata da ƙwararrun masu sauraron opera - masu sauraron gidan wasan kwaikwayo na La Scala a Milan - tare da rawar ban mamaki na babban ɓangaren… "Mahimmin mataki na gaba na haɗin gwiwa tare da wannan gidan wasan kwaikwayo kamar yadda aka riga aka ambata a farkon bayanin kula, shine buɗe wannan kakar a La Scala. Kuma babu shakka: m lambobin sadarwa tare da wannan haikalin art za shakka ci gaba a nan gaba.

Muryar mawaƙi tana da kama da na makarantar muryar Italiya wanda ba da son rai ba akwai abubuwan tunawa da tarihi tare da muryar almara Renata Tebaldi. Bugu da ƙari, ba su da tushe ko kaɗan. Sabino Lenochi, wanda da kansa ya san Tebaldi, ya bayyana abubuwan da ya tuna yayin taron manema labarai. A cikin ɗaya daga cikin tarurrukan da babban prima donna, ya ba ta faifan bidiyo na Chedolins don ta saurare shi - kuma Tebaldi ya ce: “A ƙarshe, na sami magajiya ta mai kirkira!” Repertoire na yanzu na Fiorenza Cedolins yana da ban sha'awa sosai. Yana da kusan dukkanin Puccini (takwas cikin operas ɗinsa goma). Wasan operas na Verdi sun ƙunshi babban ɓangarensa. Bari mu fadi sunayen kadan daga cikinsu. Daga cikin ayyukan farko akwai "Lombards a cikin Crusade na Farko", "Battle of Legnano", "Robbers", "Louise Miller". Daga cikin opuses daga baya akwai Il trovatore, La traviata, Simon Boccanegra, The Force of Destiny. Kuma, a ƙarshe, operas waɗanda suka kammala aikin maestro daga Busseto sune Don Carlos, Aida, Othello da Falstaff.

Layer na romantic operatic bel canto a cikin repertoire na Cedolins kadan ne (Bellini's Norma, Donizetti's Polieucto da Lucrezia Borgia), amma wannan haƙiƙa ne kuma na halitta. A cikin yanayin lokacin da ake yin fassarar fassarar Italiyanci mai ƙauna ta bel Canto na karni na XNUMX, mawaƙin ya kusantar da zaɓinsa da kyau da kuma zaɓi, yana tabbatar da cewa muryarta ta cika cikakkiyar ƙa'idodin salon da ba za a iya girgiza ba, duka a cikin tessitura da a cikin halayen kayan aikinta.