Vladimir Vsevolodovich Krainev |

Vladimir Krainev

Vladimir Krainev yana da kyautar kiɗa mai farin ciki. Ba kawai babba, mai haske, da dai sauransu - ko da yake za mu yi magana game da wannan daga baya. Daidai - farin ciki. Ana iya ganin cancantarsa ​​a matsayin mai yin kide-kide, kamar yadda suke cewa, da ido tsirara. Ganuwa ga ƙwararru da masu son kiɗan mai sauƙi. Shi ɗan wasan pian ne ga masu sauraron jama'a da yawa - wannan sana'a ce ta musamman, wacce ba a ba kowane mawaƙan yawon buɗe ido ba…

Vladimir Vsevolodovich Krainev aka haife shi a Krasnoyarsk. Iyayensa likitoci ne. Sun bai wa ɗansu ilimi mai faɗi da yawa; Ba a yi watsi da iyawar sa na kida ba. Volodya Krainev yana da shekaru shida karatu a Kharkov Music School. Malaminsa na farko shine Maria Vladimirovna Itigina. Krainev ya ce: "Ba ƙaramin lardi ba ne a cikin aikinta." "Ta yi aiki tare da yara, a ganina, da kyau..." Ya fara yin wasa da wuri. A aji na uku ko na hudu, ya fito fili ya buga kide-kiden Haydn tare da kungiyar makada; a 1957 ya dauki bangare a cikin gasar dalibai na Ukrainian music makarantu, inda ya aka bayar, tare da Yevgeny Mogilevsky, na farko kyauta. Ko da a lokacin, yana yaro, ya ƙaunaci dandalin. An adana wannan a cikinsa har wa yau: "Abin da ya faru yana ƙarfafa ni… Komai girman farin ciki, koyaushe ina jin farin ciki lokacin da na fita zuwa tudu."

• Kiɗa na Piano a cikin shagon kan layi na Ozon →

(Akwai rukuni na musamman na masu fasaha - Krainev a cikinsu - waɗanda ke samun sakamako mafi girma na ƙirƙira daidai lokacin da suke cikin jama'a. Ko ta yaya, a zamanin da, fitacciyar 'yar wasan Rasha MG Savina ta ƙi yin wasan kwaikwayo a Berlin don ɗaya kaɗai. 'yan kallo - Sarkin sarakuna Wilhelm, zauren ya cika da 'yan majalisa da jami'an tsaron masarautar; Savina na bukatar masu sauraro ... "Ina bukatan masu sauraro," za ku iya ji daga Krainev.)

A shekara ta 1957, ya sadu da Anaida Stepanovna Sumbatyan, sanannen Jagora na koyar da piano, daya daga cikin manyan malamai a makarantar kiɗa na tsakiya ta Moscow. Da farko, tarurrukan su na al'ada ne. Krainev ya zo don shawarwari, Sumbatyan yana goyan bayan shi da shawarwari da umarni. Tun 1959, an jera shi a hukumance a cikin ajinta; Yanzu shi dalibi ne na Moscow Central Music School. "Dole ne a fara duk abin da ke nan daga farkon," Krainev ya ci gaba da labarin. “Ba zan ce yana da sauƙi kuma mai sauƙi ba. A karo na farko da na bar darussan kusan hawaye a idanuna. Har zuwa kwanan nan, a Kharkov, ya zama kamar a gare ni cewa ni kusan cikakken mai fasaha ne, amma a nan ... Na fuskanci kwatsam sababbin sababbin ayyuka na fasaha. Na tuna tun farko sun tsorata; sa'an nan ya fara da alama mafi ban sha'awa da ban sha'awa. Anaida Stepanovna ya koyar da ni ba kawai ba, har ma da yawa, fasahar pianistic, ta gabatar da ni ga duniyar gaske, babban fasaha. Mutum mai zurfin tunani mai haske, ta yi abubuwa da yawa don sanya ni sha'awar littattafai, zane-zane ... Komai game da ita ya jawo ni, amma, watakila, mafi yawan duka, ta yi aiki tare da yara da matasa ba tare da inuwar aikin makaranta ba, kamar yadda tare da manya. . Kuma mu dalibanta mun girma cikin sauri.”

