Dotted kari |
daga lat. punctum - digo
Sauyawa na elongated mai ƙarfi da gajeriyar bugun rauni. Forms P. r. bambanta. Ana nuna tsayin lokaci mai ƙarfi ta ƙara ɗigo zuwa babba. tsawon lokaci (bayanin kula), wanda ke ƙara tsawonsa da rabi, ko maki biyu, wanda ke haɓaka kaso mai ƙarfi da kashi uku cikin huɗu na babban sa. tsawon lokaci. A wannan yanayin, lafazin da ke faɗowa a kan bugun ƙarfi ya zama mai kaifi. Lokaci-lokaci, ana kuma amfani da P.. da dige 3. Wani lokaci ana maye gurbin digo da tsayawa daidai da tsayinsa; Halin P. r. wannan ba a rasa ba. Akwai P. p., a cikin abin da rauni lokaci aka raba zuwa da yawa guntu bayanin kula. R. ana amfani da shi a nau'ikan kiɗan, babban bikin raye-raye, raye-raye, da sauran halayen wayar hannu.
Har sai ser. Karni na 18 a cikin kide-kide na kade-kade, alamomi guda daya ne kawai aka rubuta, amma an yi alkalumman da aka huda da yardar kaina - daidai da yanayin muses. wasan kwaikwayon da aka bayyana a cikinsa ta hanyar tasiri (duba ka'idar tasiri).
L. Beethoven. Sonata don piano No 5, kashi na farko.
J. Haydn. 2nd "London" symphony, gabatarwa.
F. Chopin. Polonaise don fp. op. 40 ba 1.
Sau da yawa, musamman a cikin ɗan gajeren lokaci, ƙididdiga masu ma'ana, sabanin abin da ake kira waƙar, ana iya kaifi, kuma za a iya shigar da dakatarwar da ba a nuna a cikin bayanin kula tsakanin dogon rubutu da gajere ba; adadi ya juya zuwa ko da sauransu. A kan yanayin yin rikodi a baya alkalumman P. r. suna ba da shaida ga lokuta da yawa lokacin da aka yi rikodin gajerun sautunan da suka dace da su a zahiri. muryoyin da ke tsaye ɗaya sama da sauran bayanan tsawon lokaci daban-daban. Amma ko a lokuta da aka rubuta irin waɗannan bayanan ba ɗaya ƙarƙashin ɗayan ba, bisa ga shaidar fitattun mawakan da suka gabata, an ba su lokaci guda. aiki (tare da taƙaitaccen ɗan gajeren sauti mai tsayi). Misali, a cewar DG Türk, ya kamata a yi wannan magana kamar haka:
A cikin sautin murya mai sauri a cikin wasan kwaikwayo, alamar rubutu, akasin haka, sau da yawa ana yin laushi, ta yadda adadi ya zama . A cikin waƙa ta farko, akwai lokuta lokacin da sautin ƙarshe na mai sau uku a cikin murya ɗaya ya zo daidai da sautin ƙarshe na adadi a wani.
F. Chopin. Gabatarwa ga fp. op. 28 na 9.
A cikin lokuta masu zuwa, musamman a cikin zamanin romanticism, "daidai" juna a lokaci guda. Hotuna masu digo masu sauti sun rasa tsohuwar ma'anarta; ainihin bambance-bambancen da ke tsakanin irin waɗannan alkaluma sau da yawa magana ce mai mahimmanci. Tasirin da mawakin ya bayar. Duba kuma Rhythm.
References: DG Turk, makarantar piano, Lpz.-Halle, 1789, 1802, переизд. E. Р Якоби, в кн.: Documenta musicologica, vol. 1, TI 23, Kassel (ua), 1962; Ваbitz S., Matsala ta rhythm a cikin kiɗan Baroque, «MQ», 1952, vol. 38, Na 4; Harisch-Schneider E., Game da daidaitawa na neman sama da 'yan wasa uku zuwa uku, «Mf», 1959, juzu'i. 12, H. 1; Jaсkоbi EE, Labarai kan tambayar «Dotted rhythms against triplet…», в кн.: Bach yearbook, vol. 49, 1962; Neumann Fr., La note pointé et la soi-disant «Maniere française», «RM», 1965, vol. 51; Collins M., Ayyukan 'yan uku a ƙarni na 17 da 18, "JAMS", 1966, v. 19
Vakhromeev
