Alexander Ivanovich Orlov (Alexander Orlov).

Alexander Orlov

Mawaƙin Jama'a na RSFSR (1945). Tafiyar karni na rabin karni a cikin fasaha… Yana da wahala a ambaci mawaƙin da ba za a haɗa ayyukansa a cikin tarihin wannan jagorar ba. Tare da wannan 'yancin ƙwararrun ƙwararru, ya tsaya a kan na'urar wasan bidiyo a kan matakin opera da kuma a zauren kide-kide. A cikin 30s da 40s, sunan Alexander Ivanovich Orlov za a iya ji kusan kullum a cikin shirye-shirye na All-Union Radio.

Orlov ya isa Moscow, wanda ya riga ya yi nisa a matsayin ƙwararren mawaƙa. Ya fara aikinsa a matsayin jagora a cikin 1902 a matsayin wanda ya kammala karatun Conservatory na St. Bayan shekaru hudu yana aiki a kungiyar makada ta Symphony ta Kuban, Orlov ya tafi Berlin, inda ya inganta a karkashin jagorancin P. Yuon, kuma bayan ya koma kasarsa ya kuma yi aiki a matsayin madugu na kade-kade (Odessa, Yalta, Rostov-on-). Don, Kyiv, Kislovodsk, da dai sauransu) kuma a matsayin wasan kwaikwayo (kamfanin opera M. Maksakov, opera S. Zimin, da dai sauransu). Daga baya (1912-1917) ya kasance shugaban kungiyar makada ta S. Koussevitzky.

Wani sabon shafi a cikin tarihin jagoran yana da alaƙa da gidan wasan kwaikwayo na Moscow City Council, inda ya yi aiki a farkon shekarun juyin juya halin. Orlov ya ba da gudummawa mai mahimmanci ga gine-ginen al'adu na matasan Soviet; aikinsa na ilimi a cikin rukunin Red Army shima yana da mahimmanci.

A Kyiv (1925-1929) Orlov ya haɗu da ayyukansa na fasaha a matsayin babban mai gudanarwa na Kyiv Opera tare da koyarwa a matsayin farfesa a ɗakin ajiya (a cikin dalibansa - N. Rakhlin). A ƙarshe, daga 1930 har zuwa kwanakin ƙarshe na rayuwarsa Orlov ya kasance shugaban kwamitin rediyo na All-Union. Tawagar rediyo karkashin jagorancin Orlov sun shirya wasan kwaikwayo irin su Fidelio na Beethoven, Wagner's Rienzi, Taneyev's Oresteia, Nicolai's The Merry Wives of Windsor, Lysenko's Taras Bulba, Wolf-Ferrari's Madonna's Necklace da sauransu. A karon farko, a ƙarƙashin jagorancinsa, an buga Symphony na tara na Beethoven da Romeo na Berlioz da Julia Symphony a rediyonmu.

Orlov ya kasance babban ɗan wasa mai kyau. Duk manyan 'yan wasan Soviet sun yarda da shi tare da shi. D. Oistrakh ya tuna: “Batun ba wai kawai ba ne, yin wasan kwaikwayo, sa’ad da AI Orlov ya kasance a wurin jagora, koyaushe ina yin wasa ba tare da ɓata lokaci ba, wato, na tabbata cewa Orlov zai fahimci abin da nake nufi da sauri. A cikin aiki tare da Orlov, an ƙirƙiri kyakkyawar ƙirƙira, kyakkyawan fata a cikin yanayin ruhi, wanda ya ɗaga masu wasan kwaikwayo. Wannan gefen, wannan fasalin a cikin aikinsa ya kamata a yi la'akari da shi mafi mahimmanci.

ƙwararren malami mai fa'ida mai fa'ida mai fa'ida, Orlov ya kasance malami mai tunani da haƙuri na mawaƙan ƙungiyar makaɗa, wanda koyaushe ya yi imani da kyakkyawan ɗanɗanonsa na fasaha da al'adun fasaha.

Lit.: A. Tishchenko. AI Orlov. "SM", 1941, No. 5; V. Kochetov. AI Orlov. "SM", 1948, No. 10.

L. Grigoriev, J. Platek