Abokansa a makaranta suna tunawa lokacin da tattaunawar ta juya zuwa Volodya Krainev a cikin shekarun makaranta: yana da rai, rashin tausayi, rashin tausayi. Yawancin lokaci suna magana game da irin waɗannan mutane - maƙarƙashiya, firgita ... Halinsa ya kasance kai tsaye kuma a bayyane, yana haɗuwa da mutane cikin sauƙi, a cikin kowane yanayi ya san yadda zai ji dadi da kuma ta halitta; fiye da komai a duniya yana son wasa, barkwanci. "Babban abu a cikin basirar Krai shine murmushinsa, wani nau'in cikar rayuwa mai ban mamaki" (Fahmi F. A cikin sunan kiɗa // al'adun Soviet. 1977. Disamba 2), ɗaya daga cikin masu sukar kiɗa zai rubuta shekaru da yawa bayan haka. Wannan daga lokacin karatunsa ne…

Akwai kalmar gaye "sociability" a cikin ƙamus na masu nazari na zamani, wanda ke nufin, an fassara shi zuwa harshen harshe na yau da kullum, ikon sauƙi da sauri kafa haɗin kai tare da masu sauraro, don fahimtar masu sauraro. Daga farkon bayyanarsa a kan mataki, Krainev ya bar shakka cewa shi dan wasan kwaikwayo ne. Saboda yanayin yanayinsa, gabaɗaya ya bayyana kansa a cikin sadarwa tare da wasu ba tare da ƙaramar ƙoƙari ba; kusan irin wannan abu ya faru da shi a kan mataki. GG Neuhaus na musamman ya jawo hankali ga: "Volodya kuma yana da kyautar sadarwa - yana sauƙi ya zo cikin hulɗa da jama'a" (EO Pervy Lidsky // Sov. Music. 1963. No. 12. P. 70.). Dole ne a yi la'akari da cewa Krainev bashi da rabo mai farin ciki na gaba a matsayin mai yin wasan kwaikwayo ba ko kaɗan ga wannan yanayin ba.

Amma, ba shakka, da farko, ya bi ta - samun nasara a matsayin mai zane-zane - bayanansa na musamman na pianistic. Dangane da haka, ya rabu har ma a tsakanin ’yan uwansa na Makarantar Tsakiya. Kamar babu kowa, da sauri ya koyi sababbin ayyuka. Nan take ya haddace kayan; da sauri tara repertoire; a cikin aji, an bambanta shi da sauri, basira, basirar halitta; kuma, wanda kusan shine babban abu ga sana'arsa ta gaba, ya nuna ainihin abubuwan da aka yi na babban darajar kirki.

"Wahalhalun tsarin fasaha, kusan ban sani ba," in ji Krainev. Ya faɗi ba tare da alamar jarumtaka ko ƙari ba, kamar yadda yake a zahiri. Kuma ya ƙara da cewa: "Na yi nasara, kamar yadda suke faɗa, kai tsaye daga jemage..." Ya ƙaunaci gaɓoɓi masu wuyar gaske, mafi sauri-sauri - alama ce ta kowane hali na virtuosos.

A Moscow Conservatory, inda Krainev ya shiga a shekarar 1962, ya fara karatu tare da Heinrich Gustavovich Neuhaus. “Na tuna darasi na na farko. A gaskiya, ba a yi nasara sosai ba. Na damu matuka, ban iya nuna wani abu mai amfani ba. Daga nan, bayan ɗan lokaci, abubuwa sun yi kyau. Azuzuwan da Genrikh Gustavovich ya fara kawo more kuma mafi m ra'ayi. Bayan haka, yana da ƙwarewa na musamman na ilmantarwa - don bayyana kyawawan halaye na kowane ɗayan ɗalibansa.

