“Etudes Biyu” na M. Giuliani, waƙar takarda don masu farawa

“Tutorial” Gita Darasi Na 16

A cikin wannan darasi, za mu ƙarfafa kayan darasi na ƙarshe game da fasaha na "apoyando" kuma a lokaci guda yi amfani da etude II ta mawaƙin Italiyanci Mauro Giuliani a matsayin motsa jiki don haɓaka motsi na babban yatsa na hannun dama. Duk da lokacin da aka nuna Allegretto (Rayuwa) ɗauki lokacin ku, saboda ɗan lokaci a cikin wannan etude ba shine abu mafi mahimmanci ba. Kula da bayanin kula tare da mai tushe - wannan shine batun da dole ne a haskaka. Don farawa, kawai kunna waɗannan bayanin kula tare da mai tushe don jin jigon kuma yi wa kanku alama a matsayin waƙar apoyando. Fara wargaza wannan zane, kula da yatsun da aka nuna na hannun dama da hagu. Manne da yatsa sosai, yatsan hannu biyu yana da matukar muhimmanci a cikin wannan binciken. Da farko, ƙananan matsaloli suna yiwuwa saboda raunin motsin babban yatsan hannu (P), amma yayin da kuke koyon etude, waɗannan matsalolin za su shuɗe. Kunna binciken metronome a ɗan ɗan lokaci kaɗan, ƙara ɗan lokaci kaɗan idan kun ga akwai ɗan ci gaba.

Giuliani's etude, wanda aka yiwa alama da lambar Roman ta IV, ya ƙunshi maganin ayyuka iri ɗaya zuwa dabarar “apoyando”. Kamar yadda yake a cikin tude na baya, jigon bayanin kula an rubuta shi tare da mai tushe. A cikin ma'auni na uku na layi na uku na yanki, yayin kunna sautin G tare da yatsa na hudu na hannun hagu (kirtani ta farko), kar a cire shi don ma'auni ɗaya da rabi yayin canza maƙallan tare da yatsu na biyu da na uku. na hannun hagu.

DARASI NA BAYA #15 NA GABA #17