Vitaliy Sergeevich Hubarenko (Vitaliy Hubarenko) |

Vitaly Hubarenko

Babban ra'ayi na tunanin da aka haifa lokacin saduwa da aikin V. Gubarenko za a iya bayyana shi azaman ma'auni. Wannan yana bayyana a cikin jan hankalin mai fasaha ga batutuwa masu mahimmanci na duniya da kuma nau'o'in hotuna - tarihin tarihi da jaruntaka na kasar da matsalolin halin kirki na yau, duniya na jin dadi, duniya mai ban sha'awa ta duniya na fantasy da kuma iya canzawa. yanayi. Mawaƙin ya ci gaba da jujjuya zuwa manyan kide-kide, wasan kwaikwayo da nau'ikan kayan aiki: operas 15 da ballets, 3 “manyan” da kade-kade na jam’iyya 3, jerin kade-kade na kayan kide-kide, gami da Concerto grosso don kirtani, kayan kide-kide da zagayowar murya akan wakoki ta hanyar wakoki. Mawakan Rasha da Ukrainian , suites na symphonic, waƙoƙi, zane-zane, kiɗa don wasan kwaikwayo da fina-finai.

An haifi Hubarenko a cikin dangin soja. Ya fara karatun kiɗan a makara - yana ɗan shekara 12, amma waɗannan azuzuwan, saboda yawan ƙaura da dangi zuwa wurin mahaifinsa, sun kasance marasa tsari kuma masu son zama a yanayi. Sai kawai a 1947 ya fara karatu a Ivano-Frankivsk, sa'an nan a daya daga cikin Kharkov music makarantu.

Ilimin kai da sha'awar kiɗa sun taka rawa sosai a wannan lokacin fiye da makaranta, musamman tunda baiwar haɓakawa da sha'awar kerawa mai zaman kanta ta bayyana a fili. A lokacin da ya shiga makarantar kiɗa (1951), saurayin ya sami damar gwada hannunsa a wasan opera, piano, vocal and choral music.

Na farko da real makaranta Hubarenko ya abun da ke ciki darussa a karkashin jagorancin mawaki da kuma malami A. Zhuk, da kuma a lokacin da shekaru na karatu a Conservatory a cikin aji na D. Klebanov, wanda ya koyar da dama ƙarnõni na Ukrainian composers, da basirar da basira. matashin mawaki ya sami takamaiman nau'ikan aikace-aikacen. Gubarenko yana aiki da yawa kuma yana da 'ya'ya a fagen waƙoƙin murya, ya haifar da zagayowar mawaƙa na cappella zuwa ayoyin S. Yesenin da cantata "Rus".

A cikin sha'awar saurayin don kyawunta da bayyana ra'ayin muryar ɗan adam, aikinsa a cikin ƙungiyar mawaƙa, wanda mashahurin mawaƙa kuma mawaki Z.

Ƙasashen waje Da yake da bass mai ƙarfi da bayyanawa, Gubarenko ya yi karatu cikin himma a cikin ƙungiyar mawaƙa kuma ya taimaka wa jagora wajen yin aiki tare da ƙungiyar. Kwarewar da aka samu ga marubucin wasan operas na gaba yana da matukar amfani. Duk da gwaji, sabon salo na yawancin ayyukan mawaƙin, sassan operas ɗinsa koyaushe suna da sauti da sauƙin yin su. Lokacin samuwar shine 60s. – ga Gubarenko shi ne alama ta farko gagarumin nasarar ayyukansa a kan dukan-Union mataki (mawakici ta farko Symphony a All-Union Competition a Moscow a 1962 aka bayar da diploma na farko digiri) da kuma farko na opera. "Mutuwar Squadron" (bayan A. Korneichuk) a kan mataki na Kyiv Academic Opera Theater kuma ballet su. TG Shevchenko. Aikin mawaƙa da ƙungiyar sun sami godiya sosai daga manema labarai da masu sukar kiɗa.