Ganawa da GG Neuhaus ya ci gaba har zuwa mutuwarsa a shekara ta 1964. Krainev ya ci gaba da tafiya a cikin ganuwar ɗakin ajiyar a ƙarƙashin jagorancin ɗan farfesa, Stanislav Genrikhovich Neuhaus; Ya sauke karatu daga ajinsa na ƙarshe na kwas ɗin koyarwa (1967) da makarantar digiri (1969). "Kamar yadda zan iya fada, ni da Stanislav Genrikhovich a dabi'a mun kasance mawaƙa daban-daban. A bayyane yake, ya yi mini aiki a lokacin karatuna. A romantic "bayani" na Stanislav Genrikhovich bayyana da yawa a gare ni a fagen m expressiveness. Na kuma koyi abubuwa da yawa daga malamina a fasahar sautin piano.”

(Yana da ban sha'awa a lura cewa Krainev, riga dalibi, digiri na biyu dalibi, bai daina ziyartar makarantarsa ​​malamin, Anaida Stepanovna Sumbatyan. Misali na nasara Conservatory matasa cewa shi ne m a yi, shaida, babu shakka, duka biyu a cikin ni'imar da malami da dalibi.)

Tun 1963, Krainev fara hawa matakai na m tsani. A cikin 1963 ya sami lambar yabo ta biyu a Leeds (Birtaniya). Shekara mai zuwa - lambar yabo ta farko da lakabin wanda ya lashe gasar Vian da Moto a Lisbon. Amma babban gwajin jira shi a 1970 a Moscow, a hudu Tchaikovsky Competition. Babban abu ba wai kawai saboda gasar Tchaikovsky ya shahara a matsayin gasar mafi girman nau'in wahala. Hakanan saboda gazawar - gazawar bazata, rashin tabbas - zai iya ketare duk nasarorin da ya samu a baya. Soke abin da ya yi aiki tuƙuru don samunsa a Leeds da Lisbon. Wannan ya faru wani lokacin, Krainev ya san shi.

Ya sani, ya dauki kasada, ya damu - kuma ya ci nasara. Tare da ɗan wasan pian ɗan Ingila John Lill, an ba shi lambar yabo ta farko. Sun rubuta game da shi: "A Krainev akwai abin da ake kira nufin yin nasara, ikon shawo kan matsanancin tashin hankali tare da kwantar da hankali" (Fahmi F. A cikin sunan kiɗa.).

1970 a ƙarshe ya yanke shawarar makomarsa. Tun daga lokacin, kusan bai taɓa barin babban matakin ba.

Da zarar, a daya daga cikin ayyukansa a Moscow Conservatory, Krainev ya buɗe shirin maraice tare da Chopin's polonaise a cikin A-flat major (Op. 53). Watau, guntun da a al'adance ake ɗaukarsa ɗaya daga cikin mafi wahalar repertoires na 'yan pians. Mutane da yawa, mai yiwuwa, ba su haɗa wani mahimmanci ga wannan gaskiyar: shin babu isasshen Krainev, a kan takardunsa, wasan kwaikwayo mafi wuya? Ga ƙwararren, duk da haka, akwai wani lokaci mai ban mamaki a nan; daga ina yake farawa wasan kwaikwayon mai zane (yadda kuma yadda ya kammala shi) yayi magana sosai. Don buɗe clavirabend tare da babban Chopin polonaise A-lebur, tare da launuka masu launuka iri-iri, cikakkun nau'ikan piano, sarƙoƙi na octaves a hannun hagu, tare da duk wannan kaleidoscope na yin matsaloli, yana nufin kada ku ji wani (ko kusan babu ɗaya). ) "Tsoron mataki" a cikin kansa. Kada ku yi la'akari da kowane shakku ko tunani na ruhaniya kafin wasan kwaikwayo; don sanin cewa daga farkon mintuna na kasancewa a kan mataki, wannan yanayin "kwantar da hankali" ya kamata ya zo, wanda ya taimaka Krainev a gasa - amincewa da jijiyoyi, kamun kai, kwarewa. Kuma ba shakka, a cikin yatsunsu.

