Carl Schuricht |

Carl Schuricht ne adam wata

Shahararren mai sukar kiɗan Jamus Kurt Honelka ya kira aikin Karl Schuricht "ɗaya daga cikin manyan ayyukan fasaha na zamaninmu." Lallai yana da ban mamaki ta fuskoki da dama. Idan Schuricht ya yi ritaya a lokacin da yake da shekaru, ka ce, sittin da biyar, da ya kasance a cikin tarihin wasan kwaikwayo na kida a matsayin wani abu fiye da mai kyau mai kyau. Amma a cikin shekaru ashirin masu zuwa ko fiye da haka Schuricht, a gaskiya, ya girma daga kusan "hannun tsakiya" jagora zuwa ɗaya daga cikin ƙwararrun masu fasaha a Jamus. A wannan lokacin na rayuwarsa ne furen gwaninta, mai hikima ta hanyar kwarewa mai arziki, ya fadi: fasaharsa tana jin daɗin kamala da zurfi. Kuma a lokaci guda, mai sauraro ya buge shi ta hanyar vivacity da kuzari na mai zane, wanda ya zama kamar ba zai dauki nauyin shekaru ba.

Salon tafiyar da Schuricht na iya zama kamar tsohon zamani ne kuma mara kyau, ɗan bushewa; bayyanannun motsin hannun hagu, ƙuntatawa amma bayyanannun nuances, hankali ga mafi ƙarancin bayanai. Ƙarfin mai zane ya kasance da farko a cikin ruhin wasan kwaikwayon, a cikin ƙaddara, bayyanan ra'ayi. “Wadanda suka ji yadda a shekarun baya-bayan nan, tare da kungiyar kade-kade ta Rediyon Jamus ta Kudu, wadda yake jagoranta, suka yi shirin Bruckner’s Eightth ko Mahler’s na biyu, sun san yadda ya iya canza wa kungiyar kade-kade; wasannin kide-kide na yau da kullun sun juya zuwa bukukuwan da ba za a manta da su ba,” mai suka ya rubuta.

Cikakkun sanyi, ƙwaƙƙwaran rikodi na " goge-goge" ba su ƙare ba ga Schuricht. Shi da kansa ya ce: “Haƙiƙanin aiwatar da rubutun kiɗan da duk umarnin marubucin ya kasance, ba shakka, sharadi ne na kowane watsawa, amma har yanzu ba ya nufin cikar aikin ƙirƙira. Shiga cikin ma'anar aikin da isar da shi ga mai sauraro a matsayin rayayyun yanayi abu ne mai fa'ida.

Wannan shine alakar Schuricht da al'adun gudanar da Jamus gabaɗaya. Da farko, ya bayyana kanta a cikin fassarar manyan ayyuka na classics da romantics. Amma Schuricht bai taɓa iyakance kansa gare su ba: ko da a lokacin ƙuruciyarsa ya yi sha'awar yin sabon kiɗan na wancan lokacin, kuma repertoire ya kasance koyaushe. Daga cikin mafi girman nasarorin da mai zane ya samu, masu sukar sun hada da fassararsa na Bach's Matthew Passion, Solemn Mass da Beethoven's Sinth Symphony, Brahms 'Jamus Requiem, Bruckner's Eightth Symphony, ayyukan M. Reger da R. Strauss, kuma daga marubutan zamani - Hindemith , Blacher da Shostakovich, wanda music ya ciyar a ko'ina cikin Turai. Schuricht ya bar babban adadin rikodin da ya yi tare da mafi kyawun makada a Turai.

An haifi Schuricht a Danzig; mahaifinsa magidanci ne, mahaifiyarsa mawaƙa ce. Tun yana karami, ya bi tafarkin mawaka: ya karanci violin da piano, ya yi karatun rera waka, sannan ya yi karatun hada-hada a karkashin jagorancin E. Humperdinck a babbar makarantar kida ta Berlin da M. Reger a Leipzig (1901-1903). . Schuricht ya fara aikinsa na fasaha tun yana dan shekara sha tara, inda ya zama mataimakin shugaba a Mainz. Sannan ya yi aiki tare da makada da mawaka na garuruwa daban-daban, kuma kafin yakin duniya na farko ya zauna a Wiesbaden, inda ya shafe wani muhimmin bangare na rayuwarsa. Anan ya shirya bukukuwan kiɗa da aka sadaukar don aikin Mahler, R. Strauss, Reger, Bruckner, kuma saboda haka, shahararsa ta ketare iyakokin Jamus a ƙarshen shekarun ashirin - ya zagaya a Netherlands, Switzerland, Ingila, Amurka da sauran kasashe. A jajibirin Yaƙin Duniya na Biyu, ya yunƙura don yin “Waƙar Duniya” ta Mahler a Landan, wadda aka haramtawa mawaƙan sarauta na uku. Tun daga wannan lokacin, Schuricht ya fadi cikin rashin jin daɗi; a 1944 ya yi tafiya zuwa Switzerland, inda ya zauna da zama. Bayan yakin, wurin aikinsa na dindindin shi ne kungiyar Orchestra ta Jamus ta Kudu. Tuni a cikin 1946, ya zagaya tare da nasara nasara a Paris, a lokaci guda ya dauki bangare a cikin na farko bayan yakin Salzburg Festival, kuma kullum ba da kide-kide a Vienna. Ka'idoji, gaskiya da mutunci sun sami girmamawa sosai ga Schurikht a ko'ina.

L. Grigoriev, J. Platek