Mahimmanci mai mahimmanci na gaba a cikin juyin halitta na mawaƙa shine ballet "Stone Lord" (dangane da wasan kwaikwayo na wannan suna na L. Ukrainka). Ainihin sabon aikin mawaƙin Ukrainian, wanda ba a saba ba ya fassara makircin "madawwami" na wallafe-wallafen duniya game da Don Juan, ya sa mawallafin wasan ballet (Librettist E. Yavorsky) neman mafita mara kyau don aikin gaba. Wannan shi ne yadda aka haifi "wasan kwaikwayo na falsafa a ballet", wanda ya haifar da wasu yanke shawara na asali a cikin gidan wasan kwaikwayo na Kyiv, Kharkov, Dnepropetrovsk, Ashgabat da kuma birnin Ruse na Bulgaria.

A cikin 70s. Gubarenko yana aiki sosai a kusan dukkanin nau'ikan. Kasancewar ɗan ƙasa mai haske, ikon amsa buƙatun lokaci tare da duk sha'awar ɗan wasan fasaha - wannan shine matsayin da mai yin waƙar ya bayyana kansa. A cikin waɗannan shekaru, ta fuskoki da yawa ba zato ba tsammani ga masu sauraro, an bayyana wani sabon fanni na hazakar maigidan da ya riga ya balaga. Tare da haihuwar ɗayan mafi kyawun ayyukan mawaƙa, ɗakin daɗaɗɗen monodrama Tenderness (dangane da ɗan gajeren labari na A. Barbusse), zaren waƙoƙin ya yi sauti a cikin aikinsa cikin cikakkiyar murya. Wannan aikin ya taka muhimmiyar rawa a cikin juyin halitta na sha'awar kere kere na mawaki - nau'in nau'in nau'in abubuwan da ya tsara don wasan kwaikwayo na kiɗa yana karuwa sosai, ana haifar da sababbin nau'o'in fasaha. Wannan shi ne yadda duodramas na lyrical "Ka tuna da ni" (1980) da "Alpine Ballad" (1985), wasan kwaikwayo-ballet "Assol" (1977). Amma jigon farar hula, jarumtaka da kishin ƙasa na ci gaba da faranta wa mawaƙan rai. A cikin Symphony na Uku tare da mawaƙa "Zuwa ga 'yan adawa na Ukraine" (1975), a cikin kiɗa na sassa biyu na trilogy na fim ɗin "Tunanin Kovpak" (1975), a cikin opera "Ta hanyar Harshen" (1976) da kuma A cikin ballet "Communist" (1985), mai zane ya sake bayyana a matsayin muralist, yana haɓaka ka'idodin fasaha na nau'in jaruntaka-epic.

Mawakin ya yi bikin zagayowar zagayowar ranar haihuwar sa na shekaru hamsin tare da gabatar da wani aikin da ya kasance kololuwar nasarori da kuma tushen binciken da za a iya samu a nan gaba. opera-ballet Viy (bayan N. Gogol), wanda aka yi a Odessa Opera House (1984), jama'a da masu sukar sun amince da shi gaba ɗaya a matsayin wani lamari a rayuwar gidan wasan kwaikwayo na Soviet. Rayayye, launuka, kamar an ɗauke su daga yanayi, haruffan jama'a, rayuwar yau da kullun masu ban sha'awa, jin daɗin jama'a da fantasy sun fito fili cikin babban wasan kida da wasan kwaikwayo.

A cikin wasan opera mai ban dariya The Matchmaker Willy-nilly (dangane da wasan kwaikwayon G. Kvitka-Osnovyanenko Shelmenko the Batman, 1985) da kuma a cikin Ballet May Night (bayan Gogol, 1988), Gubarenko ya haɓaka kuma ya wadatar da ka'idojin salo na Viy, yana sake jaddadawa. zurfafa zuriyarsa tare da al'adun ƙasa, al'adunta da ikon kasancewa koyaushe a matakin sabbin nasarorin kiɗan zamani.

N. Yavorskaya