Ya kamata a ambaci musamman na yatsun Krainev. A wannan bangare, ya ja hankali, kamar yadda suka ce, tun zamanin da Central School. Ku tuna: "... Kusan ban san kowace matsala ta fasaha ba… Na yi komai daidai daga jemage." wannan za a iya ba da ta yanayi kawai. Krainev ko da yaushe yana son yin aiki a kayan aiki, ya kasance yana karatu a ɗakin ajiyar na tsawon sa'o'i takwas ko tara a rana. (Ba shi da nasa kayan aikin a lokacin, ya zauna a cikin aji bayan an gama darussa kuma bai bar madannai ba sai da dare. aiki kawai - irin waɗannan nasarori, kamar nasa, koyaushe ana iya bambanta su da waɗanda aka samu ta hanyar tsayin daka, aiki mara gajiya da ƙwazo. "Mawaƙin ya fi kowa haƙuri ga mutane," in ji mawaƙin Faransa Paul Dukas, "kuma hujjoji sun tabbatar da cewa idan aiki ne kawai don lashe wasu rassan laurel, kusan dukkanin mawaƙa za a ba su kyautar laurel" (Ducas P. Muzyka da asali// Labarai da sharhi na mawaƙa na Faransa.—L., 1972. S. 256.). Laurels na Krainev a cikin pianism ba kawai aikinsa bane…

A cikin wasansa mutum zai iya ji, alal misali, filastik mai ban mamaki. Ana iya ganin cewa kasancewa a piano shine mafi sauƙi, yanayi da jin dadi a gare shi. GG Neuhaus ya taɓa rubuta game da "mai ban mamaki virtuoso dexterity" (Neihaus G. Good and Daban-daban // Vech. Moscow. 1963. Disamba 21) Krainev; Kowace kalma a nan an yi daidai da daidai. Dukansu kalmar “abin ban mamaki” da ɗan ƙaramin jimlar “virtuoso adroitness“. Krainev yana da ban mamaki da ban mamaki a cikin aiwatar da aiwatarwa: yatsu mai laushi, walƙiya-sauri da daidaitattun motsin hannu, kyakkyawan ƙwarewa a cikin duk abin da yake yi a maballin keyboard… Kallon shi yayin wasa abin farin ciki ne. Gaskiyar cewa sauran masu yin wasan kwaikwayo, ƙananan aji, ana ganin su mai tsanani da wahala aikin, Cin nasara iri-iri na cikas, dabarun fasaha na mota, da dai sauransu, yana da matukar haske, tashi, sauƙi. Irin wannan a cikin wasan kwaikwayon shi ne Chopin's A-flat manyan polonaise, wanda aka ambata a sama, da Schumann's Second Sonata, da Liszt's "Wandering Lights", da Scriabin's etudes, da Limoges daga Mussorgsky's "Hotuna a wani Nunin", da sauransu. "Ka sanya al'ada mai nauyi, hasken al'ada da haske mai kyau," in ji matashin fasaha KS Stanislavsky. Krainev yana daya daga cikin 'yan pianists a sansanin a yau, wanda, dangane da fasaha na wasa, ya warware wannan matsala.

Da wani ƙarin siffa na bayyanarsa mai yin aiki - ƙarfin hali. Ba inuwar firgici ba, ba sabon abu ba ne a cikin masu fita zuwa tudu! Ƙarfafa - har zuwa maƙasudin tsoro, don ƙaddamar da "ƙarfin hali", kamar yadda ɗaya daga cikin masu suka ya ce. (Shin, ba alama ce ta kanun labarai na nazarin ayyukansa ba, wanda aka sanya a cikin ɗaya daga cikin jaridun Austrian: "Tiger na makullin a fagen fage.") Krainev yana son yin kasada, ba ya jin tsoronsa a cikin mafi wahala kuma alhaki yin yanayi. Don haka yana cikin kuruciyarsa, haka yake yanzu; don haka yawancin farin jininsa a wurin jama'a. Pianists na irin wannan nau'in yawanci suna son tasiri mai haske, mai jan hankali. Krainev ba banda bane, wanda zai iya tunawa, alal misali, fassarorinsa masu haske na Schubert's "Wanderer", Ravel's "Night Gaspard", Liszt's First Piano Concerto, Debussy's "Fireworks"; duk wannan yakan haifar da hayaniya. Wani lokaci mai ban sha'awa na tunanin mutum: kallon da kyau, yana da sauƙi don ganin abin da ke burge shi, "bugu" ainihin tsarin kide-kide na kiɗa: yanayin da ke da ma'ana sosai a gare shi; masu sauraron da ke zaburar da shi; ɓangarorin fasahar motsa jiki na piano, wanda a cikinsa yake "wanka" tare da jin daɗi bayyananne ... Don haka asalin wahayi na musamman - pianistic.

Ya san yadda za a yi wasa, duk da haka, ba kawai tare da virtuoso "chic" amma kuma da kyau. Daga cikin lambobin sa hannun sa, kusa da virtuoso bravura, akwai irin waɗannan ƙwararrun waƙoƙin piano kamar su Schumann's Arabesques, Chopin's Second Concerto, Schubert-Liszt's Evening Serenade, wasu intermezzos daga Brahms 'marigayi opuses, Andante daga Scriabin's na biyu Sonata, Dumovsky' Ifety. , yana iya sauƙi da fara'a tare da zaƙi na muryar fasaha: yana da masaniya game da sirrin sautin velvety da sautin piano mai ban sha'awa, masu kyan gani na gizagizai a kan piano; wani lokacin yakan lallaba mai saurare da tattausan lafazi mai ban sha'awa na kida. Ba daidaituwa ba ne cewa masu sukar suna yin yabo ba kawai "kamar yatsa" ba, har ma da ladabi na siffofin sauti. Yawancin abubuwan wasan kwaikwayo na pianist suna da alama an rufe su da "lacquer" mai tsada - kuna sha'awar su da kusan irin wannan jin daɗin da kuke kallon samfuran shahararrun masu sana'a na Palekh.

Wani lokaci, duk da haka, a cikin sha'awarsa na canza wasan tare da walƙiya na launin sauti, Krainev ya ɗan wuce gaba fiye da yadda ya kamata ...

Idan kayi magana akai mafi girma Nasarar Krainev a matsayin mai fassara, watakila a farkon wuri a cikin su shine kiɗan Prokofiev. Don haka, zuwa Sonata na takwas da Concerto na Uku, yana da yawa ga lambar zinare a gasar Tchaikovsky; tare da babban nasara ya kasance yana buga Sonatas na Biyu, Shida da Bakwai tsawon shekaru. Kwanan nan, Krainev ya yi babban aiki na yin rikodin dukan biyar na Prokofiev na piano concertos a kan records.

A ka'ida, salon Prokofiev yana kusa da shi. Kusa da kuzarin ruhu, mai ma'ana tare da ra'ayinsa na duniya. A matsayinsa na ɗan wasan piano, yana kuma son rubutun piano na Prokofiev, “ƙarfe lope” na rhythm ɗinsa. Gabaɗaya, yana son ayyuka a inda za ku iya, kamar yadda suke faɗa, "girgiza" mai sauraro. Shi da kansa ba ya barin masu sauraro su gajiya; ya yaba da wannan ingancin a cikin mawaƙa, waɗanda yake sanya ayyukansu a cikin shirye-shiryensa.

Amma mafi mahimmanci, kiɗan Prokofiev ya fi cikakke kuma a zahiri yana bayyana fasalin tunanin kere-kere na Krainev, mai zane wanda ke wakilta sosai a yau a cikin zane-zane. (Wannan ya kawo shi kusa da wasu abubuwa zuwa Nasedkin, Petrov, da wasu masu sha'awar kide-kide.) Ƙarfafawar Krainev a matsayin mai yin wasan kwaikwayo, manufarsa, wanda za a iya ji ko da a cikin hanyar da aka gabatar da kayan kida, yana ɗaukar wani abu. bayyanannen tambarin lokaci. Ba daidai ba ne cewa, a matsayin mai fassara, ya fi sauƙi a gare shi ya bayyana kansa a cikin kiɗa na karni na XNUMX. Babu buƙatar ƙirƙirar “sake fasalin” kansa, don ainihin sake fasalin kansa (ciki, tunani…), kamar yadda wani lokaci yakan yi a cikin waƙoƙin mawaƙa na soyayya.

Bugu da ƙari, Prokofiev, Krainev sau da yawa da kuma samu nasarar taka Shostakovich (duka piano concertos, na biyu Sonata, preludes da fugues), Shchedrin (First Concerto, preludes da fugues), Schnittke (Ingantaka da Fugue, Concerto ga Piano da String Orchestra - ta hanyar. , a gare shi, Krainev, kuma sadaukar), Khachaturian (Rhapsody Concerto), Khrennikov (Uku Concerto), Eshpay (Na biyu Concerto). A cikin shirye-shiryensa kuma ana iya ganin Hindemith (Jigo da bambancin piano da ƙungiyar makaɗa), Bartók (Concerto na biyu, guda don piano) da sauran masu fasaha na ƙarni namu.

zargi, Soviet da kasashen waje, a matsayin mai mulkin, yana da kyau ga Krainev. Ba a lura da jawabansa masu mahimmanci ba; masu bita ba sa keɓance manyan kalmomi, suna nuna nasarorinsa, suna bayyana cancantarsa ​​a matsayin ɗan wasan kide-kide. A lokaci guda kuma, wasu lokuta ana yin iƙirari. Ciki har da mutanen da babu shakka suna tausaya wa mai wasan piano. Galibi, ana zaginsa da saurin wuce gona da iri, wani lokacin zazzabi mai zafi. Za mu iya tunawa, misali, Chopin's C-kaifi qananan (Op. 10) etude yi da shi, da B-kananan scherzo ta wannan marubucin, na ƙarshe na Brahms 'sonata a F-minor, Ravel's Scarbo, mutum lambobi daga Mussorgsky's. Hotuna a wani nunin . Kunna wannan kiɗan a cikin kide kide da wake-wake, wani lokacin kusan “maimakon nan ba da jimawa ba”, Krainev yakan faru da sauri ya wuce cikakkun bayanai na mutum ɗaya, ƙayyadaddun bayanai. Ya san duk wannan, ya fahimta, amma… "Idan na "tuki", kamar yadda suke faɗa, to, ku gaskata ni, ba tare da wata niyya ba," ya ba da ra'ayinsa game da wannan batu. "A fili, Ina jin kiɗan a ciki, ina tunanin hoton."

Hakika, Krainev "ƙara da sauri" ba da gangan ba ne. Ba daidai ba ne ka ga a nan fanko bravado, virtuosity, pop panache. Babu shakka, a cikin motsi a cikin abin da kida na Krainev, da peculiarities na halinsa, da "reactivity" na zane-zane ya shafi. A cikin tafiyarsa, a wata ma'ana, halinsa.

Wani abu daya. A wani lokaci yana da halin samun sha'awa yayin wasan. Wani wuri don ƙaddamar da farin ciki lokacin shiga mataki; daga gefe, daga zauren, yana da sauƙi a lura. Shi ya sa ba kowane mai sauraro ba, musamman ma mai buqata, ya gamsu da watsa shi ta hanyar tunani mai zurfi, zurfin tunani na fasaha na ruhaniya; Fassarar pianist na E-flat manyan Op. 81st Beethoven Sonata, Bach Concerto a F Minor. Bai cika gamsuwa ba a cikin wasu zane-zane masu ban tausayi. Wani lokaci mutum zai iya jin cewa a cikin irin waɗannan abubuwan ya fi nasara da kayan aikin da yake kunna fiye da kiɗan da yake kunna. masu fassara...

Duk da haka, Krainev ya dade yana ƙoƙari ya shawo kan kansa a cikin waɗancan jihohi na ɗaukaka mataki, jin daɗi, lokacin da yanayi da motsin rai suke cikawa. Kada ya yi nasara a cikin wannan koyaushe, amma yin ƙoƙari ya riga ya yi yawa. Duk abin da ke cikin rayuwa yana ƙaddara ta hanyar "reflex na burin," sau ɗaya ya rubuta PI Pavlov (Pavlov IP shekaru ashirin na nazarin haƙiƙa na ayyukan jin tsoro (halayen) na dabbobi. - L., 1932. P. 270 // Kogan G. A ƙofofin ƙwararru, ed. 4. – M., 1977. P. 25.). A cikin rayuwar mai zane, musamman. Na tuna cewa a farkon eighties Krainev taka leda tare da Dm. Kitayenko Beethoven's Concerto na Uku. Ya kasance ta fuskoki da yawa wani gagarumin aiki: a zahiri maras hankali, “batattu”, hana motsi. Watakila mafi kamewa fiye da yadda aka saba. Ba quite saba ga wani artist, shi ba zato ba tsammani ya haskaka shi daga wani sabon kuma ban sha'awa gefen ... Haka jaddada mutunci na m na m iri, dullness na launuka, ƙin duk abin da zalla external bayyana kanta a hadin gwiwa concerts na Krainev da E. Nesterenko, quite m a cikin tamanin (shirye-shiryen daga ayyukan Mussorgsky, Rachmaninov da sauran composers). Kuma ba wai kawai mai wasan pian ya yi a nan cikin gungu ba. Shi ne ya kamata a lura da cewa m lambobin sadarwa tare da Nesterenko - artist ba ko da yaushe daidaita, jitu, superly iko da kansa - kullum bai wa Krainev yawa. Ya yi magana game da wannan fiye da sau ɗaya, da kuma wasansa da kanta - ma…

Krainev a yau yana daya daga cikin wurare na tsakiya a cikin pianism na Soviet. Sabbin shirye-shiryensa ba su gushe suna jan hankalin jama'a ba; Ana iya jin mai zane sau da yawa a rediyo, ana gani akan allon TV; kada ku yi ta'adi a kan rahotanni game da shi da kuma jaridu na lokaci-lokaci. Ba haka ba da dadewa, a watan Mayu 1988, ya kammala aiki a kan sake zagayowar "All Mozart Piano Concertos". Ya ɗauki fiye da shekaru biyu kuma an yi shi tare da ƙungiyar mawaƙa ta Lithuania SSR a ƙarƙashin jagorancin S. Sondeckis. Shirye-shiryen Mozart sun zama wani muhimmin mataki a cikin tarihin rayuwar Krainev, wanda ya shafe ayyuka da yawa, bege, matsaloli iri-iri da kuma - mafi mahimmanci! - tashin hankali da damuwa. Kuma ba wai kawai domin ya rike wani grandiose jerin 27 concertos ga piano da makada ba wani sauki aiki a kanta (a cikin kasar, kawai E. Virsaladze ya magabacin Krainev a cikin wannan girmamawa, a cikin West - D. Barenboim da kuma. watakila, har ma da ƴan pian da yawa). "A yau na kara fahimtar cewa ba ni da hakkin in kunyata masu sauraron da suka zo wasan kwaikwayo na, suna tsammanin wani sabon abu, mai ban sha'awa, wanda ba a san su ba daga tarurrukanmu. Ba ni da hakkin in ɓata wa waɗanda suka san ni na dogon lokaci kuma da kyau, don haka zan lura a cikin aikina duka nasara da rashin nasara, duka nasarori da rashinsa. Kimanin shekaru 15-20 da suka gabata, a gaskiya, ban damu da kaina sosai da irin waɗannan tambayoyin ba; Yanzu ina tunani game da su da yawa. Na tuna sau ɗaya na ga fastoci na kusa da Babban Hall na Conservatory, kuma ban ji komai ba sai farin ciki. A yau, lokacin da na ga fastoci iri ɗaya, na fuskanci ji waɗanda suka fi rikitarwa, masu tayar da hankali, da sabani…”

Musamman mai girma, Krainev ya ci gaba, shine nauyin alhakin mai wasan kwaikwayo a Moscow. Hakika, duk wani rayayye yawon shakatawa mawaƙin daga Tarayyar Soviet mafarki na nasara a cikin concert zauren Turai da kuma Amurka - kuma duk da haka Moscow (watakila da dama sauran manyan biranen kasar) shi ne mafi muhimmanci da kuma "mafi wuya" abu a gare shi. "Na tuna cewa a 1987 na buga a Vienna, a cikin Musik-Verein hall, 7 concert a cikin kwanaki 8 - 2 solo da 5 tare da makada," in ji Vladimir Vsevolodovich. "A gida, watakila, da ban yi ƙarfin hali yin wannan ba..."

Gabaɗaya, ya yi imanin cewa lokaci ya yi da zai rage yawan fitowar jama'a. "Lokacin da kuke da fiye da shekaru 25 na ci gaba da ayyukan mataki a bayanku, murmurewa daga kide-kide ba shi da sauƙi kamar da. Yayin da shekaru ke wucewa, kuna lura da shi sosai kuma a sarari. Ina nufin yanzu ba har ma da rundunonin jiki kawai (godiya ga Allah, ba su yi kasa ba tukuna), amma abin da ake kira sojojin ruhaniya - motsin rai, makamashi mai juyayi, da dai sauransu. Yana da wuya a mayar da su. Kuma eh, yana ɗaukar ƙarin lokaci. Kuna iya, ba shakka, "bar" saboda ƙwarewa, fasaha, ilimin kasuwancin ku, halaye zuwa mataki da makamantansu. Musamman idan kuna wasa ayyukan da kuka karanta, abin da ake kira sama da ƙasa, wato ayyukan da aka yi sau da yawa a baya. Amma da gaske, ba abin ban sha'awa ba ne. Ba ku samun jin daɗi. Kuma ta yanayin yanayi na, ba zan iya tafiya kan mataki ba idan ba na sha'awar ba, idan a cikina, a matsayina na mawaƙa, akwai fanko ... "

Akwai kuma wani dalilin da ya sa Krainev aka kasa akai-akai a cikin 'yan shekarun nan. Ya fara koyarwa. Hasali ma ya kasance yana nasiha ga matasa ’yan wasan pian lokaci zuwa lokaci; Vladimir Vsevolodovich yana son wannan darasi, ya ji cewa yana da wani abu da zai ce wa ɗalibansa. Yanzu ya yanke shawarar "halatta" dangantakarsa da ilimin koyarwa kuma ya koma (a cikin 1987) zuwa wannan ɗakin ajiyar da ya sauke karatu daga shekaru masu yawa da suka wuce.

... Krainev na ɗaya daga cikin mutanen da suke tafiya a koyaushe, a cikin bincike. Tare da babban hazakarsa na pianist, ayyukansa da motsinsa, da alama zai baiwa magoya bayansa abubuwan ban mamaki, juzu'i masu ban sha'awa a cikin fasaharsa, da abubuwan ban mamaki.

G. Tsipin, 1990